Episode 124: The Departed

This week we wrap up our Director #BattleMonth with a bang, or a series of them. Actually, there are a whole lot of bangs. We discuss the fourth winner in our listener polls. Martin Scorsese’s fantastic Best Picture winner, The Departed.

What We’ve Been Up To  0:01:29

(Patrick – The Natural)
(Both – recap of bracket picks)

The Departed Review – 0:12:38

The Connecting Point – 1:10:34


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Music: Going Higher – Bensound.com

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MOVIE REVIEW: Suburbicon

Suburbicon (2017)


Going In

Written by Joel and Ethan Coen. Directed by George Clooney. Starring Matt Damon, Julianne Moore, and Oscar Isaac. The truth is that I didn’t even need to know the plot to become interested in this film. Despite hearing the word “mediocre” thrown around, I find it difficult to believe that this group of supremely talented artists won’t provide an entertaining time at the movies. From the look of its trailers, Suburbicon appears to be mostly dark comedy, and though I greatly prefer the Coens’ strictly dramatic work over their more comedic efforts, every time I see a white-collar Matt Damon losing his mind and taking on organized crime it makes me grin. I’m holding out hope that there is something of substance that will elevate this beyond just satire.


COMING OUT

Suburbicon is wild. The Coens’ signature dark comedic touch is all over this, and its trailers, come to find out, have been a bit of a misdirection. At first glance you’d think the city of Suburbicon was a clone of Pleasantville. It doesn’t take long for that idea to be blown out of the water, though, as we learn that Suburbicon residents are quite fond of their community demographics and not very accepting of change. The surprises come pretty quickly and the setup for the main plot is intriguing. In fact, if this movie had been more of a straight-forward thriller it could have worked well.

Unfortunately, Suburbicon has no idea what kind of film it is. There are two stories taking place at once and they do not coexist well. Cuts between the two result in an odd tonal shift and the satirical nature of main plot doesn’t mesh with what’s going on in the secondary one. If the movie is trying to say something important, it fails at making that clear. Suburbicon does feature moments of genuine humor and that slick Coen Bros. writing that we know and love so well. In particular, the brief time that Oscar Isaac is on screen stands out. His charisma plays perfectly in the role this film calls for. I also rather enjoyed the twists and turns the story takes, and I probably would have responded positively to the ending if it hadn’t been ruined for me by the trailer. Why they chose to show us something in the trailer that would tip us off to the exact ending of the film 15 minutes before it happens is extremely frustrating. Maybe the studio just counts on us all having very bad memories? Regardless, it was a major mistake that negatively affected my viewing and response to the end.

Verdict

The trailer for Suburbicon, sans extra story-line that didn’t fit in, is a tighter film than the finished product. Despite an incredible amount of star power attached to this project, it simply tries to be too many things at once and the result is a frustrating, confused mess. It’s not all bad, and sections of it show flashes of what could have been, but the finished (I use that word loosely) product is just not something worthy of being recommended.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.

What We Learned This Week: October 8-14

LESSON #1: THE PREVALENCE OF HARASSMENT IS WORSE THAN WE THINK IT IS— The Harvey Weinstein allegations just keep getting worse with every new name that comes forward and every new story that comes to life.  The word “rape” is now being dropped and that’s a new level of seriousness.  I’m reading many comments on threads that will state “I’m not surprised,” but saying that (and I’m guilty too) slightly lowers the level of necessary outrage.  This stuff has been tossed aside too long.  It’s not the time for more dismissiveness or shoulder shrugs.  It’s time to expose this in each place (including Screen Junkies) and stomp it out.

LESSON #2: OUR FOUNDER/HOST AARON WHITE SPEAKS FOR ME AND OTHER FATHERS ON THIS TOPIC— I had to get my “preach” emoji out for Aaron yesterday on Facebook.  I’m going to quote his post verbatim:

Apparently, it’s not okay for a Dad to reference his daughters when condemning sexual abuse. Newsflash: people will ALWAYS relate to something through that which is closest to them. We’re not somehow less against sexual abuse because having a daughter made it more real for us. Sick of the generalizing and judging going on.

Aaron, I couldn’t agree more and guys like Matt Damon don’t deserve the crap they’re getting in the wake of Weinstein.  Bravo, boss!

LESSON #3: MANY CLASSICS BEGAN AS FLOPS.  WILL THAT BE BLADE RUNNER 2049 OR MOTHER! WHEN WE LOOK BACK AT 2017— Martin Scorsese recently celebrated Darren Aronofsky’s mother! and referenced it next to classics like The Wizard of Oz, It’s a Wonderful Life, and Vertigo that started as misunderstand and maligned disappointments.  The much-hyped Blade Runner 2049 is looking like it’s going to follow the trajectory of its predecessor as a niche favorite and not an instant blockbuster.  As the expression goes, time will tell and it happens every year.  Big hits can become more like also-rans as they age and devoted fans and experts can come to create a cult classic.  Which 2017 films will pass the test of time and become classics?


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current directors of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.