Jeremy Calcara is a contributing writer and podcaster on the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.
What We Learned This Week: October 7-13
LESSON #1: DAMIEN CHAZELLE IS A PRODIGY— We have seen young and fresh directors start out white hot and flame out. For example, Orson Welles made Citizen Kane when he was 25 and never matched high creative mark with the rest of his career. With First Man asserting itself as an entirely different scale, scope, and class of film compared to Whiplash and La La Land, no one can call Chazelle a one-hit wonder or a flash in the pan. He is a mere 33 years old and is primed to possibly have his third consecutive film be nominated for Best Picture at the Academy Awards. Wes Anderson can’t say that and neither can Christopher Nolan. What Chazelle is doing with his craft and talent is quickly sprinting ahead of his peers and contemporaries. It’s boggling to imagine what he can accomplish before he’s 43 or 53. Projecting this guy’s career requires something stronger than the Hubble Telescope.
LESSON #2: IF YOU CAN’T BEAT THEM, JOIN THEM— Following the lead of Disney, AT&T and Warner Bros. have announced their intention to launch WarnerMedia streaming service to compete with Disney’s new platform and the existing giants of Netflix, Hulu, and Amazon. The strong business reason is there: skip paying a competitor licensing fees to host your content when you can do it yourself. WB has the library depth to fill a service between their own brand and their HBO and Turner holdings. As always, the success will depend on price point. Make it competitive and attractive and people will come. People like paying for one-stop-shop convenience and, by the time they pay up for access to Disney, will people want to add one more service and one more hassle? I predict in a few years this column will have a future lesson that reads “The old adage of ‘if you can’t beat them, join them’ doesn’t always work” because either Disney or Warner Bros. (or both) will pull back because they are not making their desired subscription numbers. Time will tell.
LESSON #3: MARVEL STILL KNOWS WHAT’S GOOD FOR THEM— Word just came through that Ryan Coogler officially put ink to paper to return to the director’s chair and writer’s desk for Black Panther 2. It’s only fitting because anyone less than Coogler returning to what he championed and built would be a backwards step for the billion-dollar smash. So far, as long as Marvel continues to allow Coogler to work with reasonable freedom, he will not be the next Joss Whedon to start strong and be burnt out by the micro-managing Marvel machine.
LESSON #4: JAMES GUNN WAS ALWAYS GOING TO BE FINE— Speaking of micro-managing, it didn’t matter to Disney, but James Gunn showed enough professionalism, contrition, and support from his peers to not have his career ruined for his old Twitter behavior that was revealed in bombshell headlines this past July. Warner Bros. has tabbed him to write a Suicide Squad sequel with the possible opportunity to direct. This counts as a positive rebound for Gunn and a coup of a hire for the DCEU. If you remember last year, Gunn was a elevated to become an inner circle member of the MCU creative core under Kevin Feige. He now brings that acumen and prowess to a place that could sure use more of both.
LESSON #5: TOM CRUISE DESERVES AN OSCAR SOMEDAY— IndieWire’s David Ehrlich put out quite a pitch this week say Tom Cruise deserves an Oscar nomination for Mission: Impossible – Fallout. I enjoyed the grounds of Ehrlich’s argument and I do think there’s something special about the level of star power and superhuman accomplishment Tom Cruise has done. Recognizing him for something that subverts his huge persona counts as honoring a departure from the norm, but when his “norm” is untouchably greater than anyone else’s, that greatness is the special achievement. I’m with the others on the Feelin’ Film Discussion Group who chimed in on this story. Maybe Tom doesn’t deserve an Oscar for this specific film or role, but, someday, his body of work and impact screams lifetime achievement.
LESSON #6: MOST CLASSICS DON’T NEED MODERN IMPROVEMENT— This week, Richard Dreyfus went on the record with Deadline’s Geoff Boucher to say that re-releasing a CGI-enhanced Jaws would rake in a ton of money and bring the classic to new audiences. The production troubles of Steven Spielberg’s mechanical shark are well-documented. I’m sure if he had the means then he has today, we would certainly see a different summer blockbuster. Call me old-fashioned, but Jaws like all other films are products of their eras and should stay themselves. It stands as a treasured time capsule for when practical effects, POV camerawork, and the stellar use of John Williams’s score could replace what couldn’t be done explicitly and still create a chilling effect. Jaws still works, even if some parts could be pretty cool with a little more teeth, texture, and speed. All I hear when Dreyfus talks though is a “cash grab.” The royalty checks must be coming in a little slow this year.
LESSON #7: KEEP AN EYE ON THE BOYS FROM SEARCHING— You hear Aaron White and me raving every chance we get about the August family thriller Searching. Both of us declared writer/Director Aneesh Chaganty and his writing partner Sev Ohanian as names to watch after their stunning debut. We now know what’s next for them, namely the Sarah Paulson vehicle Run from Lionsgate that starts production this month. Put me in the “can’t wait” line already. I know I’ll have some friends join me soon.
LESSON #8: IT’S OCTOBER, SO TREAT YOURSELF TO A HORROR MOVIE— In a quick finish, take a gander at this list of the best horror films on Netflix right now. The second one listed is an absolute must.
DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication. As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society. As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program. Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.
You Should Be Watching: October 4-10
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
STREAMING PICKS OF THE WEEK
The Conjuring
Year: 2013
Director: James Wan
Genre: Horror, Mystery, Thriller
Cast: Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston, Mackenzie Foy, Joey King, Shanley Caswell, Kyla Deaver, Hayley McFarland, Shannon Kook, John Brotherton, Sterling Jerins, Joseph Bishara, Marion Guyot, Morganna Bridgers, Amy Tipton, Zach Pappas, Rose Bachtel, James D. Nelson
What’s October without a horror recommendation? James Wan’s The Conjuring, which launched a whole new horror-verse, is like a big budget version of the wildly popular Paranormal Activity, which set off its own series. Wan draws out a similar trepidation, tension, and terror but with a more fully fleshed out world and mythology. The central characters, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) are paranormal investigators and demonologists based loosely on a real life couple and case. They are invited to investigate the paranormal events haunting the Perron family. Ron Livingston plays the father Roger and Lili Taylor his wife Carolyn. They have recently moved into an old farmhouse along with their 5 daughters. They each see, hear, and experience an unexplainable presence, at times seemingly innocent and others expressing frightening malevolence.
In addition to the Warrens’ character development both as individuals and as a couple, this film’s strength builds through its underlying dread, lightened only by the many cuts from night to daytime, representing the passing of another night and a hopeful return to safety until night falls again. There’s an inescapable sense of entrapment as plausible reasons why the family doesn’t move away enhance the dread even more. In a world that wants to pretend nothing exists beyond the physical, The Conjuring exists to remind us that there might just be more to the supernatural world than we realize.
Polytechnique
Year: 2009
Director: Denis Villeneuve
Genre: Crime, Drama, History
Cast: Maxim Gaudette, Sébastien Huberdeau, Karine Vanasse, Evelyne Brochu, Martin Watier, Johanne-Marie Tremblay, Natalie Hamel-Roy, Pierre-Yves Cardinal, Pierre Leblanc, Francesca Barcenas, Ève Duranceau
Following a nine-year gap after his sophomore effort, the yet unknown Denis Villeneuve directed this masterful and terrifying dramatization of the Montreal Massacre, a 1989 school shooting that based on the emotional weight of this film seems to have had a profound effect on him. It bleeds pain, terror, and sadness. Even at this early stage of his career, the fingerprints of his trademark style are evident–gorgeous, slow-paced cinematography, matching ominous music, mysterious characters, and brooding drama punctuated by intense, realistic violence.
Minimal dialogue means the actors have to show not tell the nightmare they are experiencing or in the case of the killer, enacting. Villeneuve’s tight focus on individual characters in the moment enables the viewer to intimately feel the experience. We are sickened by the evil heart of the shooter, saddened at the hurtful comments one of the female victims receives, and shocked at the sudden cold, brutal, Terminator-like violence of the killer as we reel in disbelief that there is no one to stop him.
Ball of Fire
Year: 1941
Director: Howard Hawks
Genre: Comedy, Romance
Cast: Gary Cooper, Barbara Stanwyck, S.Z. Sakall, Henry Travers, Oskar Homolka, Tully Marshall, Leonid Kinskey, Richard Haydn, Aubrey Mather, Dana Andrews, Allen Jenkins, Elisha Cook Jr., Aldrich Bowker, Dan Duryea, Ralph Peters, Kathleen Howard, Mary Field, Charles Lane, Charles Arnt
Not just screwball comedy. Howard Hawks creatively infuses romance and borderline noir drama with major chemistry between Gary Cooper and Barbara Stanwyck who play Professor Bertram Potts and nightclub performer Katherine “Sugarpuss” O’Shea. Stanwyck practically takes the lead as she plays Sugarpuss with cool confidence, largely in control. An air of tension is established with never knowing for sure if her demonstrated feelings for Professor Potts are genuine. She is very convincing no matter what her intentions are. Cooper, while obviously intelligent, is delightfully awkward as Potts, trying to resist Sugarpuss’ advances.
Hawks uses many unique & memorable ideas & visuals, such as Sugarpuss stepping up on the books for some yum-yum, a wet washcloth bit, crazy amounts of obscure slang, Potts talking to Sugarpuss’ “Daddy”, and the whole initial setup of 8 professors living together for a multi-year project to create a definitive encyclopedia. The ending is also really clever as it makes use of the unique characteristics of each of the professors.
COMING AND GOING
LAST CHANCE (last date to watch)
NETFLIX
October 5
The Beauty Inside (2015)
The BFG (2016)
October 7
Kubo and the Two Strings (2016)
October 13
The Babadook (2014)
October 14
Seven Pounds (2008)
October 16
Donnie Darko (2001)
October 21
The Secret Life of Pets (2016)
October 24
Big Eyes (2014)
Queen of Katwe (2016)
October 27
Bridget Jones’s Baby (2016)
AMAZON PRIME
October 15
The Fits (2016)
October 16
Louder Than Bombs (2016)
FILMSTRUCK
October 5
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
White Heat (1949)
October 12
The Hunchback of Notre Dame (1939)
October 19
Casa de Lava (1994)
Cat on a Hot Tin Roof (1958)
October 26
Barry Lyndon (1975)
Ace in the Hole (1951)
Aguirre: The Wrath of God (1972)
Footlight Parade (1933)
Gold Diggers of 1933 (1933)
Guys and Dolls (1955)
Lawrence of Arabia (1962)
Some Like It Hot (1959)
Stalag 17 (1953)
A Streetcar Named Desire (1951)
Sunset Boulevard (1950)
Tabu (2012)
What’s Up, Doc? (1972)
Witness for the Prosecution (1957)
October 31
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
HULU
October 31
13 Going on 30 (2004)
28 Weeks Later (2007)
Babe (1995)
Barfly (1987)
Bull Durham (1988)
Eight Men Out (1988)
The Elephant Man (1980)
High Noon (1952)
Jackie Brown (1997)
Point Break (1991)
Rabbit Hole (2010)
Rescue Dawn (2006)
The Rock (1996)
Sixteen Candles (1984)
Sleepers (1996)
Spaceballs (1987)
There Will Be Blood (2007)
This Is Spinal Tap (1984)
Unbreakable (2000)
Witness (1985)
JUST ARRIVED
NETFLIX
The Green Mile (1999)
Life of Brian (1979)
Black Dynamite (2009)
Blade (1998)
Blade II (2002)
Blazing Saddles (1974)
Empire Records (1995)
Hold the Dark (2018)
Mystic River (2003)
The NeverEnding Story (1984)
Once Upon a Time in America (1984)
Pee-wee’s Big Adventure (1985)
Robin Hood: Prince of Thieves (1991)
The Shining (1980)
V for Vendetta (2005)
AMAZON PRIME
Bitter Moon (1992)
Carrie (1976)
Election (1999)
Hoop Dreams (1994)
A Fistful of Dollars (1964)
For a Few Dollars More (1965)
Full Metal Jacket (1987)
The General (1998)
Galaxy Quest (1999)
Gods and Monsters (1998)
House of Usher (1960)
How to Succeed in Business Without Really Trying (1967)
The Illusionist (2006)
Let Me In (2010)
Mulholland Drive (2001)
Raging Bull (1980)
The Return of the Living Dead (1985)
RoboCop (1987)
Saving Face (2004)
Starship Troopers (1997)
The Strangers (2008)
To Sleep with Anger (1990)
Trees Lounge (1996)
The Untouchables (1987)
Wild Bill (2011)
FILMSTRUCK
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
HULU
American Psycho (2000)
Bitter Moon (1992)
Cinderella Man (2005)
Closer (2004)
Dheepan (2015)
Election (1999)
Frida (2002)
Galaxy Quest (1999)
Gods and Monsters (1998)
Guess Who’s Coming to Dinner (1967)
Insomnia (2002)
Mulholland Drive (2001)
The Music Never Stopped (2011)
The Nightmare Before Christmas (1993)
The Others (2001)
Platoon (1986)
[REC] (2007)
Raging Bull (1980)
RBG (2018)
RoboCop (1987)
Starship Troopers (1997)
Trees Lounge (1996)
Wild Bill (2011)
COMING THIS WEEK
NETFLIX
October 5
Malevolent – NETFLIX FILM (2018)
Private Life – NETFLIX FILM (2018)
October 10
22 July – NETFLIX FILM (2018)
AMAZON PRIME
October 6
A Prayer Before Dawn (2017)
October 11
Monster’s Ball (2001)
The Strangers: Prey at Night (2018)
HULU
October 6
Lowlife (2017)
Pyewacket (2018)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
MOVIE REVIEW: Private Life
Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.
You Should Be Watching: September 28 – October 3
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
Note, as of September 28, Jeremy Saulnier’s (Blue Ruin; Green Room) anticipated new film Hold The Dark is now available to watch on Netflix.
STREAMING PICKS OF THE WEEK
Scarlet Street
Year: 1945
Director: Fritz Lang
Genre: Drama, Film-Noir, Thriller
Cast: Edward G. Robinson, Joan Bennett, Dan Duryea, Margaret Lindsay, Jess Barker, Rosalind Ivan, Charles Kemper, Anita Sharp-Bolster, Samuel S. Hinds, Vladimir Sokoloff, Arthur Loft, Russell Hicks, Richard Abbott, Rodney Bell, Richard Cramer, Dick Curtis, Tom Daly, Edgar Dearing, Joe Devlin
Edward G. Robinson highlights this Fritz Lang all too relevant morality tale. Robinson plays the uncomfortably timid Chris Cross, a man embarrassed about and unhappy with his job as a cashier for a clothing store. He’s found himself stuck in a marriage to a shrew of a wife named Adele (Rosalind Ivan), who berates and belittles him constantly and has no respect for his only true interest of painting.
It’s no surprise that Cross’ misery leads to him falling for another woman, especially one as captivating as Kitty March (Joan Bennett). His relationship with her starts innocently enough, as these things so often do. He finds her being attacked and rushes in to help, unaware the assailant is her boyfriend. In their subsequent conversation, she falls under the impression that he is a wealthy painter, setting the stage for a con and a trap exploiting his attraction to her. A terrifically dark film with great performances, memorable dialogue, a tough message, and a minimal score.
Remember
Year: 2015
Director: Atom Egoyan
Genre: Drama, Mystery, Thriller
Cast: Christopher Plummer, Martin Landau, Dean Norris, Henry Czerny, Bruno Ganz, Jürgen Prochnow, Kim Roberts, Peter DaCunha, T.J. McGibbon, Liza Balkan, Daniel Kash, Heinz Lieven, Stefani Kimber, Jane Spidell, Sofia Wells, Janet Porter, Amanda Smith
An elderly, frail Christopher Plummer impresses in this lesser-seen A24 studios film. First-time screenwriter Benjamin August’s inventive take on the revenge tale is directed by Atom Egoyan. Not only does it involve a necessarily elderly survivor finally discovering who killed his family at the Auschwitz death camp during World War II, but dementia and a ticking clock also plays a role as Plummer’s main character Zev is trying to accomplish his mission before he completely loses his mental faculties. This angle provides something of a Memento feel, though the plotting was not nearly as intricate.
At first, Plummer comes across as very old and almost helpless, but life infuses his body as purpose grows in him. He’s kept on track by a letter he keeps referring to which reminds him of all the important details of who he is and the importance of what he’s doing. Dean Norris provides a small but noteworthy, disturbing, and tension-filled performance as neo-nazi John Kurlander. It’s scary to think there are people just like him.
A Brighter Summer Day
Year: 1991
Director: Edward Yang
Genre: Drama, Romance, Crime
Cast: Chang Chen, Lisa Yang, Elaine Jin, Chen Shiang-Chyi, Chang Han, Lawrence Ko, Weiming Wang, Chiang Hsiu-Chiung, Wang Chuan, Chang Kuo-Chu, Stephanie Lai, Wang Chi-tsan, Tan Chih-Kang, Chang Ming-Hsin, Jung Chun-Lung, Chin Tsai
This incredibly ambitious nearly four-hour effort by director Edward Yang covers four years in the life of Xiao Si’r (Chang Chen), the fourth child in a large family living in mid-20th century Taipei. Featuring an enormous cast–nearly 100 relevant characters–and detailed set designs for the many locations within the village it’s set in, this is a dense film. It’s packed full of universal themes such as those accompanying adolescence, rival social groups, love, parenting, financial hardship, and life during political upheaval. Yet, the story explores life in a very specific time and place. Given all the diverse plot threads, it practically demands repeat viewings to be able to appreciate the diversity of characters and themes.
The village this film is set in, its homes, streets, and school feels very much lived in. There’s always activity going on around the characters, and sometimes the camera itself even seems to become distracted as it effortlessly shifts from following one character to another who happens to be passing by. The main plot itself often takes a backseat to the general exploration of post WWII Taiwanese culture and society. In lesser hands, that could just create a mess, but Yang handles it with care by creating rich back stories for every single one of the speaking roles. Everybody feels important. Everybody matters.
COMING AND GOING
LAST CHANCE (last date to watch)
NETFLIX
September 29
The Commitments (1991)
September 30
The Adventures of Tintin (2011)
Blood Diamond (2006)
Boogie Nights (1997)
Cinderella Man (2005)
The Departed (2006)
Eyes Wide Shut (1999)
Fear and Loathing in Las Vegas (1998)
Full Metal Jacket (1987)
Inside Man (2006)
Life Is Beautiful (1997)
The Lost Boys (1987)
The Mask You Live In (2015)
Menace II Society (1993)
Real Genius (1985)
Sin City (2005)
Trading Places (1983)
October 1
Out of Sight (1998)
October 2
Dheepan (2015)
October 3
To Kill a Mockingbird (1962)
October 5
The Beauty Inside (2015)
The BFG (2016)
October 7
Kubo and the Two Strings (2016)
October 13
The Babadook (2014)
AMAZON PRIME
September 29
Carrie (1976)
Drugstore Cowboy (1989)
Invasion of the Body Snatchers (1978)
Miami Blues (1990)
Spaceballs (1987)
Stargate (1994)
September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
The Brothers Bloom (2008)
The Crow (1994)
Gone with the Wind (1939)
The Graduate (1967)
Hoosiers (1986)
Insomnia (2002)
Mulholland Drive (2001)
Pee-wee’s Big Adventure (1985)
Rabbit Hole (2010)
Robin Hood: Prince of Thieves (1991)
V for Vendetta (2005)
Witness (1985)
The Wizard of Oz (1939)
October 1
Raging Bull (1980)
October 3
The Curious Case of Benjamin Button (2008)
FILMSTRUCK
September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)
October 5
White Heat (1949)
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
Gigi (1958)
October 12
The Hunchback of Notre Dame (1939)
Mutiny on the Bounty (1935)
HULU
September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)
JUST ARRIVED
NETFLIX
20 Feet from Stardom (2013)
Nappily Ever After–NETFLIX FILM (2018)
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
A Wrinkle in Time (2018)
AMAZON PRIME
Bill Cunningham New York (2010)
City of Hope (1991)
The Golden Coach (1952)
Henry Fool (1997)
The Illusionist (2006)
I Never Sang for My Father (1970)
Limbo (1999)
My Little Pony: The Movie (2017)
Robot & Frank (2012)
FILMSTRUCK
The Girl with the Dragon Tattoo (2009)
The Girl Who Played with Fire (2009)
The Girl Who Kicked the Hornet’s Nest (2009)
HULU
Iris (2001)
My Little Pony: The Movie (2017)
COMING THIS WEEK
NETFLIX
September 28
Hold the Dark (2018)
October 1
Black Dynamite (2009)
Blazing Saddles (1974)
Empire Records (1995)
The Green Mile (1999)
Life of Brian (1979)
Mystic River (2003)
The NeverEnding Story (1984)
Once Upon a Time in America (1984)
Pee-wee’s Big Adventure (1985)
Robin Hood: Prince of Thieves (1991)
The Shining (1980)
V for Vendetta (2005)
AMAZON PRIME
October 1
Carrie (1976)
Election (1999)
Full Metal Jacket (1987)
The General (1998)
Gods and Monsters (1998)
The Illusionist (2006)
Let Me In (2010)
Mulholland Drive (2001)
Raging Bull (1980)
The Return of the Living Dead (1985)
RoboCop (1987)
Starship Troopers (1997)
The Strangers (2008)
Trees Lounge (1996)
Wild Bill (2011)
HULU
October 1
American Psycho (2000)
Bitter Moon (1992)
The Blair Witch Project (1999)
Cinderella Man (2005)
Closer (2004)
Election (1999)
Frida (2002)
Galaxy Quest (1999)
Gods and Monsters (1998)
Guess Who’s Coming to Dinner (1967)
Insomnia (2002)
The Others (2001)
More than a Game (2008)
Mulholland Drive (2001)
The Music Never Stopped (2011)
Platoon (1986)
Raging Bull (1980)
[REC] (2007)
RoboCop (1987)
Starship Troopers (1997)
Trees Lounge (1996)
Wild Bill (2011)
October 2
The Nightmare Before Christmas (1993)
October 3
Dheepan (2015)
RBG (2018)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
You Should Be Watching: September 21-26
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
STREAMING PICKS OF THE WEEK
Ben-Hur
— Expires Sept. 28
Year: 1959
Director: William Wyler
Genre: Adventure, Drama, History
Cast: Charlton Heston, Jack Hawkins, Haya Harareet, Stephen Boyd, Hugh Griffith, Martha Scott, Cathy O’Donnell, Frank Thring, Sam Jaffe, Ady Berber, Finlay Currie, André Morell, Terence Longdon, Lando Buzzanca, Giuliano Gemma, Marina Berti, Robert Brown, Liana Del Balzo, Enzo Fiermonte
With 11 Academy Awards won–a record yet to be surpassed–, a career-defining performance by the dynamic, self-assured Charlton Heston as the titular Judah Ben-Hur, and the largest budget and most elaborate sets of its time, William Wyler’s Ben-Hur is a monumental achievement and the very definition of Hollywood epic. Everything about it is huge, from the 10,000 extras to the centerpiece chariot race, to the 3 1/2-hour runtime to Miklós Rózsa’s majestic score. Adapted from the 1880 Lew Wallace novel and a remake of the 1925 silent film, Ben-Hur is in the vein of the classic BIble epics, even interacts with events in the Biblical narrative, but remains its own story.
Judah is an early first century Jewish nobleman living in Jerusalem who is knowingly and wrongfully accused of attempted murder by his once childhood friend Messala (Stephen Boyd). Now a Roman commander, Messala shows himself willing to destroy the life of a family he once held dear all for the sake of Rome’s glory. The betrayed Judah will have to endure intense undeserved hardship and face his desire for revenge as he struggles to get back what he lost and encounters one who was more deserving of revenge than anyone who has ever lived.
We Need to Talk About Kevin
Year: 2011
Director: Lynne Ramsay
Genre: Drama, Mystery, Thriller
Cast: Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell, Rock Duer, Ashley Gerasimovich, Siobhan Fallon Hogan, Alex Manette, Kenneth Franklin, Leslie Lyles, Paul Diomede, Michael Campbell, J. Mallory McCree, Mark Elliot, Wilson, James Chen, Lauren Fox, Blake DeLong, Andy Gershenzon
This is a dismal but important film by a director who has made a career of such films, Lynne Ramsay (You Were Never Really Here). The story centers on the lives of Franklin and Eva Khatchadourian (John C. Reilly and Tilda Swinton) and their troubled son Kevin. All three actors who play Kevin at his different ages–Rock Duer, Jasper Newell, and Ezra Miller–display such smug, manipulative attitudes it is downright scary. Franklin acts as a cautionary figure. He is easily manipulated by Kevin, receiving all of his love and affection, and refuses to listen to his wife and look deeper, causing his relationship with Eva to fracture. Eva falls into misery and isolation because her child has a clear predilection towards rebellion, manipulation, and downright evil from the time he was born.
The narrative jumps around the timeline of their lives, but a painful sense of dread hangs throughout as Kevin’s true nature becomes increasingly difficult to ignore as well as the knowledge that there are many Kevins in the real world. But by God’s grace, any one of us could be a Kevin or have a child like him.
The Third Man
Year: 1949
Director: Carol Reed
Genre: Film-noir, Mystery, Thriller
Cast: Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Bernard Lee, Paul Hörbiger, Ernst Deutsch, Siegfried Breuer, Erich Ponto, Wilfrid Hyde-White, Hedwig Bleibtreu, Alexis Chesnakov, Thomas Gallagher, Herbert Halbik, Hannah Norbert, Eric Pohlmann, Carol Reed, Annie Rosar, Frederick Schrecker, Hugo Schuster, Karel Stepanek, Brother Theodore, Jenny Werner
Voted the greatest British film of all time by the British Film Institute in 1999, the Third Man is a film-noir like no other. It starts out as a merely an intriguing murder mystery where a writer named Holly Martins (Joseph Cotten) has arrived in Vienna at the invitation of his childhood friend Harry Lime only to find out he has died, but it becomes something else entirely as the story, written by Graham Greene, develops.
With the genre already being rooted in German expressionism, director Carol Reed takes the idea and runs with it, creating one of the most distinctive combinations of sight and sound on film. From the outset, the energy and tension of the film is established through Anton Karas‘ musical score, consisting of a single instrument, the zither. Reed uses Dutch angles galore that perfectly enhance the off-kilter tone of mystery and the post war environment itself without ever coming across as pretentious. And Robert Krasker’s Academy Award winning stark black and white cinematography sets a deep contrast between shadow and light to further accent the mood. Not only is the film set in post WWII Vienna, which becomes a character itself, but many of the Austrians speak German, which is often left unsubtitled, putting the audience in the same state of confusion as Holly as he tries to work out the mystery of Harry Lime.
COMING AND GOING
LAST CHANCE (last date to watch)
NETFLIX
September 22
Trollhunter (2010)
September 25
The Assassin (2015)
September 27
The Imitation Game (2014)
September 29
The Commitments (1991)
September 30
The Departed (2006)
Full Metal Jacket (1987)
Life Is Beautiful (1997)
Eyes Wide Shut (1999)
Rust and Bone (2012)
Fear and Loathing in Las Vegas (1998)
Menace II Society (1993)
Cinderella Man (2005)
Inside Man (2006)
The Lost Boys (1987)
AMAZON PRIME
September 23
Shutter Island (2010)
September 29
Carrie (1976)
Drugstore Cowboy (1989)
Invasion of the Body Snatchers (1978)
Miami Blues (1990)
Spaceballs (1987)
Stargate (1994)
September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
The Brothers Bloom (2008)
The Crow (1994)
Gone with the Wind (1939)
The Graduate (1967)
Hoosiers (1986)
Insomnia (2002)
Mulholland Drive (2001)
Pee-wee’s Big Adventure (1985)
Rabbit Hole (2010)
V for Vendetta (2005)
Witness (1985)
The Wizard of Oz (1939)
October 1
Raging Bull (1980)
October 3
The Curious Case of Benjamin Button (2008)
FILMSTRUCK
September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (1973)
Night Moves (1975)
September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)
October 5
White Heat (1949)
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
Gigi (1958)
October 12
The Hunchback of Notre Dame (1939)
Mutiny on the Bounty (1935)
HULU
September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)
JUST ARRIVED
NETFLIX
The Endless (2017)
Role Models (2008)
Scott Pilgrim vs. the World (2010)
The Third Man (1949)
The Witch (2015)
AMAZON PRIME
Angels Wear White (2017)
The Big Combo (1955)
Blow Out (1981)
Charade (1963)
The Conformist (1970)
Don’t Torture a Duckling (1972)
It’s a Mad, Mad, Mad, Mad World (1963)
Kansas City Confidential (1952)
Locke (2013)
One-Eyed Jacks (1961)
Sophie Scholl: The Final Days (2005)
Western (2017)
Wild Bill (2011)
Woman on the Run (1950)
Zombie (1979)
FILMSTRUCK
Ball of Fire (1941)
The Best Years of Our Lives (1946)
Citizen Kane (1941)
Clouds of Sils Maria (2014)
Full Moon in Paris (1984)
Wuthering Heights (1939)
HULU
Moonrise Kingdom (2012)
The Queen (2006)
COMING THIS WEEK
NETFLIX
September 21
Nappily Ever After–NETFLIX FILM (2018)
September 25
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
A Wrinkle in Time (2018)
AMAZON PRIME
September 21
My Little Pony: The Movie (2017)
HULU
September 21
My Little Pony: The Movie (2017)
September 24
Iris (2001)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
You Should Be Watching: September 13-19
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
STREAMING PICKS OF THE WEEK
The VVitch
— Moving from Prime to Netflix on Sep. 17
Year: 2015
Director: Robert Eggers
Genre: Mystery, Horror
Cast: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Bathsheba Garnett, Sarah Stephens, Julian Richings, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube, Vivien Moore, Karen Kaeja, Brandy Leary, R. Hope Terry, Carrie Eklund, Madlen Sopadzhiyan
No doubt about it, The Witch is very, very dark, as many classic fairy tales are, but those willing to enter in will find a challenging tale providing much worthy of grappling with. Between the design, dialogue taken straight from period sources, and natural lighting of this debut feature film from writer and director Robert Eggers, this film feels intensely, oppressively of its time, like being taken back into the 1600s and being thrust inside a Puritan’s nightmare, the type of nightmare that led to the paranoia of the Salem witch trials. That’s not to say the Puritan lifestyle was inherently oppressive. But any fear, left unchecked can spin out of control.
The family in this story, headed up by the father William (Ralph Ineson) and mother Katherine (Kate Dickie) have left the leadership and community of their former church body, each claiming the other is false in their faith. Now isolated and with each member of the family struggling with their secret sins, they are especially vulnerable to evil oppression. It’s not that they aren’t putting up a fight. They pray. They discuss Scripture. Outwardly, they try to glorify God. But its unclear where each of their hearts lie.
As eldest daughter Thomasin and the one largely responsible for the younger children, Anya Taylor-Joy owns the film from the first frame to the last. She is who we as the audience focus on. We see her parents’ struggles through her eyes. We see the actions of the younger children through her eyes. She is convincing no matter whether she’s trying to express truth or spinning a lie until it’s unclear if her obvious lies are lies at all. One thing is certain. With her parents often being distracted and the family living in isolation, there’s little to keep her grounded.
The Queen
— Coming Sep. 15
Year: 2006
Director: Stephen Frears
Genre: Biography, Drama, History
Cast: Helen Mirren, Michael Sheen, James Cromwell, Helen McCrory, Alex Jennings, Roger Allam, Sylvia Syms, Paul Barrett, Tim McMullan, Douglas Reith, Mark Bazeley, Robin Soans, Lola Peploe, Joyce Henderson, Pat Laffan, Amanda Hadingue, John McGlynn, Gray O’Brien, Dolina MacLennan, Julian Firth
It’s hard to believe now with the public obsession over the weddings of Prince William and Prince Harry and the massive popularity of television series such as The Crown as well as British television in general, but the British royal family used to be of little interest to those outside of Great Britain itself. Regardless of the monarchy’s role in government, the lack of attention enabled them to live mostly insulated lives, free to make decisions apart from public pressure. What changed all that? Princess Diana. By marrying into the royal family, her celebrity spread far and wide, bringing deep focus onto the monarchy and the family as a whole. What complicated it further? Diana’s divorce and subsequent death a year later.
With strong, believable performances across the board including Helen Mirren winning a Best Actress Oscar for her inhabiting the very look and essence of Queen Elizabeth II, Stephen Frear’s The Queen dives deep into the conflict immediately following Diana’s death, which speaks even to today’s society where the public routinely makes demands of the private lives of others, especially those with power. In this case, new Prime Minister Tony Blair–played by Michael Sheen–as the public’s spokesperson is pushing for the royal family to honor Diana with a show of mourning only a royal would receive. The queen and especially her husband Prince Philip are outraged that such a demand would be made of them, especially since it was their son from whom Diana divorced. James Cromwell as Philip exudes deep frustration. He is emphatic about protecting his wife the queen and their status as royals and all the heritage that comes with it, but he lacks control to do anything about the changes that feel increasingly inevitable.
White Heat
Year: 1949
Director: Raoul Walsh
Genre: Action, Crime, Drama, Thriller
Cast: James Cagney, Virginia Mayo, Edmond O’Brien, Margaret Wycherly, Steve Cochran, John Archer, Wally Cassell, Fred Clark, Paul Guilfoyle, Ford Rainey, Robert Foulk, Ian MacDonald, Robert Osterloh, Sherry Hall, Joel Allen, Claudia Barrett, Ray Bennett, Marshall Bradford, Chet Brandenburg, Robert Carson
Cream of the crop when it comes to classic gangster movies. The script is full of colorful dialogue and creative plotting. James Cagney is at the top of his game as the gang leader Cody Jarrett. Despite his diminutive stature, he’s tough as nails–no hesitation in killing a man, even taking out one of his own who’s become an inconvenience or a risk. But he’s also a mama’s boy, though Ma (Margaret Wycherly) is just as ruthless as he is, albeit tender to him. And he’s vulnerable due to his penchant to trust those he is close to as well as due to recurring sudden, raging, debilitating headaches and a propensity towards insanity.
Virginia Mayo, plays Cody’s multi-faceted wife Verna. Her uncouth, free-spirited personality shines through along with her fear and duplicity. Finally, Edmond O’Brien is the undercover agent Hank Fallon whose job it is to quickly ingratiate himself with Jarrett so he can draw out an even bigger fish. There are great moments of suspense as any hint of the truth could get him killed in a flash. But the tension doesn’t only serve Hank. Others lives are in danger at one point or another also.
That other side of this film that makes it fascinating is the police work. Unlike the criminals, not much is revealed about the character and personal lives of the investigators. Instead, there’s a heavy focus on procedure, including detailed steps they take to track their suspects and tighten the noose, making for a unique time capsule and a lesson on the origins of today’s surveillance technology. It’s particularly surprising to see cell phones and vehicle bugs used for tracking show up in a film from the mid-twentieth century.
COMING AND GOING
LAST CHANCE (last date to watch)
NETFLIX
September 13
Pete’s Dragon (2016)
September 14
Before the Devil Knows You’re Dead (2007)
Half Nelson (2006)
September 15
Moonrise Kingdom (2012)
September 27
The Imitation Game (2014)
AMAZON PRIME
September 15
Everybody Wants Some!! (2016)
September 17
The Witch (2016)
September 23
Shutter Island (2010)
FILMSTRUCK
September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Last Picture Show (1971)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)
September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (1973)
Night Moves (1975)
September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)
HULU
September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)
JUST ARRIVED
NETFLIX
Next Gen–NETFLIX FILM (2018)
On My Skin–NETFLIX FILM (2018)
AMAZON PRIME
Beyond the Lights (2014)
Lars and the Real Girl (2007)
The Manchurian Candidate (1962)
Pumpkinhead (1988)
The Return of the Living Dead (1985)
Stronger (2017)
FILMSTRUCK
Billy Liar (1963)
Cluny Brown (1946)
The Doll (1919)
Hamlet (1996)
McCabe & Mrs. Miller (1971)
The Shop Around the Corner (1940)
Stroszek (1977)
The Student Prince in Old Heidelberg (1927)
HULU
Happy-Go-Lucky (2008)
Stronger (2017)
COMING THIS WEEK
NETFLIX
September 14
Bleach–NETFLIX FILM (2018)
The Angel–NETFLIX FILM (2018)
The Land of Steady Habits–NETFLIX FILM (2018)
September 16
Role Models (2008)
Scott Pilgrim vs. the World (2010)
September 17
The Witch (2015)
HULU
September 15
The Queen (2006)
September 16
Moonrise Kingdom (2012)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
You Should Be Watching: September 6-12
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
STREAMING PICKS OF THE WEEK
The Game
Year: 1997
Director: David Fincher
Genre: Mystery, Drama, Thriller
Cast: Michael Douglas, Sean Penn, Deborah Kara Unger, James Rebhorn, Spike Jonze, Anna Katarina, Armin Mueller-Stahl, Carroll Baker, Scott Hunter McGuire, Elizabeth Dennehy, Daniel Schorr, John Aprea, Charles Martinet, Caroline Barclay, Peter Donat, Florentine Mocanu, Kimberly Russell, Gerry Becker
As is common with David Fincher’s films, The Game works on multiple levels. At its surface, it’s a Kafkaesque thriller about a rich investment banker, Nicholas Van Orton (Michael Douglas), a man who has everything. Van Orton receives a unique, well-meaning gift from his estranged brother Conrad (Sean Penn). The gift is access to a new type of personalized game that would integrate into his everyday life and activities, hopefully adding some excitement to it all. But very quickly, Van Orton finds himself trapped in an inescapable nightmare where fiction increasingly becomes his reality.
At a deeper level, Van Orton is a real character. He’s a man who at a young age saw his father commit suicide, which has forever haunted him and overshadowed the choices he would make in life. Now as a middle-aged man, wealthy and estranged from everyone he’s ever loved, he must step up to the mirror of his father and evaluate his life. This reality–the pain, the cynicism, the independent nature along with the fear when his life teeters out of control–affects every nuance of Douglas’ performance.
David and Lisa
Year: 1962
Director: Frank Perry
Genre: Drama, Romance
Cast: Keir Dullea, Janet Margolin, Howard Da Silva, Neva Patterson, Clifton James, Richard McMurray, Nancy Nutter, Mathew Anden, Jaime Sánchez, Coni Hudak, Karen Lynn Gorney, Janet Lee Parker
Famous for playing astronaut Dave Bowman in Stanley Kubrick’s 2001: A Space Odyssey, here in only his 2nd film appearance, Keir Dullea as the titular teenager David along with Janet Margolin as Lisa star in this unique, brilliantly acted romantic drama that exemplifies the realities, complications, and horrors of living with mental disorders. Key to making the drama compelling is the detailed character development and compassion shown in Eleanor Perry’s script, and director Frank Perry’s skill in dialing up the tension by taking us into the experience.
David has a genius-level intellect and a strict concept of how things must be ordered, which has made him arrogant and difficult to control, but the threat of a single touch causes him intense fear as he’s convinced it might kill him. He also has terrible recurring nightmares of killing people in surreal ways. Lisa, of much lower IQ, is in a constant battle between herself and an alternate, darker, much more self-assured personality, who can only be kept at bay by rhyming, both by her and by those talking to her. Both find themselves in the care of a mental institution and find themselves drawn to each other, but they have to battle to both understand each other’s difficulties as well as learn to cope with their own if they’re going to make it work.
The Thief of Bagdad
— Expires September 14
Year: 1924
Director: Raoul Walsh
Genre: Adventure, Fantasy, Family, Romance
Cast: Douglas Fairbanks, Snitz Edwards, Charles Belcher, Julanne Johnston, Sôjin, Anna May Wong, Brandon Hurst, Tote Du Crow, Noble Johnson, Sam Baker, Winter Blossom, Etta Lee, Mathilde Comont, Charles Stevens, Eugene Jackson, Jesse Lasky Jr., David Sharpe, Paul Malvern, Scotty Mattraw, Jess Weldon, K. Nambu
Don’t let the nearly two and a half hour run time of this classic silent adventure fantasy scare you off. This surprisingly fast-paced adaptation of several of the ancient Arabian Nights tales, which was remade for the sound era in 1940, was made by the prolific director Raoul Walsh, whose filmmaking career spanned 51 years and is regarded as Douglas Fairbanks‘ favorite of his performances. It entertains with its variety of locations, exotic set design, colorful characters, delightful special effects, and the creative and intriguing story elements.
Fairbanks plays the lead character Ahmed, a common thief who finds himself on the run from the palace guards after he sees and becomes infatuated with the unnamed princess, played by Julanne Johnston. Stop me if this sounds familiar. Ahmed disguises himself as a prince in an attempt to win her heart and soon finds everything coming up roses, despite the existence of other suitors. That is, until the princess’ Mongol slave, played by oriental siren Anna May Wong discovers Ahmed’s identity, leading to the princess having to beg for his life. It goes on from there with a competitive quest and a flying carpet, a cloak of invisibility, a giant underwater spider, and so on. Douglas Fairbanks is a fun, charismatic actor to watch, and the special effects are impressive, especially for a film that’s nearly 100 years old.
COMING AND GOING
LAST CHANCE (last date to watch)
NETFLIX
September 13
Pete’s Dragon (2016)
September 14
Before the Devil Knows You’re Dead (2007)
Half Nelson (2006)
September 15
Moonrise Kingdom (2012)
September 27
The Imitation Game (2014)
AMAZON PRIME
September 15
Everybody Wants Some!! (2016)
September 17
The Witch (2016)
FILMSTRUCK
September 7
The Bad and the Beautiful (1952)
The Band Wagon (1953)
Giant (1956)
Grand Illusion (1937)
Home from the Hill (1960)
Meet Me in St. Louis (1944)
Seven Brides for Seven Brothers (1954)
Slacker (1990)
Some Came Running (1958)
Steamboat Round the Bend (1935)
Tea and Sympathy (1956)
The Thin Man Series (1934 – 1947)
Touchez Pas au Grisbi (1954)
September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)
September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (197
Night Moves (1975)
HULU
September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)
JUST ARRIVED
NETFLIX
Black Panther (2018)
The Breakfast Club (1985)
Bruce Almighty (2003)
The Emperor’s New Groove (2000)
Groundhog Day (1993)
The Hitchhiker’s Guide to the Galaxy
King Kong (2005)
Lilo & Stitch (2002)
Nacho Libre (2006)
Pearl Harbor (2001)
Scarface (1983)
Unforgiven (1992)
AMAZON PRIME
Chinatown (1974)
Blow Out (1981)
Dressed to Kill (1980)
Ghostbusters (1984)
Ghostbusters 2 (1989)
Hustle & Flow (2005)
Jerry Maguire (1996)
Miami Vice (2006)
Primal Fear (1996)
Robin Hood: Prince of Thieves (1991)
Sleepless in Seattle (1993)
Smokey and the Bandit (1977)
Testament (1983)
There Will Be Blood (2007)
What’s Eating Gilbert Grape (1993)
FILMSTRUCK
Cul-de-sac (1966)
Dead Man (1985)
Kes (1969)
HULU
13 Going On 30 (2004)
Adaptation. (2002)
Blow Out (1981)
City of God (2002)
Dressed to Kill (1980)
The English Patient (1996)
Field of Dreams (1989)
The Fly (1986)
Jerry Maguire (1996)
Primal Fear (1996)
Rushmore (1998)
Signs (2002)
Searching for Sugar Man (2012)
Sixteen Candles (1984)
The Terminator (1984)
There Will Be Blood (2007)
Unbreakable (2000)
What’s Eating Gilbert Grape (1993)
COMING THIS WEEK
NETFLIX
September 7
Next Gen–NETFLIX FILM (2018)
Sierra Burgess Is A Loser–NETFLIX FILM (2018)
September 11
The Resistance Banker–NETFLIX FILM (2018)
September 12
On My Skin–NETFLIX FILM (2018)
AMAZON PRIME
September 8
Stronger (2017)
HULU
September 8
Stronger (2017)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
You Should Be Watching: August 31 – September 5
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
STREAMING PICKS OF THE WEEK
What’s Eating Gilbert Grape
— Coming September 1
Year: 1993
Director: Lasse Hallström
Genre: Romance, Drama
Cast: Johnny Depp, Leonardo DiCaprio, Juliette Lewis, Mary Steenburgen, Darlene Cates, Laura Harrington, Mary Kate Schellhardt, Kevin Tighe, John C. Reilly, Crispin Glover, Penelope Branning, Tim Green, Susan Loughran, Robert B. Hedges, Mark Jordan, Cameron Finley, Brady Coleman, Tim Simek
Johnny Depp plays Gilbert Grape, a twenty-something stuck in the small Iowa town of Endora working as a grocery clerk. Despite the presence of his two sisters, he bears the weight of the world as he alone is obligated to care for his morbidly obese mother Bonnie (Darlene Cates) and his highly autistic 17-year-old brother Arnie (Leonardo DiCaprio in one of his first roles). The whole family lives in an old rundown house that Bonnie hasn’t left in years due to depression from her husband’s suicide. Gilbert is losing the battle of trying to cope with his life when he meets Becky (Juliette Lewis), a carefree spirit who brings him happiness and draws his attention away from the drudgery of his responsibilities. Unfortunately, Arnie is one of those responsibilities, and unsupervised, he is a true danger to himself.
Between Lasse Hallström’s direction and Peter Hedges‘ script, the perfect balance is struck between melancholy and humor. The big surprise is DiCaprio stealing the entire show with his standout Oscar-nominated supporting actor performance. Through expression, voice, and mannerisms, there is nothing to differentiate him from an actual autistic person. He is truly dependent on others, providing genuine tension when he’s left to his own devices, whether getting stuck up on the town water tower or left alone in the bath, unable to help himself.
Gone Baby Gone
Year: 2007
Director: Ben Affleck
Genre: Crime, Drama, Mystery
Cast: Casey Affleck, Michelle Monaghan, Morgan Freeman, Ed Harris, John Ashton, Amy Ryan, Amy Madigan, Titus Welliver, Michael Kenneth Williams, Edi Gathegi, Mark Margolis, Madeline O’Brien, Slaine, Matthew Maher, Trudi Goodman
By the mid 2000s, Ben Affleck’s acting career was in a shambles after a string of major flops. Something needed to change. So why not go behind the camera for once? Affleck joined Aaron Stockard to adapt Dennis Lehane’s source novel and found his cast, including leads Casey Affleck and Michelle Monaghan, who play private investigators Patrick Kenzie and Angie Gennaro, as well as big names like Morgan Freeman and Ed Harris. The result was the directorial debut Gone Baby Gone, a critically acclaimed neo-noir crime drama about the search through Boston’s criminal underground for a missing little girl named Amanda.
This is a bleak, depressing, and uncomfortable film full of unlikeable people. Even Amanda’s mother is neglectful and self-centered. But this is the world we live in. The stunning revelations and impossible moral dilemma thrust on our characters unmercifully puts the viewer’s ethical judgment and fortitude to the test. There’s also the sense that apart from the main cast, these aren’t actors; they’re real Bostonians living real life, rough and raw, for better or worse.
Seven Brides for Seven Brothers
— Expiring September 7
Year: 1954
Director: Stanley Donen
Genre: Comedy, Drama, Musical, Western
Cast: Howard Keel, Jeff Richards, Russ Tamblyn, Tommy Rall, Marc Platt, Jane Powell, Jacques d’Amboise, Julie Newmar, Matt Mattox, Nancy Kilgas, Betty Carr, Virginia Gibson, Ruta Lee, Norma Doggett, Ian Wolfe, Howard Petrie, Earl Barton, Dante DiPaolo, Kelly Brown, Matt Moore, Russell Simpson, Marjorie Wood, Jarma Lewis, Anna Q. Nilsson, Dick Rich
Set in the Oregon frontier of the mid-19th century, this is the story of Adam Pontipee, played by the deep-voiced Howard Keel, and his six brothers, Benjamin through Frank. They’re all uncouth backwoodsmen who rarely see women much less have any idea how to treat them or how to have any kind of manners really. Nevertheless, Adam comes to town to find a bride, and find one he does in the beautiful Milly, played by the tough but lovely Jane Powell, who also has a beautiful singing voice. Milly accepts his offer not knowing of the rest of the family that awaits her or what kind of man Adam is.
Despite moments of discomfort and awkwardness brought about by its sometimes pigheaded characters, this movie musical is a pure delight with catchy and memorable songs, creative, can’t take your eyes off it large-scale group choreography–especially during the barn-raising sequence, laughs a plenty, and a no-nonsense, take-charge heroine in Milly.
When I say Milly is a heroine, I mean she is the most important character in the story. She’s the one who takes on the role of taming this group of brothers and teaching them what respect and true masculinity looks like. Ironically, despite being the oldest, her new husband is the one most in need of maturing, despite what he himself thinks. He’s as stubborn as they come, and Milly, while quick to forgive and generous in heart, is not a doormat and is more than ready to stand up for herself and for the other girls who end up falling into her protection.
COMING AND GOING
LAST CHANCE (last date to watch)
NETFLIX
August 31
Batman Begins (2005)
Casino (1995)
The Dark Knight (2008)
Dead Poets Society (1989)
The Descent (2005)
Eternal Sunshine of the Spotless Mind (2004)
Ghostbusters (1984)
Hachi: A Dog’s Tale (2009)
It Might Get Loud (2008)
Man on Wire (2008)
Wet Hot American Summer (2001)
September 4
PK (2014)
To The Wonder (2012)
September 13
Pete’s Dragon (2016)
September 14
Before the Devil Knows You’re Dead (2007)
September 15
Moonrise Kingdom (2012)
September 27
The Imitation Game (2014)
AMAZON PRIME
August 31
Anthropoid (2016)
The Big Racket (1976)
Blazing Saddles (1974)
Capote (2005)
Dead Man Walking (1995)
Death at a Funeral (2007)
A Fistful Of Dynamite (1971)
The Flowers of War (2011)
The Hurt Locker (2008)
Inferno (1980)
The Natural (1984)
Raging Bull (1980)
Red River (1948)
Stories We Tell (2012)
Training Day (2001)
Trees Lounge (1996)
FILMSTRUCK
August 31
Badlands (1973)
Bonnie and Clyde (1967)
Diary of a Lost Girl (1929)
The Exorcist (1973)
Gun Crazy (1950)
Hedwig and the Angry Inch (2001)
Kameradschaft (1931)
Reservoir Dogs (1992)
The Searchers (1956)
They Live by Night (1948)
Tootsie (1982)
Westfront 1918 (1930)
You Only Live Once (1937)
September 7
The Bad and the Beautiful (1952)
The Band Wagon (1953)
Giant (1956)
Grand Illusion (1937)
Home from the Hill (1960)
Meet Me in St. Louis (1944)
Seven Brides for Seven Brothers (1954)
Slacker (1990)
Some Came Running (1958)
Steamboat Round the Bend (1935)
Tea and Sympathy (1956)
The Thin Man Series (1934 – 1947)
Touchez Pas au Grisbi (1954)
September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)
September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (197
Night Moves (1975)
HULU
August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)
JUST ARRIVED
FILMSTRUCK
Captains Courageous (1937)
Cool Hand Luke (1967)
Dead Ringers (1988)
Gunga Din (1939)
The Hudsucker Proxy (1994)
A Mighty Wind (2003)
North by Northwest (1959)
The Prisoner of Zenda (1937)
Suspicion (1941)
This Is Spinal Tap (1984)
Westworld (1973)
HULU
Crime + Punishment (2018)
Gangs of New York (2002)
mother! (2017)
COMING THIS WEEK
NETFLIX
September 1
The Breakfast Club (1985)
Bruce Almighty (2003)
Groundhog Day (1993)
The Hitchhiker’s Guide to the Galaxy
King Kong (2005)
Nacho Libre (2006)
Pearl Harbor (2001)
Scarface (1983)
Unforgiven (1992)
September 2
The Emperor’s New Groove (2000)
Lilo & Stitch (2002)
September 4
Black Panther (2018)
AMAZON PRIME
September 1
Chinatown (1974)
Blow Out (1981)
Dressed to Kill (1980)
Ghostbusters (1984)
Ghostbusters 2 (1989)
Hustle & Flow (2005)
Jerry Maguire (1996)
Miami Vice (2006)
Primal Fear (1996)
Robin Hood: Prince of Thieves (1991)
Sleepless in Seattle (1993)
Smokey and the Bandit (1977)
There Will Be Blood (2007)
What’s Eating Gilbert Grape (1993)
HULU
August 31
The Terminator (1984)
September 1
13 Going On 30 (2004)
Adaptation. (2002)
Blow Out (1981)
City of God (2002)
Dressed to Kill (1980)
Field of Dreams (1989)
The Fly (1986)
Jerry Maguire (1996)
Primal Fear (1996)
Rushmore (1998)
Signs (2002)
Searching for Sugar Man (2012)
Sixteen Candles (1984)
There Will Be Blood (2007)
Unbreakable (2000)
What’s Eating Gilbert Grape (1993)
September 2
The English Patient (1996)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
What We Learned This Week: August 19-25
LESSON #1: NETFLIX DOES SOME GOOD THINGS— For this school teacher, it’s the end of the summer and I’ve been collecting little Netflix stories all summer for a seasonal round-up through this column. The news pieces and editorials are pretty much split down the middle between positive and negative. Let’s start with the good. For one, they put their money where their mouth (and hubris) is as they plan to spend an astounding $13 billion this year on content, which includes contracts with studios and their own created productions. That sheer volume of content on Netflix has caused many to call into question what gets premium position for promotion and placement. I like the way director Ava DuVernay put it saying “My concern isn’t being lost, my concern is being somewhere, period.” Earlier in the year, actress Elizabeth Olson expressed a similar forward-thinking compliment stating that the screening provider gives independent films a better chance at a wider audience than far more expensive limited theatrical release to a shrinking supply of art house movie theaters. Netflix can be a permanent home instead of a two-week swing-and-a-miss to small crowds. I don’t know what savvy producer would say no that for a fair price.
LESSON #2: NETFLIX DOES SOME BAD THINGS TOO— The piles of negative dings against the streaming giant is pretty tall too, spanning a range between content choices and business dealings. Competition is coming in the form of Disney’s own branded streaming service with a rumored price point of $8/month, under Netflix’s current price tag. The Mouse House has announced that all Disney content will gradually be off Netflix by March of 2019, which might cause a drop in subscribers who want their family content. Speaking of kid-friendly stuff, the loudest piece came just this week from opinion writer Tim Winter of USA Today. His bold claim was that Netflix, as proven by its supposedly racy volume of content choices, has turned its back on family programming. Along the same lines, Netflix is buying fewer documentary titles than it used to after long being a welcome hub for that genre. Echoing DuVernay’s take from Lesson #1, the home screen is only so big and what sells is going to get the premium space. That’s good business even if its not pretty. Discerning consumers need to be discerning and Netflix shouldn’t have to make excuses.
LESSON #3: MOVIEPASS NEEDS A FORK STUCK IN IT IN THE WORST WAY— Another week bring another clownish fail from MoviePass. This time its annual memberships being refunded and thrust into month-to-month subscriptions, limited ones at that, eliminating the savings that came from having a longer term. I don’t what else can go south. The crazy thing is we’ve been saying that about MoviePass for months and it keeps surprising us with more calamity and circus. Seriously, they don’t need to adopt the Lenny Kravitz song line of “it ain’t over ’til its over.” Just quit already.
LESSON #4: ON SOME LEVEL, DIRECTORS ARE IRREPLACEABLE— It was announced by Disney this week that Guardians of the Galaxy Vol. 3 will be delayed from its scheduled winter shooting date indefinitely following the dismissal of director James Gunn, which disbanded the production crew he hired. The comic sequel isn’t the first or the last (especially at Disney) film to go through a change or delay like this, but this one feels more a shade more problematic and temporary than just changing a tire or replacing a dead battery. This is replacing the battery and all of the framework, wiring, and bolts because of how each film is a team approach. If Guardians of the Galaxy Vol. 3 ever does make it, we know it won’t be the same. It will take a hit no matter what not just because of the public sentiment, but because of the reduction in quality from an entirely new team working on the film.
DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson and also on Medium.com where he is one of the 50 “Top Writers” in the Movies category. As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle. As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program. Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.
