What We Learned This Week: 2019 Golden Globes Nominations Special

Posted on by everymoviehasalesson.

2019 GOLDEN GLOBE NOMINATIONS REACTION SPECIAL

LESSON #1: DON’T TAKE THESE AWARDS AND NOMINATIONS TOO SERIOUSLY— This has to be said every year.  The Hollywood Foreign Press Association is a very divergent organization of random different tastes.  The headscratchers you will read about from the full list of nominees is one-part limited scope and two parts popularity contest.  They have money and throw a heck of a party.  That’s it.  Honestly, this awards group and show has no business being the second most-touted and most-promoted awards show of the annual season.  It’s not a good bellwether anymore for prognostication either.  The Screen Actors Guild or Independent Spirit Awards deserve this level of primetime TV stage and attention.  

LESSON #2: A STAR IS BORN WANTS TO BE TAKEN SERIOUSLY— Much annual buzz is made about the Golden Globes’ loose split of drama and comedy/musical categories that doubles the names of a Best Picture field.  That division does tend to elevate things that probably shouldn’t be there in the first place just because it checks a comedy or musical box.  One clear frontrunner is A Star is Born and it is slotted right where it belongs as a drama.  The easy and lazy thing to do would have been for it to compete (and rake) in the comedy/musical half, but Warner Bros. wanted its prize possession in the drama field.  It’s nominations in the top categories for Best Picture, Best Director, Best Actor, and Best Actress show its strength and respect.

LESSON #3: BOHEMIAN RHAPSODY CAN’T BE TAKEN SERIOUSLY— This is the absolute counterexample from Lesson #2.  Bohemian Rhapsody, a higher audience hit than critical favorite, is going to get crushed in the drama side of the categories.  It is completely outclassed by the other four nominees.  That is the exact kind of movie that should have taken the easier road in the comedy/musical category.  Rami Malek deserves the Best Actor nod he received, not matter which place he got it.  Admittedly, the competition for Malek against Bradley Cooper and Willem Dafoe in drama is probably a tad easier than Christian Bale, Robert Redford, and Viggo Mortensen in comedy, but he’s going to need quite the sentiment to win that popularity contest.

LESSON #4: AMERICAN INDEPENDENT FILMS DON’T PLAY WELL OVERSEAS— In order to be an American indie film that gets Golden Globe nominations, the film needs to play more of the festival circuits overseas.  Cannes Grand Prix winner BlacKkKlansman and Toronto darling If Beale Street Could Talk each Best Picture- Drama nominations and had connected acting nominations (John David Washington, Adam Driver, Regina King).  First Reformed with Best Actor frontrunner Ethan Hawke was shut out entirely.  Even though I look at Lesson #1 and say it’s OK, a film like that still needed a little bit of this TV stage to garner a few more voters for the future Oscar stage.

LESSON #5: VICE AND ROMA ARE POSITIONING THEMSELVES AS SLEEPING GIANTS— A Star is Born has reigned as a big public hit since October, but Adam McKay’s Vice is going to hit us like a ton of bricks come later this month.  Most people haven’t seen it yet, but it’s coming. Annapurna is slow-playing its ace-in-the-hole and the political dramedy leads all film nominees with six total Golden Globe nominations.  Watch out.  It will be interesting to see how this humor plays in red state USA.  On the softer end, Netflix’s Roma crossed over from Best Foreign Language Film to score strong mainstream nominations for Best Director and Best Screenplay.  The film is legitimately a dual-category threat for the future Oscars.  Let’s see how well general audiences embrace its heavy drama once it debuts on its streaming service.

LESSON #6: BEFORE OR AFTER THE OSCARS, WE NEED TO TALK ABOUT TOKENISM— I’m as happy as the next movie fan to see Black Panther getting its due respect as a Best Picture- Drama nominee at the Golden Globes.  It represents genre film and diversity on many levels.  We should celebrate that it has transcended stigmas to earn that seat at the table.  Unfortunately, the cliche is coming that the “nomination is its reward.”  It’s there, but it’s not going to win.  Casual fans need to come to terms with that in a few ways.  One, the film has its flaws that objectively keep it from being the outright Best Picture of the year.  Some folks can’t see that.  Second, until a genre film not named The Lord of the Rings can break the glass ceiling to win, these inclusions are going to pile up and feel like thrown bones to fans just for ratings.  They are going to feel like tokenism to appease people and, unfortunately, specific demographics.  Someday, the right film is going to surge, fantasy elements be damned, to a level of quality and critical praise that can’t be denied.  Black Panther isn’t that film, but it’s a huge step in the right direction.  That said, until a true victory comes, these can feel like steps on an unnecessarily endless ladder.

DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.

Now Available: August 21, 2018

Posted on by Jeremy Calcara.

Welcome to Now Available, where we’ll give you a quick review of a film we didn’t cover when it was released in theaters that’s releasing for home viewing this week, along with a list of everything else and where you can see our coverage on it. 

When a corporate mega-park moves in across town, the run-down, play-at-your-own-risk Action Point amusement park is in dire financial trouble. The park’s oddball owner D.C. (Johnny Knoxville), his daughter and his ragtag staff (including Jackass’ Chris Pontius) must find a way to keep the doors open. Complicating matters are lawyers and lawmakers who are fed up with the lack of safety protocols at the once proud establishment.

Don’t let that description fool you. Tim Kirkby’s Action Point is nothing but MTV’s Jackass repackaged with a flimsy plot to attempt to sell the antics of Knoxville and his friends once again. At Feelin’ Film, we like to try to look positively at movies, but I really have nothing good to say about this one at all. It’s dull, amateurish and more than just a little tired. Johnny Knoxville is an enigma to me. He has charisma to spare and has proven himself to be an adept comedic actor in the past. But instead of using that talent, he’s been content to churn out lowest common denominator dreck for almost 20 years at this point. If there’s one bright spot, it’s that it performed more poorly at the box office than any Knoxville starring films to date, so maybe as a culture we’re learning to stay away.

Action Point is a tired and laugh-less comedy from the guy who brought you Jackass. It’s one of the worst movies of the year.

Buy It, Rent It, Wait for Netflix or Skip It?

Skip It.

Also available this week:

Deadpool 2- I was a pretty big fan of this one when it was released back in May and after watching it again this week, I still am. Read my review here.

First Reformed- One of the favorites of the year so far for a few of our contributors, listen to Don and Aaron share their thoughts about it here.

Show Dogs- Despite starring one of my personal favorite comedic actors in Will Arnett and having the vocal talents of people like Stanley Tucci, this so called family comedy failed make me laugh and was offensive enough that I won’t show it to my family.

Other New Releases: God’s Not Dead 3, Black Water

Jeremy Calcara is a contributing member of the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.

2018 Seattle International Film Festival

Posted on by Aaron White.

Each year the Seattle International Film Festival (SIFF) screens hundreds of feature films, documentaries, short films, and more from all around the world over a 25-day period in May and June. This year the largest and most highly attended festival in the United States will run from May 25 – June 10 and show 433 films representing 90 countries, a lineup which includes 35 World premieres, 46 North American premieres, and 25 U.S. premieres. The festival will screen several highly anticipated films such as First Reformed starring Ethan Hawke, Sorry To Bother You starring Lakeith Stanfield, and a documentary about Fred Rogers that is sure to make you cry, Won’t You Be My Neighbor. Suffice it to say, all 433 films won’t be covered here, but in addition to our podcast coverage of the festival you will find capsule reviews of a wide variety of films across many genres. Check back often for new capsule reviews as we cover the 44th Annual Seattle International Film Festival. (Newest reviews on top.)

Must See: HEARTS BEAT LOUD, REVENGE, WON’T YOU BE MY NEIGHBOR?, FIRST REFORMED, BODIED

Recommended: MOUNTAIN, CHAMPIONS, THE RUSSIAN FIVE, CATWALK: TALES FROM THE CAT SHOW CIRCUIT, AMERICAN ANIMALS

Worth Watching: DON’T WORRY HE WON’T GET FAR ON FOOT, THREE IDENTICAL STRANGERS, BEAST, MICHELIN STARS: TALES FROM THE KITCHEN

Skip: LITTLE TITO AND THE ALIENS

DON’T WORRY, HE WON’T GET FAR ON FOOT (120 minutes)

Joaquin Phoenix transforms into the wheelchair-bound recovering alcoholic John Callahan in Gus Van Sant’s biopic about the famous Portland cartoonist. Phoenix’s powerful and wide-ranging emotional performance is matched by the most vulnerable work of Jonah Hill’s career as he portrays Callahan’s AA group leader and friend. Don’t Worry is an often humorous, thoughtful look at the challenge of dealing with addiction and affliction, but it also features an odd use of non-linear storytelling and wastes the talented Rooney Mara in a forgettable role as Callahan’s trophy girlfriend. See it for the stand-out acting and ultimate message of hope.

Rating:

THREE IDENTICAL STRANGERS (98 minutes)

In this stunningly true story, triplets separated at birth discover one another and fall into brotherly love before deeper, darker secrets are revealed regarding the circumstances of their detachment. Compelling right from the start, high energy and an intriguing structure keep this documentary fresh as it considers the age old question of nature vs. nurture. At its best when telling of the boys’ experiences while both together and growing up apart, the film isn’t quite as strong after its shocking reveal and during its subsequent exploration of why this all happened. The tragedy of the tale is incredibly emotional and thought-provoking, though, making us consider the line between humanity and science through the lens of very real people whose lives were dictated for them in ways they never expected.

Rating:

[All SIFF showings have passed; wide release on June 29, 2018]

HEARTS BEAT LOUD (98 minutes)

Hearts Beat Loud is not just the witty title of this third feature film from Brett Haley, but also a prophetic description of the physiological response it evokes. Frank (Nick Offerman) is stellar as a hip, but childish, widowed father whose last vestige of connection with his soon-to-be med student daughter Sam (Kiersey Clemons) is a shared love of music. The catchy tunes they create bring out the feels but this thoughtful, realistic story about coping with the challenges that life brings keeps us emotionally invested through its charming, heartwarming exploration of parenthood, love, and facing the future.

Rating:

[All SIFF showings have passed; wide release on June 8, 2018]

MOUNTAIN (74 minutes)

Like a poetic love letter to the mystical draw of the mountaintop, Willem Dafoe’s smooth voice (backed by the symphonic tones of the Australian Chamber Orchestra) narrates this awe-inspiring journey through the history of man’s relationship with some of the most imposing natural structures on the planet. Cinematographer Renan Ozturk’s stunning high-altitude imagery of mountains all across the world is a visual delight and worthy of the biggest theater screen possible, though viewers with a fear of heights are in for a terrifying experience.

Rating:

Showtimes: May 21 – 7:00 pm (SIFF Cinema Egyptian), May 22 – 7:00 pm (Majestic Bay)

[Get Tickets]

LITTLE TITO AND THE ALIENS (92 minutes)

In this playful science fiction dramedy, Tito and Anita travel to America to live with their widowed scientist uncle after their father passes away in Italy. The Professor, living as a recluse in the Nevada desert near Area 51, has stalled in his work on a top secret government project, but the arrival of his niece and nephew force him to confront not only his own grief but theirs as well. Featuring elements that echo Spielberg’s work (down to a very similar score), Little Tito and the Aliens has some heartfelt moments but is too scattered and derivative to be very highly recommended.

Rating:

Showtimes: June 7 – 7:00 pm (SIFF Cinema Uptown), June 8 – 4:00 pm (SIFF Cinema Egyptian)

June 10 – 4:30 pm (AMC Pacific Place)

[Get Tickets]

CHAMPIONS (CAMPEONES) (120 minutes)

Champions is another feel-good, family-friendly story about a judgmental and egotistical person who learns to accept others through spending time with them. But despite following a typical trajectory right up to a completely telegraphed ending, Director/Writer Javier Fesser’s film is so charming and funny that it simply doesn’t matter if you could write the plot yourself. Anchored by an incredible cast of performers as basketball players with intellectual disabilities and a genuinely emotional turn by star Javier Gutierrez as their new coach, Champions is an enjoyable, inspiring story that will warm the heart.

Rating:

Showtimes: June 1 – 9:00 pm (Kirkland Performance Center), June 8 – 6:15 pm (SIFF Cinema Uptown) w/ Director Q&A

June 9 – 3:00 pm (SIFF Cinema Uptown) w/ Director Q&A

[Get Tickets]

THE RUSSIAN FIVE (99 minutes)

Joshua Riehl’s documentary comes at the perfect time for a Seattle community starving for a hockey team of their own. The best sports documentaries take a topic many know and unpack hidden history. The Russian Five tells of how the Detroit Red Wings forever changed the NHL by bringing in talented Russian players, sometimes at risk of their lives and well-being of their families. Filled with awesome archival game footage and interviews, Riehl’s film echoes the rock star quality of its subjects and is a shocking, heartbreaking, and ultimately triumphant story about family and determination in sports.

Rating:

Showtimes: May 19 – 5:30 pm (SIFF Cinema Uptown) w/ Director Q&A, May 20 – 6:00 pm (Majestic Bay) w/ Director Q&A

May 29 – 9:00 pm (Shoreline)

[Get Tickets]

BODIED (121 minutes, R)

Director Joseph Kahn is most known for high-profile music videos, but alongside producer Eminem he takes on the rap battle scene in this high intensity, satirical, lyrical exploration of PC culture as we know it today. Bodied follows white progressive grad student Adam on his journey from researching battle rap to competing himself. It’s smart script constantly spits fire and offends every race, gender, ethnicity, sexual orientation and more while inviting viewers to consider how much words matter. Added visual flourish reminds of Scott Pilgrim and the rap battles themselves are sure to become the stuff of legend.

Rating:

Showtimes: June 9 – 9:30 pm (SIFF Cinema Egyptian), June 10 – 9:15 pm (SIFF Cinema Egyptian)

[Get Tickets]

AMERICAN ANIMALS (116 minutes, R)

Director Bart Layton leverages his history with documentaries in this bold feature debut about four privileged real-life college friends who rely on their knowledge of movies to plan and execute a rare book heist. With a unique style that overlays interviews of the actual subjects into the narrative, this exhilarating crime drama is notable in how it depicts differing perspectives of how the events unfolded. Slick, stylish, and often hilarious, the film does suffer from pacing issues in its purely dramatic sections, but this fresh take on the sub-genre is a fascinating experience.

Rating:

Showtimes: May 19 – 9:00 pm (SIFF Cinema Uptown), May 20 – 1:30 pm (AMC Pacific Place) w/ Director Q&A

[Get Tickets]

FIRST REFORMED (113 minutes, R)

Known for his transcendental style and self-destructive characters, legendary writer/director Paul Schrader’s latest film stars Ethan Hawke in an arguably career-best performance as a former military chaplain turned small church pastor wrestling with despair, physical ailments, and an increasingly critical view of how the modern church operates. An intellectually profound script regarding matters of faith and environmentalism is coupled with careful artistic direction that creates a simmering emotional experience. This is a dark, unsettling character drama interested more in asking questions than providing answers – but for those who engage, it can be a powerful conversation-starter and trigger for self-reflection.

Rating:

Showtimes: May 18 – 4:00 pm (SIFF Cinema Egyptian), May 22 – 7:00 pm (SIFF Cinema Uptown)

[Get Tickets]

WON’T YOU BE MY NEIGHBOR? (93 minutes)

Bring the tissues for this story about Fred Rogers, the iconic and innovative television personality with a heart for children and unwavering hope to see every person loved and respected for who they are. Fred’s sense of ministry and passion for child development helped him make Mister Rogers’ Neighborhood a safe place for learning that was radical in its time and unreplicated to this day. Through the use of interviews and historical context, Oscar-winning Director Morgan Neville thoroughly explores who Rogers was and shows his lessons are still needed today more than ever.

Rating:

Showtimes: May 26 – 6:00 pm (SIFF Cinema Uptown), May 27 – 1:30 pm (SIFF Cinema Uptown)

[Get Tickets]

CATWALK: TALES FROM THE CAT SHOW CIRCUIT (75 minutes)

People love cats. Some people love cats so much that they travel the country attending what amounts to a beauty contest for their feline companion, and Catwalk: Tales from the Cat Show Circuit tells some of these amusing stories while detailing the surprisingly complex and competitive world of cat shows as seen through the nail-biting race for #1 between puffy red Persian Ooh La La and playful Turkish Angora Bobby. Thoroughly entertaining and full of gorgeous kitty cinematography, this sweet, fun and informative documentary is a joy for the whole family (pets included).

Rating:

Showtimes: May 19 – 3:30 pm (SIFF Cinema Uptown), May 20 – 1:00 pm (SIFF Cinema Uptown), June 2 – 3:30 pm (Shoreline)

[Get Tickets]

MICHELIN STARS: TALES FROM THE KITCHEN (82 minutes)

Early in this documentary from Danish director Rasmus Dinesen, one renowned chef calls the famous restaurant grading Michelin Guide, “the most important guide in the world,” and for those chasing the ultra-elusive Michelin Star it is. Dinesen travels around the world learning about both the trials and glory that come from seeking the culinary world’s highest rating. The film is less concerned with specific dishes, but still features plenty of mouth-watering cinematography while providing a fair and balanced conversation about the Guide’s history and place in the restaurant world today.

Rating:

Showtimes: May 21 – 6:30 pm (Lincoln Square), May 23 – 6:00 pm (SIFF Cinema Uptown) [Get Tickets]

BEAST (107 minutes, R)

Haunting and suspenseful, director Michael Pearce’s feature film debut Beast is a slow-burn thriller that takes its time alternating between moments of high intensity and quiet psychological depth. It is anchored by an incredible, star-making first performance by Jessie Buckley, as a troubled young girl in an isolated island community who engages in a relationship with a mysterious stranger being investigated for multiple murders. The film is heavy in metaphor and takes a little too long to resolve, but its crescendo to the finale is powerful and quite memorable.

Rating:

Showtimes: May 20 – 8:00 pm (Ark Lodge Cinemas), May 21 – 9:30 pm (AMC Pacific Place) [Get Tickets]

REVENGE (108 minutes, R)

With the heart-pounding, blood-pumping Revenge, French filmmaker Coralie Fargeat bursts onto the scene in a ferocious manner. This heavily stylized rape-revenge has a considerably unique feel due to its female director turning the tables on the male gaze at every corner and offering a female protagonist with plenty of agency. Bloody, remarkably intense, and backed by a fantastic soundtrack, it’s a gorgeously shot violent payback session that is so slick and entertaining that it overcomes its slightly long runtime and is accessible enough that even non-fans of exploitation films can enjoy.

Rating:

Showtimes: May 18 – Midnight (SIFF Cinema Egyptian) [Get Tickets]

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Minisode 043: First Reformed

Posted on by Aaron White.

Fresh out of our screenings of First Reformed, we jump on the mic to talk through what we just saw. Paul Schrader’s latest film hit us hard with its intellectually profound script regarding matters of faith and environmentalism, providing plenty of questions and few answers. One of the strengths of the film is its ability to be a powerful conversation-starter, and this episode is proof of that.

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SIFF 2018 Coverage #2

Posted on by Aaron White.

In this second round of Seattle International Film Festival coverage, Matt Oakes from Silver Screen Riot joins Aaron to discuss and make recommendations for some of the films they’ve seen. (Showtimes for SIFF screenings are included with each review.)

Seattle International Film Festival (SIFF): https://www.siff.net/festival

Eighth Grade – 0:04:21

American Animals – 0:09:26

Boundaries – 0:15:35

Revenge – 0:21:04

Blue My Mind – 0:27:33

First Reformed – 0:32:32

Won’t You Be My Neighbor? – 0:43:47


 Contact


Join the Facebook Discussion Group

Support us on Patreon & get awesome rewards

Music: Going Higher – Bensound.com

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

Download this Episode

Music: Going Higher – Bensound.com

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

SIFF 2018 Coverage #1

Posted on by Aaron White.

The 44th Seattle International Film Festival runs from May 17, 2018 through June 10, 2018 and Aaron is joined by returning guest host, and fellow Seattle film critic, Mike Ward to discuss some of the many films SIFF has to offer moviegoers this year.

Seattle International Film Festival (SIFF): https://www.siff.net/festival

Beast – 0:12:03

Catwalk: Tales From the Cat Show Circuit – 0:19:00

Champions (Campeones) – 0:26:13

The Russian Five – 0:33:38

On Chesil Beach – 0:42:50

Bodied – 0:47:54

Mountain – 0:55:13


 Contact


Join the Facebook Discussion Group

Support us on Patreon & get awesome rewards

Music: Going Higher – Bensound.com

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

Download this Episode

Music: Going Higher – Bensound.com

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!