You Should Be Watching: July 12-18

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week, I’m featuring a 90s Jim Carrey film that is as relevant as ever, classic Billy Wilder that blurs the lines between true Hollywood and fantasy, and a powerful New Zealand film about mental illness, gang life, and chess.

Be sure to see Bringing Up Baby, expiring from FilmStruck on July 27, and then listening to the associated Feelin’ Film Connecting With Classics podcast. Same goes for All the President’s Men. Also on FilmStruck, Rio Bravo has a short-term engagement and will be leaving July 26. Also, the Jaws franchise has arrived on Amazon Prime, and Blue Valentine and Gone Baby Gone on Netflix.

 


STREAMING PICKS OF THE WEEK


 

The Truman Show

Year: 1998

Director: Peter Weir

Genre: Comedy, Drama, Sci-Fi

Cast: Jim Carrey, Laura Linney, Noah Emmerich, Natascha McElhone, Holland Taylor, Ed Harris, Brian Delate, Paul Giamatti, Peter Krause, Blair Slater, Heidi Schanz, Ron Taylor, Don Taylor, Ted Raymond, O-Lan Jones, Krista Lynn Landolfi, Harry Shearer, Jeanette Miller, Philip Glass, Una Damon, Joe Minjares, Philip Baker Hall, John Pleshette, Terry Camilleri, Joel McKinnon Miller

 

Most of you have seen The Truman Show, but chances are, it’s been a while, so you might be surprised to hear how well it holds up. On its surface, this is a vehicle for Jim Carrey to show he’s much more than just a rubber-faced funnyman in a prescient surface-level commentary on the culture of reality TV and YouTube. For that alone, it’s a brilliant piece of work, but below the surface, director Peter Weir and writer Andrew Niccol have incorporated many other layers along with a lovely and complex score that is shamelessly self-aware in its manipulation of the viewer.

Weir isn’t just telling a story about a guy whose whole life is a reality TV program, he’s showing us how we’re all in a sort of reality TV program, and we all need our perspective challenged. If truth isn’t revealed to us, we’ll happily live in a lie. “We accept the reality of the world with which we’re presented,” says Christof (Ed Harris), who represents a God figure or rather a critique of belief in a certain type of God, which provides a lot of food for thought and discussion.


 

Sunset Boulevard

  

Year: 1950

Director: Billy Wilder

Genre: Drama, Film-noir

Cast: William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson, Fred Clark, Lloyd Gough, Jack Webb, Buster Keaton, Cecil B. DeMille, Hedda Hopper, Anna Q. Nilsson, Ray Evans, Jay Livingston, H.B. Warner, Franklyn Farnum, Larry J. Blake, Charles Dayton, Fred Aldrich, Joel Allen, Gertrude Astor, Edward Biby, Danny Borzage, Ken Christy, Ruth Clifford, Archie R. Dalzell, Eddie Dew, Julia Faye, Al Ferguson, Gerry Ganzer

 

The quintessential movie to represent the realities, often painful, of classic Hollywood and the fleetingness of fame. Gloria Swanson’s performance as forgotten silent movie star Norma Desmond is one for the ages. You never quite know whether to be sorry for her, intimidated by her, or downright afraid of her. The tension is carefully built throughout such as the feeling of entrapment and loss of control every time another of Joe Gillis’ (William Holden) connections to his life apart from Norma is severed. While this is not a horror film, much about the basic plot and its themes is reminiscent of the writer’s plight in Stephen King’s Misery.

Seeing Hollywood behind the scenes is often fascinating for people who love the world of film, but Sunset Boulevard is truly exceptional. The lines between fantasy and reality are completely blurred due to the presence of real life players like the famous director Cecil B. DeMille and real world silent film stars such as Buster Keaton, playing themselves. I can only imagine the dramatic impact it would have had to sit in the theater in 1950 and see this Hollywood story unfold.


The Dark Horse

Year: 2014

Director: James Napier Robertson

Genre:  Biography, Drama

Cast: Cliff Curtis, James Rolleston, Kirk Torrance, Sia Trokenheim, Andrew Grainger, Xavier Horan, Roseanne Liang, Miriama McDowell, Rachel House, Wayne Hapi

 

From the burgeoning film world of New Zealand comes the best film you’ll see about high-functioning mental illness, gang life, and chess clubs for underprivileged kids. Now that may sound like damning with faint praise, but you don’t win a slew of international awards for nothing. Cliff Curtis phenomenally portrays Genesis, a man who has a brilliant mind for chess but who also takes prescription drugs to keep himself on the edge of semi-independence. Sometimes he slips off that edge ever so gradually. Other times it’s a sudden fall and he’s lost in his repetitions.

Thankfully, Genesis has an older brother Ariki (Wayne Hapi) who cares about his well-being and takes him into his home, providing him with a modicum of stability. This gives Genesis the opportunity to discover the local Eastern Knights Chess Club run by an old friend. The club is a group of ragtag, unmotivated kids, which inspires him to encourage and teach them so they can compete in the Junior National Championships. But things aren’t so great at home after all. Ariki’s son Mana (James Rolleston) has connected with chess, but Ariki is a gang member and intends to raise his son in the gang as well. The priorities of all three are challenged.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

July 15
Changeling (2008)
Opening Night (1977)

 

FILMSTRUCK

July 13
Losing Ground (1982)
Sweet Smell of Success (1957)

July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)

July 27
All the President’s Men (1976)
Ball of Fire (1941)
Bringing Up Baby (1938)
His Girl Friday (1940)
The Killing Fields (1984)
Rio Bravo (1959)

July 28
Night and the City (1950)

July 31
Taxi Driver (1976)


 

JUST ARRIVED

NETFLIX

Blue Valentine (2010)
Gone Baby Gone (2007)
Scream 4 (2011)

 

AMAZON PRIME

Jaws (1975)
Snowden (2016)

 

FILMSTRUCK

Auntie Mame (1958)
Beyond the Hills (2012)
Moi, Un Noir (1958)
The Right Stuff (1983)
Rio Bravo (1959)

 

HULU

An Inconvenient Sequel: Truth to Power (2017)
Along with the Gods: The Two Worlds (2017)
The Heart of Nuba (2016)


 

COMING THIS WEEK

NETFLIX

July 13
How It Ends—NETFLIX FILM (2018)

July 15
Going for Gold (2018)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: June 7-13

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. This week I’m recommending Baz Lurhmann’s charming directorial debut, an electric and moving exploration of the tempting and destructive power of greed set amidst the housing crisis, and a classic film full of high-stakes tension. There are also a whole bunch of great titles that arrived on streaming platforms this past week and several leaving as well.

 


STREAMING PICKS OF THE WEEK


Strictly Ballroom

Year: 1992

Director: Baz Luhrmann

Genre: Comedy, Drama, Romance

Cast: Paul Mercurio, Tara Morice, Bill Hunter, Pat Thomson, Gia Carides, Peter Whitford, Barry Otto, John Hannan, Sonia Kruger, Kris McQuade, Pip Mushin, Antonio Vargas, Armonia Benedito, Lauren Hewett, Steve Grace, Paul Bertram, Todd McKenney, Kerry Shrimpton

Pretty much all Baz Luhrmann films share similar traits. They’re stylish, full of energy, from the editing to the music, and more than a little quirky. As Lurhmann’s endearing directorial debut, Strictly Ballroom offers all that and more wrapped up in an infectious package. It contains many poignant moments of humor and wears its heart on its sleeve. It’s also genre defying in the best way, essentially a romantic sports dramedy with a touch of mockumentary with the setting being a ballroom dancing competition.

The plot is your basic boy meets frumpy, overlooked girl who turns out to have hidden talent and a protective family and isn’t so frumpy after all, but it’s the characters, the relationships, the humor, and the choreography, and the family dynamics and history that make this movie extra special. Paul Mercurio as Scott Hastings is full of charisma and passion. He just wants to dance his heart out and doesn’t have a mean bone in his body, making him easy to root ford. He has wonderful chemistry with Tara Morice who plays Fran his would-be new partner after his last one left him, and it’s a sheer joy watching them dance together. There’s a lot more to Fran than meets the eye. The scene where Scott meets her family is a key turning point in the film as is him learning his parents’ past. There’s a little something here for everyone, so I would highly recommend it to pretty much everyone.


 

99 Homes

Year: 2014

Director: Ramin Bahrani

Genre: Drama

Cast: Andrew Garfield, Laura Dern, Michael Shannon, Tim Guinee, J.D. Evermore, Noah Lomax, Clancy Brown, Nicole Barré, Cullen Moss, Wayne Pére, Judd Lormand, Gretchen Koerner, Yvonne Landry, Donna DuPlantier, Jordyn McDempsey, Gus Rhodes, John L. Armijo, Jayson Warner Smith, Ann Mahoney, Juan Gaspard, Nadiyah Skyy Taylor, Deneen Tyler, David Maldonado, Cynthia Santiago, Joni Bovill, Carl Palmer, Albert C. Bates, Tom Bui, Manu Narayan

 

In the vein of Wall Street comes this incredibly depressing yet extremely satisfying film that shows the tempting yet destructive power of greed and incremental moral compromise. Michael Shannon is scary good as Rick Carver, a ruthless and charismatic real estate broker, who will do whatever it takes to make as much money as he can, no matter who he hurts in the process. This includes him taking on an unlikely employee and ultimate partner whom he will have leverage over.

This man is Dennis Nash (Andrew Garfield), a single father who along with his son and mother have been evicted from their home by this same Rick Carver. He’s desperate for an opportunity to earn the money necessary to get their home back, but desperation makes one forget about consequences to his actions. Garfield shows great range as he goes on this journey from one side of the evictions to the other, finding himself increasingly helpless to his greed, his lies, and Carver’s silver-tongued influence, leading him step-by-step down his moral decline. It’s a powerful lesson on how we rationalize sin and temptation.


 

The Wages of Fear

  

Year: 1953

Director: Henri-Georges Clouzot

Genre: Adventure, Drama, Thriller

Cast: Yves Montand, Charles Vanel, Peter van Eyck, Folco Lulli, Véra Clouzot, Antonio Centa, Luis De Lima, Jo Dest, Darío Moreno, William Tubbs, Grégoire Gromoff, Joseph Palau-Fabre, Darling Légitimus, François Valorbe

 

With The Wages of Fear, Henri-Georges Clouzot created one of the most heightened and sustained exercises in tension found in classic cinema. Due to an oil field fire and no time for proper equipment, two pairs of desperate men, of which Mario (Yves Montand) and Jo (Charles Vanel) receive primary focus, are contracted to drive trucks full of extremely volatile nitroglycerine 300 miles across horrendous terrain and obstacles. And it is not tension for tension’s sake. The film exists as a cry of frustration towards the miserable and oppressive conditions encouraged by corporate imperialism and the unavoidable consequences of the resulting desperation.

To make the tension of the journey meaningful, Clouzot first establishes the hopelessness of the characters and their internal tensions caused by a sort of love triangle. He takes his time establishing the setting, an isolated town of poverty and sweltering heat in southern Mexico that’s surrounded by desert, and the pitiful lives of its inhabitants. The only way out is by airplane, but that takes money, and the town is all but controlled by the oppressive and manipulative company that owns the nearby oil fields and keeps jobs hard to come by. The friction that builds between the men who become drivers only add to the stress and fear that a truck could explode at any time, which takes toll after toll.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

June 9
Omar (2013)

June 11
Kano (2014)

June 15
Super (2010)

June 18
Theeb (2014)

June 24
Captain America: Civil War (2016)

June 29
On Golden Pond (1981)

 

AMAZON PRIME

June 7
Remember (2015)

June 9
Rosewater (2014)

June 15
Anomalisa (2015)

 

FILMSTRUCK

June 8
Christopher Guest:

Best in Show (2000)
Waiting for Guffman (1996)

Elia Kazan:

On the Waterfront (1954)
A Face in the Crowd (1957)

June 15
A Matter of Life and Death (1946)
Metropolis (1927)
Peeping Tom (1960)
Wag the Dog (1997)

June 22
An American in Paris (1951)
The Piano (1993)

June 30
Caliber 9 (1972)
It Happened One Night (1934)


JUST ARRIVED

NETFLIX

Bad Genius (2017)
Blue Jasmine (2013)
The Departed (2006)
The King’s Speech (2010)
Miracle (2004)
National Treasure (2004)
Outside In (2017)
Thor: Ragnarok (2017)

 

AMAZON PRIME

The Age of Innocence (1993)
Bad Lieutenant: Port of Call New Orleans (2009)
Breakdown (1997)
The ’Burbs (1989)
The Disaster Artist (2017)
Escape from Alcatraz (1979)
Event Horizon (1997)
Lady Bird (2017)
The Natural (1984)
The Running Man (1987)
Saturday Night Fever (1977)
Stargate (1994)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Wonder Wheel — AMAZON ORIGINAL MOVIE (2017)

 

HULU

Apollo 13 (1995)
A Beautiful Mind (2001)
Brokeback Mountain (2005)
Bull Durham (1988)
The ’Burbs (1989)
Escape from Alcatraz (1979)
Event Horizon (1997)
The Green Mile (1999)
Hellboy (2004)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Lord of the Rings: The Two Towers (2002)
The Lord of the Rings: The Return of the King (2003)
Margin Call (2011)
My Left Foot: The Story of Christy Brown (1989)
Punch-Drunk Love (2002)
The Running Man (1987)
Stargate (1994)
Steel Magnolias (1989)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)


 

COMING THIS WEEK

NETFLIX

June 8
Ali’s Wedding – NETFLIX FILM (2017)

June 14
Cutie and the Boxer (2013)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: May 31 – June 6

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week, I’m recommending one of my all-time favorite crime thrillers that doubles as a piercing character study of the everyman. Next, I have a classic pairing of Bogart and Hepburn on an adventure on the rivers of Africa. And finally, I’m recommending an intense Israeli courtroom drama about one woman’s quest for a divorce from a loveless marriage. And in the coming and going section, there are a whole bucketload of worthwhile movies coming to streaming in the first week of June including the arrival of Thor: Ragnarok to Netflix, Lady Bird to Amazon Prime, and Blade Runner 2049 to Hulu.

 

 


STREAMING PICKS OF THE WEEK


A Simple Plan

    

Year: 1998

Director: Sam Raimi

Genre: Thriller, Crime, Drama

Cast: Bill Paxton, Bridget Fonda, Billy Bob Thornton, Brent Briscoe, Chelcie Ross, Gary Cole, Becky Ann Baker, Tom Carey, Jack Walsh

 

To start my recommendations, I’m headed back to 90s crime thriller territory to a can’t miss film about good people doing evil things. It’s easy to watch films like The Wolf of Wall Street and… well, Wall Street and self-righteously sit back and condemn the greed on display. We’re not heartless and self-absorbed like those jerks, we think. We wouldn’t put the pursuit of money above literally everything else. We’re not evil like that. But greed is not so easily dismissed. Greed does in fact lie in the heart of good people. And when that greed takes hold, well, as the Bible says, the love of money is a root of all kinds of evil.

The setup of A Simple Plan is just that, simple. Two kindly brothers, Hank and Jacob, and their good friend Lou (Bill Paxton, Billy Bob Thornton, Brent Briscoe) discover a crashed plane in the woods near their home with nothing but a dead pilot and over four million dollars in cash. What Sam Raimi does with this setup is to masterfully challenge his audience through the consequences of one seemingly rational decision after another by each of these characters along with Hank’s wife Sarah (Bridget Fonda) to reveal the horrifying things human nature can convince us to do out of greed and fear of getting caught. It is a film rightfully at the top of Raimi’s filmography, one of the best studies of human nature on film, and among the best performed roles of each of its stars. I cannot recommend <i>A Simple Plan</i> highly enough.


 

The African Queen

Year: 1951

Director: John Huston

Genre: Adventure, Romance, War, Drama

Cast: Humphrey Bogart, Katharine Hepburn, Robert Morley, Peter Bull, Theodore Bikel, Walter Gotell, Peter Swanwick, Richard Marner

 

Sure, it’s directed by John Huston, the man who gave us such adventure classics as The Treasure of the Sierra Madre and The Man Who Would Be King. Sure, it’s filmed on location in the jungles of Uganda and the Congo in lush technicolor. But what makes The African Queen really shine is the strength of its stars, that is Humphrey Bogart and Katharine Hepburn. Even playing the disheveled, ill-mannered boat captain Charlie Allnut, Bogie can’t help but charm. And with Hepburn as his near polar opposite, the straight-laced missionary Rose Sayer who has just seen her mission destroyed and the villagers run off by the Germans of World War I, the stage is set for this unlikely pair to set off on an unlikely adventure.

Through the trials of a handful of thrilling set pieces and especially the sharp, snappy dialogue and wonderful chemistry between Charlie and Rose, a relationship slowly begins to take shape. While neither expects the other to become something they’re not, they find satisfaction in learning about each other and looking out for their well-being, whether it’s Charlie taking ill or Rose about to dive into alligator-filled waters to get away from a horde of files. The more dirty, weary, and bedraggled the pair become, the more joy they find in simply being together and facing their obstacles as one. All in all, it’s a charming film showcasing Africa’s beauty and its exotic rivers and an inspiring story of love strengthened through trials.


 

Gett: The Trial of Viviane Amsalem

  

Year: 2014

Director: Ronit Elkabetz, Shlomi Elkabetz

Genre: Drama

Cast: Ronit Elkabetz, Simon Abkarian, Menashe Noy, Gabi Amrani, Dalia Beger

 

For my final recommendation, I head to the oft-neglected area of Israeli film for a searing single-room setting courtroom drama. Gett: The Trial of Viviane Amsalem presents the unfolding of hearing after hearing as Viviane (Ronit Elkabetz) and her lawyer implore the Jewish religious courts to give her a divorce from her husband Elisha (Simon Abkarian) whom she can’t abide and no longer lives with. He is completely unwilling to grant her the divorce she seeks. While he claims to want her back, to love her, the bitterness is evident on both their faces. The acting in this film is stellar. It’s amazing to watch the change in Elkabetz throughout the extended trial, whether through her nonverbal reactions or her slow burning frustration that eventually bubbles over.

This is actually the third film in the Gett Trilogy. Weird recommendation, I know. However, I absolutely do recommend it even as a standalone film, even though Viviane’s stated goal is to obtain a divorce. Let me be clear. I hate divorce. It approves of selfishness, makes one’s happiness the ultimate priority, excuses a lack of sacrificial love, and tears apart families. I hate how prevalent divorce is, especially in western society, where people treat their vow to love and cherish the other for as long as they both shall live with utter disregard. So why the recommendation? It’s a brilliant study of Jewish culture and its court system and the bitter consequence of a lack of love lived out, a love in word not in deed until even the words are gone. While on one hand this film is a call to reform the Jewish court system, on the other, it’s a powerful revelation of how marriages die. It acts as a powerful warning to all husbands and wives to give themselves fully to their spouses, to love them deeply and unselfishly.

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

May 31
8 Mile (2002)
Janis: Little Girl Blue (2015)
Men In Black (1997)
My Left Foot: The Story of Christy Brown (1989)
Neerja (2016)
Oldboy (2003)
Scarface (1983)
Super (2010)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Resurrection of Jake the Snake (2015)
Training Day (2001)

June 24
Captain America: Civil War (2016)

June 29
On Golden Pond (1981)

 

AMAZON PRIME

May 31
From the Rocky Collection:

Rocky (1976)
Rocky II (1979)

From the James Bond Collection:

Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
The Spy Who Loved Me (1977)

June 7
Remember (2015)

June 9
Rosewater (2014)

 

FILMSTRUCK

May 31
High Noon (1952)

June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)
Natural Born Killers (1994)

June 8
Christopher Guest:

Best in Show (2000)
Waiting for Guffman (1996)

Elia Kazan:

On the Waterfront (1954)
A Face in the Crowd (1957)

June 15
A Matter of Life and Death (1946)
Metropolis (1927)
Peeping Tom (1960)
Wag the Dog (1997)

June 22
An American in Paris (1951)
The Piano (1993)

 

HULU

May 31
1984 (1984)
Breakdown (1997)
Manhattan (1979)
The Secret of N.I.M.H. (1982)


 

JUST ARRIVED

NETFLIX

Coco (2017)
Bombshell: The Hedy Lamarr Story (2017)

 

FILMSTRUCK

Seven Beauties (1975)
The Unknown (1927)
Wendy and Lucy (2008)
The Women (1939)
Lolita (1962)
Grand Hotel (1932)

 

HULU

I, Tonya (2017)
Rain Man (1988)


 

COMING THIS WEEK

NETFLIX

June 1
Blue Jasmine (2013)
The Departed (2006)
Miracle (2004)
National Treasure (2004)
Outside In (2017)

June 2
The King’s Speech (2010)

June 5
Thor: Ragnarok (2017)

 

AMAZON PRIME

June 1
The Age of Innocence (1993)
Bad Lieutenant: Port of Call New Orleans (2009)
Breakdown (1997)
The ’Burbs (1989)
Day of the Dead (1985)
The Disaster Artist (2017)
Escape from Alcatraz (1979)
Event Horizon (1997)
The Natural (1984)
The Running Man (1987)
Saturday Night Fever (1977)
Space Jam (1996)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Wonder Wheel — AMAZON ORIGINAL MOVIE (2017)

June 3
Lady Bird (2017)
Stargate (1994)

 

HULU

June 1
Apollo 13 (1995)
A Beautiful Mind (2001)
Brokeback Mountain (2005)
Bull Durham (1988)
The ’Burbs (1989)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Lord of the Rings: The Two Towers (2002)
The Lord of the Rings: The Return of the King (2003)
Margin Call (2011)
My Left Foot: The Story of Christy Brown (1989)
Punch-Drunk Love (2002)
The Running Man (1987)
Steel Magnolias (1989)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)

June 2
Blade Runner 2049 (2017)

June 3
Stargate (1994)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: May 17-23

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. I highlight films that come with my personal recommendation as well as provide a list of notable titles that are coming and going so you’re sure not to miss out on the good stuff.

 


STREAMING PICKS OF THE WEEK


Oculus

Year: 2013

Director: Mike Flanagan

Genre: Horror

Cast: Karen Gillan, Brenton Thwaites, Katee Sackhoff, James Lafferty, Rory Cochrane, Kate Siegel, Garrett Ryan, Katie Parker, Miguel Sandoval, Annalise Basso

 

I’ll be honest with you. I have relatively limited experience with horror. But I still believe that Oculus, a nightmarish puzzle box of a film directed, co-written, and edited by Mike Flanagan, is one of the most wickedly intelligent films in the genre. The genius is evident in the setup. By having Tim Russell (Brenton Thwaites), brother to Kaylie (Karen Gillan) be a just-released patient of a mental institution because of a violent act he carried out as a child, sanity is already in question. Kaylie is convinced the whole affair began because of a haunted mirror and is committed to destroying it before it destroys them. But what’s easier to believe, that someone is crazy or that they’re under the influence of the supernatural?

Through Flanagan’s careful editing of the past and the present, and through keeping it unclear whether what the camera is presenting is real or imagined, the audience is continually kept off balance along with the siblings. Flanagan makes wonderful use of darkness and light throughout to maintain the ideal, haunting atmosphere, and the character motivations and actions are right on target, not easily second guessed. The terror is subtle yet just brutal enough to convey the true horror of the situation, and I can’t say enough good things about Karen Gillan. Her performance here reminded me why I loved her so much in Doctor Who.


 

Harakiri

  

Year: 1962

Director: Masaki Kobayashi

Genre: History, Action, Drama

Cast: Tatsuya Nakadai, Rentarô Mikuni, Shima Iwashita, Akira Ishihama, Yoshio Inaba, Masao Mishima, Kei Satō, Ichirô Nakatani, Hisashi Igawa, Tôru Takeuchi, Tatsuo Matsumura, Akiji Kobayashi, Kôichi Hayashi, Ryûtarô Gomi, Nakajirô Tomita, Kenzô Tanaka, Shôtarô Hayashi, Tetsurō Tamba

 

Masaki Kobayashi’s Harakiri is a true masterpiece of Japanese samurai storytelling, deserving every bit as much praise as more popular fare such as Kurosawa’s Seven Samurai. Everything from the artistry to the intricately woven plot to the carefully developed emotion to the presentation of a time and a people long past is pure excellence. To begin the film, Hanshiro Tsugumo (Tatsuya Nakadai) is introduced, stoic and seeming in full control at all times, which makes his stated intentions all the more confusing and shocking. He is an older samurai who comes to the house of a feudal lord with the claim that he is willing to commit the ritual suicide known as hara-kiri. But first he must be allowed to tell a story.

The bulk of this film is the presentation of that story and its aftermath, and let me tell you, it’s possibly the most exquisitely crafted story I’ve ever experienced through film, and it will keep you hanging on every frame. Through non-linear flashbacks, Kobayashi introduces the audience to each relevant character, their experiences, and the implications of those experiences at the precise moments needed to maximize intellectual engagement and emotional impact, leading to a progressive series of light-bulb moments as the full truth of the situation is gradually revealed.


 

The Flowers of War

    

Year: 2011

Director: Zhang Yimou

Genre: Drama, History, War

Cast: Christian Bale, Ni Ni, Tong Dawei, Zhang Xinyi, Shigeo Kobayashi, Atsuro Watabe, Shawn Dou, Paul Schneider

 

Many people recognize Zhang Yimou’s 2002 film Hero to be a classic of Chinese cinema, with its eye-popping visuals nothing less than poetry in film form. Cut to 2011, and we have The Flowers of War, Yimou’s highly underrated, culturally diverse war film starring Christian Bale and set during Japan’s rape of Nanking in 1937 that seems to have fallen through the cracks of cultural awareness.    Through a contrast of visuals and characters, Yimou demonstrates the horrors of war and the beauty of sacrifice, especially when learned by the disreputable and self-centered.

Bale shines as the American John Miller, a self-indulgent mortician, who cares for nothing but his own comfort and pleasure as he seeks a quick payday on his way out of Nanking before it’s completely overrun by brutal Japanese soldiers. His unlikely counterpart is Yu Mo (Ni Ni), the leader of a group of prostitutes who are also trying to escape the city. Together with a group of schoolgirls, they all end up together, seeking sanctuary and survival at the girls’ convent. Zhang Yimou and his DP Zhao Xiaoding created a beautiful film about a horrifying event. The plotting is creative, and a wholly human face, with all of its cracks and blemishes is put on our unlikely hero, the innocent schoolgirls, and the prostitutes, many of whom were forced unwillingly into that life at a frighteningly early age.

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

May 21
Inglourious Basterds (2009)

May 27
Middle of Nowhere (2012)

May 29
The Jungle Book (2016)

 

AMAZON PRIME

May 18
Creed (2015)

May 30
A.I. Artificial Intelligence (2001)
1984 (1984)
Breakdown (1997)
Regarding Henry (1991)

 

FILMSTRUCK

May 18
Luchino Visconti:

La Terra Trema (1948)
The Leopard (1963)
Rocco and His Brothers (1960)

May 25
Carol Reed:

The Fallen Idol (1948)
The Third Man (1949)

May 31
High Noon (1952)

June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)

June 8
Christopher Guest:

Best in Show (2000)
Waiting for Guffman (1996)

Elia Kazan:

On the Waterfront (1954)
A Face in the Crowd (1957)


 

JUST ARRIVED

NETFLIX

Lupin the Third: The Castle of Cagliostro (1979)
The 40 Year-Old Virgin (2005)
Phantom of the Opera (2004)

 

AMAZON PRIME

Winter’s Bone (2010)

 

FILMSTRUCK

Billy Wilder:

Ace in the Hole (1951)
Some Like It Hot (1959)
Stalag 17 (1953)
Sunset Boulevard (1950)
Witness for the Prosecution (1957)

All the President’s Men (1976)
Dark Passage (1947)
Key Largo (1948)
The Killing Fields (1984)
Mildred Pierce (1945)
Stella Dallas (1937)
To Have and Have Not (1944)

 

HULU

In the Fade (2017)
Still Mine (2010)


 

COMING THIS WEEK

NETFLIX

May 18
Cargo — NETFLIX FILM (2017)
Catching Feelings — NETFLIX FILM (2017)

May 19
Bridge to Terabithia (2007)
Small Town Crime (2017)

May 24
The Survivor’s Guide to Prison (2018)

 

AMAZON PRIME

May 19
Beatriz at Dinner (2017)

 

HULU

May 19
Beatriz at Dinner (2017)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: May 3-9

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, Filmstruck, and anywhere else streams are found. I highlight films that come with my personal recommendation as well as provide a list of notable titles that are coming and going so you’re sure not to miss out on the good stuff. Alright? Let’s get started.

 


STREAMING PICKS OF THE WEEK


Chaplin

      

Year: 1992

Director: Richard Attenborough

Genre:  Biography, Comedy, Drama

Cast: Robert Downey Jr., Geraldine Chaplin, Paul Rhys, John Thaw, Moira Kelly, Anthony Hopkins, Dan Aykroyd, Marisa Tomei, Penelope Ann Miller, Kevin Kline, Matthew Cottle, Maria Pitillo, Milla Jovovich, Kevin Dunn, Deborah Moore, Diane Lane, Nancy Travis, James Woods, David Duchovny, Michael Cade, P.H. Moriarty, Howard Lew Lewis, John Standing 

 

Long before Robert Downey Jr. put on the mantle of the iconic Tony Stark in the Marvel Cinematic Universe (MCU), he wowed audiences with his Oscar-nominated, BAFTA-winning performance as the king of silent film comedy–Charlie Chaplin. It’s fascinating to watch him become the character synonymous with Chaplin, that is The Tramp. But many people don’t even realize that mustachioed fellow with the cane and the funny gait did not represent Chaplin’s normal self. Charles Chaplin was a real person behind the mustache and wig. He was a complicated man who led a complicated life, and he was far from perfect. But like any man, he had hopes and dreams, and he wanted to make the world laugh, and laugh they did. It’s a special experience to see Downey Jr. bring this man to life, giving us viewers a window into the life of such an important figure in the history of film. Hopefully, afterwards, you’ll have the push needed to go explore the real Charlie Chaplin’s work.


 

The Negotiator

Year: 1998

Director: F. Gary Gray

Genre: Action, Crime, Adventure, Mystery, Drama, Thriller

Cast: Samuel L. Jackson, Kevin Spacey, David Morse, Ron Rifkin, John Spencer, J.T. Walsh, Siobhan Fallon, Paul Giamatti, Regina Taylor, Bruce Beatty, Michael Cudlitz, Carlos Gómez, Tim Kelleher, Dean Norris, Nestor Serrano, Doug Spinuzza, Leonard L. Thomas, Stephen Lee, Lily Nicksay, Lauri Johnson, Sabi Dorr, Gene Wolande, Rhonda Dotson, John Lordan, Jack Shearer, Donna Ponterotto, Michael Shamus Wiles, Mik Scriba, Joey Perillo

 

While we’re on the subject of earlier work by actors who are part of the MCU, let’s move on to this tense but highly entertaining 90s crime thriller starring Samuel L. Jackson playing classic Samuel L. Jackson. His character is Danny Roman, a hostage negotiator turned desperate hostage taker after he’s accused of murder and corruption. Yep, Kevin Spacey stars too. If that’s a problem for you, I’m sorry, but I’m recommending art here. Performances not people. Spacey is brilliant as fellow negotiator Chris Sabian, as he so often is in roles that give him the opportunity to play out a mental chess match with the other guy. It’s an edge-of-your-seat guessing game throughout as to what’s actually going on and who’s going to get the upper hand. If you like fast-paced 90s thrillers, you can’t go wrong seeing these two go head to head. The Negotiator is a blast.


 

In The Mood For Love

  

 

Year: 2000

Director: Wong Kar-Wai

Genre: Romance, Drama

Cast: Tony Leung Chiu-Wai, Maggie Cheung, Rebecca Pan, Kelly Lai Chen, Siu Ping-Lam, Mama Hung, Joe Cheung, Koo Kam-Wah, Chan Man-Lei, Pauline Suen, Roy Cheung

 

Now let’s take a hard right and head into foreign film territory. There are so many ways that a story about adultery can go badly. Adultery is often trivialized or overly sexualized. Wong Kar-Wai avoids every single potential pitfall by emphasizing emotion and longing rather than lust. With artistic values that are quite simply off-the-charts and while avoiding salaciousness, he presents an all too real story about the pain of isolation from those we love and the subtle seeds from which affairs grow, the temporary happiness they promise, and how they affect the unseen future. The emotion of the story is enhanced even more by the backdrop of incredible shots full of creative camera angles, straight lines, bold color, so much elegance and an amazing musical landscape that accompanies the visuals highlighted by the oh so beautiful recurring Yumeji’s Theme, a dark violin-led waltz.


 

Lawrence of Arabia

Year: 1962

Director: David Lean

Genre:  Adventure, Biography, Drama

Cast: Peter O’Toole, Alec Guinness, Anthony Quinn, Jack Hawkins, Omar Sharif, Claude Rains, Anthony Quayle, José Ferrer, Arthur Kennedy, Donald Wolfit, Zia Mohyeddin, I.S. Johar, Gamil Ratib, Michel Ray, John Dimech, Howard Marion-Crawford, Jack Gwillim, Hugh Miller, Robert Rietty, John Barry, Bruce Beeby, John Bennett, Steve Birtles, David Lean, Robert Bolt, Daniel Moynihan, Peter Burton, James Hayter, Barry Warren

 

Finally, we come to David Lean’s time-tested historical epic, our second biopic and winner of seven Academy Awards, this one based on the life and writings of British officer T. E. Lawrence, who came to care for a country not his own. As a result, he sought to assist the Arabs in World War I in their battle against the Turks, using the skills, strategy, and leadership qualities he’d gained through his military experience. This is a film filled with fascinating characters and detail and exciting large-scale action. David Lean’s filmmaking in conjunction with Freddie Young’s cinematography is exquisite, always enchanting. Never has a desert landscape looked more gorgeous and combined with Peter O’Toole’s arresting performance as the titular and ever-present Lawrence, the nearly four-hour runtime is not only earned, it breezes by, so don’t let it keep you from experiencing this masterpiece.

 

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

May 4
Bernie (2011)

May 8
Sing Street (2016)

May 11
Fruitvale Station (2013)
Talladega Nights: The Ballad of Ricky Bobby (2006)

May 29
The Jungle Book (2016)

 

AMAZON PRIME

None announced

 

FILMSTRUCK

May 11
Forbidden Planet (1956)

Werner Herzog:

Aguirre: The Wrath of God (1972)
Fitzcarraldo (1982)
Nosferatu the Vampyre (1979)

May 16
Glengarry Glen Ross (1992)

May 18
Luchino Visconti:

La Terra Trema (1948)
The Leopard (1963)
Rocco and His Brothers (1960)

May 25
Carol Reed:

The Fallen Idol (1948)
The Third Man (1949)

May 31
High Noon (1952)

June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)


 

JUST ARRIVED

NETFLIX

Amélie (2001)
Beautiful Girls (1996)
The Bourne Ultimatum (2007)
Hachi: A Dog’s Tale (2009)
Hellboy II: The Golden Army (2008)
Red Dragon (2002)
Scream 2 (1997)
Shrek (2001)

 

AMAZON PRIME

A.I. Artificial Intelligence (2001)
Bull Durham (1988)
The Crow (1994)
Eight Men Out (1988)
The Elephant Man (1980)
Frailty (2001)
The Hurt Locker (2008)
Insomnia (2002)
Manhunter (1986)
Thief (1981)
Wonder Boys (2000)

From the James Bond Collection:

Dr. No (1962)
From Russia With Love (1963)
Goldfinger (1964)

From the Rocky Collection:

Rocky (1976)
Rocky II (1979)

 

FILMSTRUCK

Gold Diggers of 1933 (1933)
High Noon (1952)
A Streetcar Named Desire (1951)


 

COMING THIS WEEK

NETFLIX

May 4
Anon — Netflix Original (2018)

May 5
Faces Places (2017)

 

AMAZON PRIME

May 4
Last Flag Flying — Amazon Original (2017)

May 5
Warrior (2011)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.