Aaron’s Top 100 Movies (2020 Edition)

Posted on by Aaron White.

Recently I made a major change to how I rate films, doing away with half-stars altogether in favor of a simplified system with only 1, 2, 3, 4, or 5 stars as an option. My hope is that by taking away the additional complication of half-stars, I will be able to more accurately rate films on the first go-around. It’s no secret that I struggle with hype and I often find myself using half-stars only to scale ratings back when the end of the year rolls around and I take another look at them. Additionally, and more importantly, I’ve come to thoroughly embrace the conversations that we have about film online in places like our Feelin’ Film Discussion Group and in person at work. What I desire is for the words in my written reviews, on my podcast, or spoken in conversation to tell you more about my feelings for a film than the number assigned to it. To that end, simplifying my ratings means if you want to understand what distinguishes films in a certain group (say my 4-star rating) from each other, you’ll have to actually read what I have to say or… gasp… ask me about them.

With this change came a mass re-rating project, and after completing that and noticing that I am 2.5 years removed from my last Top 100 list, this was the perfect opportunity to give it an update. As always is the case, gray hairs emerged during this painful process as I tried to distinguish between beloved films. As always, my list is ever-changing, but this serves as a current reflection of my personal cinematic taste – a snapshot view of the cinephile that I am at this moment in time. I hope that as you read through this list you might be able to learn a little about who I am as a person by seeing what type of stories I love the most.

Note: For the purposes of this list, any film with an asterisk (*) after it represents its series or trilogy and is only used in cases where all films of the series are rated as 5-star. The arrows and numbers after each title them are just a fun little addition that shows a film’s movement since the last edition of this list. You can see the previous editions here:

2017 Top 100
2018 Top 100

This is my list. There are many like it, but this one is mine.

#1 The Lord of the Rings: The Fellowship of the Ring *  —  —
#2 The Princess Bride ↑ 3
#3 It’s a Wonderful Life ↓ 1
#4 Top Gun ↑ 11
#5 Before Sunrise * ↑ 4
#6 Casablanca ↓ 3
#7 La La Land  —  —
#8 12 Angry Men ↓ 4
#9 The Last of the Mohicans ↑ 7
#10 Interstellar ↓ 4
#11 Die Hard ↑ 46
#12 The Lion King ↑ 40
#13 Jaws ↓ 5
#14 The Dark Knight ↑ 7
#15 Jurassic Park ↑ 2
#16 Toy Story * ↓ 2
#17 Your Name. ↑ 41
#18 Raiders of the Lost Ark ↑ 1
#19 The Prestige ↓ 8
#20 Beauty and the Beast ↑ 44
#21 Star Wars ↑ 7
#22 The Shawshank Redemption ↑ 19
#23 Sleeping Beauty ↑ 15
#24 Black Hawk Down ↑ 46
#25 Full Metal Jacket ↓ 13
#26 The Sound of Music ↑ 10
#27 Memento ↑ 40
#28 Lawrence of Arabia ↑ 9
#29 Titanic NEW NEW
#30 National Lampoon’s Christmas Vacation ↑ 36
#31 The Wizard of Oz ↓ 11
#32 Children of Men ↑ 27
#33 Kill Bill * NEW NEW
#34 Singin’ in the Rain ↓ 11
#35 Groundhog Day ↑ 42
#36 Back to the Future ↑ 25
#37 The Departed ↑ 56
#38 Gladiator ↑ 13
#39 Mary Poppins ↓ 21
#40 The Social Network  —  —
#41 The Nightmare Before Christmas ↓ 9
#42 Scream ↑ 1
#43 Pirates of the Caribbean: The Curse of the Black Pearl NEW NEW
#44 Hell or High Water ↑ 36
#45 Terminator 2: Judgment Day NEW NEW
#46 My Neighbor Totoro ↓ 1
#47 Fast Five NEW NEW
#48 The Incredibles ↑ 28
#49 Lost in Translation NEW NEW
#50 Gone Girl NEW NEW
#51 Blade Runner 2049 * ↓ 41
#52 Forrest Gump NEW NEW
#53 Tombstone ↓ 3
#54 Fight Club ↓ 20
#55 Snow White and the Seven Dwarfs NEW NEW
#56 Happy Gilmore NEW NEW
#57 The Fault in Our Stars NEW NEW
#58 The Rock NEW NEW
#59 The Bridge on the River Kwai ↓ 15
#60 Se7en ↑ 31
#61 Armageddon NEW NEW
#62 Young Guns NEW NEW
#63 Avengers: Infinity War NEW NEW
#64 The Great Gatsby NEW NEW
#65 Indiana Jones and the Last Crusade NEW NEW
#66 Alien ↓ 53
#67 Kubo and the Two Strings NEW NEW
#68 WALL*E NEW NEW
#69 Ex Machina ↑ 3
#70 Scott Pilgrim vs. the World ↓ 35
#71 The Avengers NEW NEW
#72 The Cabin in the Woods ↑ 12
#73 Pitch Perfect NEW NEW
#74 The Hunt for Red October NEW NEW
#75 Inception ↓ 48
#76 Creed NEW NEW
#77 Wreck-it Ralph NEW NEW
#78 Reservoir Dogs ↑ 10
#79 Little Women NEW NEW
#80 How To Train Your Dragon NEW NEW
#81 Almost Famous ↓ 51
#82 Friday Night Lights NEW NEW
#83 TRON: Legacy NEW NEW
#84 Harry Potter and the Prisoner of Azkaban NEW NEW
#85 Crazy, Stupid, Love NEW NEW
#86 Gravity NEW NEW
#87 Les Misérables NEW NEW
#88 Hamilton NEW NEW
#89 Con Air NEW NEW
#90 The Empire Strikes Back ↓ 44
#91 10 Cloverfield Lane NEW NEW
#92 Reality Bites ↓ 23
#93 Rashomon ↓ 60
#94 Vertigo ↓ 70
#95 Moon ↓ 10
#96 Rocky NEW NEW
#97 First Man NEW NEW
#98 Passengers NEW NEW
#99 Whiplash ↓ 21
#100 A Star is Born (2018) NEW NEW
  • It’s not unlikely for films to enter/leave/re-enter this list, but any film that has dropped out at one point and come back on is still designated as “NEW” just to keep things simple.

Link to list on Letterboxd

Like it? Hate it? Think I’m crazy? I’d love to hear your thoughts.

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

What We Learned This Week: October 7-13

Posted on by everymoviehasalesson.

LESSON #1: DAMIEN CHAZELLE IS A PRODIGY— We have seen young and fresh directors start out white hot and flame out.  For example, Orson Welles made Citizen Kane when he was 25 and never matched high creative mark with the rest of his career.  With First Man asserting itself as an entirely different scale, scope, and class of film compared to Whiplash and La La Land, no one can call Chazelle a one-hit wonder or a flash in the pan.  He is a mere 33 years old and is primed to possibly have his third consecutive film be nominated for Best Picture at the Academy Awards.  Wes Anderson can’t say that and neither can Christopher Nolan.  What Chazelle is doing with his craft and talent is quickly sprinting ahead of his peers and contemporaries.  It’s boggling to imagine what he can accomplish before he’s 43 or 53.  Projecting this guy’s career requires something stronger than the Hubble Telescope.

LESSON #2: IF YOU CAN’T BEAT THEM, JOIN THEM— Following the lead of Disney, AT&T and Warner Bros. have announced their intention to launch WarnerMedia streaming service to compete with Disney’s new platform and the existing giants of Netflix, Hulu, and Amazon.  The strong business reason is there: skip paying a competitor licensing fees to host your content when you can do it yourself.  WB has the library depth to fill a service between their own brand and their HBO and Turner holdings.  As always, the success will depend on price point.  Make it competitive and attractive and people will come.  People like paying for one-stop-shop convenience and, by the time they pay up for access to Disney, will people want to add one more service and one more hassle?  I predict in a few years this column will have a future lesson that reads “The old adage of ‘if you can’t beat them, join them’ doesn’t always work” because either Disney or Warner Bros. (or both) will pull back because they are not making their desired subscription numbers.  Time will tell.

LESSON #3: MARVEL STILL KNOWS WHAT’S GOOD FOR THEM— Word just came through that Ryan Coogler officially put ink to paper to return to the director’s chair and writer’s desk for Black Panther 2.  It’s only fitting because anyone less than Coogler returning to what he championed and built would be a backwards step for the billion-dollar smash.  So far, as long as Marvel continues to allow Coogler to work with reasonable freedom, he will not be the next Joss Whedon to start strong and be burnt out by the micro-managing Marvel machine.

LESSON #4: JAMES GUNN WAS ALWAYS GOING TO BE FINE— Speaking of micro-managing, it didn’t matter to Disney, but James Gunn showed enough professionalism, contrition, and support from his peers to not have his career ruined for his old Twitter behavior that was revealed in bombshell headlines this past July.  Warner Bros. has tabbed him to write a Suicide Squad sequel with the possible opportunity to direct.  This counts as a positive rebound for Gunn and a coup of a hire for the DCEU.  If you remember last year, Gunn was a elevated to become an inner circle member of the MCU creative core under Kevin Feige.  He now brings that acumen and prowess to a place that could sure use more of both.

LESSON #5: TOM CRUISE DESERVES AN OSCAR SOMEDAY— IndieWire’s David Ehrlich put out quite a pitch this week say Tom Cruise deserves an Oscar nomination for Mission: Impossible – Fallout.  I enjoyed the grounds of Ehrlich’s argument and I do think there’s something special about the level of star power and superhuman accomplishment Tom Cruise has done.  Recognizing him for something that subverts his huge persona counts as honoring a departure from the norm, but when his “norm” is untouchably greater than anyone else’s, that greatness is the special achievement.  I’m with the others on the Feelin’ Film Discussion Group who chimed in on this story.  Maybe Tom doesn’t deserve an Oscar for this specific film or role, but, someday, his body of work and impact screams lifetime achievement.

LESSON #6: MOST CLASSICS DON’T NEED MODERN IMPROVEMENT— This week, Richard Dreyfus went on the record with Deadline’s Geoff Boucher to say that re-releasing a CGI-enhanced Jaws would rake in a ton of money and bring the classic to new audiences.  The production troubles of Steven Spielberg’s mechanical shark are well-documented.  I’m sure if he had the means then he has today, we would certainly see a different summer blockbuster.  Call me old-fashioned, but Jaws like all other films are products of their eras and should stay themselves.  It stands as a treasured time capsule for when practical effects, POV camerawork, and the stellar use of John Williams’s score could replace what couldn’t be done explicitly and still create a chilling effect.  Jaws still works, even if some parts could be pretty cool with a little more teeth, texture, and speed.  All I hear when Dreyfus talks though is a “cash grab.”  The royalty checks must be coming in a little slow this year.

LESSON #7: KEEP AN EYE ON THE BOYS FROM SEARCHING— You hear Aaron White and me raving every chance we get about the August family thriller Searching.  Both of us declared writer/Director Aneesh Chaganty and his writing partner Sev Ohanian as names to watch after their stunning debut.  We now know what’s next for them, namely the Sarah Paulson vehicle Run from Lionsgate that starts production this month.  Put me in the “can’t wait” line already.  I know I’ll have some friends join me soon.

LESSON #8: IT’S OCTOBER, SO TREAT YOURSELF TO A HORROR MOVIE— In a quick finish, take a gander at this list of the best horror films on Netflix right now.  The second one listed is an absolute must.  

DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.

Aaron’s Top 100 Movies (2018 Edition)

Posted on by Aaron White.

In 2017, I created my first ever Top 100 Movies list. Many gray hairs formed, I’m sure, as I sat trying to distinguish between beloved films. It’s been almost a year since that list was published and I’ve now seen quite a few more classic films that managed to find their way into my heart and onto this list. As is the case for most folks, my list is ever changing, but this serves as a current reflection of my personal cinematic taste – a snapshot view of the cinephile that I am at this moment in time. My hope is that through this list you might be able to learn a little about who I am as a person by seeing what type of stories I love most.

Note: For the purposes of this list, any film with an asterisk (*) after it represents its series or trilogy. The arrows and number after them specify a film’s movement since the last edition of this list, in this case 2017.

This is my list. There are many like it, but this one is mine.

#1 The Lord of the Rings: The Fellowship of the Ring * — —
#2 It’s a Wonderful Life ↑ 1
#3 Casablanca ↑ 31
#4 12 Angry Men ↑ 1
#5 The Princess Bride ↑ 1
#6 Interstellar ↑ 3
#7 La La Land ↓ 5
#8 Jaws ↓ 4
#9 Before Sunrise * ↑ 1
#10 Blade Runner * ↑ 1
#11 The Prestige ↓ 4
#12 Full Metal Jacket NEW NEW
#13 Alien ↓ 5
#14 Toy Story * NEW NEW
#15 Top Gun ↓ 1
#16 The Last of the Mohicans ↑ 1
#17 Jurassic Park ↓ 4
#18 Mary Poppins ↑ 60
#19 Raiders of the Lost Ark ↑ 14
#20 The Wizard of Oz ↑ 20
#21 The Dark Knight ↓ 1
#22 2001: A Space Odyssey ↑ 7
#23 Singin’ in the Rain ↓ 8
#24 Vertigo ↑ 6
#25 Scott Pilgrim vs. the World ↓ 6
#26 Citizen Kane ↑ 18
#27 Inception — —
#28 Star Wars ↑ 44
#29 Rear Window NEW NEW
#30 Almost Famous ↑ 2
#31 The Silence of the Lambs ↑ 55
#32 The Nightmare Before Christmas ↑ 6
#33 Rashomon ↑ 36
#34 Fight Club ↑ 36
#35 Gone with the Wind ↓ 4
#36 The Sound of Music ↑ 25
#37 Lawrence of Arabia NEW NEW
#38 Sleeping Beauty NEW NEW
#39 The Exorcist ↓ 27
#40 The Social Network ↑ 1
#41 The Shawshank Redemption ↓ 18
#42 All About Eve NEW NEW
#43 Scream ↑ 19
#44 The Bridge on the River Kwai ↑ 9
#45 My Neighbor Totoro ↓ 9
#46 The Empire Strikes Back ↑ 11
#47 Unforgiven ↑ 9
#48 The Godfather ↑ 37
#49 Mr. Smith Goes to Washington ↑ 26
#50 Tombstone ↓ 13
#51 Gladiator ↑ 14
#52 The Lion King ↓ 11
#53 The Thin Red Line NEW NEW
#54 The Iron Giant ↓ 9
#55 Seven Samurai ↓ 12
#56 McCabe & Mrs. Miller NEW NEW
#57 Die Hard ↓ 26
#58 Your Name. ↑ 42
#59 Children of Men ↓ 38
#60 Aliens ↓ 24
#61 Back to the Future ↓ 19
#62 Network NEW NEW
#63 Apocalypse Now ↑ 19
#64 Beauty and the Beast ↑ 23
#65 Monty Python and the Holy Grail ↓ 18
#66 National Lampoon’s Christmas Vacation NEW NEW
#67 Memento ↓ 9
#68 The Right Stuff ↑ 3
#69 Reality Bites NEW NEW
#70 Black Hawk Down NEW NEW
#71 The Blair Witch Project ↓ 25
#72 Ex Machina ↑ 16
#73 Dead Poets Society NEW NEW
#74 3:10 to Yuma ↑ 3
#75 The NeverEnding Story ↑ 20
#76 The Incredibles ↓ 25
#77 Les Miserables NEW NEW
#78 Whiplash ↓ 28
#79 Groundhog Day ↓ 3
#80 Hell or High Water ↓ 13
#81 Into the Wild ↓ 21
#82 One Flew Over the Cuckoo’s Nest ↓ 34
#83 Warrior NEW NEW
#84 The Cabin in the Woods ↓ 59
#85 Moon ↓ 1
#86 Drive ↓ 59
#87 The Red Shoes NEW NEW
#88 Reservoir Dogs ↓ 34
#89 War For the Planet of the Apes NEW NEW
#90 The Shining ↓ 10
#91 Se7en NEW NEW
#92 The Wailing ↓ 13
#93 The Departed ↓ 41
#94 The Exorcism of Emily Rose ↓ 2
#95 Fargo ↓ 12
#96 Stalker NEW NEW
#97 Pacific Rim ↓ 42
#98 Arrival NEW NEW
#99 Silence ↓ 1
#100 The Perks of Being a Wallflower NEW NEW

Dropped Out: Armageddon, Batman Begins, Dr. Strangelove, Equilibrium, Finding Nemo, Forrest Gump, Gravity, Harry Potter and the Prisoner of Azkaban, Inside Llewyn Davis, Kill Bill: Vol. 1, No Country For Old Men, Pan’s Labyrinth, Platoon, Psycho, Pulp Fiction, Serenity, Short Term 12, The Breakfast Club, The Place Beyond the Pines, True Grit (2010), Young Frankenstein

Link to list on Letterboxd

Like it? Hate it? Think I’m crazy? I’d love to hear your thoughts.

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.

Aaron’s Top 100 Movies (2017 Edition)

Posted on by Aaron White.

I’ve always wanted to expand my favorite films list to 100 and my birthday seemed like the perfect time for doing so. With that, I present my list. It is ever changing. This list is a current reflection of my personal cinematic taste – what speaks to me emotionally, and those films that are just too so entertaining that all evaluation of their technical quality doesn’t even matter. I’ve labored over this for quite some time and it was not an easy task, but I feel confident that the results are accurate. For today.

(For the purposes of this list, LotR: The Fellowship of the Ring and Before Sunrise represent their respective trilogy.)

This is my list. There are many like it, but this one is mine.

  1. The Lord of the Rings: The Fellowship of the Ring
  2. La La Land
  3. It’s a Wonderful Life
  4. Jaws
  5. 12 Angry Men
  6. The Princess Bride
  7. The Prestige
  8. Alien
  9. Interstellar
  10. Before Sunrise
  11. Blade Runner
  12. The Exorcist
  13. Jurassic Park
  14. Top Gun
  15. Singin’ in the Rain
  16. Inside Llewyn Davis
  17. The Last of the Mohicans
  18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
  19. Scott Pilgrim vs. the World
  20. The Dark Knight
  21. Children of Men
  22. Young Frankenstein
  23. The Shawshank Redemption
  24. Aliens
  25. The Cabin in the Woods
  26. Die Hard
  27. Inception
  28. Drive
  29. 2001: A Space Odyssey
  30. Vertigo
  31. Gone with the Wind
  32. Almost Famous
  33. Raiders of the Lost Ark
  34. Casablanca
  35. Short Term 12
  36. My Neighbor Totoro
  37. Tombstone
  38. The Nightmare Before Christmas
  39. The Social Network
  40. The Wizard of Oz
  41. The Lion King
  42. Back to the Future
  43. Seven Samurai
  44. Citizen Kane
  45. The Iron Giant
  46. The Blair Witch Project
  47. Monty Python and the Holy Grail
  48. One Flew Over the Cuckoo’s Nest
  49. Armageddon
  50. Whiplash
  51. The Incredibles
  52. The Departed
  53. The Bridge on the River Kwai
  54. Reservoir Dogs
  55. Pacific Rim
  56. Unforgiven
  57. The Empire Strikes Back
  58. Memento
  59. Forrest Gump
  60. Into the Wild
  61. The Sound of Music
  62. Scream
  63. Gravity
  64. Pan’s Labyrinth
  65. Gladiator
  66. Batman Begins
  67. Hell or High Water
  68. Pulp Fiction
  69. Rashomon
  70. Fight Club
  71. The Right Stuff
  72. Star Wars
  73. Finding Nemo
  74. Serenity
  75. Mr. Smith Goes to Washington
  76. Groundhog Day
  77. 3:10 to Yuma
  78. Mary Poppins
  79. The Wailing
  80. The Shining
  81. True Grit (2010)
  82. Apocalypse Now
  83. Fargo
  84. Moon
  85. The Godfather
  86. The Silence of the Lambs
  87. Beauty and the Beast
  88. Ex Machina
  89. No Country for Old Men
  90. The Breakfast Club
  91. The Place Beyond the Pines
  92. The Exorcism of Emily Rose
  93. Platoon
  94. Equilibrium
  95. The NeverEnding Story
  96. Kill Bill: Vol. 1
  97. Psycho (1960)
  98. Silence
  99. Harry Potter and the Prisoner of Azkaban
  100. Your Name.

Like it? Hate it? Think I’m crazy? I’d love to hear your thoughts.

Link to list on Letterboxd

 

 

MOVIE REVIEW: La La Land

Posted on by Steve Clifton.

From the street, a baby grand in the middle of a supper club beckons her; the crescendo of a smooth jazz arrangement filling the night air like a clarion call.  She stands and looks at him, mesmerized.  I sit in a dark theater and look at her looking at him, mesmerized.   What happens in the next two hours can only be described as a dizzying spectacle of genuine magic.  A cinematic mish-mash of wondrous set pieces, decorated with a vibrant color palette, lit with appropriate mood lighting, and accompanied by musical numbers ranging from soulful to toe-tapping.  It’s the perfect backdrop in which to watch America’s newest sweethearts pursue their dreams and each other.  This is the City of Stars.  This is La La Land.

I need to be upfront with something.  La La Land was like Hollywood lobbing me a softball the size of a beach ball and giving me a telephone pole to hit it with.  Let’s suffice it to say this film was square in my wheelhouse, so my excitement level was dialed to eleven before I even started the car to head to the theater.  It’s rare to have such high expectations for something and have them met, but as I went into La La Land with five star expectations, I walked out having had a six star experience.

What writer/director Damien Chazelle has crafted here is a pure spectacle in all of the best possible ways.  Culling from the golden age of Hollywood musicals, when Fred twirled Ginger around the soundstage, Chazelle captures the glamour of a bygone era and places it neatly into a modern world. Thankfully, he doesn’t burden it with overproduced glitz (ala Baz Luhrman).  Instead, there is a beauty to these production numbers.  There is a dreamlike quality to most of them; perfect asides that enhance the burgeoning love story of Mia (Emma Stone) and Sebastian (Ryan Gosling).  When the film does veer into more rambunctious musical territory, as it does with the side bar narrative of Sebastian’s rising career with modern jazz band The Messengers (led by a guitar playing John Legend as lead vocalist Keith), it never feels forced or unnecessary.  It all feels appropriate; keeping us grounded in the now. Just when you allow the magic of old Hollywood to take you away, a well timed cell phone ring or smoke alarm reels you back in.  Getting antsy with all of the jazz?  Here’s an 80’s cover band performance to enjoy. It’s all part of the larger experience. There is a purpose to everything Chazelle does.  

There isn’t really a deep narrative that drives La La Land.  This is a story about dreamers, and the courtship of Mia and Sebastian is purely a means to an end.  The chemistry between Stone and Gosling only serves to enhance the experience of getting there.  Their relationship checks off all of the right boxes as the movie forges on, but everything they experience together as a couple feels natural and never melodramatic.  Chazelle isn’t interested in cliches.  Time is better spent with walks through a deserted studio backlot, or inside a dimly lit nightclub listening to jazz music.  We are invested in this couple.  We want to see them succeed.  So when the time comes where conflict is necessary, it rings true.  And it hurts.

What we ultimately learn from La La Land is that dreams always come with a price.  Perseverance is required, but it comes with a healthy dose of self doubt.  The world will chew you up and spit you out, because it couldn’t care less about your dreams.  Hollywood is the perfect setting for just such a story.  It is a land of dreamers who rarely get the opportunity to do.  And what about sacrifice?  You can’t have it all.  You may one day beat the odds and achieve the success you seek, but it might be at the cost of the fantastic partner who has been by your side the whole time.  The one that believed in you unconditionally might be the one who gets pushed aside; a tragic consequence to the realities of life.  If the dream is the goal, you have to be willing to look back across a crowded nightclub, with a wry smile and a knowing nod, and be okay with what you had to give up to get here.  Here’s to the fools who dream.

 

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STEVE CLIFTON has been writing moderately well on the Internet at this blog, Popcorn Confessional, for the better part of the last decade.  His love for movies can be traced back to the North Park Cinema in Buffalo, NY circa 1972, when his aunt took him to see Dumbo.  Now living in Maine, Steve routinely consumes as much film, television, and books as time will allow.  He also finds time to complain about winter and Buffalo sports teams.  He is a big fan of bad horror films and guacamole, and mildly amused by pandas.