You Should Be Watching: October 4-10

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Conjuring

Year: 2013

Director: James Wan

Genre: Horror, Mystery, Thriller

Cast: Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston, Mackenzie Foy, Joey King, Shanley Caswell, Kyla Deaver, Hayley McFarland, Shannon Kook, John Brotherton, Sterling Jerins, Joseph Bishara, Marion Guyot, Morganna Bridgers, Amy Tipton, Zach Pappas, Rose Bachtel, James D. Nelson

What’s October without a horror recommendation? James Wan’s The Conjuring, which launched a whole new horror-verse, is like a big budget version of the wildly popular Paranormal Activity, which set off its own series. Wan draws out a similar trepidation, tension, and terror but with a more fully fleshed out world and mythology. The central characters, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) are paranormal investigators and demonologists based loosely on a real life couple and case. They are invited to investigate the paranormal events haunting the Perron family. Ron Livingston plays the father Roger and Lili Taylor his wife Carolyn. They have recently moved into an old farmhouse along with their 5 daughters. They each see, hear, and experience an unexplainable presence, at times seemingly innocent and others expressing frightening malevolence.

In addition to the Warrens’ character development both as individuals and as a couple, this film’s strength builds through its underlying dread, lightened only by the many cuts from night to daytime, representing the passing of another night and a hopeful return to safety until night falls again. There’s an inescapable sense of entrapment as plausible reasons why the family doesn’t move away enhance the dread even more. In a world that wants to pretend nothing exists beyond the physical, The Conjuring exists to remind us that there might just be more to the supernatural world than we realize.


Polytechnique

        

Year: 2009

Director: Denis Villeneuve

Genre: Crime, Drama, History

Cast: Maxim Gaudette, Sébastien Huberdeau, Karine Vanasse, Evelyne Brochu, Martin Watier, Johanne-Marie Tremblay, Natalie Hamel-Roy, Pierre-Yves Cardinal, Pierre Leblanc, Francesca Barcenas, Ève Duranceau

Following a nine-year gap after his sophomore effort, the yet unknown Denis Villeneuve directed this masterful and terrifying dramatization of the Montreal Massacre, a 1989 school shooting that based on the emotional weight of this film seems to have had a profound effect on him. It bleeds pain, terror, and sadness. Even at this early stage of his career, the fingerprints of his trademark style are evident–gorgeous, slow-paced cinematography, matching ominous music, mysterious characters, and brooding drama punctuated by intense, realistic violence.

Minimal dialogue means the actors have to show not tell the nightmare they are experiencing or in the case of the killer, enacting. Villeneuve’s tight focus on individual characters in the moment enables the viewer to intimately feel the experience. We are sickened by the evil heart of the shooter, saddened at the hurtful comments one of the female victims receives, and shocked at the sudden cold, brutal, Terminator-like violence of the killer as we reel in disbelief that there is no one to stop him.


Ball of Fire

Year: 1941

Director: Howard Hawks

Genre: Comedy, Romance

Cast: Gary Cooper, Barbara Stanwyck, S.Z. Sakall, Henry Travers, Oskar Homolka, Tully Marshall, Leonid Kinskey, Richard Haydn, Aubrey Mather, Dana Andrews, Allen Jenkins, Elisha Cook Jr., Aldrich Bowker, Dan Duryea, Ralph Peters, Kathleen Howard, Mary Field, Charles Lane, Charles Arnt 

Not just screwball comedy. Howard Hawks creatively infuses romance and borderline noir drama with major chemistry between Gary Cooper and Barbara Stanwyck who play Professor Bertram Potts and nightclub performer Katherine “Sugarpuss” O’Shea. Stanwyck practically takes the lead as she plays Sugarpuss with cool confidence, largely in control. An air of tension is established with never knowing for sure if her demonstrated feelings for Professor Potts are genuine. She is very convincing no matter what her intentions are. Cooper, while obviously intelligent, is delightfully awkward as Potts, trying to resist Sugarpuss’ advances.

Hawks uses many unique & memorable ideas & visuals, such as Sugarpuss stepping up on the books for some yum-yum, a wet washcloth bit, crazy amounts of obscure slang, Potts talking to Sugarpuss’ “Daddy”, and the whole initial setup of 8 professors living together for a multi-year project to create a definitive encyclopedia. The ending is also really clever as it makes use of the unique characteristics of each of the professors.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

October 5
The Beauty Inside (2015)
The BFG (2016)

October 7
Kubo and the Two Strings (2016)

October 13
The Babadook (2014)

October 14
Seven Pounds (2008)

October 16
Donnie Darko (2001)

October 21
The Secret Life of Pets (2016)

October 24
Big Eyes (2014)
Queen of Katwe (2016)

October 27
Bridget Jones’s Baby (2016)

AMAZON PRIME

October 15
The Fits (2016)

October 16
Louder Than Bombs (2016)

FILMSTRUCK

October 5
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
White Heat (1949)

October 12
The Hunchback of Notre Dame (1939)

October 19
Casa de Lava (1994)
Cat on a Hot Tin Roof (1958)

October 26
Barry Lyndon (1975)
Ace in the Hole (1951)
Aguirre: The Wrath of God (1972)
Footlight Parade (1933)
Gold Diggers of 1933 (1933)
Guys and Dolls (1955)
Lawrence of Arabia (1962)
Some Like It Hot (1959)
Stalag 17 (1953)
A Streetcar Named Desire (1951)
Sunset Boulevard (1950)
Tabu (2012)
What’s Up, Doc? (1972)
Witness for the Prosecution (1957)

October 31
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

HULU

October 31
13 Going on 30 (2004)
28 Weeks Later (2007)
Babe (1995)
Barfly (1987)
Bull Durham (1988)
Eight Men Out (1988)
The Elephant Man (1980)
High Noon (1952)
Jackie Brown (1997)
Point Break (1991)
Rabbit Hole (2010)
Rescue Dawn (2006)
The Rock (1996)
Sixteen Candles (1984)
Sleepers (1996)
Spaceballs (1987)
There Will Be Blood (2007)
This Is Spinal Tap (1984)
Unbreakable (2000)
Witness (1985)


JUST ARRIVED

NETFLIX

The Green Mile (1999)
Life of Brian (1979)
Black Dynamite (2009)
Blade (1998)
Blade II (2002)
Blazing Saddles (1974)
Empire Records (1995)
Hold the Dark (2018)
Mystic River (2003)
The NeverEnding Story (1984)
Once Upon a Time in America (1984)
Pee-wee’s Big Adventure (1985)
Robin Hood: Prince of Thieves (1991)
The Shining (1980)
V for Vendetta (2005)

AMAZON PRIME

Bitter Moon (1992)
Carrie (1976)
Election (1999)
Hoop Dreams (1994)
A Fistful of Dollars (1964)
For a Few Dollars More (1965)
Full Metal Jacket (1987)
The General (1998)
Galaxy Quest (1999)
Gods and Monsters (1998)
House of Usher (1960)
How to Succeed in Business Without Really Trying (1967)
The Illusionist (2006)
Let Me In (2010)
Mulholland Drive (2001)
Raging Bull (1980)
The Return of the Living Dead (1985)
RoboCop (1987)
Saving Face (2004)
Starship Troopers (1997)
The Strangers (2008)
To Sleep with Anger (1990)
Trees Lounge (1996)
The Untouchables (1987)
Wild Bill (2011)

FILMSTRUCK

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

HULU

American Psycho (2000)
Bitter Moon (1992)
Cinderella Man (2005)
Closer (2004)
Dheepan (2015)
Election (1999)
Frida (2002)
Galaxy Quest (1999)
Gods and Monsters (1998)
Guess Who’s Coming to Dinner (1967)
Insomnia (2002)
Mulholland Drive (2001)
The Music Never Stopped (2011)
The Nightmare Before Christmas (1993)
The Others (2001)
Platoon (1986)
[REC] (2007)
Raging Bull (1980)
RBG (2018)
RoboCop (1987)
Starship Troopers (1997)
Trees Lounge (1996)
Wild Bill (2011)


COMING THIS WEEK

NETFLIX

October 5
Malevolent – NETFLIX FILM (2018)
Private Life – NETFLIX FILM (2018)

October 10
22 July – NETFLIX FILM (2018)

AMAZON PRIME

October 6
A Prayer Before Dawn (2017)

October 11
Monster’s Ball (2001)
The Strangers: Prey at Night (2018)

HULU

October 6
Lowlife (2017)
Pyewacket (2018)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: September 28 – October 3

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

Note, as of September 28, Jeremy Saulnier’s (Blue Ruin; Green Room) anticipated new film Hold The Dark is now available to watch on Netflix.


STREAMING PICKS OF THE WEEK


Scarlet Street

  

Year: 1945

Director: Fritz Lang

Genre: Drama, Film-Noir, Thriller

Cast: Edward G. Robinson, Joan Bennett, Dan Duryea, Margaret Lindsay, Jess Barker, Rosalind Ivan, Charles Kemper, Anita Sharp-Bolster, Samuel S. Hinds, Vladimir Sokoloff, Arthur Loft, Russell Hicks, Richard Abbott, Rodney Bell, Richard Cramer, Dick Curtis, Tom Daly, Edgar Dearing, Joe Devlin 

Edward G. Robinson highlights this Fritz Lang all too relevant morality tale. Robinson plays the uncomfortably timid Chris Cross, a man embarrassed about and unhappy with his job as a cashier for a clothing store. He’s found himself stuck in a marriage to a shrew of a wife named Adele (Rosalind Ivan), who berates and belittles him constantly and has no respect for his only true interest of painting.

It’s no surprise that Cross’ misery leads to him falling for another woman, especially one as captivating as Kitty March (Joan Bennett). His relationship with her starts innocently enough, as these things so often do. He finds her being attacked and rushes in to help, unaware the assailant is her boyfriend. In their subsequent conversation, she falls under the impression that he is a wealthy painter, setting the stage for a con and a trap exploiting his attraction to her. A terrifically dark film with great performances, memorable dialogue, a tough message, and a minimal score.


Remember

Year: 2015

Director: Atom Egoyan

Genre: Drama, Mystery, Thriller

Cast: Christopher Plummer, Martin Landau, Dean Norris, Henry Czerny, Bruno Ganz, Jürgen Prochnow, Kim Roberts, Peter DaCunha, T.J. McGibbon, Liza Balkan, Daniel Kash, Heinz Lieven, Stefani Kimber, Jane Spidell, Sofia Wells, Janet Porter, Amanda Smith

An elderly, frail Christopher Plummer impresses in this lesser-seen A24 studios film. First-time screenwriter Benjamin August’s inventive take on the revenge tale is directed by Atom Egoyan. Not only does it involve a necessarily elderly survivor finally discovering who killed his family at the Auschwitz death camp during World War II, but dementia and a ticking clock also plays a role as Plummer’s main character Zev is trying to accomplish his mission before he completely loses his mental faculties. This angle provides something of a Memento feel, though the plotting was not nearly as intricate.

At first, Plummer comes across as very old and almost helpless, but life infuses his body as purpose grows in him. He’s kept on track by a letter he keeps referring to which reminds him of all the important details of who he is and the importance of what he’s doing. Dean Norris provides a small but noteworthy, disturbing, and tension-filled performance as neo-nazi John Kurlander. It’s scary to think there are people just like him.


A Brighter Summer Day

 

Year: 1991

Director: Edward Yang

Genre: Drama, Romance, Crime

Cast: Chang Chen, Lisa Yang, Elaine Jin, Chen Shiang-Chyi, Chang Han, Lawrence Ko, Weiming Wang, Chiang Hsiu-Chiung, Wang Chuan, Chang Kuo-Chu, Stephanie Lai, Wang Chi-tsan, Tan Chih-Kang, Chang Ming-Hsin, Jung Chun-Lung, Chin Tsai

This incredibly ambitious nearly four-hour effort by director Edward Yang covers four years in the life of Xiao Si’r (Chang Chen), the fourth child in a large family living in mid-20th century Taipei. Featuring an enormous cast–nearly 100 relevant characters–and detailed set designs for the many locations within the village it’s set in, this is a dense film. It’s packed full of universal themes such as those accompanying adolescence, rival social groups, love, parenting, financial hardship, and life during political upheaval. Yet, the story explores life in a very specific time and place. Given all the diverse plot threads, it practically demands repeat viewings to be able to appreciate the diversity of characters and themes.

The village this film is set in, its homes, streets, and school feels very much lived in. There’s always activity going on around the characters, and sometimes the camera itself even seems to become distracted as it effortlessly shifts from following one character to another who happens to be passing by. The main plot itself often takes a backseat to the general exploration of post WWII Taiwanese culture and society. In lesser hands, that could just create a mess, but Yang handles it with care by creating rich back stories for every single one of the speaking roles. Everybody feels important. Everybody matters.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 29
The Commitments (1991)

September 30
The Adventures of Tintin (2011)
Blood Diamond (2006)
Boogie Nights (1997)
Cinderella Man (2005)
The Departed (2006)
Eyes Wide Shut (1999)
Fear and Loathing in Las Vegas (1998)
Full Metal Jacket (1987)
Inside Man (2006)
Life Is Beautiful (1997)
The Lost Boys (1987)
The Mask You Live In (2015)
Menace II Society (1993)
Real Genius (1985)
Sin City (2005)
Trading Places (1983)

October 1
Out of Sight (1998)

October 2
Dheepan (2015)

October 3
To Kill a Mockingbird (1962)

October 5
The Beauty Inside (2015)
The BFG (2016)

October 7
Kubo and the Two Strings (2016)

October 13
The Babadook (2014)

AMAZON PRIME

September 29
Carrie (1976)
Drugstore Cowboy (1989)
Invasion of the Body Snatchers (1978)
Miami Blues (1990)
Spaceballs (1987)
Stargate (1994)

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
The Brothers Bloom (2008)
The Crow (1994)
Gone with the Wind (1939)
The Graduate (1967)
Hoosiers (1986)
Insomnia (2002)
Mulholland Drive (2001)
Pee-wee’s Big Adventure (1985)
Rabbit Hole (2010)
Robin Hood: Prince of Thieves (1991)
V for Vendetta (2005)
Witness (1985)
The Wizard of Oz (1939)

October 1
Raging Bull (1980)

October 3
The Curious Case of Benjamin Button (2008)

FILMSTRUCK

September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)

October 5
White Heat (1949)
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
Gigi (1958)

October 12
The Hunchback of Notre Dame (1939)
Mutiny on the Bounty (1935)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

20 Feet from Stardom (2013)
Nappily Ever After–NETFLIX FILM (2018)
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
A Wrinkle in Time (2018)

AMAZON PRIME

Bill Cunningham New York (2010)
City of Hope (1991)
The Golden Coach (1952)
Henry Fool (1997)
The Illusionist (2006)
I Never Sang for My Father (1970)
Limbo (1999)
My Little Pony: The Movie (2017)
Robot & Frank (2012)

FILMSTRUCK

The Girl with the Dragon Tattoo (2009)
The Girl Who Played with Fire (2009)
The Girl Who Kicked the Hornet’s Nest (2009)

HULU

Iris (2001)
My Little Pony: The Movie (2017)


COMING THIS WEEK

NETFLIX

September 28
Hold the Dark (2018)

October 1
Black Dynamite (2009)
Blazing Saddles (1974)
Empire Records (1995)
The Green Mile (1999)
Life of Brian (1979)
Mystic River (2003)
The NeverEnding Story (1984)
Once Upon a Time in America (1984)
Pee-wee’s Big Adventure (1985)
Robin Hood: Prince of Thieves (1991)
The Shining (1980)
V for Vendetta (2005)

AMAZON PRIME

October 1
Carrie (1976)
Election (1999)
Full Metal Jacket (1987)
The General (1998)
Gods and Monsters (1998)
The Illusionist (2006)
Let Me In (2010)
Mulholland Drive (2001)
Raging Bull (1980)
The Return of the Living Dead (1985)
RoboCop (1987)
Starship Troopers (1997)
The Strangers (2008)
Trees Lounge (1996)
Wild Bill (2011)

HULU

October 1
American Psycho (2000)
Bitter Moon (1992)
The Blair Witch Project (1999)
Cinderella Man (2005)
Closer (2004)
Election (1999)
Frida (2002)
Galaxy Quest (1999)
Gods and Monsters (1998)
Guess Who’s Coming to Dinner (1967)
Insomnia (2002)
The Others (2001)
More than a Game (2008)
Mulholland Drive (2001)
The Music Never Stopped (2011)
Platoon (1986)
Raging Bull (1980)
[REC] (2007)
RoboCop (1987)
Starship Troopers (1997)
Trees Lounge (1996)
Wild Bill (2011)

October 2
The Nightmare Before Christmas (1993)

October 3
Dheepan (2015)
RBG (2018)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

What We Learned This Week: September 2-22

LESSON #1: IF YOU CAN’T BEAT THEM, BUY THEM— We read a great deal about how Netflix, for example, will dabble with theatrical debuts of their original movies and how it’s a bit of a struggle to get screens and self-distribute to the theatrical level.  Amazon, who is no slouch in the original film department, might be finding their own power move around that. They’re angling for suitors to buy the Landmark Theatres chain. When you own the theater, you set the terms and get the screens.  I think that’s ballsy and kind of genius, if you have the money, which Amazon sure does. Disney is making their own exclusive streaming service. Could you see them building their own exclusive theaters and keeping those dollars for themselves and not splitting with the AMCs and Regals of the world?  I sure could. Let’s see how it works for Amazon if it comes to pass. This could be the start of a tectonic shift in distribution and rest of the film biz.

LESSON #2: MORE OFTEN THAN NOT, IT’S THE FILMS THAT ARE BROKEN, NOT THE CRITICISM— Leave it to warm-hearted and successful This Is Us showrunner Dan Fogelman to show what boiling over looks like when it comes to starting another Artists vs. Critics vs. Audiences throwdown.  His film foray Life Itself is getting panned to the tune of 14% and still moving on Rotten Tomatoes) and his quoted reaction begins “something is inherently a little bit broken in our film criticism right now.”  If all he said was that, he’d be making a fair statement for discussion since the landscape has flaws, ones it is doing a decent job of working through for inclusion and representation in my opinion.  However, Dan aimed a little more sharply with “There’s a disconnect between something that is happening between our primarily white male critics who don’t like anything that has any emotion.”  Ain’t that a broad brush from a broad brush of the same color!  Watch him become the next Colin Trevorrow with that kind of flippant opinion.   If he looked deeper he would see that plenty of other critics that aren’t male or white don’t like his movie either.  If he looked deeper than the headliners, he would also find many white male critics who absolutely love emotion in movies.  Am I right, Aaron, Patrick, Jacob, Steve, and Jeremy?

LESSON #3: THE PREDATOR WAS AND IS A MESS— As fun as it was at times, I’m one of many critics who shook his head at the silliness brought forth by Shane Black’s The Predator, one of the most uneven films I’ve seen in a long time.  I couldn’t believe the mess (and then add the sex offender hiring snafu as well).  When I read the story of its reshoots (spoilers inside), all was explained to me and it sounds ridiculous.  The movie was dead on arrival. No wonder why it wasn’t good enough for a summer opening or scary enough for a Halloween weekend.

LESSON #4: NO MATTER WHAT, HENRY CAVILL’S DAYS AS SUPERMAN ARE NUMBERED— A great deal of fuss and backlash was made to the published rumors of Warner Bros. cutting ties with Henry Cavill in their DCEU.  The outrage and disbelief was off the charts, but when it’s being reported in The Hollywood Reporter, that’s not click bait anymore.  That is sourced news for this industry.  Beans may have been spilled early for all we know, leading to all of the walkback apologies since.  Still, I don’t see a good ending to this. For how maligned the DCEU films are and how strained fan interest/disinterest has become where the studio is quietly blowing up and disassembling its current course, too many signs are pointing to a necessary change.  My money is on Cavill being replaced by someone or something else within five years. There’s too much smoke here, rumors be damned.  Besides, there are greener pastures.

LESSON #5: AN AMERICAN IS GOING TO FROLIC IN A SACRED BRITISH GARDEN AGAIN— Word just broke this week that American director Cary Fukunaga (True Detective, Beasts of No Nation) is now the new director of the 25th James Bond film after Trainspotting series director Danny Boyle exited the franchise last month.  Fukunaga, a Netflix admirer, has swam in this foreign pond before directing Jane Eyre in 2010.  I think he continues the more serious tone Sam Mendes has brought to the MI-6 spy.  The next shoe to drop will be Daniel Craig staying or going especially if some Man of Steel is all of a sudden available and rumored to take his place.

LESSON #6: KEVIN FEIGE IS THE RIGHT MAN FOR HIS NEXT JOB— With Fox deal now done, the Marvel dream fulfillment of mergers and combinations begins.  The largest acquisition is the X-Men franchise and Disney CEO Bob Iger confirmed that head Marvel Films producer Kevin Feige will oversee all future X-Men films.  That’s great news and the perfect landing place.  Some X-Men films have been very good and even great, but they have always had room for more fulfilled potential.  If Kevin Feige can sprinkle the dust he’s given to the likes of Iron Man, Guardians of the Galaxy, and more, the X-Men go back to the A-list.

LESSON #7: BOB IGER FINALLY FOUND THE BRAKE PEDAL ON THE BLOCKBUSTER ROLLER COASTER— Speaking of Mr. Iger, news broke Thursday that “some slowdown” is happening at Disney when it comes to saturating the market with the cash cow Star Wars films.  That’s fantastic news because there is such as thing as overdoing it (Marvel’s three-films-a-year is already quite a test).  Like many have said, there is more mystique and anticipation when there is more special rarity to their infrequency.  Force the patience and people will still come. 

LESSON #8: THE ACADEMY FINALLY LISTENED IN THE RIGHT DIRECTION— Finally, all is back to being right in the world with the news that the Academy of Motion Picture Arts and Sciences is postponing their plans to have a “Popular Film” category on the grounds of being too late in the year to start a new initiative and how more study is necessary to understand its purpose or implication.  Forbes columnist Scott Mendelson adds more logs to that fire of reasoning.  Bring out the Madea “hallejuler” Tyler Perry memes.  I can put my previous soapbox column away, but I sure won’t delete it.  “Postpone” only means temporary. They’re bound to pull this nonsense again.  


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson and also on Medium.com where he is one of the 50 “Top Writers” in the Movies category.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.

You Should Be Watching: September 21-26

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


Ben-Hur

 — Expires Sept. 28

Year: 1959

Director: William Wyler

Genre: Adventure, Drama, History

Cast: Charlton Heston, Jack Hawkins, Haya Harareet, Stephen Boyd, Hugh Griffith, Martha Scott, Cathy O’Donnell, Frank Thring, Sam Jaffe, Ady Berber, Finlay Currie, André Morell, Terence Longdon, Lando Buzzanca, Giuliano Gemma, Marina Berti, Robert Brown, Liana Del Balzo, Enzo Fiermonte

With 11 Academy Awards won–a record yet to be surpassed–, a career-defining performance by the dynamic, self-assured Charlton Heston as the titular Judah Ben-Hur, and the largest budget and most elaborate sets of its time, William Wyler’s Ben-Hur is a monumental achievement and the very definition of Hollywood epic. Everything about it is huge, from the 10,000 extras to the centerpiece chariot race, to the 3 1/2-hour runtime to Miklós Rózsa’s majestic score. Adapted from the 1880 Lew Wallace novel and a remake of the 1925 silent film, Ben-Hur is in the vein of the classic BIble epics, even interacts with events in the Biblical narrative, but remains its own story.

Judah is an early first century Jewish nobleman living in Jerusalem who is knowingly and wrongfully accused of attempted murder by his once childhood friend Messala (Stephen Boyd). Now a Roman commander, Messala shows himself willing to destroy the life of a family he once held dear all for the sake of Rome’s glory. The betrayed Judah will have to endure intense undeserved hardship and face his desire for revenge as he struggles to get back what he lost and encounters one who was more deserving of revenge than anyone who has ever lived.


We Need to Talk About Kevin

      

Year: 2011

Director: Lynne Ramsay

Genre: Drama, Mystery, Thriller

Cast: Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell, Rock Duer, Ashley Gerasimovich, Siobhan Fallon Hogan, Alex Manette, Kenneth Franklin, Leslie Lyles, Paul Diomede, Michael Campbell, J. Mallory McCree, Mark Elliot, Wilson, James Chen, Lauren Fox, Blake DeLong, Andy Gershenzon

This is a dismal but important film by a director who has made a career of such films, Lynne Ramsay (You Were Never Really Here)The story centers on the lives of Franklin and Eva Khatchadourian (John C. Reilly and Tilda Swinton) and their troubled son Kevin. All three actors who play Kevin at his different ages–Rock Duer, Jasper Newell, and Ezra Miller–display such smug, manipulative attitudes it is downright scary. Franklin acts as a cautionary figure. He is easily manipulated by Kevin, receiving all of his love and affection, and refuses to listen to his wife and look deeper, causing his relationship with Eva to fracture. Eva falls into misery and isolation because her child has a clear predilection towards rebellion, manipulation, and downright evil from the time he was born.

The narrative jumps around the timeline of their lives, but a painful sense of dread hangs throughout as Kevin’s true nature becomes increasingly difficult to ignore as well as the knowledge that there are many Kevins in the real world. But by God’s grace, any one of us could be a Kevin or have a child like him.


The Third Man

Year: 1949

Director: Carol Reed

Genre: Film-noir, Mystery, Thriller

Cast: Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Bernard Lee, Paul Hörbiger, Ernst Deutsch, Siegfried Breuer, Erich Ponto, Wilfrid Hyde-White, Hedwig Bleibtreu, Alexis Chesnakov, Thomas Gallagher, Herbert Halbik, Hannah Norbert, Eric Pohlmann, Carol Reed, Annie Rosar, Frederick Schrecker, Hugo Schuster, Karel Stepanek, Brother Theodore, Jenny Werner

Voted the greatest British film of all time by the British Film Institute in 1999, the Third Man is a film-noir like no other. It starts out as a merely an intriguing murder mystery where a writer named Holly Martins (Joseph Cotten) has arrived in Vienna at the invitation of his childhood friend Harry Lime only to find out he has died, but it becomes something else entirely as the story, written by Graham Greene, develops.

With the genre already being rooted in German expressionism, director Carol Reed takes the idea and runs with it, creating one of the most distinctive combinations of sight and sound on film. From the outset, the energy and tension of the film is established through Anton Karas‘ musical score, consisting of a single instrument, the zither. Reed uses Dutch angles galore that perfectly enhance the off-kilter tone of mystery and the post war environment itself without ever coming across as pretentious. And Robert Krasker’s Academy Award winning stark black and white cinematography sets a deep contrast between shadow and light to further accent the mood. Not only is the film set in post WWII Vienna, which becomes a character itself, but many of the Austrians speak German, which is often left unsubtitled, putting the audience in the same state of confusion as Holly as he tries to work out the mystery of Harry Lime.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 22
Trollhunter (2010)

September 25
The Assassin (2015)

September 27
The Imitation Game (2014)

September 29
The Commitments (1991)

September 30
The Departed (2006)
Full Metal Jacket (1987)
Life Is Beautiful (1997)
Eyes Wide Shut (1999)
Rust and Bone (2012)
Fear and Loathing in Las Vegas (1998)
Menace II Society (1993)
Cinderella Man (2005)
Inside Man (2006)
The Lost Boys (1987)

AMAZON PRIME

September 23
Shutter Island (2010)

September 29
Carrie (1976)
Drugstore Cowboy (1989)
Invasion of the Body Snatchers (1978)
Miami Blues (1990)
Spaceballs (1987)
Stargate (1994)

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
The Brothers Bloom (2008)
The Crow (1994)
Gone with the Wind (1939)
The Graduate (1967)
Hoosiers (1986)
Insomnia (2002)
Mulholland Drive (2001)
Pee-wee’s Big Adventure (1985)
Rabbit Hole (2010)
V for Vendetta (2005)
Witness (1985)
The Wizard of Oz (1939)

October 1
Raging Bull (1980)

October 3
The Curious Case of Benjamin Button (2008)

FILMSTRUCK

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (1973)
Night Moves (1975)

September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)

October 5
White Heat (1949)
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
Gigi (1958)

October 12
The Hunchback of Notre Dame (1939)
Mutiny on the Bounty (1935)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

The Endless (2017)
Role Models (2008)
Scott Pilgrim vs. the World (2010)
The Third Man (1949)
The Witch (2015)

AMAZON PRIME

Angels Wear White (2017)
The Big Combo (1955)
Blow Out (1981)
Charade (1963)
The Conformist (1970)
Don’t Torture a Duckling (1972)
It’s a Mad, Mad, Mad, Mad World (1963)
Kansas City Confidential (1952)
Locke (2013)
One-Eyed Jacks (1961)
Sophie Scholl: The Final Days (2005)
Western (2017)
Wild Bill (2011)
Woman on the Run (1950)
Zombie (1979)

FILMSTRUCK

Ball of Fire (1941)
The Best Years of Our Lives (1946)
Citizen Kane (1941)
Clouds of Sils Maria (2014)
Full Moon in Paris (1984)
Wuthering Heights (1939)

HULU

Moonrise Kingdom (2012)
The Queen (2006)


COMING THIS WEEK

NETFLIX

September 21
Nappily Ever After–NETFLIX FILM (2018)

September 25
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
A Wrinkle in Time (2018)

AMAZON PRIME

September 21
My Little Pony: The Movie (2017)

HULU

September 21
My Little Pony: The Movie (2017)

September 24
Iris (2001)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: September 13-19

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The VVitch

    — Moving from Prime to Netflix on Sep. 17

Year: 2015

Director: Robert Eggers

Genre: Mystery, Horror

Cast: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Bathsheba Garnett, Sarah Stephens, Julian Richings, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube, Vivien Moore, Karen Kaeja, Brandy Leary, R. Hope Terry, Carrie Eklund, Madlen Sopadzhiyan

No doubt about it, The Witch is very, very dark, as many classic fairy tales are, but those willing to enter in will find a challenging tale providing much worthy of grappling with. Between the design, dialogue taken straight from period sources, and natural lighting of this debut feature film from writer and director Robert Eggers, this film feels intensely, oppressively of its time, like being taken back into the 1600s and being thrust inside a Puritan’s nightmare, the type of nightmare that led to the paranoia of the Salem witch trials. That’s not to say the Puritan lifestyle was inherently oppressive. But any fear, left unchecked can spin out of control.

The family in this story, headed up by the father William (Ralph Ineson) and mother Katherine (Kate Dickie) have left the leadership and community of their former church body, each claiming the other is false in their faith. Now isolated and with each member of the family struggling with their secret sins, they are especially vulnerable to evil oppression. It’s not that they aren’t putting up a fight. They pray. They discuss Scripture. Outwardly, they try to glorify God. But its unclear where each of their hearts lie.

As eldest daughter Thomasin and the one largely responsible for the younger children, Anya Taylor-Joy owns the film from the first frame to the last. She is who we as the audience focus on. We see her parents’ struggles through her eyes. We see the actions of the younger children through her eyes. She is convincing no matter whether she’s trying to express truth or spinning a lie until it’s unclear if her obvious lies are lies at all. One thing is certain. With her parents often being distracted and the family living in isolation, there’s little to keep her grounded.


The Queen

   — Coming Sep. 15

Year: 2006

Director: Stephen Frears

Genre: Biography, Drama, History

Cast: Helen Mirren, Michael Sheen, James Cromwell, Helen McCrory, Alex Jennings, Roger Allam, Sylvia Syms, Paul Barrett, Tim McMullan, Douglas Reith, Mark Bazeley, Robin Soans, Lola Peploe, Joyce Henderson, Pat Laffan, Amanda Hadingue, John McGlynn, Gray O’Brien, Dolina MacLennan, Julian Firth

It’s hard to believe now with the public obsession over the weddings of Prince William and Prince Harry and the massive popularity of television series such as The Crown as well as British television in generalbut the British royal family used to be of little interest to those outside of Great Britain itself. Regardless of the monarchy’s role in government, the lack of attention enabled them to live mostly insulated lives, free to make decisions apart from public pressure. What changed all that? Princess Diana. By marrying into the royal family, her celebrity spread far and wide, bringing deep focus onto the monarchy and the family as a whole. What complicated it further? Diana’s divorce and subsequent death a year later.

With strong, believable performances across the board including Helen Mirren winning a Best Actress Oscar for her inhabiting the very look and essence of Queen Elizabeth II, Stephen Frear’s The Queen dives deep into the conflict immediately following Diana’s death, which speaks even to today’s society where the public routinely makes demands of the private lives of others, especially those with power. In this case, new Prime Minister Tony Blair–played by Michael Sheen–as the public’s spokesperson is pushing for the royal family to honor Diana with a show of mourning only a royal would receive. The queen and especially her husband Prince Philip are outraged that such a demand would be made of them, especially since it was their son from whom Diana divorced. James Cromwell as Philip exudes deep frustration. He is emphatic about protecting his wife the queen and their status as royals and all the heritage that comes with it, but he lacks control to do anything about the changes that feel increasingly inevitable.


White Heat

Year: 1949

Director: Raoul Walsh

Genre: Action, Crime, Drama, Thriller

Cast: James Cagney, Virginia Mayo, Edmond O’Brien, Margaret Wycherly, Steve Cochran, John Archer, Wally Cassell, Fred Clark, Paul Guilfoyle, Ford Rainey, Robert Foulk, Ian MacDonald, Robert Osterloh, Sherry Hall, Joel Allen, Claudia Barrett, Ray Bennett, Marshall Bradford, Chet Brandenburg, Robert Carson 

Cream of the crop when it comes to classic gangster movies. The script is full of colorful dialogue and creative plotting. James Cagney is at the top of his game as the gang leader Cody Jarrett. Despite his diminutive stature, he’s tough as nails–no hesitation in killing a man, even taking out one of his own who’s become an inconvenience or a risk. But he’s also a mama’s boy, though Ma (Margaret Wycherly) is just as ruthless as he is, albeit tender to him. And he’s vulnerable due to his penchant to trust those he is close to as well as due to recurring sudden, raging, debilitating headaches and a propensity towards insanity.

Virginia Mayo, plays Cody’s multi-faceted wife Verna. Her uncouth, free-spirited personality shines through along with her fear and duplicity. Finally, Edmond O’Brien is the undercover agent Hank Fallon whose job it is to quickly ingratiate himself with Jarrett so he can draw out an even bigger fish. There are great moments of suspense as any hint of the truth could get him killed in a flash. But the tension doesn’t only serve Hank. Others lives are in danger at one point or another also.

That other side of this film that makes it fascinating is the police work. Unlike the criminals, not much is revealed about the character and personal lives of the investigators. Instead, there’s a heavy focus on procedure, including detailed steps they take to track their suspects and tighten the noose, making for a unique time capsule and a lesson on the origins of today’s surveillance technology. It’s particularly surprising to see cell phones and vehicle bugs used for tracking show up in a film from the mid-twentieth century.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 13
Pete’s Dragon (2016)

September 14
Before the Devil Knows You’re Dead (2007)
Half Nelson (2006)

September 15
Moonrise Kingdom (2012)

September 27
The Imitation Game (2014)

AMAZON PRIME

September 15
Everybody Wants Some!! (2016)

September 17
The Witch (2016)

September 23
Shutter Island (2010)

FILMSTRUCK

September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Last Picture Show (1971)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (1973)
Night Moves (1975)

September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

Next Gen–NETFLIX FILM (2018)
On My Skin–NETFLIX FILM (2018)

AMAZON PRIME

Beyond the Lights (2014)
Lars and the Real Girl (2007)
The Manchurian Candidate (1962)
Pumpkinhead (1988)
The Return of the Living Dead (1985)
Stronger (2017)

FILMSTRUCK

Billy Liar (1963)
Cluny Brown (1946)
The Doll (1919)
Hamlet (1996)
McCabe & Mrs. Miller (1971)
The Shop Around the Corner (1940)
Stroszek (1977)
The Student Prince in Old Heidelberg (1927)

HULU

Happy-Go-Lucky (2008)
Stronger (2017)


COMING THIS WEEK

NETFLIX

September 14
Bleach–NETFLIX FILM (2018)
The Angel–NETFLIX FILM (2018)
The Land of Steady Habits–NETFLIX FILM (2018)

September 16
Role Models (2008)
Scott Pilgrim vs. the World (2010)

September 17
The Witch (2015)

HULU

September 15
The Queen (2006)

September 16
Moonrise Kingdom (2012)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: September 6-12

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Game

Year: 1997

Director: David Fincher

Genre: Mystery, Drama, Thriller

Cast: Michael Douglas, Sean Penn, Deborah Kara Unger, James Rebhorn, Spike Jonze, Anna Katarina, Armin Mueller-Stahl, Carroll Baker, Scott Hunter McGuire, Elizabeth Dennehy, Daniel Schorr, John Aprea, Charles Martinet, Caroline Barclay, Peter Donat, Florentine Mocanu, Kimberly Russell, Gerry Becker

As is common with David Fincher’s films, The Game works on multiple levels. At its surface, it’s a Kafkaesque thriller about a rich investment banker, Nicholas Van Orton (Michael Douglas), a man who has everything. Van Orton receives a unique, well-meaning gift from his estranged brother Conrad (Sean Penn). The gift is access to a new type of personalized game that would integrate into his everyday life and activities, hopefully adding some excitement to it all. But very quickly, Van Orton finds himself trapped in an inescapable nightmare where fiction increasingly becomes his reality.

At a deeper level, Van Orton is a real character. He’s a man who at a young age saw his father commit suicide, which has forever haunted him and overshadowed the choices he would make in life. Now as a middle-aged man, wealthy and estranged from everyone he’s ever loved, he must step up to the mirror of his father and evaluate his life. This reality–the pain, the cynicism, the independent nature along with the fear when his life teeters out of control–affects every nuance of Douglas’ performance.


David and Lisa

Year: 1962

Director: Frank Perry

Genre: Drama, Romance

Cast: Keir Dullea, Janet Margolin, Howard Da Silva, Neva Patterson, Clifton James, Richard McMurray, Nancy Nutter, Mathew Anden, Jaime Sánchez, Coni Hudak, Karen Lynn Gorney, Janet Lee Parker

Famous for playing astronaut Dave Bowman in Stanley Kubrick’s 2001: A Space Odyssey, here in only his 2nd film appearance, Keir Dullea as the titular teenager David along with Janet Margolin as Lisa star in this unique, brilliantly acted romantic drama that exemplifies the realities, complications, and horrors of living with mental disorders. Key to making the drama compelling is the detailed character development and compassion shown in Eleanor Perry’s script, and director Frank Perry’s skill in dialing up the tension by taking us into the experience.

David has a genius-level intellect and a strict concept of how things must be ordered, which has made him arrogant and difficult to control, but the threat of a single touch causes him intense fear as he’s convinced it might kill him. He also has terrible recurring nightmares of killing people in surreal ways. Lisa, of much lower IQ, is in a constant battle between herself and an alternate, darker, much more self-assured personality, who can only be kept at bay by rhyming, both by her and by those talking to her. Both find themselves in the care of a mental institution and find themselves drawn to each other, but they have to battle to both understand each other’s difficulties as well as learn to cope with their own if they’re going to make it work.

 


The Thief of Bagdad

    — Expires September 14

Year: 1924

Director: Raoul Walsh

Genre: Adventure, Fantasy, Family, Romance

Cast: Douglas Fairbanks, Snitz Edwards, Charles Belcher, Julanne Johnston, Sôjin, Anna May Wong, Brandon Hurst, Tote Du Crow, Noble Johnson, Sam Baker, Winter Blossom, Etta Lee, Mathilde Comont, Charles Stevens, Eugene Jackson, Jesse Lasky Jr., David Sharpe, Paul Malvern, Scotty Mattraw, Jess Weldon, K. Nambu

Don’t let the nearly two and a half hour run time of this classic silent adventure fantasy scare you off. This surprisingly fast-paced adaptation of several of the ancient Arabian Nights tales, which was remade for the sound era in 1940, was made by the prolific director Raoul Walsh, whose filmmaking career spanned 51 years and is regarded as Douglas Fairbanks‘ favorite of his performances. It entertains with its variety of locations, exotic set design, colorful characters, delightful special effects, and the creative and intriguing story elements.

Fairbanks plays the lead character Ahmed, a common thief who finds himself on the run from the palace guards after he sees and becomes infatuated with the unnamed princess, played by Julanne Johnston. Stop me if this sounds familiar. Ahmed disguises himself as a prince in an attempt to win her heart and soon finds everything coming up roses, despite the existence of other suitors. That is, until the princess’ Mongol slave, played by oriental siren Anna May Wong discovers Ahmed’s identity, leading to the princess having to beg for his life. It goes on from there with a competitive quest and a flying carpet, a cloak of invisibility, a giant underwater spider, and so on. Douglas Fairbanks is a fun, charismatic actor to watch, and the special effects are impressive, especially for a film that’s nearly 100 years old.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 13
Pete’s Dragon (2016)

September 14
Before the Devil Knows You’re Dead (2007)
Half Nelson (2006)

September 15
Moonrise Kingdom (2012)

September 27
The Imitation Game (2014)

AMAZON PRIME

September 15
Everybody Wants Some!! (2016)

September 17
The Witch (2016)

FILMSTRUCK

September 7
The Bad and the Beautiful (1952)
The Band Wagon (1953)
Giant (1956)
Grand Illusion (1937)
Home from the Hill (1960)
Meet Me in St. Louis (1944)
Seven Brides for Seven Brothers (1954)
Slacker (1990)
Some Came Running (1958)
Steamboat Round the Bend (1935)
Tea and Sympathy (1956)
The Thin Man Series (1934 – 1947)
Touchez Pas au Grisbi (1954)

September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (197
Night Moves (1975)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

Black Panther (2018)
The Breakfast Club (1985)
Bruce Almighty (2003)
The Emperor’s New Groove (2000)
Groundhog Day (1993)
The Hitchhiker’s Guide to the Galaxy
King Kong (2005)
Lilo & Stitch (2002)
Nacho Libre (2006)
Pearl Harbor (2001)
Scarface (1983)
Unforgiven (1992)

AMAZON PRIME

Chinatown (1974)
Blow Out (1981)
Dressed to Kill (1980)
Ghostbusters (1984)
Ghostbusters 2 (1989)
Hustle & Flow (2005)
Jerry Maguire (1996)
Miami Vice (2006)
Primal Fear (1996)
Robin Hood: Prince of Thieves (1991)
Sleepless in Seattle (1993)
Smokey and the Bandit (1977)
Testament (1983)
There Will Be Blood (2007)
What’s Eating Gilbert Grape (1993)

FILMSTRUCK

Cul-de-sac (1966)
Dead Man (1985)
Kes (1969)

HULU

13 Going On 30 (2004)
Adaptation. (2002)
Blow Out (1981)
City of God (2002)
Dressed to Kill (1980)
The English Patient (1996)
Field of Dreams (1989)
The Fly (1986)
Jerry Maguire (1996)
Primal Fear (1996)
Rushmore (1998)
Signs (2002)
Searching for Sugar Man (2012)
Sixteen Candles (1984)
The Terminator (1984)
There Will Be Blood (2007)
Unbreakable (2000)
What’s Eating Gilbert Grape (1993)


COMING THIS WEEK

NETFLIX

September 7
Next Gen–NETFLIX FILM (2018)
Sierra Burgess Is A Loser–NETFLIX FILM (2018)

September 11
The Resistance Banker–NETFLIX FILM (2018)

September 12
On My Skin–NETFLIX FILM (2018)

AMAZON PRIME

September 8
Stronger (2017)

HULU

September 8
Stronger (2017)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: August 31 – September 5

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


What’s Eating Gilbert Grape

    — Coming September 1

Year: 1993

Director: Lasse Hallström

Genre: Romance, Drama

Cast: Johnny Depp, Leonardo DiCaprio, Juliette Lewis, Mary Steenburgen, Darlene Cates, Laura Harrington, Mary Kate Schellhardt, Kevin Tighe, John C. Reilly, Crispin Glover, Penelope Branning, Tim Green, Susan Loughran, Robert B. Hedges, Mark Jordan, Cameron Finley, Brady Coleman, Tim Simek

Johnny Depp plays Gilbert Grape, a twenty-something stuck in the small Iowa town of Endora working as a grocery clerk. Despite the presence of his two sisters, he bears the weight of the world as he alone is obligated to care for his morbidly obese mother Bonnie (Darlene Cates) and his highly autistic 17-year-old brother Arnie (Leonardo DiCaprio in one of his first roles). The whole family lives in an old rundown house that Bonnie hasn’t left in years due to depression from her husband’s suicide. Gilbert is losing the battle of trying to cope with his life when he meets Becky (Juliette Lewis), a carefree spirit who brings him happiness and draws his attention away from the drudgery of his responsibilities. Unfortunately, Arnie is one of those responsibilities, and unsupervised, he is a true danger to himself.

Between Lasse Hallström’s direction and Peter Hedges‘ script, the perfect balance is struck between melancholy and humor. The big surprise is DiCaprio stealing the entire show with his standout Oscar-nominated supporting actor performance. Through expression, voice, and mannerisms, there is nothing to differentiate him from an actual autistic person. He is truly dependent on others, providing genuine tension when he’s left to his own devices, whether getting stuck up on the town water tower or left alone in the bath, unable to help himself.


Gone Baby Gone

Year: 2007

Director: Ben Affleck

Genre: Crime, Drama, Mystery

Cast: Casey Affleck, Michelle Monaghan, Morgan Freeman, Ed Harris, John Ashton, Amy Ryan, Amy Madigan, Titus Welliver, Michael Kenneth Williams, Edi Gathegi, Mark Margolis, Madeline O’Brien, Slaine, Matthew Maher, Trudi Goodman

By the mid 2000s, Ben Affleck’s acting career was in a shambles after a string of major flops. Something needed to change. So why not go behind the camera for once? Affleck joined Aaron Stockard to adapt Dennis Lehane’s source novel and found his cast, including leads Casey Affleck and Michelle Monaghan, who play private investigators Patrick Kenzie and Angie Gennaro, as well as big names like Morgan Freeman and Ed Harris. The result was the directorial debut Gone Baby Gone, a critically acclaimed neo-noir crime drama about the search through Boston’s criminal underground for a missing little girl named Amanda.

This is a bleak, depressing, and uncomfortable film full of unlikeable people. Even Amanda’s mother is neglectful and self-centered. But this is the world we live in. The stunning revelations and impossible moral dilemma thrust on our characters unmercifully puts the viewer’s ethical judgment and fortitude to the test. There’s also the sense that apart from the main cast, these aren’t actors; they’re real Bostonians living real life, rough and raw, for better or worse.


Seven Brides for Seven Brothers

 — Expiring September 7

Year: 1954

Director: Stanley Donen

Genre: Comedy, Drama, Musical, Western

Cast: Howard Keel, Jeff Richards, Russ Tamblyn, Tommy Rall, Marc Platt, Jane Powell, Jacques d’Amboise, Julie Newmar, Matt Mattox, Nancy Kilgas, Betty Carr, Virginia Gibson, Ruta Lee, Norma Doggett, Ian Wolfe, Howard Petrie, Earl Barton, Dante DiPaolo, Kelly Brown, Matt Moore, Russell Simpson, Marjorie Wood, Jarma Lewis, Anna Q. Nilsson, Dick Rich

Set in the Oregon frontier of the mid-19th century, this is the story of Adam Pontipee, played by the deep-voiced Howard Keel, and his six brothers, Benjamin through Frank. They’re all uncouth backwoodsmen who rarely see women much less have any idea how to treat them or how to have any kind of manners really. Nevertheless, Adam comes to town to find a bride, and find one he does in the beautiful Milly, played by the tough but lovely Jane Powell, who also has a beautiful singing voice. Milly accepts his offer not knowing of the rest of the family that awaits her or what kind of man Adam is.

Despite moments of discomfort and awkwardness brought about by its sometimes pigheaded characters, this movie musical is a pure delight with catchy and memorable songs, creative, can’t take your eyes off it large-scale group choreography–especially during the barn-raising sequence, laughs a plenty, and a no-nonsense, take-charge heroine in Milly.

When I say Milly is a heroine, I mean she is the most important character in the story. She’s the one who takes on the role of taming this group of brothers and teaching them what respect and true masculinity looks like. Ironically, despite being the oldest, her new husband is the one most in need of maturing, despite what he himself thinks. He’s as stubborn as they come, and Milly, while quick to forgive and generous in heart, is not a doormat and is more than ready to stand up for herself and for the other girls who end up falling into her protection.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

August 31
Batman Begins (2005)
Casino (1995)
The Dark Knight (2008)
Dead Poets Society (1989)
The Descent (2005)
Eternal Sunshine of the Spotless Mind (2004)
Ghostbusters (1984)
Hachi: A Dog’s Tale (2009)
It Might Get Loud (2008)
Man on Wire (2008)
Wet Hot American Summer (2001)

September 4
PK (2014)
To The Wonder (2012)

September 13
Pete’s Dragon (2016)

September 14
Before the Devil Knows You’re Dead (2007)

September 15
Moonrise Kingdom (2012)

September 27
The Imitation Game (2014)

AMAZON PRIME

August 31
Anthropoid (2016)
The Big Racket (1976)
Blazing Saddles (1974)
Capote (2005)
Dead Man Walking (1995)
Death at a Funeral (2007)
A Fistful Of Dynamite (1971)
The Flowers of War (2011)
The Hurt Locker (2008)
Inferno (1980)
The Natural (1984)
Raging Bull (1980)
Red River (1948)
Stories We Tell (2012)
Training Day (2001)
Trees Lounge (1996)

FILMSTRUCK

August 31
Badlands (1973)
Bonnie and Clyde (1967)
Diary of a Lost Girl (1929)
The Exorcist (1973)
Gun Crazy (1950)
Hedwig and the Angry Inch (2001)
Kameradschaft (1931)
Reservoir Dogs (1992)
The Searchers (1956)
They Live by Night (1948)
Tootsie (1982)
Westfront 1918 (1930)
You Only Live Once (1937)

September 7
The Bad and the Beautiful (1952)
The Band Wagon (1953)
Giant (1956)
Grand Illusion (1937)
Home from the Hill (1960)
Meet Me in St. Louis (1944)
Seven Brides for Seven Brothers (1954)
Slacker (1990)
Some Came Running (1958)
Steamboat Round the Bend (1935)
Tea and Sympathy (1956)
The Thin Man Series (1934 – 1947)
Touchez Pas au Grisbi (1954)

September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (197
Night Moves (1975)

HULU

August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)


JUST ARRIVED

FILMSTRUCK

Captains Courageous (1937)
Cool Hand Luke (1967)
Dead Ringers (1988)
Gunga Din (1939)
The Hudsucker Proxy (1994)
A Mighty Wind (2003)
North by Northwest (1959)
The Prisoner of Zenda (1937)
Suspicion (1941)
This Is Spinal Tap (1984)
Westworld (1973)

HULU

Crime + Punishment (2018)
Gangs of New York (2002)
mother! (2017)


COMING THIS WEEK

NETFLIX

September 1
The Breakfast Club (1985)
Bruce Almighty (2003)
Groundhog Day (1993)
The Hitchhiker’s Guide to the Galaxy
King Kong (2005)
Nacho Libre (2006)
Pearl Harbor (2001)
Scarface (1983)
Unforgiven (1992)

September 2
The Emperor’s New Groove (2000)
Lilo & Stitch (2002)

September 4
Black Panther (2018)

AMAZON PRIME

September 1
Chinatown (1974)
Blow Out (1981)
Dressed to Kill (1980)
Ghostbusters (1984)
Ghostbusters 2 (1989)
Hustle & Flow (2005)
Jerry Maguire (1996)
Miami Vice (2006)
Primal Fear (1996)
Robin Hood: Prince of Thieves (1991)
Sleepless in Seattle (1993)
Smokey and the Bandit (1977)
There Will Be Blood (2007)
What’s Eating Gilbert Grape (1993)

HULU

August 31
The Terminator (1984)

September 1
13 Going On 30 (2004)
Adaptation. (2002)
Blow Out (1981)
City of God (2002)
Dressed to Kill (1980)
Field of Dreams (1989)
The Fly (1986)
Jerry Maguire (1996)
Primal Fear (1996)
Rushmore (1998)
Signs (2002)
Searching for Sugar Man (2012)
Sixteen Candles (1984)
There Will Be Blood (2007)
Unbreakable (2000)
What’s Eating Gilbert Grape (1993)

September 2
The English Patient (1996)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: August 23-29

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Exorcist

 — August 30 is last day to watch

Year: 1973

Director: William Friedkin

Genre: Horror, Drama, Thriller

Cast: Linda Blair, Max von Sydow, Ellen Burstyn, Jason Miller, Lee J. Cobb, Kitty Winn, William O’Malley, Jack MacGowran, Barton Heyman, Peter Masterson, Rudolf Schündler, Robert Symonds, Titos Vandis, Donna Mitchell, Robert Gerringer, Mercedes McCambridge, Eileen Dietz

Even if you’ve never seen The Exorcist, you’re probably familiar with its premise of a young girl named Regan finding her body the battleground between a powerful demon and the priests trying to exorcise it (Max von Sydow and Jason Miller). But what makes it so effective and worth seeing, even beyond William Friedkin’s masterful direction, is the grave authenticity William Blatty’s script provides to its subject matter, without so much as a wink at the camera, and the characters caught up in it.

Ellen Burstyn is a mother on a desperate search for answers to her daughter’s ever-worsening condition. Linda Blair is her daughter Regan, who having played with a Ouija board now finds herself host to the worst kind of guest. Regan’s increasingly disturbing state of body and mind is all the more shocking given her cuteness and sweet disposition at the start.

The film invites deep thought and discussion of the spiritual world, from the nature of faith to God’s providence and sovereignty to questions about the impact of physical and mental health versus that of angels and demons and where the two diverge. As badly as the doctors want Regan’s problem to be something they can physically see in the brain or have treated as a mental health issue, the evidence grows increasingly undeniable that the cause is supernatural.


Escape from Alcatraz

        — August 30 is last day to watch

Year: 1979

Director: Don Siegel

Genre: Biography, Crime, Drama

Cast: Clint Eastwood, Patrick McGoohan, Roberts Blossom, Jack Thibeau, Fred Ward, Paul Benjamin, Larry Hankin, Bruce M. Fischer, Frank Ronzio, Fred Stuthman, David Cryer Hank Brandt, Ray K. Goman, Blair Burrows

Escape from Alcatraz details the most famous prison break in American history. While both the film and the real life escape involved several inmates, the vast majority of the film’s focus is on Frank Morris, played by Clint Eastwood. Most of the character and emotional beats are seen through his eyes. It’s a fascinating exploration into the problem solving process and the risks needing to be taken for people to escape an inescapable prison.

But the film doesn’t work unless the audience cares to some extent about Frank and his accomplices. To this end, J. Campbell Bruce’s script provides very few details about the crimes that sent these convicts to the island prison. Instead, we see men trapped in cages and dehumanized by a hard warden (Patrick McGoohan), who prevents them at a whim from having niceties that would make their incarceration at least palatable. Once the audience feels sympathizes with the prisoners for being treated unfairly in a hopeless situation, it’s easy to be sucked into the means of their escape and want them to succeed. Clint himself is a big part of that as well with his no-nonsense motivated yet compassionate manner.


My Left Foot: The Story of Christy Brown

  — August 31 is last day to watch

Year: 1989

Director: Jim Sheridan

Genre: Biography, Drama

Cast: Daniel Day-Lewis, Brenda Fricker, Alison Whelan, Declan Croghan, Eanna MacLiam, Marie Conmee, Kirsten Sheridan, Cyril Cusack, Phelim Drew, Ruth McCabe, Fiona Shaw, Ray McAnally, Pat Laffan, Derry Power

Christy Brown was an Irishman born into extreme poverty and having a severe case of cerebral palsy that even as an adult left him unable to control any part of his body but his left foot. Daniel Day-Lewis’ portrayal of the adult Christy is one more example for why the now retired actor is one of the most acclaimed in film history. His chameleon-like level and skill of intense physical acting is nothing short of astonishing. It’s difficult to believe the man on the screen doesn’t have cerebral palsy himself. Christy goes through a wide range of capabilities and emotional states, and Lewis nails them all. Even the child who played young Christy was remarkable in his short screen time.

It’s heartwarming to see that despite all of his trouble interacting with the world around him, Christy always had friends, siblings, and especially his mother support him, especially since his father is so dismissive of him most of his life. However, this film is not about them and so they do not receive a lot of development in the script. The focus throughout is on the struggle and triumph of being Christy Brown.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

August 24
The Road (2009)

August 25
Gangs of New York (2002)
Night Will Fall (2014)

August 26
White God (2014)

August 27
Ernest & Celestine (2012)
Wrinkles (2011)

August 29
Destiny (1921)

August 31
Batman Begins (2005)
Casino (1995)
The Dark Knight (2008)
Dead Poets Society (1989)
The Descent (2005)
Eternal Sunshine of the Spotless Mind (2004)
Ghostbusters (1984)
Hachi: A Dog’s Tale (2009)
It Might Get Loud (2008)
Man on Wire (2008)
Wet Hot American Summer (2001)

September 4
To The Wonder (2012)

AMAZON PRIME

August 23
10 Cloverfield Lane (2016)

August 24
Captain Fantastic (2016)

August 29
Dirty Dancing (1987)

August 30
The ’Burbs (1989)
Boy (2010)
Breathing (2011)
A Bullet for the General (1966)
Companeros (1970)
Computer Chess (2013)
David and Lisa (1962)
Deep Red (1975)
Django (1966)
Escape from Alcatraz (1979)
Event Horizon (1997)
Keoma (1976)
The Last Waltz (1978)
Opera (1987)
The Return of Ringo (1965)
The Running Man (1987)
Sweeney Todd: The Demon Barber of Fleet Street (2007)

August 31
Anthropoid (2016)
The Big Racket (1976)
Blazing Saddles (1974)
Capote (2005)
Dead Man Walking (1995)
Death at a Funeral (2007)
A Fistful Of Dynamite (1971)
The Flowers of War (2011)
The Hurt Locker (2008)
Inferno (1980)
The Natural (1984)
Raging Bull (1980)
Red River (1948)
Stories We Tell (2012)
Training Day (2001)
Trees Lounge (1996)

FILMSTRUCK

August 24
Act of Violence (1949)
Boy (2010)
Casablanca (1942)
The Freshman (1925)
From Here to Eternity (1953)
Get Carter (1971)
The Little Foxes (1941)
A Man for All Seasons (1966)
Mildred Pierce (1945)
Nine Queens (2000)
Now, Voyager (1942)
The Producers (1967)
Stella Dallas (1937)
Swing Time (1936)
Top Hat (1935)
What Ever Happened to Baby Jane? (1962)

August 31
Badlands (1973)
Bonnie and Clyde (1967)
Diary of a Lost Girl (1929)
The Exorcist (1973)
Gun Crazy (1950)
Hedwig and the Angry Inch (2001)
Kameradschaft (1931)
Reservoir Dogs (1992)
The Searchers (1956)
They Live by Night (1948)
Tootsie (1982)
Westfront 1918 (1930)
You Only Live Once (1937)

HULU

August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)


JUST ARRIVED

NETFLIX

Peter Rabbit (2018)
The Motive – NETFLIX FILM (2017)
To All The Boys I’ve Loved Before – NETFLIX FILM (2018)

AMAZON PRIME

Unsane (2018)

FILMSTRUCK

My Brilliant Career (1979)
On Golden Pond (1981)
The Postman Always Rings Twice (1946)

HULU

A Ciambra (2017)
Jiro Dreams of Sushi (2011)
Minding the Gap — HULU DOCUMENTARY (2018)
Role Models (2008)


COMING THIS WEEK

NETFLIX

August 24
The After Party — NETFLIX FILM (2018)

AMAZON PRIME

August 26
mother! (2017)

HULU

August 26
Gangs of New York (2002)
mother! (2017)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: August 16-22

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Aviator

Year: 2004

Director: Martin Scorsese

Genre: Biography, Drama, History

Cast: Leonardo DiCaprio, Cate Blanchett, Kate Beckinsale, John C. Reilly, Alec Baldwin, Alan Alda, Ian Holm, Jude Law, Kelli Garner, Danny Huston, Brent Spiner, Willem Dafoe, Gwen Stefani, Adam Scott, Matt Ross, Frances Conroy, Stanley DeSantis, Keith Campbell, Amy Sloan, Kevin O’Rourke, Nellie Sciutto, Edward Herrmann, Kenneth Welsh, J.C. MacKenzie, Jacob Davich, Sam Hennings, Vince Giordano, Jason Cavalier, Rufus Wainwright

Nominated for a whopping 11 Academy Awards and winner of 5, Martin Scorsese’s The Aviator, headlined by the magnificent Leonardo DiCaprio is a star-studded, technically masterful, sprawling epic full of period music, design, and color about the larger than life Howard Hughes, an insanely wealthy and driven man who could do it all. He flew planes, made movies, and had an insatiable entrepreneurial spirit. His contributions to the disparate worlds of film and flight technology echo into today. He was also one of the most eccentric characters in American history, which was only worsened by hearing loss and other mounting injuries and an extreme case of OCD that eventually turned him into a complete recluse.

It’s difficult to believe Leonardo DiCaprio, who perfectly inhabits the brilliant, obsessive Hughes, did not win the Oscar he was nominated for, as it’s truly the work of a master actor, full of nuance, vulnerability, and energy. This is not to take away from the other deserving winners from this film, including Cate Blanchett, who presents a pitch-perfect Katharine Hepburn, Hughes’ long-term girlfriend and a spirited eccentric herself. The Aviator is an experience that is as joyful as it is tragic.

 


Pather Panchali

  

Year: 1955

Director: Satyajit Ray

Genre: Drama

Cast: Kanu Bannerjee, Karuna Bannerjee, Chunibala Devi, Uma Das Gupta, Subir Banerjee, Runki Banerjee, Reba Devi, Aparna Devi, Tulsi Chakraborty, Haren Banerjee, Rampada Das, Nibhanani Devi, Rama Gangopadhaya, Roma Ganguli, Binoy Mukherjee, Haridhan Nag, Harimohan Nag, Kshirod Roy, Suren Roy

With this stunning debut and the first film in what’s known as The Apu Trilogy, Satyajit Ray shows the touch of a master in handling the complex and contrasting emotional, familial, and economical dynamics at play in this story of a family living in the jungles of Bengal facing abject poverty. While each member of the central family contributes to the narrative, casting Chunibala Devi for the elderly cousin Indir was inspired. She’s like the fragile, upbeat, super old grandma who puts a smile on your face and whom you can’t help but love . Seeing the continued breakdown of her body and the harsh treatment she receives from her cousin (by marriage) Sarbojaya (Karuna Bannerjee) is painful.

The children, Durga (Uma Das Gupta) and Apu (Subir Banerjee) are relatively carefree, but Durga tends to make her mother’s challenging life even more so, though in contrast, she has a special relationship with Indir. Their father Harihar (Kanu Bannerjee) is optimistic about their future but largely absent as he’s gone months at a time trying to earn money as a writer, which leaves Sarbojaya trying to provide for her family with basically nothing. She’s often hard and bitter and even unnecessarily mean at times. She’s also a fiercely proud woman who refuses to ask for help.

She pays a stiff price for them, but her actions based on her extreme circumstances only seem outrageous at face value and when contrasted to those around her who are in happier spirits. It puts into perspective what our own attitudes would be like if faced with enduring her circumstances. Consider how we treat others when we’re having nothing more than a bad day. It’s a call for compassion and a reminder that we can always use more empathy for those around us.


The Second Mother

   

Year: 2015

Director: Anna Muylaert

Genre: Drama

Cast: Regina Casé, Michel Joelsas, Camila Márdila, Karine Teles, Lourenço Mutarelli, Helena Albergaria, Luis Miranda, Luci Pereira, Hugo Villavicenzio, Theo Werneck, Alex Rusjar, Thaissa Reis, Milcéia Vicente, Bete Dorgan, Andrey Lima Lopes

An engaging story about the complexities of inter-class and family relationships, especially when the status quo is shaken up. Val, played by Regina Casé, is a live-in maid for a wealthy family. She has a better relationship with their son Fabinho (Michel Joelsas) than his own mother does and no relationship with her estranged daughter Jessica (Camila Márdila), who resents her having moved away despite it being to provide her a better life. Suddenly, Jessica, needing a place to stay while she studies for her university entrance exam reaches out to Val, who receives permission to let her stay, hopefully not long. Her presence creates a complex new dynamic to the home and in her relationship with her mother.

Director Anna Muylaert has a careful eye for representing the separation between upper-class family represented in this film and the hired live-in help who serve them, namely Val. She also shows how important being present is as the son, Fabinho treats Val like a mother. Also, by Jessica refusing to recognize the class distinction and making herself at home, the distinctions themselves are brought into focus as well as inherent difficulties of the parent/child relationship across generational lines as well as differences in opinion of acceptable behavior. It’s a simple story but an affecting one.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

August 24
The Road (2009)

August 26
White God (2014)

AMAZON PRIME

August 23
10 Cloverfield Lane (2016)

August 24
Captain Fantastic (2016)

August 29
Dirty Dancing (1987)

FILMSTRUCK

August 17
The Cook, the Thief, His Wife and Her Lover (1989)
The Draughtsman’s Contract (1982)
Escape from New York (1981)
The Falls (1980)
Hairspray (1988)
A Zed & Two Noughts (1985)

August 20
Frances Ha (2012)

August 24
Act of Violence (1949)
Boy (2010)
Casablanca (1942)
The Freshman (1925)
From Here to Eternity (1953)
Get Carter (1971)
The Little Foxes (1941)
A Man for All Seasons (1966)
Mildred Pierce (1945)
Nine Queens (2000)
Now, Voyager (1942)
The Producers (1967)
Stella Dallas (1937)
Swing Time (1936)
Top Hat (1935)
What Ever Happened to Baby Jane? (1962)

August 31
Badlands (1973)
Bonnie and Clyde (1967)
Diary of a Lost Girl (1929)
The Exorcist (1973)
Gun Crazy (1950)
Hedwig and the Angry Inch (2001)
Kameradschaft (1931)
Reservoir Dogs (1992)
The Searchers (1956)
They Live by Night (1948)
Tootsie (1982)
Westfront 1918 (1930)
You Only Live Once (1937)

HULU

August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)


JUST ARRIVED

NETFLIX

The Guernsey Literary & Potato Peel Pie Society (2018)
Hostiles (2017)
No Country for Old Men (2007)

AMAZON PRIME

The Birth of a Nation (1915)
Carnage (2011)
The City of the Dead (1960)
The Damned United (2009)
The Devil and Daniel Johnston (2005)
Every Little Step (2008)
A Field in England (2013)
General Della Rovere (1959)
Hope and Glory (1987)
The Hunt for Red October (1990)
In Syria (2017)
La Femme Nikita (1990)
Lean on Pete (2017)
Long Weekend (1978)
The Marquise of O (1976)
Mood Indigo (2013)
Ms .45 (1981)
Passport to Pimlico (1949)
The Second Mother (2015)
Tangerines (2013)
They Call Me Jeeg (2015)
Wake in Fright (1971)
Why We Fight (2005)
Zodiac (2007)

FILMSTRUCK

Heroes for Sale (1933)
Phoenix (2014)
A Star Is Born (1937)
Westward the Women (1951)
Wild Boys of the Road (1933)

HULU

Borg vs McEnroe (2017)
The Cage Fighter (2017)


COMING THIS WEEK

NETFLIX

August 17

To All The Boys I’ve Loved Before – NETFLIX FILM
The Motive – NETFLIX FILM

HULU

August 17
Minding The Gap – HULU DOCUMENTARY (2018)

August 23
Jiro Dreams of Sushi (2011)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: August 9-15

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week I’m recommending a 2017 film that happens to be one of the best Westerns in years, transcending the genre itself. Next, a classic Japanese film that is as deep in meaning as the sand dunes its protagonist is trapped at the bottom of. Finally, a Robert Redford-led government conspiracy crime caper.

As always, be sure to check out the list of all the notable films that are expiring soon and newly arriving.


STREAMING PICKS OF THE WEEK


Hostiles

  — Available Aug. 15

Year: 2017

Director: Scott Cooper

Genre: History, Drama, Western, Adventure

Cast: Christian Bale, Rosamund Pike, Wes Studi, Jesse Plemons, Adam Beach, Rory Cochrane, Ben Foster, Stephen Lang, Timothée Chalamet, Jonathan Majors, Q’orianka Kilcher, Paul Anderson, Ryan Bingham, Peter Mullan, Robyn Malcolm, Scott Wilson, Bill Camp, John Benjamin Hickey

From the shocking opening where the serenity of a mother in her home schooling her children is shattered in a flurry of sudden and vicious gunfire and brutality, the tone is set for this very bleak but somehow hopeful film. Christian Bale plays Native American-hating Army captain Joseph Blocker. His duty, against his will is to escort Chief Yellow Hawk (Wes Studi) and his family through deadly territory back to their reservation. While the setting makes this a Western, deep themes run throughout that echo the entire history of human relations, cycles of violence and resulting prejudice and attempts to overcome it all. It’s a very unique film in that it shows compassion for all peoples but doesn’t hold back on showing how cruel and violent anyone can be, regardless of race. It also explores the nature of doing one’s duty despite how one feels about it and learning to forgive the worst wrongs.

In a film full of fantastic performances and colorful characters representing many types and races of people, Rosamund Pike (Rosalie) and Christian Bale stand above the rest. The pair’s relationship could have easily been abused for the sake of cheap romance, but instead through the trauma they share from their past, they take a fascinating and heart-wrenching emotional and spiritual journey together. They both have to struggle to overcome the pain of their past and the grief it is causing them as well as current danger and try to maintain their faith despite God having seemed to turn a blind eye to them.


Woman in the Dunes

  

Year: 1964

Director: Hiroshi Teshigahara

Genre: Thriller, Drama

Cast: Eiji Okada, Kyôko Kishida, Ginzô Sekiguchi, Kôji Mitsui, Sen Yano, Hiroko Itô

Tokyo teacher and entomologist Jumpei Niki (Eiji Okada) is on a three-day vacation and gets tricked into going down a sandy cliff side from which there is no way out. The only way to survive and keep the house down there from collapsing is to shovel sand every night along with the unnamed woman (Kyôko Kishida) who lives in the house. Despite this relatively simple plot, Hiroshi Teshigahara has created a film incredibly dense with meaning.

Is it a nightmarish retelling of the Sisyphus myth? Is it a glimpse of a man in hell? Is it a commentary on the dehumanization of slavery or the nature of our innate lustful and voyeuristic attitudes? Is it a cautionary tale inspiring us to live with purpose rather than merely live to survive? Is it an homage to the allegory of Plato’s cave? Yes and much more. Hiroshi Segawa’s masterful cinematography along with claustrophobic editing serves to amp up the hopeless conditions. And Toru Takemitsu’s tense musical score gets at the sense of unease and downright fear at what’s happening.


Sneakers

Year: 1992

Director: Phil Alden Robinson

Genre: Crime, Drama, Comedy

Cast: Robert Redford, Sidney Poitier, Dan Aykroyd, David Strathairn, River Phoenix, Timothy Busfield, Mary McDonnell, Ben Kingsley, James Earl Jones, Donal Logue, Denise Dowse, Eddie Jones, Time Winters, Bodhi Elfman, Stephen Tobolowsky, George Hearn, Lee Garlington, George Cheung, Michael Kinney, Gary Hershberger

With Robert Redford’s confirmation just days ago that he is retiring from acting after his next film is released this fall, now’s a great time to go back to Phil Alden Robinson’s (Field of Dreams) early Mission: Impossible-lite government conspiracy crime caper that put the NSA on the map of the public’s consciousness. Redford plays Martin Bishop, an affable former hacker who heads a security team of eccentric characters with dubious pasts. They get pressured into doing a favor for the government and soon find themselves caught in a massive conspiracy that could get any or all of them killed.

While the film is dated in its look and technology, the plot is entirely relevant to modern concerns of online privacy. It’s also far more entertaining than it has a right to be thanks to its clever writing, abundance of twists and turns, and light-hearted adventurous tone, and inspired casting, combining such disparate actors on the team as Dan Aykroyd as Mother, Sidney Poitier as Crease, and David Strathairn as Whistler, the blind guy who uses his other senses to greater effect than anyone else. Mary McDonnell adds a feminine presence as Martin’s ex-girlfriend Liz and along with Stephen Tobolowsky in a bit part creates one of the most memorable sequences of the movie. And last but not least, Sir Ben Kingsley gets to be a misguided, all-too-powerful villain, with a ponytail to boot.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

August 15
The 40 Year Old Virgin (2005)
Seeking a Friend for the End of the World (2012)
Sweet Bean (2015)

August 24
The Road (2009)

FILMSTRUCK

August 10
Altered States (1980)
The Decline of Western Civilization (1981)
Dogtooth (2009)
Falling Down (1993)
Magnolia (1999)
Nights of Cabiria (1957)
Rebel Without a Cause (1955)
Them! (1954)

August 12
The Last House on the Left (1972)

August 17
The Cook, the Thief, His Wife and Her Lover (1989)
The Draughtsman’s Contract (1982)
Escape from New York (1981)
The Falls (1980)
Hairspray (1988)
A Zed & Two Noughts (1985)

August 20
Frances Ha (2012)

August 24

Act of Violence (1949)
Boy (2010)
Casablanca (1942)
The Freshman (1925)
From Here to Eternity (1953)
Get Carter (1971)
The Little Foxes (1941)
A Man for All Seasons (1966)
Mildred Pierce (1945)
Nine Queens (2000)
Now, Voyager (1942)
The Producers (1967)
Stella Dallas (1937)
Swing Time (1936)
Top Hat (1935)
What Ever Happened to Baby Jane? (1962)

August 31
Badlands (1973)
Bonnie and Clyde (1967)
Diary of a Lost Girl (1929)
The Exorcist (1973)
Gun Crazy (1950)
Hedwig and the Angry Inch (2001)
Kameradschaft (1931)
Reservoir Dogs (1992)
The Searchers (1956)
They Live by Night (1948)
Tootsie (1982)
Westfront 1918 (1930)
You Only Live Once (1937)

HULU

August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)


JUST ARRIVED

NETFLIX

Paid in Full (2002)

AMAZON PRIME

The Haunted Palace (1963)
High Noon (1952)
Hoosiers (1986)
Jacob’s Ladder (1990)
Joe (2013)
Rich Hill (2014)
A Star Is Born (1937)
The Uninvited (1944)

FILMSTRUCK

Arsenic and Old Lace (1944)
Barry Lyndon (1975)
A Clockwork Orange (1971)
The Emigrants (1971)
The Exorcist (1973)
The New Land (1972)


COMING THIS WEEK

NETFLIX

August 10
The Guernsey Literary and Potato Peel Pie Society – NETFLIX FILM (2018)
The Package – NETFLIX FILM (2018)

August 11
No Country for Old Men (2007)

August 15
Hostiles (2017)

HULU

August 10
Borg vs McEnroe (2017)

August 16
Role Models (2008)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.