Episode 074: Jurassic Park

We kick off book-to-movie month with arguably the best summer blockbuster ever made. Jurassic Park is one of those special films that evokes such a sense of awe and wonder that it captures the imaginations of adults and children alike. We talk through some of the present themes and reminisce about our own experiences with this Steven Spielberg masterpiece.

What We’ve Been Up To 0:04:47

Jurassic Park Review – 0:20:32

The Connecting Point – 1:14:11

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Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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Episode 3: Dinosaurs

In this episode of Tabletop Flix, the crew discusses an iconic movie and its recent sequel plus a whole lot of games all with the common theme of dinosaurs.

Games: STOMP-EDE, DinoParty, Raptor
Movies: Jurassic Park, Jurassic World

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Intro/Outro Music – “Do the Pump” by Mr. Juan

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Feelin’ TV: May 7-14

I’ve long been intrigued by the idea of high-concept movies. For the uninitiated, a high-concept movie is one that can be pitched in one sentence. The most famous semi-recent example is the doesn’t-even-need-a-sentence-to-be-pitched-just-listen-to-the-title movie from 2006, Snakes on a Plane. While some, if not most, films that fit into this subset are easily forgotten or are memorable only for the name and a few lines of dialogue, others like Jurassic Park (“What if dinosaurs were real…TODAY!”) find the legs to transcend the conceit and achieve staying-power. High-concept TV is trickier. While an interesting hook can get people to the pilot, it is character and story that will keep people coming back week after week. Eventually the show has to transcend the concept to survive. The way this has been done well in the past is by using the high concept as a hook and then over time turning the show into a low-concept vehicle that concentrates on character and story. Breaking Bad immediately comes to mind as a recent example (“What if a high school chemistry teacher got cancer and had to start selling meth to pay for his treatment!”) of a show that did just that. Recently, NBC premiered the sitcom Powerless (“What if there was a show about the people in the comics who don’t have powers and who are getting saved all the time!”) that failed to move past the original hook and thus, was quickly canceled. When people don’t have something to grab on to after you grab their attention, even the comedy stylings of people like Alan Tudyk, Danny Pudi and Ron Funchess can’t keep mediocrity at bay.

This brings me to my current favorite comedy on television, Last Man on Earth on Fox. You don’t have to be super creative to have an idea of what the pitch meeting for the show looked like. “Picture this: everyone on earth is dead except for one idiot played by Will Forte!” I don’t say that disparagingly. That’s all I knew about the show when I tuned in for the first episode in 2015. It was a good hook. But over the past 3 seasons, it has consistently risen above its concept and become a really solid look at what it means to be a survivor, forge community (Spoiler: while Forte’s Phil Miller is the titular “last man on earth,” he wasn’t actually the last man on earth) and rebuild after tragedy. The show could have been just a funny look at what it would be like to be able to do whatever you wanted simply because no one else was around, but instead it’s been tragic yet joyful, dark yet silly and always very funny. It has somehow found the perfect combination of lowest common denominator laughs, biting humor, subtle character development and heart. Season three wrapped this week with a bang as we saw a complication filled child birth, a nuclear meltdown, a change of location, a fire, the death of an old character and the introduction of a new character all in two 20 minute episodes. If you haven’t seen the show, I highly recommend it. If you quit watching because it didn’t transcend it’s high-concept conceit soon enough for your liking, I’d suggest you give it another try. All three seasons are currently streaming on Hulu.

  • Do you like high-concept shows that go deeper than their concept like LMoE? Does “Ok, Kristen Bell goes to heaven; only she’s not supposed to be there” sound funny to you? Give The Good Place a try. I can’t think of many shows I’ve watched that had a stronger first season than this comedy from one of the creators of Parks and Recreation and Brooklyn 99. You can catch up over the summer on Hulu.
  • New to stream this week on Netflix is season two of Aziz Ansari’s show Master of None. It picks up where season 2 left off with Ansari’s Dev pursuing culinary training in Italy. While the story arc of the season is nice, the stand out episodes take a detour into the lives of other friends of Dev and, in one stand out episode, the lives of random New Yorkers. The thing that makes Master of None stand out to me is that Ansari and co-creator Alan Yang could have simply created a standard sitcom based around Ansari’s comic persona, but instead they went deeper to create a show that, while funny, takes the time to examine tough issues about being an adult, falling in love, relating to your parents, etc. Season two wasn’t quite as strong for me as season one, but there are some stand-out episodes, including a season premiere that’s an amusing homage to the 1948 film Bicycle Thieves.
  • Did you binge Master of None, get sad and end up wanting to watch something similar? Does Master of None sound intriguing but you don’t like it’s TV-MA rating? I’d suggest giving TV Land’s Jim Gaffigan Show a try, also on Netflix. Like Master of None, it would have been really easy for Jim and his wife and co-creator Jeanne Gaffigan to create a standard sitcom about a husband and father of 5 who is a slob and eats all the time. Fortunately, they dive deeper and offer thoughtful reflection on celebrity, religion, fatherhood, friendship and being a husband in 2 seasons of great television. Sadly, the Gaffigan’s decided they didn’t have the time to put into making more TV, but instead of being sad that it’s over, I’d suggest being thankful that it happened by watching the show that they did have time to make.
  • This week in the Arrowverse: While Arrow and Supergirl focused mainly on table setting and moving the pieces into place for the last couple of the episodes of the season, The Flash pulled out one of its best episodes of the season. By using the old super hero standby of amnesia, the show was able to help us remember the earlier days of Barry Allen’s story where he was light-hearted and fun instead of the brooding hero we now see every week. Doing so allowed them to add some meta-commentary about why things have become so dour in Central City as opposed to the way things used to be. It was a lot of good fun.

Aaron’s Top 100 Movies

I’ve always wanted to expand my favorite films list to 100 and my birthday seemed like the perfect time for doing so. With that, I present my list. It is ever changing. This list is a current reflection of my personal cinematic taste – what speaks to me emotionally, and those films that are just too so entertaining that all evaluation of their technical quality doesn’t even matter. I’ve labored over this for quite some time and it was not an easy task, but I feel confident that the results are accurate. For today.

(For the purposes of this list, LotR: The Fellowship of the Ring and Before Sunrise represent their respective trilogy.)

This is my list. There are many like it, but this one is mine.

  1. The Lord of the Rings: The Fellowship of the Ring
  2. La La Land
  3. It’s a Wonderful Life
  4. Jaws
  5. 12 Angry Men
  6. The Princess Bride
  7. The Prestige
  8. Alien
  9. Interstellar
  10. Before Sunrise
  11. Blade Runner
  12. The Exorcist
  13. Jurassic Park
  14. Top Gun
  15. Singin’ in the Rain
  16. Inside Llewyn Davis
  17. The Last of the Mohicans
  18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
  19. Scott Pilgrim vs. the World
  20. The Dark Knight
  21. Children of Men
  22. Young Frankenstein
  23. The Shawshank Redemption
  24. Aliens
  25. The Cabin in the Woods
  26. Die Hard
  27. Inception
  28. Drive
  29. 2001: A Space Odyssey
  30. Vertigo
  31. Gone with the Wind
  32. Almost Famous
  33. Raiders of the Lost Ark
  34. Casablanca
  35. Short Term 12
  36. My Neighbor Totoro
  37. Tombstone
  38. The Nightmare Before Christmas
  39. The Social Network
  40. The Wizard of Oz
  41. The Lion King
  42. Back to the Future
  43. Seven Samurai
  44. Citizen Kane
  45. The Iron Giant
  46. The Blair Witch Project
  47. Monty Python and the Holy Grail
  48. One Flew Over the Cuckoo’s Nest
  49. Armageddon
  50. Whiplash
  51. The Incredibles
  52. The Departed
  53. The Bridge on the River Kwai
  54. Reservoir Dogs
  55. Pacific Rim
  56. Unforgiven
  57. The Empire Strikes Back
  58. Memento
  59. Forrest Gump
  60. Into the Wild
  61. The Sound of Music
  62. Scream
  63. Gravity
  64. Pan’s Labyrinth
  65. Gladiator
  66. Batman Begins
  67. Hell or High Water
  68. Pulp Fiction
  69. Rashomon
  70. Fight Club
  71. The Right Stuff
  72. Star Wars
  73. Finding Nemo
  74. Serenity
  75. Mr. Smith Goes to Washington
  76. Groundhog Day
  77. 3:10 to Yuma
  78. Mary Poppins
  79. The Wailing
  80. The Shining
  81. True Grit (2010)
  82. Apocalypse Now
  83. Fargo
  84. Moon
  85. The Godfather
  86. The Silence of the Lambs
  87. Beauty and the Beast
  88. Ex Machina
  89. No Country for Old Men
  90. The Breakfast Club
  91. The Place Beyond the Pines
  92. The Exorcism of Emily Rose
  93. Platoon
  94. Equilibrium
  95. The NeverEnding Story
  96. Kill Bill: Vol. 1
  97. Psycho (1960)
  98. Silence
  99. Harry Potter and the Prisoner of Azkaban
  100. Your Name.

Like it? Hate it? Think I’m crazy? I’d love to hear your thoughts.

Link to list on Letterboxd