Aaron’s Top 10 Films of 2023

I watched 215 new films in 2023 and it’s time to talk about my favorites of the year.

0:22 – Favorite Experiences
05:42 – Documentaries & Short Films
09:06 – The Next Ten (11-20)
10:00 – The Top Ten Films of 2023

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Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society, Hollywood Creative Alliance, Cascadia Film & TV Critics Association. He reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted, and follow along with his daily film thoughts on Letterboxd. 

Aaron’s Top 10 Films of 2022

It all comes to this. As usual, I don’t believe in weak movie years. There may be genres that have weaker output some years, but overall there will always exist a plethora of amazing films to discover. Sometimes you just have to look a little harder and seek them out. I hope that my work throughout the year in reviewing new releases has helped you do just that at some point and will continue in the future, too.

This year I did a lot of video gaming (favorites: Elden Ring, Triangle Strategy, Vampire Survivors) and co-hosted The Games We Love Podcast for a few months. I also watched quite a bit of TV and other serial content (favorites: Andor, The Terminal List, Tokyo Vice). These other hobbies impacted my overall film viewing total but I still saw 185 new releases in the 2022 SFCS Awards Cycle. It’s important for me to mention that to get ahead of any “where is ???? movie on your list” questions. I’ve seen A LOT. Just because a movie doesn’t show up in my lists here doesn’t mean I don’t think it’s worthy of attention. Last year, I decided not to limit myself to a Top Ten or to rank that final list, but rather to share about my favorites no matter how many there were and to only call-out my overall #1. Even when releasing my podcast episode about my favorites last week, I had intended to do the same again. But after some reflection, I really just don’t feel good about not ranking my list. The thing is – none of this matters. Are some of these choices incredibly difficult? Sure. Does it mean that I don’t love my #3 movie as much as my #2 movie? No. All of this is just a subjective exercise in showcasing ten of the best I saw in a given year, so back to ranking them we go. This collection reflects my taste, what I appreciate in filmmaking for any number of reasons, and is full of movies that I believe are worth seeing and likely enjoying yourself. I’ve also shared some of my favorites in certain award categories as a little bonus. Hopefully you find some new films to check out by reading this article, that give a very happy start to 2023.


HONORABLE MENTIONS

* Streaming service is noted in parentheses next to each film where applicable. 

  • BARBARIAN (HBO Max) – surprisingly hilarious, twisty, and sometimes campy horror thriller
  • DECISION TO LEAVE (Mubi) – swoon-worthy cinematic murder mystery that morphs into an unexpected, challenging love story
  • EMERGENCY (Amazon Prime Video) – atypical buddy comedy that is an increasingly tense and serious look at being a minority in America
  • ESCAPE FROM KABUL (HBO Max) – riveting and shocking documentary that recounts the harrowing 2021 evacuation of Afghan citizens & U.S. troops from Kabul
  • EVERYTHING EVERYWHERE ALL AT ONCE (Showtime) – creative original alternate universe story with touching family relationships
  • THE FALLOUT (HBO Max) – tackles the traumatic aftermath of a school shooting from the students’ perspective with careful restraint
  • GOOD NIGHT OPPY (Amazon Prime Video) – inspiring documentary about the incredible human inventiveness, determination, passion, and love that goes into space exploration
  • HUSTLE (Netflix) – underdog sports story about a struggling NBA agent finding the next big phenom overseas
  • MARRY ME (Amazon Prime Video) – a modern rom-com that is charming and endearing with subtle humor that feels completely unforced and tender chemistry between mismatched leads
  • NAVALNY (HBO Max) – documentary that turns into a real-life spy thriller when its subject faces an assassination attempt by poisoning while filming it
  • PREY (Hulu) – propulsive, action-packed, and bloody sequel that pits a Predator against a Comanche heroine
  • PUSS IN BOOTS: THE LAST WISH – vibrantly animated, clever and exciting fantastical blending of nursery rhymes and fairy tales that smartly handles themes of companionship, fear of trusting others, mortality, childhood trauma, and more while also having slick action
  • RRR (Netflix) – energetic, electric, and utterly engaging tale that is pure action spectacle of tremendous production value with a beautiful bromance, some historical epic drama, and a few wildly entertaining musical numbers
  • THE SEA BEAST (Netflix) – gorgeously animated, epic work of high seas adventure where human and monster form a bond that challenges societal norms
  • SHE SAID – critical dramatization of the amazing journalism work by Megan Twohey and Jodi Kantor that exposed decades of abuse by Harvey Weinstein
  • SOMETHING IN THE DIRT – faux found footage documentary of mysterious investigation that feels like PRIMER meets PARANORMAL ACTIVITY meets X-FILES
  • STRANGE WORLD (Disney Plus) – exciting original adventure story with super creative creatures and world design, beautifully animated environments, hilarious fun of exploring a new place with a diverse group of people, and a heartfelt story about legacies and fatherhood
  • THE TERRITORY (Disney Plus) – gripping, educational documentary about an indigenous people in danger of genocide who are fighting to retain their land and way of life as the world literally closes in around them
  • TÁR – fascinating, expertly crafted character piece about a fictional abuser in position of high power due to her artistic genius
  • WILDCAT (Amazon Prime Video) – powerful documentary about wildlife rescue of a baby ocelot, forest conservation, and mental health
  • THE WOMAN KING – roaring, powerful, emotional, and somewhat revisionist historical action-drama with an incredible ensemble cast and brutally entertaining fight choreography that is reminiscent of classic Hollywood epics

AWARD LISTS

The below lists are an example of how I may have voted in this year’s Seattle Film Critics Society awards. There are always way more worthy contenders than can be captured in a few nomination slots, but these are some of my favorites this year in a handful of the biggest categories. Perhaps this will serve as some extra encouragement to seek out these particular films.

Best Director

  • Joseph Kosinski (TOP GUN: MAVERICK)
  • S. S. Rajamouli (RRR)
  • Park Chan-wook (DECISION TO LEAVE)
  • Charlotte Wells (AFTERSUN)
  • James Cameron (AVATAR: THE WAY OF WATER)

Best Actor

  • Tom Cruise (TOP GUN: MAVERICK)
  • Paul Mescal (AFTERSUN)
  • Brendan Fraser (THE WHALE)
  • Austin Butler (ELVIS)
  • Park Hae-il (DECISION TO LEAVE)

Best Actress

  • Cate Blanchett (TÁR)
  • Ana de Armas (BLONDE)
  • Tang Wei (DECISION TO LEAVE)
  • Park Ji-min (RETURN TO SEOUL)
  • Michelle Yeoh (EVERYTHING EVERYWHERE ALL AT ONCE)

Best Supporting Actor

  • Ke Huy Quan (EVERYTHING EVERYWHERE ALL AT ONCE)
  • Daryl McCormack (GOOD LUCK TO YOU, LEO GRANDE)
  • Colin Farrell (THE BATMAN)
  • Jake Gyllenhaal (AMBULANCE)
  • Ralph Fiennes (THE MENU)

Best Supporting Actress

  • Stephanie Hsu (EVERYTHING EVERYWHERE ALL AT ONCE)
  • Dakota Johnson (CHA CHA REAL SMOOTH)
  • Lashana Lynch (THE WOMAN KING)
  • Janelle Monáe (GLASS ONION: A KNIVES OUT MYSTERY)
  • Angela Bassett (BLACK PANTHER: WAKANDA FOREVER)

Best Cinematography

  • TOP GUN: MAVERICK (Claudio Miranda)
  • DECISION TO LEAVE (Kim Ji-yong)
  • THE BATMAN (Greig Fraser)
  • AVATAR: THE WAY OF WATER (Russell Carpenter)
  • RRR (K. K. Senthil Kumar)

Best Original Score

  • THE BATMAN (Michael Giacchino)
  • GOOD NIGHT OPPY (Blake Neely)
  • BABYLON (Justin Hurwitz)
  • TOP GUN: MAVERICK (Lorne Balfe, Harold Faltermeyer, Lady Gaga, and Hans Zimmer)
  • AVATAR: THE WAY OF WATER (Simon Franglen)

Best Animated

  • MARCEL THE SHELL WITH SHOES ON
  • PUSS IN BOOTS: THE LAST WISH
  • THE SEA BEAST
  • STRANGE WORLD
  • LIGHTYEAR

Best Documentary

  • GOOD NIGHT OPPY
  • FIRE OF LOVE
  • WILDCAT
  • ESCAPE FROM KABUL
  • THE TERRITORY

Best International

  • DECISION TO LEAVE
  • RRR
  • THE INNOCENTS
  • ATHENA
  • RETURN TO SEOUL

THE TOP 10

* Streaming service is noted in parentheses next to each film where applicable. 

#10 GLASS ONION: A KNIVES OUT MYSTERY (Netflix) – As much as I enjoyed the structure and ensemble in KNIVES OUT, it was a bit slow and stuffy for me, and the mystery wasn’t all that interesting. GLASS ONION improves upon it substantially and provided me with one of the most start-to-finish entertaining theater experiences of the year. Rian Johnson’s follow-up case for Beoit Blanc to solve is a riotous, twisty good time that has a high energy, brightness, and modernity about it that I loved. Each performance is so great that it’s genuinely hard to pick a favorite. Its mystery is a layered puzzle box of a tale that keeps you guessing as new details are revealed and Johnson’s script strikes a brilliant balance between clever, smart, and outright hilarious, and I enjoyed the roasting of several extreme personality types. I didn’t even mind some old genre tropes that help make the surprises possible because I enjoyed seeing the way the story was structured so much. It’s a film that would make Agatha Christie proud and like the best the genre has to offer It is exceptionally fun to watch a second time when you know what is happening. I hope that Johnson just keeps making more of these. (Hear our discussion about GLASS ONION: A KNIVES OUT MYSTERY in Episode 352 here.)

 

#9 BLONDE (Netflix) – I am one of the film’s few but strong supporters and have no reservations about that whatsoever. I fully understand why many did not enjoy watching it, and I can’t blame them for reacting that way because I’ve had my fair share of that this year as well (TRIANGLE OF SADNESS and BABYLON come to mind as movies that I can see strong work in but hated watching). That being said, I find BLONDE to be masterful, mesmerizing, heavy, and deeply challenging filmmaking by Andrew Dominik with a bravura performance from Ana de Armas as the famous icon. It’s unlike any biopic I’ve ever seen; part fantasy and part biography. It’s an intimate and at times poetic portrait of a fatherless, abused, and broken woman that isn’t at all about celebration of its subject matter’s achievements but rather a flat-out tragedy that should make you examine how you (and the world) view the idea of a Hollywood sex symbol and celebrity in general. I think if you’re viewing this through any other lens or letting yourself get angry because you think the movie is ruining Marilyn’s legacy then you are entirely missing the point. I can’t say it’s an easy watch and there are ton of trigger warnings that apply, but sometimes the most divisive films are the best ones because they provoke actual conversation and force self-reflection. Dominik has definitely done something unique here that I respect overall even if I don’t think it’s quite perfect.

 

#8 AMBULANCE (Amazon Prime Video) – What a rush! I’ve always loved Bayhem and seeing him execute this adrenaline-fueled heist and chase epic on a budget of “only” $40 million was like watching an exceptional athlete learn a new skill and be just as dominant. This is pure action cinema pornography to me, full of classic swirling 360 degree hero shots, super low angles, and plenty of vehicular carnage. The way that Bay also incorporates drone footage into his filming repertoire makes for some of the sickest camera shots in the film. The characters and plot are deeper than you might expect for a movie that is 90% vehicle chase and the performances are all excellent with Yahya Abdul-Mateen II and Eiza Gonzalez managing to achieve some heavy emotional nuance and Jake Gyllenhaal being batshit insane in the best way possible. The movie is pure energy with one of the best musical scores of the year just rattling your body with its powerful base. It feels like an EMT shocking you constantly with defibrillator paddles. Even re-watching it at home multiple times, I caught myself not even breathing because the intensity level is kept so high for so long. In a good way, of course. I love that Bay cuts out much of the silly comedy in favor of keeping this situation deadly serious and it’s a formula that results in one of my favorite action films in years. (Hear our discussion about AMBULANCE in Episode 317 here.)

 

#7 FIRE OF LOVE (Disney Plus) – Much like Sundance, it seems every year that National Geographic puts out one or more of my favorite films of the year. FIRE OF LOVE is the first of two documentaries in this list and the best among a super strong group overall. Artistry, reverence, and an abundance of astonishing archival footage come together brilliantly in this captivating documentary that tells a one-of-a-kind love story. It’s a beautiful, poetic, and passionate relationship that volcanologists Katia and Maurice Krafft together share – both for each other and collectively for the destructive but incredible natural wonders that they spent their lives dedicated to studying. Narrated softly by Miranda July, this is an expertly edited piece that is presented in a manner which captures the love and quirkiness of their relationship as well as the awe-inspiring work they did. It is also quite educational along the way, and what makes a documentary stand out most to me is when it can both provide me new information while also making me feel something emotionally.

 

#6 AFTERSUN – I watch so many movies. Plenty of them are entertaining and plenty of them are full of technical strengths. But every once in a while you get one of those special experiences. The kind that impacts you in a way you never saw coming. Charlotte Wells feature film directorial debut lets us spend one memorable summer vacation with young teen Sophie and her father Calum. He’s clearly depressed and trying to hide it; she’s coming of age. It’s eventually known that this is a sort of reflection for Sophie of what this time in her life was like and what she might have missed. The story is melancholic but filled with so much love. As a girl-Dad myself, I was walloped by the presentation of their relationship. This is one of the movies that I have thought about the most after it ended.

 

#5 CHA CHA REAL SMOOTH (Apple TV+) – There always seems to be some indie picture out of Sundance that makes me swoon. Last year it was CODA and this year it’s CHA CHA REAL SMOOTH. I really adore Cooper Raiff’s whole awkwardly charming, tender, incredibly earnest filmmaking style. This has some modern rom-com/coming-of-age vibes to it with its aimless depiction of finding your way through young adulthood with all the yearning and bitterness in relationships that come with that, and it has a wonderfully sincere depiction of an unexpected and wholesome friendship. I’ll admit that having a crush on Dakota Johnson is super relatable, as well, but the fact that this movie doesn’t lean into any sort of vulgarity and still respects the importance of commitment meant a lot to me. It also has a fantastic soundtrack and all-around tremendous performances by the primary trio of Raiff, Johnson, and Burghardt. It’s a movie that, also like CODA, left me feeling warm inside. (Hear our discussion about CHA CHA REAL SMOOTH in Episode 329 here.)

 

#4 AVATAR: THE WAY OF WATER – Everything in the story feels authentic, with multiple interesting characters who have their own arc of emotional growth, and yet its staggeringly, technically marvelous and has plenty of spectacular action. There’s something masterful about what James Cameron can do and it is so incredibly refreshing to have this storytelling taking place outside of a long-lived IP where everything that happens is on its third or fourth recycling of the same plotlines. THE WAY OF WATER was worth every bit of the wait and has me seeing a bland and boring world which makes me yearn to be back in Pandora. It is no surprise, but this is astonishing work by Cameron once again, who proves that he is in a league of his own when it comes to original blockbuster storytelling. (Hear our discussion about AVATAR: THE WAY OF WATER in Episode 351 here.)

 

#3 THE BATMAN (HBO Max) – I’m a Batman guy. He’s my favorite DC superhero by a longshot and has been since as long as I can remember. Even being a fan of every casting choice and Matt Reeves, I had my doubts that we were ready for yet another iteration on the character, and it took me two viewings to really appreciate fully. But I’m there now and think this is just a masterful depiction of a moody young Batman in a dark and gritty Gotham City dealing with a truly nefarious, unhinged villain that Paul Dano scarily brings to life. The chemistry between Pattinson and Kravitz works for me, Farrell is astonishing as Penguin, Giacchino’s ominous score is one of the best of the year, and I particularly love that the combat and focus on detective work feel straight out of the Arkham series of video games. It all comes together for me in an exquisite marriage of storytelling and production that continues the trend of outstanding different takes on the caped crusader. I’m so glad that I don’t have to choose a favorite version of Batman and can just enjoy them all for their strengths. (Hear our discussion about THE BATMAN in Episode 313 here.)

 

#2 MARCEL THE SHELL WITH SHOES ON -This is the purest distillation of charming, wholesome storytelling that I’ve seen in some time and my favorite animated film of the year by a large margin. The character of Marcel’s boundless curiosity and creativity, and his infectious love of life and community, result in a beautiful, exceptionally tender and hilarious journey told via outstanding stop-motion animation. It’s truly incredible what they were able to accomplish over the many years it took to bring this mix of live-action and stop-motion animation to life, and when I learned about some of their processes in behind the scenes featurettes, I was so impressed. Jenny Slate’s vocal performance as the titular shell is one of the best I’ve ever heard – a wonderful marriage to the endearing on-screen animation of little Marcel and a pitch-perfect mockumentary script. This film (and GLASS ONION) made me laugh more than I have any other time in a theater this year, and cry several times over. He is a character that inspires so many of the best qualities in us. He warms the heart and he will not soon be forgotten. (Hear our discussion about MARCL THE SHELL WITH SHOES ON in Episode 343 here.)

 

#1 TOP GUN: MAVERICK (Paramount Plus) – Legacy sequels are a scary thing. I’m of the belief that many are made for no other reason than to capitalize on a bankable IP, and not because there is a burning continuation of a story to be told. For me, this was a sequel to one of my Top 5 favorite movies of all-time, so I’ll freely admit that despite my faith in Tom Cruise and my general love for Kosinski’s filmmaking – I was very, very nervous. But it didn’t take long for that worry to disappear and thankfully what replaced it was pure joy. MAVERICK just works. Every single bit of it. Because of attention to detail and the actors actually flying, the aerial action is unmatched, and the character progression for Pete Mitchell makes perfect sense. Cruise performs the role of an aging aviator with a sensational balance of his youthful arrogance with a veteran’s seasoned maturity. The entire supporting cast is on top of their game and Kosinski doles out scenes of tension and excitement with emotional relationship beats and brief comedic moments of levity with perfect pacing. The high that I felt when leaving the theater is unrivaled and I’ve felt it every time since when watching the movie at home, too. I felt so many things in this movie, which is what I love most about this medium of storytelling in the first place, and I’m just so grateful to be given a new chapter in this series that I didn’t even know I needed until it was here. (Hear our discussion about TOP GUN: MAVERICK in Episode 324 here.)



Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted, and follow along with his daily film thoughts on Letterboxd. 

Aaron’s Top 10 Films of 2021

2021 – we got back into the theater, y’all! For me, this year was a strong rebound from the roller coaster ride that was 2020. There were still some film delays to endure, but also a return of blockbusters to the big screen, and several studios experimented with a same day theater plus streaming release strategy which was fascinating to see play out. As was the case last year, Netflix, Disney Plus, Apple TV Plus, HBO Max, Amazon Prime Video, and more continue to battle for our subscription, and also like last year, something from each of them can be found in my list of favorites.

This year I watched more TV content than I have in a long time, including all of “Yellowstone” through Season 4 (a new all-time favorite show for me), five seasons (!?) of Marvel content, and a handful of limited or miniseries (the best of which in 2021 was probably “Midnight Mass” and my favorite overall was “Looking For Alaska”). As of this writing, I’ve still managed to see 200 new releases in this SFCS awards cycle (February-December), 24 of which are documentaries and 27 that are animated. I’ve seen so many amazing films and since it is always difficult for me to settle on a top ten, twenty, etc., I’ve decided to go against the norm and do things a little differently.

For this year, I am going to list my Top 12 because that is the group of films I feel strongest about. I am not going to rank them, but I will share which is my #1 film of the year. They instead will be presented in alphabetical order, as will my additional picks in the honorable mention section. Where possible, the film titles will all be linked to a corresponding Letterboxd entry and I will note where a film can be viewed if available on a streaming service. Honestly, I’ve had a love/hate relationship with the struggle of ranking and making lists for years now. It can be fun to do and argue about, but the reality is that picking just ten movies to highlight gives me anxiety sometimes and comes down to nitpicking and debating minor flaws in pieces of art that I absolutely love. I think all lists are about personal resonance, and in keeping it on brand, mine is a group of movies that made me feel the most and debating what is “better or worse” than something else on the list doesn’t bring me joy. This collection reflects my taste, what I appreciate in filmmaking for any number of reasons, and is full of movies that I think are worth seeing and probably enjoying yourself.

Oh, and I’ve also decided not to separate documentaries and feature films as I have in past years. So let’s get to it, shall we?


HONORABLE MENTIONS

(Film titles linked to Letterboxd entry where one exists)


THE TOP 12

CODA (Apple TV Plus) – The big winner at 2021’s Sundance Film Festival, the grand jury and audience got this right. I’m admittedly a mark for a great family-focused heartwarming high school coming-of-age story. Throw in a little romance, music, and a very genuinely depicted and unique conflict due to deafness – I WAS HOOKED. The film’s relationships are beautiful and every performance feels authentic. It may follow a predictable formula but that doesn’t detract one bit from how powerful and special its message is. And the final 10 minutes, where I’m just overwhelmed with emotion and happy tears, comes as a result of incredible storytelling and character work up to that point. It’s my favorite single part of a film in 2021. You’re either moved by it, or dead inside. No in-between.  ❤️ (Hear our discussion about “CODA” in Episode 290 here.)

 

DEAR EVAN HANSEN – This musical means a lot to me. The stage production has long been a favorite of mine and this adaptation does it justice. The casting of Ben Platt, who is clearly older than his character now, doesn’t bother me at all. Evan is Ben, and Ben is Evan. He understands this character in such a deep way that no one else really ever could. I’ve seen much criticism over the way his social anxiety and depression are depicted, yet multiple HS teacher friends have expressed just how realistic this portrayal is. Kids do act this way and things become stereotypes because they are common. Platt may look awkward when mumbling and fidgeting his way throughout the perfromance, but it perfectly captures the way so many people just don’t feel comfortable with themselves, especially around others. When it comes to emoting and singing, he absolutely cannot be beat and delivers the exceptional vocals as only he can.

I adore the fact that this story tackles teenage anxiety, depression, the need to be seen and feel like your voice matters. Is it a morally challenging tale? Absolutely! Evan’s actions aren’t something to be endorsed, but how the film handles this is beautiful. There are consequences for his actions and his positive impact on others cannot be denied and should not be dismissed. The film differs a bit from the musical and shows us that Evan, who made some huge mistakes, is worthy of forgiveness, redemption, happiness, and love. Most people in this world don’t live life in only black or white, and for an extremely sad and struggling character like Evan to go through this and come out on the other side better for it is a triumph. The additions to the end of the story and Connor’s beautiful new song are perfect.

The film also treats suicide realistically, with not everyone instantly being torn to pieces but sometimes wondering why they should be sad about losing someone who was terrible to them. We usually only see overwhelming sadness, but the tragedy of suicide can evoke a lot more varied reactions from people close to a lost one. And then there’s Evan’s relationship with his Mom and the underlying effects of his absent Dad that weigh heavy on his decision-making, too. All of these things are presented together so well, in my opinion, to make an entertaining yet touching movie that isn’t so morose it loses the audience completely and ruins its opportunity to provoke empathy (for everyone).

The music is simply amazing and a big part of why the original production is so beloved. Pasek and Paul write simple lyrics that are so relatable and their melodies are either poppy and catchy or just incredibly soulful and beautiful. With an excellent supporting cast and wonderful direction, I was swept away by Stephen Chbosky’s lovely adaptation that is every bit as good as I’d hoped for. (Hear our discussion about “Dear Evan Hansen” in Episode 293 here.)

 

DUNE – “The mystery of life is not a problem to be solved, but a reality to be experienced.” Every bit the epic feeling and faithful adaptation that I was hoping for from this. “Dune” is a story that may have its focus mostly hitched onto the character of Paul but it is universal in nature. Its scope is so large, dealing with politics and religion and mysticism and economics all within a fascinating futuristic setting. Denis Villeneuve understands this and tells the story the only way that can work in such a short runtime, with incredible visual design and a perfectly accenting Zimmer score helping to drive the emotion and support a lack of character exposition. The film only adapts half of the book but still has to cover a whole lot of ground and it does this with expertly refined character development and a quickened pace. The awe-inducing nature of the production was awesome as we moved from one major event to another, with just the right amount of detail given to always provide context, depth, and hints at what may be to come. The cast is made up of A-listers and it absolutely shows. Even smaller parts are elevated by considerable talent and I loved every single performance so much. There’s action, heart, intrigue, and a whole lot of mystery. I was breathless when it ended and dying to see the culminating part two immediately! This is the kind of science fiction that I deeply love and an example of why we go to the movies, to be transported and fully immersed into worlds that are not our own. “Dune” went above my already lofty expectations and is one of the most satisfying blockbusters of the past few years. (Hear our discussion about “Dune” in Episode 296 here.)

 

FLEE – “Flee” is a staggering, harrowing, one-of-a-kind work. When you break it down, it’s a rather simple retelling of one man’s life as an Afghan refugee fleeing his war-torn country while simultaneously coming to terms with his own homosexuality, all relayed through personal interviews. But the unique presentation of this material is unlike anything I’ve seen before. Using a blend of powerful archival footage and absolutely beautiful mixture of animation styles which visualize Amin’s life events and feelings, this documentary is able to emotionally convey his terrifying, tragic, and oh so difficult experiences as he fully opens himself up for the first time and comes to terms with his own history and present. It never feels sensationalized either and yet really hammers home the horrors that so many people must endure simply because of where and/or how they’re born. I couldn’t help but immediately begin to reflect on my own blessings, something I think myself and many others do not think of nearly enough. I’m so grateful for the incredible filmmaking team who used their gifts to shine a light on this story in such a respectful, tender, and masterfully cinematic way. And I’m especially thankful to Amin, for bearing his soul and sharing himself with all of us, so that we may better understand and perhaps even influence the world for the better because of it.

 

THE MAP OF TINY PERFECT THINGS (Amazon Prime Video) – Time loops and young adult romance. It’s basically “you had me at hello”. This is full of intelligent, witty, snappy dialogue, tropes I love, and extremely enjoyable and authentic chemistry between two leads who aren’t quite stars yet and thus can disappear into these roles easily. I had a blast watching the characters try to figure out what makes the perfect day, explore the math and science of their situation, and then make the best of it by forming a connection with another person that helps break them out of a feeling of isolation. The filmmaking doesn’t get in its own way, keeping it simple with no special effects to speak of and strong focus on Mark and Margaret instead of trying to introduce side characters and subplots. The titular map ends up being sickly sweet, and I am 100% moved by emotional gestures like it and love the reminder message for us to enjoy the little things and moments of our lives that we tend to pass over without giving a thought. This is the kind of rom-com that I’m always hoping to find and I’ll be championing it for years to come so that people don’t let it slip under the radar and miss out.

 

THE MITCHELLS VS. THE MACHINES (Netflix) – This movie is the passion project of first-time director Mike Rianda and it shows. The film, following in the footsteps of producers Lord & Miller’s own previous animated work, is a visual blast and has grown on me with each subsequent viewing throughout the year. It’s a joyful watch full of action and hilarity. I fell for its short film within a film sections, the lively, vibrant, colorful animation and art style, and most importantly how the emotional core of the story (the family’s relationship and how they fix what’s broken) affected me. Having my own daughter who has just left the home for college as Katie is doing in the movie definitely made this hit a little bit harder, too. The story isn’t overly complicated, features some fun pop culture references, and serves as a commentary on our culture’s obsession with technology and gadgets. This one is fun for the entire family and my favorite Western animated film of the year, beating out numerous strong competitors from Disney and Pixar. (Hear our discussion about “The Mitchells vs. the Machines” in Episode 299 here.)

 

NINE DAYS – This is the kind of movie that leaves you at a loss for words. There is something so transcendent about this high-concept fantasy drama that is very much like the live-action companion piece to Pixar’s “Soul” (my #1 film from 2020). I was moved in a way that I have not often felt and challenged to appreciate the awe-inspiring reality of life more deeply on a moment to moment basis than most of us ever do. Slow down. Stop aiming for perfection. Let go of a need to have all the answers. Find the value in everyone and every point of view. Life isn’t this or that. Life is everything.

Edson Oda has crafted such a profound and imaginative debut feature film full of detail that begs exploration of during future viewings. It announces his talent to the world and instantly cements any future projects he does with “must-watch” status. Winston Duke gives a magical, mysterious, spiritual, and utterly transformative performance as a “formerly alive person” who now tests young souls and decides which will have the opportunity to be born and which will not. He is extraordinary and an immaculate recital of a Walt Whitman poem near the end of the film is a career-defining moment for him. The entire cast – Zazie Beetz, Benedict Wong, Tony Hale, and more are every bit his equal, all of them capturing the important essence of their character personalities perfectly. And all of this is presented to us in gorgeous minimalistic nature backed by a beautiful, emotional score by composer Antonio Pinto. Stunning is an understatement for the kind of experience that “Nine Days” is. It’s truly the type of film that I watch hundreds of new movies every year just hoping to discover. The kind that leaves you with nothing to do but just shake your head in wonder and admiration and say “Wow”.

 

THE RESCUE (Disney Plus) – It’s truly incredible what the human race can do when people come together with optimism and relentless determination to put the well-being of others above their own. “The Rescue” tells a story that is every bit as thrilling as the most suspenseful natural disaster movie, but is in fact one that is ripped straight from the 2018 headlines. I certainly thought that I knew what happened going into this completely enthralling doc, but it turns out that I had no idea at all.

The amount of obstacles faced by a collection of Thai Navy SEALS, their government, American military advisors, deep cave divers, medical specialists, thousands of volunteers, and more is staggering. But once again, filmmaking duo Elizabeth Chai Vasarhelyi and Jimmy Chin capture the events that unfolded in gripping fashion, while never losing touch of the humanity of it all and the poignant nature of the mental and emotional struggles faced along the way in addition to the physical and environmental ones. This doc is a mix of archival cave diving footage brilliantly merged with recreations to the point that you often don’t even know the difference, plenty of on-location planning footage, and interviews with divers and others involved in the rescue. Make no mistake about it, though, this is a “popcorn documentary” that is more about evoking a sense of wonder at the accomplishment than anything else. The film lacks interviews from the boys or their parents and is fully approached from the perspective of the rescue diving team. That didn’t bother me one bit because the rescue itself is just so cinematic and unbelievable. I was all in on this intense journey from start to finish and a complete wreck throughout. Despite knowing the eventual outcome, I found myself near tears, gnawing my fingernails, and even yelling “Are you effing kidding me!?” at various times. Real life heroism will always have my full attention and seeing such a captivating story shared, complete with the positive outcome and heartwarming sacrifices made to achieve it, was a special experience.

 

SCHUMACHER (Netflix) – I was floored by this stunning documentary about one of the greatest racing drivers of all-time. Being a newer fan of F1, I sadly missed the Michael Shumacher era of dominance and only knew about him in context of all the records he holds and how Lewis Hamilton has been breaking them.The filmmakers who are telling Michael’s story here truly love and respect him, as clearly everyone that ever came into his life does, and it makes walking through his career a true joy. Packed with the best thing any sports documentary can have, archival footage, we get to see Michael racing as a child, a ton of F1 racing content, old interviews, and even a wealth of family photos and videos that show a fuller picture of Michael. He wasn’t just a great F1 driver, he was a great son, brother, husband, father, and friend, too.

I’d always just assumed that Michael won his 7 championships all in a row and with one team, but learning about how he burst onto the scene with Benetton, won twice, and then willingly stepped into a worse car and situation because he desired the challenge of bringing Ferrari back to glory made my respect for him grow immensely. This was a man who grew up doing everything the hard way and who was never afraid. He also was hard-headed sometimes to a fault and found it impossible to see and admit any wrongdoing for much of his career (I see so many shades of Max Verstappen in young Schumi). But most of the athletic greats have similar traits. They are driven and focused in a way their peers often are not, and it’s what makes them special, or to use a modern term “built different”. What Michael accomplished in the sport is simply amazing and thanks to this thorough documentary I now can say that having seen how with my own eyes.

 

SPIDER-MAN: NO WAY HOME – Tom Holland is back as Spider-Man to wrap-up his (first?) trilogy and this time Marvel really swings for the fences in how it introduces the multiverse into the MCU while telling a personal story with big stakes and emotional outcomes. The integration of Spidey’s old villains from previous universes was handled brilliantly, with most of them being given the opportunity for character growth, and even redemption There is a lot to balance in this film but I was so impressed by the way it handled exciting action, the humor we expect and love from the MCU, painfully serious tragedy, and inspiring heroic actions and heart. Seeing this in a crowded theater full of fans on opening night was one of the best experiences I have had… ever. The room was electric and full of oohs and ahs and squealing at the film’s many surprises. Peter’s journey in this film is deeply affecting and memorable, anchored by Holland’s best performance as the character yet. And I loved how this end of MCU Spider-Man’s arc sets up the future of Peter Parker in this universe. Sure, it’s packed with nostalgia, but nothing here was done without careful thought and it is so much more than just fan service. Spidey finally has another film worthy of his superhero status as a fan favorite and I imagine this will be one the films I re-watch the most from 2021. (Hear our discussion about “Spider-Man: No Way Home” in Episode 303 here.)

 

THE SUMMIT OF THE GODS (Netflix) – “The Summit of the Gods” is a French anime style adaptation of a Japanese manga that itself is an adaptation of Baku Yumemakura’s 1998 historical adventure novel. The plot is fictitious, following a reporter/photojournalist named Fukamachi Makoto who comes in contact with a mysterious climber named Habu Jôji who claims to have the lost camera of George Mallory and Andrew Irvine, a real pair of climbers who actually perished on Mount Everest in the 1920’s. Sir Edmund Hillary is famous for being the first to officially summit Everest in 1953, but there have always been questions as to whether Mallory and Irvine maybe did it first. In this tale, the camera in question may have proof that this is the case, and after losing his trace early on Fukamachi spends much of the film trying to piece together Habu’s past and gain access to the camera.

Fukamachi reminds me a lot of Jon Krakauer in that he’s clearly interested in understanding what drives people to risk everything trying to achieve these great heights. His story is partially like solving a mystery but includes loss and personal growth along the way. It was very moving. Ultimately, he ends up going on an ascent of Everest himself and it is one of the most non-stop breathtakingly spectacular pieces of animation I’ve ever seen. The filmmakers took great care to make this very realistic and capture the detail, danger, and beauty in alpine mountaineering. This is also a fairly patient and quiet film. I appreciated how poetic it feels and how focused it is on only a few characters. The score is marvelous, too, setting a melancholy or thrilling tone at different times in the story.

I personally can’t get enough of climbing documentaries and though this is a work of fiction, its ties to reality make it almost feel like a documentary at times. It is full of splendor and depicts views we rarely will ever see in such a magnificent way. Sometimes a movie just feels made for you. This is one of those times I get to experience that, and I wish so badly that I could have seen this in a movie theater.

 

#1 THE GREEN KNIGHT“Why greatness? Why is goodness not enough?” David Lowery has already proven himself to be one of the best working directors, but this wholly personal interpretation of the famous Arthurian poem is his most incredible film yet. This captivating journey of medieval not-a-knight Gawain plays out like a slow-burning dark fantasy video game, complete with side quests to test the mettle of the flawed character, teaching lessons along the way before putting in his path an end boss of immeasurable challenge that will require a life-altering choice. The story is told differently than you may know, but like the poem itself this adaptation revels in ambiguity, leaning into visually delightful mystical symbolism to get its point across enough that the tale can be followed while also encouraging its audience to question the very nature (heh) of the chivalric code that its character claims to value so dearly.

Understanding all of the film’s references may take several viewings and a healthy dose of director commentary, but I was beguiled by every frame and after a pulse-raising knockout of an ending, I was left wanting nothing more than to read/watch others interpretations, think deeply on it, and quickly go as fast I could to see it again. This is genuinely the work of a master craftsman, each and every technical element and performances working flawlessly to create a story that begs to live inside your head. I often don’t connect with surreal storytelling methods but something about this (as with “A Ghost Story”) proves Lowery is able to weave that dreamlike quality into a mostly grounded overall structure to a stunning result. (Hear our discussion about “The Green Knight” in Episode 304 here.)



Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted, and follow along with his daily film thoughts on Letterboxd. 

Caless’ Top 10 Films of 2020

The end of the year is usually a time for reflection, looking back at achievements and milestones, and setting up the new goals to be achieved for the new year. Any other year would be a normal process, but 2020 was not a regular year. A global pandemic, conspiracy theories, a strongly divisive political election, and the loss of notable heroes and figures in the entertainment industry cast a dark cloud akin to the alien ship’s hovering presence in “Independence Day”. This is not me being a Debbie Downer and throwing a pity party because even with the numerous negatives, there is a good bit of happiness and great moments that salvaged some of my sanity and usual positive demeanor. Cinema is always my place to escape the world’s problems and more than ever this year it felt like a personal version of Superman’s “Fortress Of Solitude”.

The pandemic sidelined most of the theaters in the country leading to my bedroom being the stage where new films debuted. It took some time getting used to the usual stranger sitting beside me in a dark theater being exchanged for my two cats and a loving girlfriend who shares my same passion for filmmaking. The experience of watching a film at home is greatly convenient and beats having to pay for a ticket and popcorn; on the other hand, the big screen, trailers, and the grand sound system is sorely missed and I hope that I can see the inside of a theater very soon. For now, these 20 films that made the cut for my best of the year each get a strong “must watch” recommendation for the memorable moments each of them provided me during the storm of this tumultuous year. Welcome to Black Nerd Magic’s Top 20 of 2020!!!!!!


20. SMALL AXE: LOVERS ROCK

19. SMALL AXE: RED, WHITE, AND BLUE

18. SMALL AXE: EDUCATION

17. TOTALLY UNDER CONTROL

16. MANK

15. ONE NIGHT IN MIAMI

14. CODED BIAS

13. ONWARD

12. THE TRIAL OF THE CHICAGO 7

11. THE INVISIBLE MAN


10. WOLFWALKERS – A 17th century Irish tale splashed with gorgeous animation, a story that is part coming of age, part action adventure, and part advocate against the debilitating effects of deforestation. Heartwarming for the soul and a delight for the ears due to the stellar voice acting cast/ear-worm musical soundtrack featuring the best of Irish culture staples. The Apple TV Plus streaming service gets a boost in being an option for cord-cutters based off this film as a whole.

 

9. TENET“Don’t try to understand it, just feel it” has become the meme associated with this high-concept action film but the phrase acts as a guide to becoming open to the risks and outside-of-the-box thinking required by Christopher Nolan’s new mind-bending roller coaster. The kind of film that requires more than just one sit down to understand all of the mechanics employed to pay tribute to the spy films of the 1960s and a reconstruction of what audiences are used to looking for in a summer blockbuster. “Challenging” is an apt term for the narrative and concepts but it is a test that I love to undergo to push myself past outdated conventions of what to gather from a piece of entertainment. My hope is that this film will eventually undergo the same legacy face-lift that “Inception” and “Interstellar” now currently enjoy.

 

8. CHARM CITY KINGS – The African-American coming of age story in the same vein of a “Lady Bird” that I have long been praying will become the norm. Thanks to director Angel Manuel Soto, that dream is close enough to realize, especially with the new focus of Hollywood advocating for more diversity. Meek Mill made his name off a successful rap career and looks to transfer that talent and grind into acting with a hell of a supporting performance. Remember this name: Jahi Di’Allo Winston. A young gifted actor whose name is going to receive more spotlight and praise as his career continues to grow in the near future.

 

7. DA 5 BLOODS – Spike Lee is a director who has never minced his message or employed a sugarcoating approach to stories of the African-American condition. A group of Vietnam War veterans travel back through the traumatic battlefield of war to uncover a reserve of gold that is rightfully theirs given the atrocities of their ancestors and the treatment they faced in the country they fought for in the name of honor. Delroy Lindo is a front-runner for Best Actor in a career best performance that has me still floored. This film is Netflix’s knight in shining armor of original content.

 

6. SOUND OF METAL – The journey of one man learning how to live life without his passion of music is sadness personified but the hope of change and the attention displayed on his growing understanding that life doesn’t have to be defined by a disability is a cinematic treasure. The awards season is going to be in love with Riz Amhed and it will be righteous and deserved. Pay attention to the subtle details hidden in the use of sound throughout this film which is able to excel in noise but also the power of comforting silence.

5. SOUL – No surprises when it comes to passing on exemplary praise to the work of Pete Docter as his new film is more of the same representing the best of what Pixar has to offer. This is animation focusing on the existential questions of life with a degree of craftsmanship and goodwill in its message of choosing right now to live life to the best it can be. The depiction of African-American characters and the markings of its unique culture, hairstyles, and musical fortitude that defines them bought nothing but tears and smiles to my face. Trent Reznor and Atticus Ross’ score is another trophy on the mantle for their celebrated career and I recommend heading straight to your Spotify and giving it a serious listen.

 

4. SMALL AXE: MANGROVE – A courtroom drama that feels tailor-made for the current social justice movement in America. A story that epitomizes the slogan “Black Lives Matter” and gives a lens to the contained disease that is prejudice and discrimination against minorities looking to make a better life than just being second class citizens. Steve McQueen’s tribute to the experiences of West Indian people of color fighting for their civil rights in the late 60s-early 70s in England represents the pinnacle of the wildly acclaimed Small Axe series.

 

3. PROMISING YOUNG WOMAN – A stunning fireball of dark comedy that is compelling and represents a big middle finger to rape culture, mansplaining, and the continued physical and mental harassment that are faced by women in a patriarchal society. Carey Mulligan dazzles in an enjoyable performance that ranks among the most entertaining to be seen in recent years. Confident writing and direction from newcomer Emerald Fennell cruises down the lane for a cinematic strike without using bumpers or cheap tropes to relay a powerful message of “ENOUGH IS ENOUGH”.

 

2. NOMADLAND – Nothing can beat the feeling of seeing humankind in their best element helping others and being compassionate to understand whats it’s like to be in someone else’s shoes. Frances McDormand proves again to be a treasure, further cementing her name as legendary in the acting profession. Chloé Zhao’s meditative drama centering on a woman traveling from place to place looking for a sense of self after the economic downturn of the late 2000s is lighting in a bottle. Rich screenplay full of memorable lines and a score that soars on cloud nine; there is nothing that this film does on an average level, every piece of the puzzle shines.

 

1. BOYS STATE – Spellbinding documentary that examines the woody swamp of political discourse through the eyes of young men on the precipice of obtaining a position in keeping democracy. No matter the side that anyone chooses on the government level, this is a must watch for educational purposes and for the human moments that transcend past anything conceived in imagination. There is a sense of understanding that won’t be found on the spaces of social media and internet messages boards; hearing clear and mature discussion between kids leaning towards Democrat or Republican is a breath of fresh air and something that should become more the norm in the United States. Another piece of fantastic filmmaking that can been seen on Apple TV Plus.


Caless Davis is a Seattle-based film critic and co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He loves any discussion of film and meeting new people to engage in film discussions on any subject. You can follow him on Twitter and Instagram, and follow along with his daily film thoughts on Letterboxd. 

Aaron’s Top 10 Films of 2020

What. A. Year.

2020 will be remembered as much for the way in which we watched movies as for the movies themselves. In a world shutdown by the COVID-19 virus, theaters closed and kept us indoors more often than not, watching streaming films at an increased rate while seeing major studio tent-pole releases constantly delayed. Netflix, Disney Plus, Apple TV Plus, HBO Max, Amazon Prime Video, and more are locked in a battle to secure our subscriptions, and almost all of my Top 10 can be found on one of these services.

Along with the change in release dates came a change in the awards season. With the Academy Awards pushing back until late April 2021, some films that will be eligible won’t even release until January or February 2021. I’ve made the decision to go ahead and finalize my end of year list without seeing a few of those, though they will be a part of my annual voting as a member of the Seattle Film Critics Society. This year, our award timeline was delayed as well, and so I do not have a list of my nominations and our winners to share. Hopefully I can remember to come back and edit links to those in after they are complete.

This year I saw a resurgence in gaming, partially due to the launch of a new seasonal podcast about video games called The Games We Love, partially due to some extra free time while working from home for several months, and partially due to the excitement of welcoming the next generation of consoles into my home. I also watched more series content than in recent years, going through all of “Friday Night Lights” with my best friend and watching a season here and there of countless other shows. As of this writing, I’ve still managed to see 166 new films this year, a whopping 29 of which are documentaries. Finding room in my Top 20 (much less my Top 10) for every film that I want to sing the praises of is usually incredibly difficult and this year is no different. There were less films that blew me away this year but the overall quality of what I watched is strong and encompasses a wide range of genres. Since it’s impossible for me to ever just settle on ten best films, you will see some of my favorites of the year in the #11-20 special mention spots, as well as couple of extra highlights. While there are no specific thoughts accompanying the #11-20 films, you can always find my thoughts on what I’m watching at my Letterboxd account, so be sure to follow me there.

With regards to my criteria, when it comes to ranking films critically, I do that as part of my membership in the Seattle Film Critics Society. But on Feelin’ Film we focus more on matters of the heart, so my Top 10 films are often ones that I found the most affecting in 2020 – those movies that provided me an incredibly emotional or memorable experience of some sort. Another thing that factors strongly into my ranking is rewatchability, so think of this list as my favorites, which to me are the best.

In order to make this a tad easier on myself, and also because they truly are a unique medium unto themselves, I always list my Top 5 Documentaries separately. It feels like every year is a great one for non-fiction filmmaking and 2020 was no different. I still have quite a few highly-acclaimed ones to see and may even come back and edit this accordingly when I do. Regardless, I’ve expended this genre’s list to a Top 10 this year due to there being so many great documentaries that I want to bring attention to.

This has been a relatively long intro and I appreciate you taking the time to read it when you could have just scrolled down to the lists. With that said, I won’t take up any more of your time.


BEST NON-FILM

TED LASSO (Apple TV+) – “Ted Lasso” is simply one of the best pieces of entertainment media (film, series, game) that I have enjoyed in year. This ten episode series is based on an old NBC Sports commercial and follows a college football championship winning coach to England where he takes over a floundering Premiere League soccer team, despite knowing next to nothing about the sport. It’s a recipe that could so easily have led to stupidity but instead this show, which can be binged in less than 5 hours, is utterly hopeful and positive at all times. As Ted navigates learning the sport, dealing with the eccentric and egotistical personalities of the adult players he coaches, and struggles with his own quietly hidden relationship issues, this show manages to always keep you smiling and leave you feeling inspired. Response was so great that before season one had even finished airing, Apple TV ordered seasons two and three, so now is a great time to discover it and experience the uplifting ability this show will have on your life.


THE DOCUMENTARIES

10. THE SOCIAL DILEMMA (Netflix)

9. THE DISSIDENT – Oscar-winning director Bryan Fogel (“Icarus”) returns with “The Dissident”, another strong contender that could win him a second statue, about the disappearance of Washington Post journalist Jamal Khashoggi and villainy of Saudi Arabian Crown Prince Mohammed bin Salman. It is a gripping, immersive, and well-told piece of investigative journalism about the suppression of speech. The film covers a lot of information but its thriller style makes it go down easy. It features a fantastic score, too, and is incredibly urgent as the world becomes more and more fractured into sides who refuse to accept opposing viewpoints.

8. TIME (Amazon Prime Video) – “Success is the best revenge.” repeats Sunil Fox Richardson over and over angrily as she tries to convince herself to stay calm during yet another inhuman and unnecessary delay in the journey toward her husband’s release from prison. The resilience of this family on display is incredible and the way their story is told is both artistically compelling and emotionally evocative. This is an urgently needed piece that looks closely at the toll of injustice in America’s prison system, not from a broad statistics viewpoint but from a ground-level human one. The Richardson’s never once complain about having been arrested. They take full responsibility for their crimes but fight for fairness and changes to a system that, tragically, once it has its claws in you just never will let go. Their determination to make their family whole again and desire to see all justice system wrongs righted is hard to watch because you hate the pain and loss of time they’ve lived with, but ultimately an inspirational reminder that we (all of us) cannot allow this to continue in our world.

7. CONSOLE WARS (CBS All-Access) – Can’t really ask for much more from a 1.5 hour adaptation of a 576-page book. The original is definitely more in-depth and focuses even more heavily on SEGA’s perspective, but this visual version does it justice and is enhanced by the ability to show things such as the commercials and events of the console war era, which at times is much more effective than just imagining or trying to remember them when reading. This is a fantastic overview of this critical period of gaming history.

6. DICK JOHNSON IS DEAD (Netflix) – A filmmaker daughter and her aging father stage his death to help prepare for his eventual passing. I cried gobs and gobs because of course I was thinking about my own mom who passed away in 2014 and also remembering the struggles my grandfather had with Alzheimer’s before his death. But there is such joy in what Kirsten Johnson is doing that it far outweighs the sadness; the humorous stunt work, fantastical Heaven sequences, and enjoyment I had from seeing Seattle on screen helped to never let me wallow in the inevitability of what we’re seeing play out for too long at one time. Pictures and videos immortalize our loved ones in ways that fading memory never can quite match. This is beautiful. This is special. I almost feel guilty for peeking into someone’s intimate life story in this way, but I know that the purpose of these two sharing their passions together before Dick is gone forever and putting it on film for us to see in this intelligent, clever, and poignant manner is very much for themselves first and an inspiration for us second.

5. MISS AMERICANA (Netflix) – Taylor gets very raw and real in this documentary where she comes clean about just how hard celebrity life has been for her, in a way that we can never really understand, and puts into perspective how that can negatively affect someone’s emotional and mental well-being. I loved seeing the songwriting process, too. One of my favorite things about Taylor is her storytelling ability. That’s what makes her special, and it was a joy to watch some of these hits developing in their infancy. I also definitely appreciated her vulnerability about eating disorders, the Kanye stuff (that whole incident just makes me even madder now), disagreements with her parents, the awful experience of going through being sexually assaulted, and her struggle with trying to be the picture of who fans wanted instead of the person she actually is inside. Taylor has come a long way and deserves the right to grow and change and voice her opinions just like any of the rest of us do. I laughed, I smiled, I cried, I was brought back to many memories related to her music, and I came away from this feeling like I respect her and love her as an artist even more, but most importantly as a person who has feelings and thoughts and opinions. We so often think celebrities just exist for our entertainment. That may be their job, but there’s so much more to their lives.

4. BOYS STATE (Apple TV+) – A documentary that follows an annual event in Texas where a thousand 17-year-old boys join together to build a representative government from the ground up. It is cinematic, incredibly entertaining, super insightful, and a huge crowd-pleaser. It’s also eerie how much this serves as a microcosm of big-time American politics, but luckily manages to remind us that there is still some hope, as well.

3. TAYLOR SWIFT – FOLKLORE: THE LONG POND STUDIO SESSIONS (Disney+) – I adored this intimate and personal film that doesn’t just have Taylor playing her incredible songs from the Folklore album but provides a much bigger opportunity for her to discuss the stories behind their meaning and how they came to be written, as well as ruminate on her collaborative efforts with The National and Bon Iver. This is such a perfect companion piece to her Resolution Tour film, one that is full of her energy and showmanship. This shows a very different side of her and that is what makes her so special, the ability to be real in both ways and both places. It is an absolutely perfect music documentary on one of the greatest American singer-songwriters ever.

1b. THE LAST DANCE (Netflix/ESPN+) – What really needs to be said? This incredible 10-part documentary captured the attention of every major sports fa  every Sunday night over a month in 2020 as we watched behind the scenes coverage of and relived the Chicago Bulls 1997-98 championship season. Centered around that particular year and the end of a dynasty, the documentary simultaneously serves as a portrait of the career of NBA legend Michael Jordan. It is a riveting piece of work and one of 2020’s best overall cultural moments.

1a. THE HISTORY OF THE SEATTLE MARINERS (YouTube) – Since there are two sports documentaries essentially tied for my favorite of the year, I’m going with the more unique one in this top spot. This film (which you can view in chunks or as one 3.5 hour long supercut at the link above) immediately goes on my Mount Rushmore of sports documentaries. It is an incredible, engaging piece of storytelling and statistics that relives the franchise’s history from its highest highs and “what ifs” to the many, many years that have left fans feeling like the team is cursed. It is an ode to a city, a team, its icons and its villains, that manages to be both entertaining and supremely informational while never once losing my attention. Yes, I may be slightly biased because I’m also a fan of the team being covered, but the format is undeniably mesmerizing regardless, and this is a truly complete history of the team we Mariner fans sometimes hate to love. SoDo Mojo!


HONORABLE MENTION

HAMILTON (Disney+) – Hamilton the stage musical is a perfect piece of groundbreaking theater, one of the greatest shows of all-time, from the mind of absolute genius Lin-Manuel Miranda. And while this filmed version is missing that special energy that makes a live viewing so special, that is more than made up for here with the careful camerawork providing close-ups, unique angles, and tracking shots that allow for a more intimate and detailed experience than the vast majority of viewers would ever be able to have. The show is a masterpiece plain and simple, and I’m glad that they went this route instead of adapting (and lessening) it into a different media form. “Hamilton” the “movie” immediately becomes one of the things I will re-watch the most for the rest of my life. It is simply extraordinary.


THE FEATURE FILMS

20. SOUND OF METAL

19. GREENLAND

18. MONSTER HUNTER

17. ON THE ROCKS

16. GREYHOUND

15. WENDY

14. TENET

13. ONE NIGHT IN MIAMI

12. FIRST COW

11. ONWARD


10. THE INVISIBLE MAN (HBO Max) –  “The Invisible Man” put a new spin on a classic horror property with a sci-fi twist, plenty of surprises, and an all-too-real story from the perspective of someone who is tormented by her long-time domestic abuser. It is not always easy to watch and trigger warnings definitely apply, but for those who can stomach it, the painful brilliance of Moss’ exceptional traumatic performance, catharsis and a genuinely unnerving but entertaining experience is to be had. Universal has finally figured out what a new line of monster movies can look like, with truly evil and unredeemable villainous fiends and social metaphors delivering a contemporary vision all their own. Let’s hope this is the start of a great franchise and not just a splendid flash in the pan. (Hear our discussion about “The Invisible Man” in Episode 219 here.)

 

9. WOLFWALKERS (Apple TV+) – “Wolfwalkers” has so much symmetry that you’d think Wes Anderson directed it. This technique, and accompanying use of varying geometric shapes to display its 2D art style, result in some of the most visually striking, memorable, and sublime animation I’ve seen in years. The story hits emotional beats aplenty with its fable-like tale of friendship between two girls from different worlds and its single-parent relationship struggles. There’s also the historical setting to take in for those who want to learn about this traumatic period of English control in Ireland’s past. And there are some environmental messages here akin to what Miyazaki tackles in his wonderful film “Princess Mononoke”. The musical score is an absolute delight, too, with its traditional Irish folk sounds perfectly matching the wondrous colorful images. Cartoon Saloon puts out nothing but hits and this is simply next in line.

 

8. THE FATHER – With all due respect to the other leading men of the 2020 awards cycle, Sir Anthony Hopkins has entered the room. In a memorable (ironically) performance that absolutely floored me, he brilliantly transports us into the mind of an elderly man suffering from dementia. He navigates a range of emotions from lovable and harmless to infuriating and heartbreaking with delicate expertise. Combined with focused first-time direction from award-winning playwright Florian Zeller and an expertly adapted script of his own work, the story plays out (pun intended) at times almost like a psychological thriller instead of a straight drama. As his daughter (played lovingly committed yet on the cusp of a breakdown at all times by the wonderful Olivia Colman), and others, enter and exit his world, nothing is certain for character or audience, allowing us to feel the suffocating struggle that loss of memory must have on those who suffer from it, and provoking a level of empathy for them that I’ve previously not experienced.

 

7. PROMISING YOUNG WOMAN – Stylish, twisted, bitingly mean, deviously funny, and yet confidently firm in what it has to say about rape culture and those who protect it. Like its title, writer/director Emerald Fennell is a promising young woman, too, crafting a multi-tonal thriller that puts a new spin on a familiar revenge story in a way that definitely leaves a mark. It helps that the film is led by Carey Mulligan, in what is at least equal to the best work of her career, and features an expertly curated soundtrack. This is an ambitious and fascinating confrontation of a toxic masculinity culture that needs to disappear and the grief and trauma victims of it face.

 

6. CHARM CITY KINGS (HBO Max) – It’s not often that a film is as fresh to me as “Charm City Kings”. I can honestly say that I’ve never seen anything quite like the perspective of this coming-of-age story before and I was blown away by the feelings it left me with and the strong character development throughout. It follows a group of young teenagers navigating life in Baltimore while admiring a local biker gang, learning about masculinity and loyalty along the way. Ángel Manuel Soto has created something special and rapper Meek Mill is a revelation in a powerfully emotional supporting role.

 

5. SMALL AXE: LOVERS ROCK (Amazon Prime Video) – This movie is a vibe. Steve McQueen offers a prime example of not padding a story just to hit some arbitrary runtime. This is one night, one party in a West London neighborhood in the 1980s, and the narrative doesn’t need more than that to completely immerse us in the experience of these would-be lovers and others just wanting to dance the night away in carefree bliss. There is no overarching conflict or problem to solve, just a few instances of natural interpersonal drama between party-goers throughout the evening. The aesthetic is incredible with a hazy cinematography as if the camera was shooting through the clouds of marijuana smoke that fill the house, and the music is flat-out incredible, provoking an involuntary response for the viewer’s body to move to the sweet rhythms and lyrical sexiness of Mercury Sound’s reggae jams. In the film’s final moments it captures the hope and feelings of newfound love beautifully and realistically, and leaves us with a smile that will go down as one of 2020’s best film moments for me.

 

4. NOMADLAND – “Nomadland” is a tremendous portrait of the American vagabond uprooted by recession, constantly moving as a means of survival, while simultaneously experiencing the world around her in a way that so few of us ever really do. Chloé Zhao’s use of non-actors again elevates her film, giving it a sort of slightly dramatized documentary feel. Hearing the real-life stories of nomads that Fern meets on the road and watching her learn about their ways was enlightening and humbling, showcasing a segment of humanity that is far less reliant on luxuries than I will likely ever be. Joshua James Richard’s sweeping, majestic Midwestern cinematography captures beautiful landscapes in wide glory but Zhao knows when to have him come in close to show us the incredible emotional tolls on Fern, thanks to what I believe is a career-best performance by the great Frances McDormand. And Ludovico Einaudi’s melancholic and moving score triggered tearful eyes nearly every time it sparingly appeared.

Above all else, “Nomadland” is an inspiration, much in the way that something like “Into the Wild” has always been for me. It offers an awakening to the very real struggles some face in the 21st century, and reminds us that home truly is where the heart is, while no doubt leaving a lingering mark on your soul. Zhao’s storytelling approach is truly something special and combined with her unique cinematic eye and gift in editing this film proves that “The Rider” was no fluke and she is one of the most important voices in American filmmaking right now.

 

3. RIDE YOUR WAVE (Hoopla) – “Ride Your Wave” walloped me emotionally and is my new favorite film from Masaaki Yuasa. It’s a romantic dramedy anime with relatively restrained use of fantasy elements (for Yuasa, at least) and a reoccurring musical theme that gives me strong “La La Land” vibes. It also teaches how to make great coffee, which is a huge bonus! The film is gorgeously animated with a softer style that perfectly fits the tone of its story and has nuanced emotional depth as it deals with love, loss, and what it means to move on. It’s also an extremely accessible anime for mainstream animation fans and nice to see something in the genre that focuses on adults and not teens. Year after year, I continually find myself drawn to romantic stories in anime and while that has mostly been Makoto Shinkai pictures, I’m thrilled to find other directors hitting those same chords that resonate with my heart.

 

2. THE WAY BACK (HBO Max) – “The Way Back” is not without its typical sports cliches in the personalities and stories of the basketball team players, but it is also a film that completely subverts them when it comes to its overall primary character arc and ending. It’s an addiction drama about how we cannot change the past, but how we can affect the future, one step at a time, and of the impactful part relationships and passions play in that process. It is a feel-good basketball story with a dose of exciting in-game action, some hearty laughs, and plenty of sincere feels, made even more special when you consider the cathartic personal role it played in Ben Affleck’s own recovery. Director Gavin O’Connor has cemented himself as the king of this genre and is now 3 for 3 with sports drama masterworks. (Hear our discussion about “The Way Back” in Episode 260 here.)

 

1. SOUL (Disney+) – At first, you might not think “Soul” is Pixar’s most perfectly entertaining film from start to finish. It definitely feels like some of their heaviest existential drama to date and is less accessible for younger kids, but it all comes together to pay off brilliantly in an absolutely triumphant and moving final act reached through a screenplay that deftly navigates complicated concepts. What personality traits are we born with and how do we choose our passions are among the big questions asked by Pete Docter and crew this time around, and it will certainly get you thinking about your own life, how you got here, and where you’ll go next. The score by Reznor and Ross is my favorite of the year and the film’s vibrant visuals (which look incredibly different when in New York or in the spirit world) are stunningly gorgeous, unsurprisingly making me very sad that I wasn’t able to see this in a theater. Thankfully, for viewers who do find it a bit abstract, the talking cat helps keep it light despite the big ideas and characters dealing with death. Ultimately, “Soul” is a tender film and one that is refreshingly all about hope and realizing just how incredible every day of life is whether we have attained our dreams or not.


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted, and follow along with his daily film thoughts on Letterboxd. 

Patch’s Top 10 Films of 2019

2019 was weird for me when it came to film. In some ways, it wowed me. In other ways, it made me shake my head. Sandwiched in between an epic franchise finale and retellings of classic favorites were some real gems (cut and uncut).  Below is the best of the best, for me at least. As with every year, not everything could make my top ten, so here are my honorable Top 5 Best of the Rest of 2019.

THE BEST OF THE REST

5. Brittany Runs a Marathon

4. Luce

3. Spider-Man: Far From Home

2. Waves

1. Avengers: Endgame


THE FEATURE FILMS

Without further delay, here are my 10 favorite films of 2019. If you haven’t had a chance to see them, hopefully, this list will help encourage you to seek them out soon and draw your own conclusions

10. UNCUT GEMS – One of the surprise performances of 2019 is Adam Sandler in “Uncut Gems”. As a gritty New York gambler, Sandler shows us the life of trying to make a fast dollar, and his performance carries the film all the way to its surprising conclusion. His performance combined with the fantastic cinematography put me right in the tough streets with him, hoping that I don’t get caught saying or doing the wrong thing, for fear I might get a bullet in the chest.

 

9. ONCE UPON A TIME… IN HOLLYWOOD – Quentin Tarantino is a director that I can respect and value, but also dislike and dismiss based on personal preference. There are few movies I can watch more than once with him in the director’s chair. “Once Upon a Time… in Hollywood” stands out as one. Tarantino succeeds in crafting his own history, using a combination of real-life celebrities of Hollywood past as well as fictionalized characters representing those personalities that lived so prominently of that era. Two of those characters, Rick Dalton and Cliff Booth, and their friendship carry the story, something I didn’t expect from QT. That relationship becomes the catalyst for the film, and it’s the thing that captured my attention more than anything. (Hear our discussion about “Once Upon a Time… in Hollywood” in Episode 178 here.)

 

8. JOKER – A friend of mine said to me after seeing “Joker”, “if this was about a guy named Arthur Fleck, without the whole Joker origin story, it would have been just as impactful.” I completely agree. What Todd Phillips does in this story is invite us into the chaotic world of mental illness with the pressure of having that mental illness in a world that expects you to behave as if you don’t. Joaquin Phoenix delivers an outstanding performance and journey succumbing to the monster he eventually becomes. It’s a hard movie to watch and one of the few I hesitate to revisit because of the impact it has. But it’s one that will be the most memorable of 2019 for me. (Hear our discussion about “Joker” in Episode 191 here.)

 

7. FIGHTING WITH MY FAMILY – I love it when a movie makes me feel happy. What I thought was going to be a nice little throw-away popcorn flick turned out to be one of the most memorable films of the year. It is anchored by Saraya Knight, an up and coming wrestler with dreams of being in the WWE, but the emphasis extends to the importance of family, of being connected to a common set of people, believing in each other’s dreams and how success and failure can shape each person’s life. It also doesn’t hurt that it takes me back to my days growing up watching “rasslin” every Monday night and Saturday afternoon.

 

6. MARRIAGE STORY – What a gut punch. “Marriage Story” acts as a mirror in a lot of ways in exposing the honesty of real relationships. It’s a raw vantage point seeing how two people come to grips with the fact that they, as a couple, aren’t happy, and have to deal with it knowing that there will be collateral damage no matter what. I see that in my marriage, in the hard conversations that expose the messiness of choosing to be together. But “Marriage Story” also reminds me that, at the heart of relationships is the ability to choose, and though I don’t agree with some of the choices made by our main characters, I am reminded that that ability is crucial. The film isn’t pretty, but it’s honest, which makes it a valuable watch for anyone. (Hear our discussion about “Marriage Story” in Episode 203 here.)

 

5. THE PEANUT BUTTER FALCON – Independent movies don’t get enough love. I’ve learned to accept that. Limited theater distribution, smaller marketing, and sometimes a simple narrative can hinder the buzz that these films deserve. “The Peanut Butter Falcon” is no different. Centering around a relationship between a couple of rejects pursuing a better life, this film invites us to join them on this journey and accept them for who they are as they grow to accept each other. Family doesn’t have to be defined by blood, and this film sells that message in a way that makes a believer out of me. (Hear our discussion about “The Peanut Butter Falcon” in Episode 199 here.)

 

4. PARASITE – I hope that we get to cover this on Feelin’ Film at some point. So much has already been said about this fantastic film. The social commentary is both obvious and subtle at the same time, giving the audience enough to think about but not overselling and overshadowing a fantastically entertaining story. There are so many “wow” moments in this film, twists and turns that keep me wondering what’s really at work here. It’s definitely worthy of the accolades that it has gotten and I hope that more people get a chance to appreciate what Bong Joon-Ho has crafted.

 

3. FORD V FERARRI – I don’t get a chance to see movies in the theaters more than once, so when I do, it’s got to be worth it. “Ford v Ferrari” is probably the most entertaining movie of 2019 for me, and it’s one that I had the pleasure of seeing twice on the big screen. There is a completeness in telling the story of Carol Shelby, Ken Miles, and their pursuit to bring Ford motor company back to relevance in the 1960s. James Mangold, in his meticulous direction, puts us so close to the action of LeMans as well as the intimacy of the relationships he takes care of in this story. I didn’t come away feeling wowed by what I saw, but rather getting a complete story, one that entertained me from start to finish. There wasn’t a single moment that stood out as the big moment, but it wasn’t necessary. Everything worked, and I can’t wait to experience it all again. (Hear our discussion about “Ford v Ferrari” in Episode 198 here.)

 

2. LITTLE WOMEN – What the heck? It’s no secret that period pieces are not my thing, and had it not been for Sam Mendes’ “1917” releasing in early 2020 instead of on Christmas (for my area at least) this was going to be a rental, easily. But as I learned in watching “Lady Bird” this year, Greta Gerwig can make me feel deeply in spite of my preconceptions of what a movie is supposed to be. “Little Women”, driven by a solid female cast, manages to tell a story that is both 200 years old and also still relevant today. Saoirse Ronan anchors the narrative as Jo March, and the supporting cast of her sisters propel it to entertaining heights. Watching the film reminded me of how important it is to understand yourself, how difficult it is for women to navigate a world dominated by men, and how family can bring out the best in a person, even through conflict and pain. (Hear our discussion about “Little Women” in Episode 207 here.)

 

1. BOMBSHELL – Movies that can entertain, educate, and provoke thoughtful discussion will always rise above any other, and “Bombshell” doesn’t miss any of those beats. When corporate America treats sexual harassment prevention training as a box to be checked to avoid liability, its importance is lost. “Bombshell” should essentially replace that training and be standard viewing for any employee working today. Solid female-led performances by Charlize Theron, Nicole Kidman and Margo Robbie help expose the toxic environment of Fox, and John Lithgow, portraying the sleazy Roger Ailes puts the exclamation point on that world. Much like last year’s “Hearts Beat Loud”, this film comes at a disadvantage, namely releasing late in the year against “Uncut Gems” and “The Rise of Skywalker”. If not now, hopefully, the early part of 2020 will bring it more of an audience and allow the message of “Bombshell” to explode beyond just the film world. (Hear our discussion of “Bombshell” in Episode 205 here.)


Patrick “Patch” Hicks calls Little Rock, Arkansas home with his family of four (his wife, son and three pets). When he’s not podcasting, he works as a multimedia designer and is also dabbling in the art of writing and directing. You can find him floating around the web on Twitter, Facebook, and his home on the web, ThisIsPatch.com.

 

 

Aaron’s Top 10 Films of 2019

2019 is coming to a close and what a wonderful year of movies we’ve had to wrap up the decade. This year I saw 175 new films, 26 of which were documentaries. Finding room in my Top 20 (much less my Top 10) for every film that I want to sing the praises of is always incredibly difficult and this year is no different. The process of narrowing down my favorites to the top ten films of the year was a painful experience that required a lot of reflection and time. The ranking you see here changed constantly right up until I hit “post”, but now what’s done is done and I have to live with it. Since it’s impossible for me to just settle on ten, you will see some of my favorites of the year in the #11-20 special mention spots.

With regards to my criteria, when it comes to ranking films critically, I do that as part of my membership in the Seattle Film Critics Society (see my nominations here and our award winners here). But on Feelin’ Film we focus more on matters of the heart, so my Top 10 films are often ones that I found the most affecting in 2019 – those movies that provided me an incredibly emotional or memorable experience of some sort. Another thing that factors strongly into my ranking is rewatchability, so think of this list as my favorites of the best.

In order to make this a tad easier on myself, and also because they truly are a unique medium unto themselves, I have listed my Top 5 Documentaries separately. It feels like every year is a great one for non-fiction filmmaking and 2019 was no different. At least two of these below would be featured in my Top 10 of the year if these lists were combined; I had to make some very hard cuts in limiting this list to just a Top 5. But as they say… “it’s what it is.”


THE DOCUMENTARIES

5. UNTOUCHABLE (not the 2019 documentary about Harvey Weinstein) The first documentary I saw in 2019 was this film by David Feige that started making festival rounds in 2016 and finally got its release this year. The film follows Ron Book, a Florida lobbyist and father to a daughter who has been sexually abused, on his campaign that leads to some of the toughest sex offender laws in the nation. The film is special because of the way it gives equal space to the stories of both victims and offenders, as well as their respective loved ones. It is an incredible example of what documentaries at their best can be – not just informative, but balanced and thought-provoking despite covering very difficult to watch & complicated subject matter. While never losing sight of the pain these crimes can cause, it challenges our long-held perception of sex offenders, forces us to see the effects of our strict justice system on them and their families, and offers statistics that question whether our laws are even making a dent in rehabilitation or prevention. (Hear our discussion about “Untouchable” in FF+ here.)

4. LOVE, ANTOSHA – Get ready to cry your eyes out and then embark on a (surprisingly long) quest to watch all of the late actor Anton Yelchin’s films. This film is so well-constructed as a documentary that tells the story of Anton’s life, but its power is in sharing the stories of what he meant to so many people, who could see in him what he maybe never could. It is a beautiful, beautiful tribute to a brilliant artist and wonderful human being gone far too soon.

3. SEA OF SHADOWS – I was blown away by the incredible access to both the bad guys and Mexican governmental agencies that this filmmaking team was able to have. “Sea of Shadows” is a documentary (which feels like an intense geopolitical thriller about cartels and other international criminal groups) that follows journalists teaming with activists and military to expose and take down powerful black-market fish bladder traffickers. The film is engaging and riveting in the way it brings this story of gross human exploitation and the destruction of our planet’s environment/animal kingdom to the forefront of public minds.

2. FOR SAMA – Many films have been made about the Battle of Aleppo, a 4.5 year conflict during the Syrian Civil War, but none like this. Told entirely from a young woman’s perspective, Waad al-Kateab becomes a journalist and documents her life in a sort of video log time capsule dedicated to her daughter Sama. It is an intimate, ground-level perspective otherwise unseen that captures the struggles of Waad’s life as she transitions through falling in love, becoming part of the resistance alongside her doctor husband, and eventually motherhood. It is visceral and painful in a way that caused me to have tears welled inside my eyes for almost its entire runtime. But though it is a horror film, it is also a love story, one that shows the cost yes, but also the deep devotion to justice and freedom that drives the resistance to protect one another and strive to reclaim their homeland from tyranny. It was unforgettable, and I hope that for the sake of retaining our humanity in this world as many people as possible will see it. Tough to get through? Absolutely. But worth it in every way for the beautiful relationships that exist within the chaos, and the inspiring hope these parents bring to not just their own child but the next generation as a whole.

1. APOLLO 11 – For the second year in a row, a documentary provided my most incredible IMAX theater viewing of the year. Composed entirely of newly discovered raw archival footage from the actual launch, mission, and landing, “Apollo 11” is an editing marvel that shares with the world an immersive experience from the past. Presented entirely free of any commentary and backed by one of the best musical scores of the year, this is technical filmmaking mastery at its finest. I held my breath, cried tears of pride and awe, and felt my bones rattle and my seat shake – all part of a spectacular experience that was one of my most memorable ones this decade. (Hear our discussion about “Apollo 11” in FF+ here.)


THE FEATURE FILMS

20. THE LEGO MOVIE 2: THE SECOND PART(Hear our discussion about “The Lego Movie 2: The Second Part in Episode 149 here.)

19. SPIDER-MAN: FAR FROM HOME (Hear our discussion about “Spider-Man: Far From Home” in Episode 174 here.)

18. BATMAN: HUSH(Hear our discussion about “Batman: Hush” in FF+ here.)

17. THE FAREWELL(Hear our discussion about “The Farewell” in FF+ here.)

16. A HIDDEN LIFE

15. PORTRAIT OF A LADY ON FIRE

14. FORD V FERRARI(Hear our discussion about “Ford v Ferrari” in Episode 198 here.)

13. TOLKIEN(Hear our discussion about “Tolkien” in FF+ here.)

12. MISSING LINK(Hear our discussion about “Missing Link” in Episode 160 here.)


  • I broke this into a Top 11 because I couldn’t bear to cut (heh) “Uncut Gems” from my Top 10. It’s that great. #SorryNotSorry

11. UNCUT GEMS – Remember. To. Breathe. “Uncut Gems” is an E-X-P-E-R-I-E-N-C-E. This is a one-of-a-kind stylish anxiety attack that captures the highs and lows of compulsive gambling like I’ve never seen before. It often feels like complete chaos and manic screaming of dialogue throughout, but that is actually the Safdie Brothers in complete control of a career-best performance from Adam Sandler. It’s terrifying to watch unfold – like a horror movie without the slashing or supernatural – and the gigantic breath I finally took at the end is like the greatest gasp of air I’d ever had. Bonus points for a huge sub-plot involving Kevin Garnett and one of the year’s best scenes where said NBA superstar caresses a rock lovingly.

 

10. BOMBSHELL – There’s always room for a stellar biopic with Oscar-worthy performances and a biting script in my Top 10, and this year it was director Jay Roach’s riveting story of how brave women at Fox News took down its infamous sexually abusive CEO and a culture of toxic sexism. It is a slick, entertaining, and highly uncomfortable film that is so much more than just a history lesson, though. It tells this very important story from a perspective that audience members may never experience otherwise, opening my eyes via dramatization in a way that mundane and cheesy workplace sexual harassment videos never have. I feel empowered to look for, notice, and stand up against sexual harassment of any form anywhere it exists. (Hear our discussion of “Bombshell” in Episode 205 here.)

 

9. TOY STORY 4 –  Shame on me for doubting Pixar and one of the most perfect trilogies of all-time. It took me two viewings, but once I took in the film detached from my expectations of what a Toy Story film “should” be, I fell in love. Not only is it heady and thoughtful in ways the series has never quite tried, it still packs the emotional punch I expect and crave. I laughed my ass off. I cried hard. I became obsessed with Forky. New characters won me over and this fourth entry manages to somehow create a new conclusion that makes perfect sense. (Hear our discussion about “Toy Story 4” in Episode 172 here.)

 

8. JOKER – Todd Phillips’ “Joker” is exceptional, elevating the type of stories we are accustomed to from our comic book characters into previously uncharted artistic territory. As Phillips’ muse, Joaquin Phoenix carries the film with a phenomenal physical performance that imbues the titular villain’s tormented soul with both a growing madness and a painfully affecting pathos. It took a lot of nerve for Phillips to depict a “beloved” villain in this way and style,  knowing that many fans would not approve, but his approach allows for a powerful conversation to be had about mental illness and violence. I was completely enthralled throughout the film, both with its narrative and its artistic elements. I left the theater floored and impressed beyond belief. (Hear our discussion about “Joker” in Episode 191 here.)

 

7. PARASITE – What hasn’t already been said about director Bong Joon-Ho’s delightfully dark social satire? It’s a commentary on class warfare and capitalism that plays out in a funny yet thrilling story that crosses several different genres and surprises at every turn. Worthy of every bit of praise and all of the awards that it is winning this year, “Parasite” is one of the best live-action foreign films of the decade and should be seen knowing as little as possible.

 

6. 1917 – “1917” is an astonishing exercise in immersion that left me utterly shaken. It is a true technical marvel, with emotional power that creeps up slowly, and then forces the viewer to reconcile with the futility of war in a manner that lingers long after the credits roll. Featuring my favorite score of the year and the best cinematography, as well, the film is stunning on every level, a tour-de-force in the genre, and an absolute must-see theatrical experience. (Episode coming in January 2020)

5. THE PEANUT BUTTER FALCON – A simple, moving adventure story of friendship and family. Never condescending. My eyes were hardly dry throughout. I love this movie. Every single moment. The cinematography, the score, the acting, but of course the story most of all. And for me, the depiction of people on the fringes – a care center runaway with Down Syndrome and a troubled thief –  who come together and become a non-traditional family is one of the sweetest I’ve ever seen. (Hear our discussion about “The Peanut Butter Falcon” in Episode 199 here.)

 

4. WEATHERING WITH YOU – It’s no secret how much I adore Makoto Shinkai’s “Your Name.” This film also features a central teenage romance with fantastical elements and natural disasters on the horizon but is a much more serious and dramatic work that takes its time moving the story along and has Shinkai exploring the very real issue of climate change (and humanity’s conflicting response to it) through the decisions that its romantically inclined protagonists face. In what has become the norm, Shinkai delivers breathtaking visuals yet again and they perfectly synchronize with another beautiful RADWIMP’s score. There is just something about how Shinkai consistently tells stories that move me deeply and affect my soul in ways that very few filmmakers do. “Weathering With You” is an incredibly layered animated dream and I can’t stop thinking about its characters, their relationships, and the challenging situations they must deal with, but also what my own feelings about those things ultimately say about me.

 

3. ONCE UPON A TIME… IN HOLLYWOOD –  Where Quentin Tarantino’s storytelling shines the most in “Once Upon a Time… in Hollywood” is in the relationship between movie star Rick Dalton & his stuntman/best friend Cliff Booth. Their friendship is touching and hilarious, and their stories are compelling enough on their own to carry a nearly 3-hour long movie. In addition, the satisfying and respectful retelling of Sharon Tate’s tragic murder within this alternate history grounds this film in the time period that QT is clearly making a love letter to. I could watch these characters in this world for hours upon end and never tire of it. Exceptional production value and acting all around plus great messages about friendship and how we remember people make this a slamdunk top film of the year for me. (Hear our discussion about “Once Upon a Time… in Hollywood” in Episode 178 here.)

 

2. MARRIAGE STORY “Getting divorced with a kid can be one of the hardest things you can ever do – it’s like a death without a body.” I relate very deeply with much of what’s depicted in this story, and from personal experience, I agree that divorce *is* like death without a body. What makes “Marriage Story” brilliant to me, is that Baumbach captures the waves of changing emotions and challenges that many, many couples face perfectly, despite the setting being that of two celebrities parting ways. “Marriage Story” is a reflection of this beautifully flawed couple that gives insight into the awful process of divorce, and it hurts like hell to experience but can also serve as a cautionary tale for those in relationships now. It is the rare film that comes along that has impeccable filmmaking artistry, is entertaining, and has a huge personal relevance, making it an easy choice for this spot on my list. (Hear our discussion about “Marriage Story” in Episode 203 here.)

 

1. LITTLE WOMEN – When was the last time a pure drama, period piece, with Hollywood star power, contending for awards had a PG rating? Greta Gerwig’s masterful retelling of Louisa May Alcott’s classic is a love letter to the source material that is as delightful as it is artistically terrific. Updated with a fun new meta twist that could have gone terribly awry, instead, Gerwig’s storytelling device highlights the theme of owning your own story and hammers home Jo’s arc in an impactful new way, while also portraying Amy’s important story quite powerfully, like we haven’t seen before. The acting is just as brilliant as you’d expect from this supremely talented group of young actors, and supporting roles by such veterans as Laura Dern, Meryl Streep, Tracy Letts, and Chris Cooper are every bit as perfectly cast. Each and every element of the film adds to its delight – from the production design to the score – and it’s likely Gerwig’s film will go down as the best telling of this famous story for many a viewer, and may just inspire a whole new generation of little women too. (Hear our discussion about “Little Women” in Episode 207 here.)


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Patch’s Top 10 Films of 2018

2018 was a stellar year for movies. More often than not, I found myself asking the question “Can this year get any better?” after finishing one of the many great films ranging from big blockbusters to upstart independents to non-fiction narratives. Anytime I do a top 10, wrestling with the ones that “didn’t make the cut” makes me feel like a coach that has to cut those players that were great, but just not great enough. That doesn’t negate the films’ impact on me by any means. Sometimes, you just have to make sacrifices. However, I’m not going to completely disregard them, so here are my honorable Top 5 Best of the Rest of 2018.


THE BEST OF THE REST

5. Annihilation
4. Upgrade
3. Green Book
2. Crazy Rich Asians
1. Sierra Burgess is a Loser


 

THE FEATURE FILMS

Now, for the all-star team of films that I chose, I was surprised at how varied my list was. That says so much about how great this year was in film-making. If you are reading this, I hope that you’ve had a chance to see these films, and if not, that this will encourage you to do so.


10. RALPH BREAKS THE INTERNET – Sequels can be a high risk/high reward avenue when it comes to franchises. Honestly, I was content with Wreck It Ralph as a stand-alone feature. That story was told. What more needed to be said? Well, apparently, a whole internet’s worth of stories. What the first film did for my love of all things gaming, the sequel successfully pulled off the personification of the world of cyberspace. Not only that, but the message at the heart of Ralph 2 is one that I wasn’t expecting, one that speaks to the importance of what real friendship is.

9. FIRST MAN –  Damien Chazelle + Ryan Gosling + Space = Yes Please. I thought I knew what I was getting when I walked into the theater. Apollo 13, The Right Stuff, and From Earth to the Moon are staple space viewings for me. But I walked out of the theater saying, “Wow, that really was about Neil Armstrong.” I thought that I was going to get a movie about space and the guy who first set foot on the moon. Instead I got an intimate portrayal of a man who struggled with the weight of being a father, a husband, and an astronaut, all while dealing with grief over the loss of a child. Any nominations this film get are much deserved, and I hope to see that come awards season.

8. A STAR IS BORN – This was a movie that I had very little interest in. I hadn’t seen any of the previous iterations, and thinking about Lady Gaga in a theatrical performance where she may be out of her element (aka not dressed up as something obnoxious) didn’t give me a lot of hype value. But then I watched the opening performance by director/actor Bradley Cooper, a man who altered his whole persona (voice included) to own this role of Jackson Maine, and I was floored. Then Lady Gaga comes in and completely sells me on her character, Ally, not only with her singing chops (this I knew) but the way in which she and Cooper’s chemistry worked so well. This film did so much in helping me see that beauty and ugliness of a star’s life, how it can change you and turn you into something you aren’t proud of. It also showed me how the love two people have in the midst of that can not only survive, but succeed, and leave a lasting legacy.

7. THE ENDLESS – Imagine a movie that tells you one thing and then about half way through, shouts in your face “Gotcha.” Now imagine if that worked for you. I’ve had experiences like that, where I’m sold on a movies premise and then it completely goes sideways. More often than not, it spoils my movie experience. The Endless just ratcheted it up to another level of enjoyment. It’s drama and sci-fi, two things I love, but packaged together in a way that I have never seen before. I can’t say much more without spoiling it, but of any movie on this list, I would say see this as soon as you can.

6. READY PLAYER ONE – Book to movie adaptations can be a slippery slope. I’ve learned to extend a lot more grace as I’ve watched more of these as long as the central plot doesn’t change and characters don’t become inconsistent with who their book counterparts are (I’m looking at you Percy Jackson). But something interesting happened with Ready Player One for me. While those two character traits stayed intact for the most part, the book and movie became two different experiences because of the amount of changes that Spielberg and company implemented. Some will complain that the deviations from the source material detracted from the quality, I would make the opposite observation. The spirit of what the book was trying to do played out on the big screen, and the changes done made so much more sense in that medium. I love being able to have two unique experiences when it comes one of my favorite stories in the last decade.

5. AVENGERS: INFINITY WAR – Stakes. That’s what seemed to be missing for me in the massive success that is the MCU. Infinity War changed that. Finally, we had real consequences to a universe that has been growing for 10 years. Finally, we had significant sacrifices with the real possibility that some of our favorite heroes have been lost for good. And finally, the MCU gave us a villain that wasn’t as flat as a pancake. Infinity War got my superhero excitement revived and my hope is that Avengers: Endgame finds its way to this list in 2019.

4. THE HATE U GIVE – If I had to give a One Word Takeaway for this film, it would be “honest.” I’ll admit this was a hard watch for me. It’s a movie that finds a way to portray the ugly reality of what our current racial landscape looks like, to walk in the shoes of a young black teenager. To say this film is important is an understatement. It’s a conversation starter and a perspective changer. But it’s also a movie that, in the most subtle way, leaves me with a sense of hope, and it’s an honest hope. It’s a reminder that even though things are ugly and may always be that way, I don’t have to be a part of that ugliness. I can help be a voice that changes the conversation, the perception, and the landscape.

3.  EIGHTH GRADE – This movie and The Hate U Give were neck and neck in my final rankings, and on any given day I could switch the two. Eighth Grade hits all the emotional notes for me, a guy who never cries, enough to start sobbing in the middle of the gym while on a treadmill. I confess that I don’t have a middle school daughter. Currently, I’m experiencing what it’s like to live with a 6 year old boy. But the truths presented in this film still resonate with me. I was that awkward kid trying to figure out who I was, caught in the middle of elementary school and high school. I am also a dad that knows those experiences are going to befall my child one day and as a dad, I can’t even begin to know how to handle it. But that’s okay. This film is a fantastic depiction of the beauty that can exist in the messiness of life. It’s also one that leaves me feeling hopeful as a dad. Gucci!

2. SPIDER-MAN: INTO THE SPIDER-VERSE – My most anticipated movie of 2018 did NOT disappoint. From the animation to the narrative to the adaption of the comic event that, in and of itself is fantastic, this film helmed by the guys behind THE LEGO MOVIE and LEGO BATMAN brought exactly what I expected and more. Spider-Verse gave me, not only a fresh take on Marvel’s flagship character, but also opened the door for more stories that could come from this “spider-verse” and what that could mean for introducing more different kinds of spider characters. I would not be disappointed if I got to experience a new Spider-Verse film every holiday season. Merry Christmas to me.

1. HEARTS BEAT LOUD – Where did THIS film come from? Had it not been for my best friend pointing me to this movie, I wouldn’t have even considered it as a contender. And why would I. Independent movies have a hard time finding their way to my neck of the woods. Fortunately, I was able to see it and my goodness, I hadn’t felt the way I did since Sing Street. It hits all the right notes for me. Drama, family relationships, and music. Lots of great music. Kiersey Clemons and Nick Offerman make a fantastic father/daughter combination. It’s tender, funny when it needs to be, and doesn’t try to be anything more than it sets out to be. Movies like this, because of their quiet demeanor are not going to get a lot of recognition, and that’s sad. Nonetheless, it topped my list and I will gladly champion it as much as I can.


Patrick “Patch” Hicks calls Little Rock, Arkansas home with his family of four (his wife, son and three pets). When he’s not podcasting, he works as a multimedia designer and is also dabbling in the art of writing and directing. You can find him floating around the web on Twitter, Facebook, and his home on the web, ThisIsPatch.com.

 

 

Aaron’s Top 10 Films of 2018

Roma, If Beale Street Could Talk, Black Panther, Upgrade, Burning, A Quiet Place, First Reformed, Widows, Ralph Breaks the Internet, and Won’t You Be My Neighbor? These are just some of the wonderful movies released this year (out of 171 new films seen, up from 155 last year) which I couldn’t find room for in my Top 20, much less my Top 10, but still heartily recommend you seek out and see. The process of narrowing down my favorites to the top ten films of the year was a painful experience that required a lot of reflection and time. Just know that I harbor deep affection for many of the films you see listed earlier in this introduction and also below in the #11-20 special mention spots.

With regards to my criteria, when it comes to ranking films critically, I do that as part of my membership in the Seattle Film Critics Society (see our awards here). But here at Feelin’ Film we focus on matters of the heart, so my chosen films are often ones that I found the most affecting in 2018 – those movies that provided me an incredible emotional experience of some sort. Other things that factor strongly into my ranking are how likely I am to remember a film months down the road and rewatchability, so think of this list as leaning more favorite than best.

In order to make this a tad easier on myself, and also because they truly are a unique medium unto themselves, I have listed my Top 5 Documentaries separately. This was an incredible year for non-fiction filmmaking and more than one of these below would be featured in my Top 10 of the year if these lists were combined.


THE DOCUMENTARIES

5. SCIENCE FAIR – An entertaining, encouraging, and essential spotlight on some of the bright young minds that will be responsible for innovations and research that dictate the future of humanity. This inspirational, feel-good documentary follows a handful of brilliant multi-ethnic teenagers from around the world as they compete at the annual International Science and Engineering Fair (ISEF), the “Olympics of science fair”, and is a heartfelt celebration of both their drive to learn and the parents and teachers who support their ambition.

4. WON’T YOU BE MY NEIGHBOR? – I knew very little about Fred Rogers, the iconic and innovative television personality, before seeing this story about his life. His heart for children and unwavering hope to see every person loved and respected for who they are, as well as his sense of ministry and passion for child development, led to an incredible career of service that the world sorely needed. It was a joy to learn about his life through those who knew him and a reminder that the world could sure use a solid dose of Mister Rogers again today.

3. MINDING THE GAP – Incredibly personal story of three skateboarding friends, one of which is documenting their lives over the course of many years Boyhood-style. The film takes unexpected turns in dealing with the realities of absentee fathers, the challenges of parenting, and domestic abuse, but the honesty and courage of director Bing Liu and his friends throughout the process creates an experience that is extremely important and potentially life-changing for viewers.

2. THEY SHALL NOT GROW OLD – An immersive documentary experience like nothing that has ever been made before. What Peter Jackson has done with previously unseen archival footage from the Imperial War Museum, restoring and colorizing it, then combining it with recorded interviews of the very soldiers who lived through World War I, is truly stunning and deeply intimate. The film is nothing less than a triumphant tribute to those who served and an impressive technical marvel that sets a new standard for the kind of storytelling that can be achieved in 2018 and beyond.

1. FREE SOLO – Real, raw, and intense as it gets. This story of Alex Honnold’s attempt to become the first person to ever free solo climb (that means with no ropes, y’all) Yosemite National Park’s 3,200 foot high El Capitan wall is stripped of Hollywood special effects, stuntmen, and safety measures, creating a truly unique voyeuristic experience. World-class photographer Jimmy Chin’s camerawork is amazing but it’s the intimacy of getting to know Alex, his girlfriend, and fellow climbers that makes this documentary truly special. This deeper connection with Alex as a person also makes watching his final ascent one of the most truly nail-bitingly stressful things I have ever witnessed. This film additionally inspired me to get back outdoors and commune with nature, so it impacted me in a potentially long-lasting way. (Hear my interview with 2018 National Geographic Adventurer of the Year & subject of Free Solo Alex Honnold in Minisode 53 here.)


THE FEATURE FILMS

20. GREEN BOOK – (Hear our discussion about Green Book in Episode 138 here.)

19. SPIDER-MAN: INTO THE SPIDER-VERSE – (Hear our discussion about Spider-Man: Into the Spider-Verse in Episode 140 here.)

18. ISLE OF DOGS 

17. SEARCHING – (Hear our discussion about Searching in Minisode 51 here.)

16. INCREDIBLES 2 – (Hear our discussion about Incredibles 2 in Episode 114 here.)

15. SHOPLIFTERS

14. ANNIHILATION – (Hear our discussion about Annihilation in Episode 099 here.)

13. CREED II – (Hear our discussion about Creed II in Episode 137 here.)

12. MISSION: IMPOSSIBLE – FALLOUT – (Hear our discussion about Mission: Impossible – Fallout in Episode 120 here.)

11. EIGHTH GRADE – (Hear our discussion about Eighth Grade in Minisode 48 here.)


10. THE HATE U GIVE – I was a complete wreck watching this film from start to finish. It provides perspectives on police violence and race that you just can’t get without intimately knowing people who’ve lived through the kind of experiences these characters do, and does so through expert filmmaking, performances, score, and script. It’s eye-opening, heartbreaking, and evocative. It is also entertaining in stretches, but engaging with the complex thematic material is challenging. The emotional experience I had watching The Hate U Give was likely the most powerful one I had all year, and if there is one film that I find vitally important enough to suggest families see it with their teenagers, this is the one.

 

9. AVENGERS: INFINITY WAR – We waited 10 years for this and the historic puzzle that the Russo Brothers have put together is nothing short of amazing, lending itself to multiple viewings and deeper analysis. Despite being 2.5 hours long, I never once felt that length, as the film hurtled me along toward an inevitable tragedy. I was shocked that Infinity War managed to live up to its incredible hype. It was as entertaining and emotional as a superhero film has ever been and sucked me back into MCU fandom right as I was starting to fall away from it from fatigue. (Hear our discussion about Avengers: Infinity War in Episode 107 here.)

 

8. THE RIDER – This Western slice-of-life story about real-life cowboy Brady Jandreau wrestling with what he wants versus what is best for him plays out in ways that are both painful and touching. Director Chloé Zhao’s choice to have the film acted by the actual Jandreau family added a layer of realism and created a level of personal connection to the characters that may not have been reachable otherwise. The film features a beautiful score and my favorite cinematography of the year. It is both a moving piece of storytelling and cinematic achievement that I won’t soon forget. (Hear me discuss The Rider with J.D. on InSession Film Podcast here.)

 

7. FIRST MAN – From the pulse-pounding opening scene, seeing this film in IMAX was an extraordinary, unique, and stunningly immersive cinematic experience. Damien Chazelle’s manner of storytelling, keeping the focus centered on one man and letting us experience Neil’s journey through both the intimacy of his personal life and the exhilarating flight challenges that give him purpose, was incredibly impactful. The performances and production design are phenomenal, but the technical mastery of this picture’s flight sequences is unlike anything I’d ever seen. Likewise, the sound design was so intense and score so awe-inspiring that you could feel them in your bones and soul. Chazelle’s film is breathtaking, while also being a fantastic history lesson, and is definitely both the best biopic of 2018 and one of the best films ever made about the space program. (Hear our discussion about First Man in Episode 131 here.)

6. HEARTS BEAT LOUD – Hearts Beat Loud is not just the witty title of this third feature film from Brett Haley, but also a prophetic description of the physiological response it evokes when I watch it. Nick Offerman and Kiersey Clemons are stellar as a father and daughter bonding over a shared love of music, dealing with his mid-life crisis of sorts and her impending departure for college. The catchy tunes they create bring out the feels but it’s the thoughtful, realistic story about coping with the challenges that life brings us that keeps me emotionally invested throughout this charming, heartwarming exploration of parenthood, love, and facing the future. (Hear our discussion about Hearts Beat Loud in Episode 129 here.)

 

5. A STAR IS BORN – The first act of this film is a mesmerizing display of immersive, emotional storytelling and song, and one of the top five or so sections of any film in 2018. What Bradley Cooper and Lady Gaga have created here in this 4th retelling of the classic Hollywood tale is not only the best version but also one of the most entertaining, memorable films of the year. Its songs and performances, its triumphs and tragedy, have grown on me with every viewing thus far, and the deeper my emotional connection gets the more closely I hold this film in my heart. (Hear our episode about A Star is Born in Episode 130 here.)

 

4. READY PLAYER ONE – My expectations for this film adaptation of a favorite book were sky high, and somehow the master of the adventure movie himself, Steven Spielberg, delivered. Seeing the OASIS come to life before my eyes had me in awe. I love the visual effects, the constant references that gamers and pop culture addicts like myself eat up, and the new version of a beloved story that stands on its own as equally (if not more) impressive than its source material. This film, like the book it is based on, was created with a very specific geeky target audience in mind. I am that audience and this film is a new favorite, bound to be joyfully revisited year after year. (Hear our discussion about Ready Player One in Episode 103 here.)

 

3. AQUAMAN – Do you remember the moment when you became a fan of something? My favorite superhero of all-time is Batman, and seeing Michael Keaton on the big screen is what kicked off a nearly 30-year love affair with the caped crusader. I also cannot forget the feeling inside me when I first witnessed Middle-earth in Peter Jackson’s The Lord of the Rings trilogy. I enjoyed the books before that, but seeing them realized in a cinematic way is what cemented my extreme fandom. Well, this year that happened again, and came from a completely unexpected place. Aquaman is a combination of things that I love. It is an underwater Star Wars, with the visual world-building of Tron: Legacy and Avatar, plus an adventurous quest for a relic a la an Uncharted video game, and topped off with epic Lord of the Rings-like battles. I had little to no knowledge of the character prior to this film, but I fell hard for the origin story of this king torn between two natures, wrestling with guilt, familial conflict, and mercy. The visuals, the score, the performances, the costumes, the amazing action, and the campy way in which this epic tale is constructed fit together perfectly for me. Thanks to this film, I am now an Aquaman fan and riding this rare wave of pure bliss as far as it will take me.

 

2. BLINDSPOTTING –  Rarely have I ever been been so floored by a film. This movie gave me one of the most emotionally visceral cinematic experiences that I’ve had this year, leaving me thoroughly exhausted and in need of both a hug and a nap. The performances by Diggs and Casal are phenomenal. The script, which the two friends/stars spent years developing, is the best of the year and brings absolute fire in every scene. There is so much heart in this funny, thought-provoking, entertaining picture that perfectly expresses a relevant rage about such topics as police violence, gentrification, post-traumatic stress, and more. The battle between #1 and #2 was very, very close, and I suspect that Blindspotting is the type of film whose genius ability to address these topics in an honest but healthy way will only be appreciated more as time passes.

 

1. PADDINGTON 2 – “If we are kind and polite, the world will be right.” Little did I know walking into a theater in early January that I would be seeing my #1 film of the year. The aforementioned quote is the most memorable line of dialogue from any movie in 2018. It, and many other wonderful pieces of Aunt Lucy’s advice, have stuck with me all year long. Technically the film is marvelous. Its flawless blending of live-action and CGI is special. The colorful, symmetrical cinematography is so vibrant and alive that it bursts off of the screen. No other film was quite as perfect a blend of artistic excellence in filmmaking, lovely performances, and emotional significance for me. In a world that often gives us plenty of reason to frown, Paddington brings kindness, hopefulness and pure delight. (Hear our discussion about Paddington 2 in Episode 112 here.)


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Steve’s Top 10 Films of 2017

Despite all of the turmoil oozing out of Hollywood this year, 2017 still managed to supply us with a bevy of wonderful films to enjoy. I feel like a lot of blockbusters rose to the next level this year, and as always, there were plenty of fantastic independent films to balance everything out. My top 10 of the year is indicative of this balance.
As always, there were a handful of potentials I just haven’t had a chance to see yet, either due to lack of time, or due to the geographical restrictions of living in the great tundra that is Maine, where we aren’t typically privy to early releases. So, some of the buzz worthy films that I haven’t yet peeped… The Darkest HourPhantom Thread, The Post, The Shape of Water, and Wonderstruck. I’m sure there are a few more, but these stand out for me at the moment.

Shuffling the top 10 deck was difficult this year, simply because there were so many excellent films to choose from. I seriously feel that many of my 11-20 list could easily be considered for higher standing. But, as they say, you have to be prepared to kill your darlings.

I’m not going to regale you with any commentary on my “not quite” top ten (ie: 11-20), but I’ll list them, and you should know that all are fantastic and should be on your cinematic radar.

Those are…

20     Logan
19     Beauty & the Beast
18     Detroit
17     Baby Driver
16     Gerald’s Game
15     The Big Sick
14     Star Wars: The Last Jedi
13     Brigsby Bear
12     mother!
11     Three Billboards Outside Ebbing, Missouri

And the top 10…
10 – LOGAN LUCKY
Steven Soderbergh comes out of “retirement” to give us Ocean’s Eleven with rednecks, but he never cheapens the experience with tired cultural cliches. Okay, there are a few tired cultural cliches, but they don’t drag the film down. The characters have depth and the actors are all in on this madcap adventure which finds them plotting to rob the Charlotte Motor Speedway on the 4th of July. What could possibly go wrong?
9 – STRONGER
This is the film Patriot’s Day wishes it was. Choosing to focus less on the capture of the perpetrators of the cowardly bombing of the Boston Marathon, Stronger instead follows the story of bombing victim Jeff Bauman, played here with ferocious abandon by Jake Gyllenhaal, and the struggle of coming to terms with being thrust into the spotlight as a symbol of hope for an entire nation.
8 – WAR FOR THE PLANET OF THE APES
The rebooted Apes trilogy comes to an end with one of the most heartfelt and well crafted war movies in recent memory. This series has gotten better with each installment, hitting all the right notes in the telling of Caesar’s story. The special effects are unmatched. And I’m coming around to the idea that Andy Serkis deserves some recognition from the Academy for his motion capture work.
7 – Get Out
It’s not often you find a horror film getting so much attention during the awards push, but Jordan Peele’s take on race relations in our society disguised as a genre film is simply outstanding in its structure. Funny, scary, and poignant- wrapped up in a tight script, Get Out is a breath of well intended and needed fresh air- conveying a necessary message in our current cultural state.
6 – WONDER WOMAN
With undoubtedly one of the best scenes of the year- as Wonder Woman (Gal Gadot) ascends to her rightful place as warrior princess in the Battle of No Man’s Land, a female icon is finally emblazoned into the fabric of cinematic geekdom. Director Patty Jenkins was without a doubt the right choice to bring Diana’s story to life on the big screen, and to see the impact on the faces of empowered women and girls is easily one of the hallmarks of the 2017 cinematic year.

5 – THE DISASTER ARTIST

Based on the making of the 2003 “Citizen Kane” of bad movies, The Room, James Franco deep dives into the persona of eccentric writer/director Tommy Wiseau and the calamity that surrounded the  production of his cinematic oddity. Watching The Room is highly recommended before jumping into The Disaster Artist. Having that context greatly enhances the appreciation for what Franco achieved…..Oh, Hi, Mark!

4 – A GHOST STORY

A deeply moving look at grieving and loneliness, A Ghost Story will not be for everyone. Each scene is a haunting portrayal of loss, shown from both sides of the equation- the living that must move on, and the dead that cannot. This is a deeply emotional and affecting film, shot in a way that can often be uncomfortably slow of pace. Those with a lack of patience may struggle, but if given a chance, this is a film that will resonate on a deep level.

3 – THE FLORIDA PROJECT

Having worked for Disney for nine years, this story felt very close to home for me. Knowing there were pockets of people living far beneath the poverty line mere minutes from the front gates of the Happiest Place on Earth make me feel equal parts ignorant and culpable. This film is an unflinching look at people living day to day in the shadow of a world that has essentially left them behind. Yet, in all of its squalor, the spirit of six year old Moonee (Brooklyn Prince) and her friends is rooted in an innocence that is often as hopeful as it is bleak.

2 – I, TONYA

Margot Robbie is fantastic as figure skating’s bad girl, Tonya Harding. Director Craig Gillespie shoots the film in a way that accentuates the zany humor of the scandal surrounding the 1992 olympic games, but he never cheapens the awful abuse levied against Harding by her family and her on again / off again love interest, Jeff Gillooly (here portrayed by Sebastien Stan). Harding, while not completely innocent, is treated mostly as a product of her environment, unable to free herself of the bad influences in her life, and she comes away here as a mostly sympathetic figure. Allison Janney, as Harding’s Mom, is a stand out.

1 – LADY BIRD

In what seems to be a renaissance of coming of age films, Lady Bird raises the bar even further, perhaps to a place unaccessible for whatever comes next. Greta Gerwig’s scriptwriting is so tight, it’s difficult to find any flaw in the narrative of high school senior Christine “Lady Bird” McPherson, all at once head strong and in search of an identity. Her contentious relationship with her mother Marion (an award worthy Laurie Metcalf) provides the crux for everything happening on screen. The result is a heartfelt and sometimes difficult look at love and familial relationships, told in a refreshingly honest way.


Steve’s first cinematic experience dates back to 1972, when his Aunt took him to see Dumbo at Buffalo’s historic North Park Theater.  With the seed planted, his love for movies has blossomed into a full time obsession over the years, and he will happily engage in conversation about all things film related, especially the works of Richard Linklater and Quentin Tarantino.  He also manages to find time to keep current on the plethora of great television shows and comic book series, and build upon his retro vinyl collection.

He lives in South Portland, Maine with his wife and a menagerie of small furry pets.  When not engaged in the latest pop culture phenomenon, he spends time working on creative writing projects or updating his personal blog, popcornconfessional.com.  Follow him on social media at facebook.com/popcornconfessional/ and Twitter@woosterbbb.