Episode 387: Killers of the Flower Moon

Scorsese’s impressive (and long) adaptation of Grann’s non-fiction account is an engaging crime story that highlights an insidious historical injustice and encourages reflection. A stronger focus on the Osage people as something other than victims and some toned down cameo performances would be welcome, but this is still a fantastic epic drama.

* Note – full spoilers in effect for entire episode *

Powered by RedCircle

Follow & Subscribe

Aaron

Patrick

(more…)

Episode 377: Barbenheimer

The movie event of the summer is here and we couldn’t just choose one of these great films to discuss, so we’re talking about both! Patrick is out on vacation this weekend but Meredith Loftus is filling on to discuss what made Barbenheimer such a phenomenon, what makes Greta Gerwig’s colorful satirical comedy so meaningful, and how unique and powerful of a biopic Christopher Nolan has crafted. It’s a celebration of great cinema, with a few criticisms here and there, and we hope you enjoy.

Barbie – 13:56

Oppenheimer – 49:30

* Note – full spoilers in effect for entire episode *

Powered by RedCircle

Follow & Subscribe

Aaron

Patrick

Feelin’ Film

Join the Facebook Discussion Group

Join the Discord


Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

If you like the show you can support us through Paypal. Select the link below and make your one-time or recurring contribution.

MOVIE REVIEW: The Irishman

By the end of director Martin Scorsese’s newest crime epic, we are not treated to the eventual comedown of an underworld criminal’s flashy lifestyle; instead we see an old man beaten by Father Time, knocking at the door of impending death, remembering his life while facing past sins and regret of how he let his illicit lifestyle destroy the connection he could have had with his children. “The Irishman” is more than the usual gangster treatment we have gotten in films such as “Goodfellas” or “Casino”. This experience feels more grounded in morality and marks the end of an era for Scorcese, Robert DeNiro, Al Pacino, and Joe Pesci.

The film’s narrative spreads across many eras, featuring important figures and the evolution of politics throughout the twentieth century. The transitions between the present day and flashbacks are handled seamlessly, making this three-hour journey a breeze to take in. Editor Thelma Schoonmaker has never been better at her occupation and she should be expecting another golden Oscar trophy to place on her storied mantle. Don’t be afraid by the long runtime, and take an intermission if you must, but “The Irishman” is one of the most compelling times you can have watching a film for 219 minutes.

DeNiro, Pesci, and Pacino are all at the pinnacle of their acting brilliance. It’s so hard to pick a standout among the trio, but my choice goes to Pacino who grabs this film in the palm of his hand and doesn’t let up with his penchant for delivering strong emotional bits of dialogue. DeNiro is an old soul with the heart of a lion, hitting all the right marks to bring home how much this one character has seen and done in a lifetime. Pesci plays against type from his usual fire cracking supporting performance, blending into the heart of the film as a quiet but powerful figure. This film should be seen by all the promising actors who want an example of how to be consistent with your profession over a span of decades, as this trio of men have achieved in their legendary careers.

The trademark masterclass direction from Scorsese is also on display. The older he has gotten, the more mature, refined, and improved his approach behind the lens has become.  His consistency is special, and he is one of the only directors I could see continuing to make projects at his age without suffering a quality drop.

The production design prides itself on careful attention to detail; the costumes, music, sets, and depictions of real life figures all feel perfectly lifelike and true to the time period and source material that inspired this story. Everything about this film speaks to the true language of cinema. It is one of 2019’s best and will go down as one of Scorcese’s most accomplished works of his career.

Rating:


Caless Davis is a Seattle-based film critic and contributor to the Feelin’ Film Podcast. He loves any discussion of film and meeting new people to engage in film discussions on any subject. You can follow him on Twitter and Instagram.