Now Available: August 7, 2018

Welcome to Now Available, where we’ll give you a quick review of a film we didn’t cover when it was released in theaters that’s releasing for home viewing this week, along with a list of everything else and where you can see our coverage on it. 

Deanna (Melissa McCarthy) is a loving wife and mother who has spent her life sacrificing her own goals and dreams in deference to her husband and daughter. Her whole existence descends to chaos when, on the day they dropped their daughter off at college for the first day of her senior year, her husband (Matt Walsh) informs her that he’s in love with another woman and he’s filed for divorce. Having left college only a few credits shy of graduating to support her husband’s education several years before, Deanna decided to pick up the pieces of her life by enrolling in her daughter’s university to finish her degree.

Your enjoyment of Ben Falcone’s Life of the Party, a story written by real life husband and wife Falcone and McCarthy, will depend solely on how you feel about Melissa McCarthy. If the breakout star of Bridesmaids has worn out her welcome to you, there’s really no reason for you to watch this film. It’s an easy, breezy comedy that relies on McCarthy’s charm and physical comedy chops to work. From reading the synopsis, one can immediately tell where the film will end and the conflicts that will happen along the way. Conflict between mother and daughter because daughter thinks other is cramping her style? Check. Conflict between scorned wife and her ex-husband and his new significant other? Check. Conflict caused by being away from higher education for over 20 years? Check. It’s all there. But if you’re like me and really enjoy McCarthy’s vibe, its predictability doesn’t detract from the fun of seeing her do her thing. McCarthy’s sincerity and expert comedic timing elevates the rote, uninspired material into something that you’ll enjoy for 100 minutes, even if you immediately forget it exists when you turn it off.

Life of the Party is a bland, forgettable comedy that you’ve seen before that is elevated by Melissa McCarthy’s charm. If McCarthy’s presence makes you laugh, you’ll have a good time. If it makes you cringe, stay away.

Buy It, Rent It, Wait for Netflix or Skip It?

Wait for Netflix.

Also available this week:

Breaking In- See what Jeremy thought of this twist on the home invasion movie here.

The Rider- Aaron really enjoyed this film when he was given a chance to see it back in May. Check out his review here.

Other New Releases: On Chesil Beach, Marrowbone, Aardvark, Lowlife and Revenge


Jeremy Calcara is a contributing member of the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Breaking In

BREAKING IN (2018)

With Breaking In, director James McTiegue makes an effort to give a fresh take on the well-worn home invasion sub-genre. It attempts to be fresh by flipping the script and having the protagonist infiltrating her own home where the antagonists have her children held hostage. Well, God bless him for trying, I suppose because this is an undeniably terrible movie. It’s poorly edited (I counted at least 3 instances where the dialogue was visibly dubbed over, presumably to attain a PG-13 rating), contains multiple instances of odd and out of place slow-motion, and has some of the blandest villains you’ll see in any film this year.

It’s quite a shame, because I’ll be damned if Gabrielle Union didn’t just absolutely bring it (yeah I did) in her role as Shaun, the aforementioned mother. She gives the character a measure of believability both as a loving mother and a woman who isn’t to be messed with. Another bright spot was Aijona Alexus, who plays Shaun’s daughter Jasmine. Believably making the transition from frightened to fierce, she has the talent to be a bright spot in more films for years to come.

Also of note is Richard Cabral’s role as the bad guy crew’s resident “badass.” You know the type. He’s the one in the group who takes matters into his own hands first, escalating the situation beyond peaceful resolution. He’s not noteworthy for anything good, but rather for his performance being laughably bad and his presence sucking the tension out of every one of his scenes. His character is not at all comedic in nature, but there were snickers in the crowd whenever he appeared on screen. Every facial expression, every gesture and every word that came out of his mouth was so unbelievably awful that it threatened to steal the show. While the other bad guys were completely forgettable (lead by Billy Burke, who probably ought to stick to TV), Cabral’s Duncan was just flat out bad.

Although Breaking In arrived just in time to give you and your mom a different type of movie to go see for Mother’s Day, I’d suggest looking elsewhere if you’re looking to take her to the theater this weekend.

Rating:


Jeremy Calcara is a contributing member of the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.