By Request 003: Kill Bill: Volume 2

Posted on by Aaron White.

Aaron reacts to Kill Bill: Volume 2, the emotional conclusion to Quentin Tarantino’s martial arts revenge series.

 

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Music: “Something Elated” – Broke For Free

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By Request 002: Kill Bill: Volume 1

Posted on by Aaron White.

Aaron reacts to Kill Bill: Volume 1, the first part of Quentin Tarantino’s martial arts revenge film.

 

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Music: “Something Elated” – Broke For Free

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

Episode 124: The Departed

Posted on by Aaron White.

This week we wrap up our Director #BattleMonth with a bang, or a series of them. Actually, there are a whole lot of bangs. We discuss the fourth winner in our listener polls. Martin Scorsese’s fantastic Best Picture winner, The Departed.

What We’ve Been Up To – 0:01:29

(Patrick – The Natural)
(Both – recap of bracket picks)

The Departed Review – 0:12:38

The Connecting Point – 1:10:34


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Music: Going Higher – Bensound.com

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

You Should Be Watching: August 23-29

Posted on by Jacob Neff.

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

STREAMING PICKS OF THE WEEK

The Exorcist

 — August 30 is last day to watch

Year: 1973

Director: William Friedkin

Genre: Horror, Drama, Thriller

Cast: Linda Blair, Max von Sydow, Ellen Burstyn, Jason Miller, Lee J. Cobb, Kitty Winn, William O’Malley, Jack MacGowran, Barton Heyman, Peter Masterson, Rudolf Schündler, Robert Symonds, Titos Vandis, Donna Mitchell, Robert Gerringer, Mercedes McCambridge, Eileen Dietz

Even if you’ve never seen The Exorcist, you’re probably familiar with its premise of a young girl named Regan finding her body the battleground between a powerful demon and the priests trying to exorcise it (Max von Sydow and Jason Miller). But what makes it so effective and worth seeing, even beyond William Friedkin’s masterful direction, is the grave authenticity William Blatty’s script provides to its subject matter, without so much as a wink at the camera, and the characters caught up in it.

Ellen Burstyn is a mother on a desperate search for answers to her daughter’s ever-worsening condition. Linda Blair is her daughter Regan, who having played with a Ouija board now finds herself host to the worst kind of guest. Regan’s increasingly disturbing state of body and mind is all the more shocking given her cuteness and sweet disposition at the start.

The film invites deep thought and discussion of the spiritual world, from the nature of faith to God’s providence and sovereignty to questions about the impact of physical and mental health versus that of angels and demons and where the two diverge. As badly as the doctors want Regan’s problem to be something they can physically see in the brain or have treated as a mental health issue, the evidence grows increasingly undeniable that the cause is supernatural.

Escape from Alcatraz

        — August 30 is last day to watch

Year: 1979

Director: Don Siegel

Genre: Biography, Crime, Drama

Cast: Clint Eastwood, Patrick McGoohan, Roberts Blossom, Jack Thibeau, Fred Ward, Paul Benjamin, Larry Hankin, Bruce M. Fischer, Frank Ronzio, Fred Stuthman, David Cryer Hank Brandt, Ray K. Goman, Blair Burrows

Escape from Alcatraz details the most famous prison break in American history. While both the film and the real life escape involved several inmates, the vast majority of the film’s focus is on Frank Morris, played by Clint Eastwood. Most of the character and emotional beats are seen through his eyes. It’s a fascinating exploration into the problem solving process and the risks needing to be taken for people to escape an inescapable prison.

But the film doesn’t work unless the audience cares to some extent about Frank and his accomplices. To this end, J. Campbell Bruce’s script provides very few details about the crimes that sent these convicts to the island prison. Instead, we see men trapped in cages and dehumanized by a hard warden (Patrick McGoohan), who prevents them at a whim from having niceties that would make their incarceration at least palatable. Once the audience feels sympathizes with the prisoners for being treated unfairly in a hopeless situation, it’s easy to be sucked into the means of their escape and want them to succeed. Clint himself is a big part of that as well with his no-nonsense motivated yet compassionate manner.

My Left Foot: The Story of Christy Brown

  — August 31 is last day to watch

Year: 1989

Director: Jim Sheridan

Genre: Biography, Drama

Cast: Daniel Day-Lewis, Brenda Fricker, Alison Whelan, Declan Croghan, Eanna MacLiam, Marie Conmee, Kirsten Sheridan, Cyril Cusack, Phelim Drew, Ruth McCabe, Fiona Shaw, Ray McAnally, Pat Laffan, Derry Power

Christy Brown was an Irishman born into extreme poverty and having a severe case of cerebral palsy that even as an adult left him unable to control any part of his body but his left foot. Daniel Day-Lewis’ portrayal of the adult Christy is one more example for why the now retired actor is one of the most acclaimed in film history. His chameleon-like level and skill of intense physical acting is nothing short of astonishing. It’s difficult to believe the man on the screen doesn’t have cerebral palsy himself. Christy goes through a wide range of capabilities and emotional states, and Lewis nails them all. Even the child who played young Christy was remarkable in his short screen time.

It’s heartwarming to see that despite all of his trouble interacting with the world around him, Christy always had friends, siblings, and especially his mother support him, especially since his father is so dismissive of him most of his life. However, this film is not about them and so they do not receive a lot of development in the script. The focus throughout is on the struggle and triumph of being Christy Brown.

COMING AND GOING

LAST CHANCE (last date to watch)

NETFLIX

August 24
The Road (2009)

August 25
Gangs of New York (2002)
Night Will Fall (2014)

August 26
White God (2014)

August 27
Ernest & Celestine (2012)
Wrinkles (2011)

August 29
Destiny (1921)

August 31
Batman Begins (2005)
Casino (1995)
The Dark Knight (2008)
Dead Poets Society (1989)
The Descent (2005)
Eternal Sunshine of the Spotless Mind (2004)
Ghostbusters (1984)
Hachi: A Dog’s Tale (2009)
It Might Get Loud (2008)
Man on Wire (2008)
Wet Hot American Summer (2001)

September 4
To The Wonder (2012)

AMAZON PRIME

August 23
10 Cloverfield Lane (2016)

August 24
Captain Fantastic (2016)

August 29
Dirty Dancing (1987)

August 30
The ’Burbs (1989)
Boy (2010)
Breathing (2011)
A Bullet for the General (1966)
Companeros (1970)
Computer Chess (2013)
David and Lisa (1962)
Deep Red (1975)
Django (1966)
Escape from Alcatraz (1979)
Event Horizon (1997)
Keoma (1976)
The Last Waltz (1978)
Opera (1987)
The Return of Ringo (1965)
The Running Man (1987)
Sweeney Todd: The Demon Barber of Fleet Street (2007)

August 31
Anthropoid (2016)
The Big Racket (1976)
Blazing Saddles (1974)
Capote (2005)
Dead Man Walking (1995)
Death at a Funeral (2007)
A Fistful Of Dynamite (1971)
The Flowers of War (2011)
The Hurt Locker (2008)
Inferno (1980)
The Natural (1984)
Raging Bull (1980)
Red River (1948)
Stories We Tell (2012)
Training Day (2001)
Trees Lounge (1996)

FILMSTRUCK

August 24
Act of Violence (1949)
Boy (2010)
Casablanca (1942)
The Freshman (1925)
From Here to Eternity (1953)
Get Carter (1971)
The Little Foxes (1941)
A Man for All Seasons (1966)
Mildred Pierce (1945)
Nine Queens (2000)
Now, Voyager (1942)
The Producers (1967)
Stella Dallas (1937)
Swing Time (1936)
Top Hat (1935)
What Ever Happened to Baby Jane? (1962)

August 31
Badlands (1973)
Bonnie and Clyde (1967)
Diary of a Lost Girl (1929)
The Exorcist (1973)
Gun Crazy (1950)
Hedwig and the Angry Inch (2001)
Kameradschaft (1931)
Reservoir Dogs (1992)
The Searchers (1956)
They Live by Night (1948)
Tootsie (1982)
Westfront 1918 (1930)
You Only Live Once (1937)

HULU

August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)

JUST ARRIVED

NETFLIX

Peter Rabbit (2018)
The Motive – NETFLIX FILM (2017)
To All The Boys I’ve Loved Before – NETFLIX FILM (2018)

AMAZON PRIME

Unsane (2018)

FILMSTRUCK

My Brilliant Career (1979)
On Golden Pond (1981)
The Postman Always Rings Twice (1946)

HULU

A Ciambra (2017)
Jiro Dreams of Sushi (2011)
Minding the Gap — HULU DOCUMENTARY (2018)
Role Models (2008)

COMING THIS WEEK

NETFLIX

August 24
The After Party — NETFLIX FILM (2018)

AMAZON PRIME

August 26
mother! (2017)

HULU

August 26
Gangs of New York (2002)
mother! (2017)

Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: August 9-15

Posted on by Jacob Neff.

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week I’m recommending a 2017 film that happens to be one of the best Westerns in years, transcending the genre itself. Next, a classic Japanese film that is as deep in meaning as the sand dunes its protagonist is trapped at the bottom of. Finally, a Robert Redford-led government conspiracy crime caper.

As always, be sure to check out the list of all the notable films that are expiring soon and newly arriving.

STREAMING PICKS OF THE WEEK

Hostiles

  — Available Aug. 15

Year: 2017

Director: Scott Cooper

Genre: History, Drama, Western, Adventure

Cast: Christian Bale, Rosamund Pike, Wes Studi, Jesse Plemons, Adam Beach, Rory Cochrane, Ben Foster, Stephen Lang, Timothée Chalamet, Jonathan Majors, Q’orianka Kilcher, Paul Anderson, Ryan Bingham, Peter Mullan, Robyn Malcolm, Scott Wilson, Bill Camp, John Benjamin Hickey

From the shocking opening where the serenity of a mother in her home schooling her children is shattered in a flurry of sudden and vicious gunfire and brutality, the tone is set for this very bleak but somehow hopeful film. Christian Bale plays Native American-hating Army captain Joseph Blocker. His duty, against his will is to escort Chief Yellow Hawk (Wes Studi) and his family through deadly territory back to their reservation. While the setting makes this a Western, deep themes run throughout that echo the entire history of human relations, cycles of violence and resulting prejudice and attempts to overcome it all. It’s a very unique film in that it shows compassion for all peoples but doesn’t hold back on showing how cruel and violent anyone can be, regardless of race. It also explores the nature of doing one’s duty despite how one feels about it and learning to forgive the worst wrongs.

In a film full of fantastic performances and colorful characters representing many types and races of people, Rosamund Pike (Rosalie) and Christian Bale stand above the rest. The pair’s relationship could have easily been abused for the sake of cheap romance, but instead through the trauma they share from their past, they take a fascinating and heart-wrenching emotional and spiritual journey together. They both have to struggle to overcome the pain of their past and the grief it is causing them as well as current danger and try to maintain their faith despite God having seemed to turn a blind eye to them.

Woman in the Dunes

  

Year: 1964

Director: Hiroshi Teshigahara

Genre: Thriller, Drama

Cast: Eiji Okada, Kyôko Kishida, Ginzô Sekiguchi, Kôji Mitsui, Sen Yano, Hiroko Itô

Tokyo teacher and entomologist Jumpei Niki (Eiji Okada) is on a three-day vacation and gets tricked into going down a sandy cliff side from which there is no way out. The only way to survive and keep the house down there from collapsing is to shovel sand every night along with the unnamed woman (Kyôko Kishida) who lives in the house. Despite this relatively simple plot, Hiroshi Teshigahara has created a film incredibly dense with meaning.

Is it a nightmarish retelling of the Sisyphus myth? Is it a glimpse of a man in hell? Is it a commentary on the dehumanization of slavery or the nature of our innate lustful and voyeuristic attitudes? Is it a cautionary tale inspiring us to live with purpose rather than merely live to survive? Is it an homage to the allegory of Plato’s cave? Yes and much more. Hiroshi Segawa’s masterful cinematography along with claustrophobic editing serves to amp up the hopeless conditions. And Toru Takemitsu’s tense musical score gets at the sense of unease and downright fear at what’s happening.

Sneakers

Year: 1992

Director: Phil Alden Robinson

Genre: Crime, Drama, Comedy

Cast: Robert Redford, Sidney Poitier, Dan Aykroyd, David Strathairn, River Phoenix, Timothy Busfield, Mary McDonnell, Ben Kingsley, James Earl Jones, Donal Logue, Denise Dowse, Eddie Jones, Time Winters, Bodhi Elfman, Stephen Tobolowsky, George Hearn, Lee Garlington, George Cheung, Michael Kinney, Gary Hershberger

With Robert Redford’s confirmation just days ago that he is retiring from acting after his next film is released this fall, now’s a great time to go back to Phil Alden Robinson’s (Field of Dreams) early Mission: Impossible-lite government conspiracy crime caper that put the NSA on the map of the public’s consciousness. Redford plays Martin Bishop, an affable former hacker who heads a security team of eccentric characters with dubious pasts. They get pressured into doing a favor for the government and soon find themselves caught in a massive conspiracy that could get any or all of them killed.

While the film is dated in its look and technology, the plot is entirely relevant to modern concerns of online privacy. It’s also far more entertaining than it has a right to be thanks to its clever writing, abundance of twists and turns, and light-hearted adventurous tone, and inspired casting, combining such disparate actors on the team as Dan Aykroyd as Mother, Sidney Poitier as Crease, and David Strathairn as Whistler, the blind guy who uses his other senses to greater effect than anyone else. Mary McDonnell adds a feminine presence as Martin’s ex-girlfriend Liz and along with Stephen Tobolowsky in a bit part creates one of the most memorable sequences of the movie. And last but not least, Sir Ben Kingsley gets to be a misguided, all-too-powerful villain, with a ponytail to boot.

COMING AND GOING

LAST CHANCE (last date to watch)

NETFLIX

August 15
The 40 Year Old Virgin (2005)
Seeking a Friend for the End of the World (2012)
Sweet Bean (2015)

August 24
The Road (2009)

FILMSTRUCK

August 10
Altered States (1980)
The Decline of Western Civilization (1981)
Dogtooth (2009)
Falling Down (1993)
Magnolia (1999)
Nights of Cabiria (1957)
Rebel Without a Cause (1955)
Them! (1954)

August 12
The Last House on the Left (1972)

August 17
The Cook, the Thief, His Wife and Her Lover (1989)
The Draughtsman’s Contract (1982)
Escape from New York (1981)
The Falls (1980)
Hairspray (1988)
A Zed & Two Noughts (1985)

August 20
Frances Ha (2012)

August 24

Act of Violence (1949)
Boy (2010)
Casablanca (1942)
The Freshman (1925)
From Here to Eternity (1953)
Get Carter (1971)
The Little Foxes (1941)
A Man for All Seasons (1966)
Mildred Pierce (1945)
Nine Queens (2000)
Now, Voyager (1942)
The Producers (1967)
Stella Dallas (1937)
Swing Time (1936)
Top Hat (1935)
What Ever Happened to Baby Jane? (1962)

August 31
Badlands (1973)
Bonnie and Clyde (1967)
Diary of a Lost Girl (1929)
The Exorcist (1973)
Gun Crazy (1950)
Hedwig and the Angry Inch (2001)
Kameradschaft (1931)
Reservoir Dogs (1992)
The Searchers (1956)
They Live by Night (1948)
Tootsie (1982)
Westfront 1918 (1930)
You Only Live Once (1937)

HULU

August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)

JUST ARRIVED

NETFLIX

Paid in Full (2002)

AMAZON PRIME

The Haunted Palace (1963)
High Noon (1952)
Hoosiers (1986)
Jacob’s Ladder (1990)
Joe (2013)
Rich Hill (2014)
A Star Is Born (1937)
The Uninvited (1944)

FILMSTRUCK

Arsenic and Old Lace (1944)
Barry Lyndon (1975)
A Clockwork Orange (1971)
The Emigrants (1971)
The Exorcist (1973)
The New Land (1972)

COMING THIS WEEK

NETFLIX

August 10
The Guernsey Literary and Potato Peel Pie Society – NETFLIX FILM (2018)
The Package – NETFLIX FILM (2018)

August 11
No Country for Old Men (2007)

August 15
Hostiles (2017)

HULU

August 10
Borg vs McEnroe (2017)

August 16
Role Models (2008)

Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

MOVIE REVIEW: BlacKkKlansman

Posted on by Aaron White.

 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Three Billboards Outside Ebbing, Missouri

Posted on by Aaron White.

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (2017)

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: July 5-11

Posted on by Jacob Neff.

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week on an all-Prime edition, I’m recommending a top-notch pairing of the Safdie brothers and Robert Pattinson, an intense Paul Greengrass docudrama that isn’t United 93, and Werner Herzog’s atypical film about Vietnam War POWs.

Also, Amazon Prime is knocking it out of the park with the quantity and quality of films that have arrived on the service this past week, everything from Buster Keaton’s The General to David Lynch’s Mulholland Drive. Martin Scorsese’s acclaimedTaxi Driver, written by Paul Schrader, has come to FilmStruck. And it’s your last full week to catch Sweet Smell of Success on FilmStruck and the previously featured Changeling on Netflix. This coming week, you can look forward to seeing Gone Baby Gone show up on Netflix and Snowden on Prime.

 

STREAMING PICKS OF THE WEEK

Good Time

Year: 2017

Director: Benny Safdie, Josh Safdie

Genre: Thriller, Crime, Drama

Cast: Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Taliah Webster, Buddy Duress, Barkhad Abdi, Necro Peter Verby, Gladys Mathon, Saida Mansoor, Eric Paykert, Rose Gregorio, Rachel Black, Cliff Moylan, Hirakish Ranasaki, Maynard Nicholl, Craig muMs Grant, George Lee Miles, Lucas Elliot Eberl, Edgar Morais, Souleymane Sy Savane, Shaun Rey, Marcos A. Gonzalez

 

With Good Time, The Safdie brothers have cooked up a tense and energetic cautionary tale showcasing the selfish nature and disastrous and inescapable consequences of crime, especially on loved ones. Oneohtrix Point Never provides the brilliant 80s-styled synth score that perfectly drives tension and sets the mood.

Despite any significant makeup or disguise other than the incredibly lifelike mask he uses as a bank robber, Robert Pattinson is practically unrecognizable as lowlife Connie Nikas in this Murphy’s law crime thriller. And it’s not only his appearance that makes him a chameleon. He displays a tremendous range of emotion as his desperation grows and his life spirals out of control. In addition to Connie making things increasingly worse for himself, the real tragedy of this film is how he sucks his mentally ill brother, Nick, played to great effect by co-director Ben Safdie, into his ill-advised bank robbery and the aftermath thereof. Connie and Nick’s relationship is the heart of the film and colors every decision Connie makes.

Bloody Sunday

Year: 2002

Director: Paul Greengrass

Genre: Action, Drama, Adventure, History, War

Cast: James Nesbitt, Allan Gildea, Gerard Crossan, Mary Moulds, Carmel McCallion, Tim Pigott-Smith, Nicholas Farrell, Christopher Villiers, James Hewitt, Declan Duddy, Edel Frazer, Joanne Lindsay, Mike Edwards, Gerry Hammond, Jason Stammers, Ken Williams, Bryan Watts, Simon Mann, Rhidian Bridge, Johnny O’Donnell, David Clayton Rogers, Sean O’Kane, Thomas McEleney, Deirdre Irvine, Gerry Newton, David Pearse, Gerard McSorley

 

Far less well known than his 9/11 fly-on-the-wall docudrama United 93, Paul Greengrass‘ Bloody Sunday was his four years earlier but no less impactful foray into similarly-styled film making. This emotionally-charged film dramatizes the 1972 Northern Ireland massacre immortalized in the U2 song Sunday Bloody Sunday. Fittingly, that song plays over the final credits to its completion, long after the screen has faded to black. This incident is not well known on this side of the Atlantic, which means great skill was needed to create this kind of film that eschews exposition or character introductions or backstories and have it impact the viewer and make any sense. By the shocking, powerful third act, Greengrass has done just that, largely thanks to James Nesbitt’s anchoring of the film with his intense and heartbreaking portrayal of veteran civil rights campaigner Ivan Cooper, who has gone from waking up, expecting to participate in another quiet, peaceful protest to finding himself in the midst of blood and bullets.

Rescue Dawn

 

Year: 2006

Director: Werner Herzog

Genre: War, Drama, Adventure, Biography, Drama

Cast: Christian Bale, Steve Zahn, Marshall Bell, Toby Huss, Pat Healy, François Chau, James Oliver, GQ, Saichia Wongwiroj, Brad Carr, Teerawat Mulvilai, Jeremy Davies, Kriangsak Ming-olo, Somkuan ‘Kuan’ Siroon, Mr. Yuttana Muenwaja, Chorn Solyda, Galen Yuen, Apichart Chusakul, Lek Chaiyan Chunsuttiwat, Zach Grenier, Evan Jones

 

Featuring nearly as much whispering and fly-on-the-wall footage as any Terrence Malick film, everyone gets to bring their own special brand of crazy to this atypical Vietnam war movie directed by Werner Herzog. By the time the cocky pilot Dieter Dengler (Christian Bale) crashes, gets captured and tortured, and is brought to the POW camp, the POWs he’s put with have already been there for so long, they’ve become shells of themselves, caricatures that are a bit one dimensional and weird, to put it lightly. Among the performances, Steve Zahn does crazy well, and it’s fascinating to see Bale go from cocky self-assurance to utter desperation over the course of the film.

While their experience is certainly not a pleasant one and quiet must be maintained at all times, other than being locked into stocks at night and all but starved, the prisoners have little interaction with their guards. Despite character names such as Little Hitler, this is no WWII death camp. Other more significant dangers lie outside the camp.

 

COMING AND GOING

LAST CHANCE (last date to watch)

NETFLIX

July 9
Closet Monster (2015)

July 11
Mountains May Depart (2015)

July 15
Changeling (2008)

 

FILMSTRUCK

July 6
Husbands and Wives (1992)
Who’s Afraid of Virginia Woolf? (1966)

July 8
Together (2000)

July 13
Losing Ground (1982)
Sweet Smell of Success (1957)

July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)

July 27
All the President’s Men (1976)
Ball of Fire (1941)
Bringing Up Baby (1938)
His Girl Friday (1940)
The Killing Fields (1984)
Rio Bravo (1959)

July 28
Night and the City (1950)

July 31
Taxi Driver (1976)

 

JUST ARRIVED

NETFLIX

Blue Valentine (2010)
The Boondock Saints (1999)
Certain Women (2016)
Finding Neverland (2004)
Happy Gilmore (1996)
Interview with the Vampire (1994)
Jurassic Park (1993) — Parts II and III also available
Menace II Society (1993)
Real Genius (1985)
Troy (2004)

 

AMAZON PRIME

20,000 Days on Earth (2014)
A.I. Artificial Intelligence (2001)
The Act of Killing (2012)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
Angel Heart (1987)
American Psycho (2000)
Assassination (2015)
Bad Boy Bubby (1993)
Barfly (1987)
The Bear (1988)
Blazing Saddles (1974)
Breakfast at Tiffany’s (1961)
The Brothers Bloom (2008)
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Dead Man Walking (1995)
Fearless (2006)
The General (1926)
The Graduate (1967)
Gran Torino (2008)
Indie Game: The Movie (2012)
The Insult (2017)
The Invisible War (2012)
The Last Waltz (1978)
The Monster Squad (1987)
Mulholland Drive (2001)
Patriot Games (1992)
Pee-wee’s Big Adventure (1985)
Pretty in Pink (1986)
Rabbit Hole (2010)
Rescue Dawn (2006)
Shoeshine (1946)
Six Shooter (2004)
Sneakers (1992)
State of Grace (1990)
The Strange Little Cat (2013)
Tangerines (2013)
A Trip to the Moon (1902)
V for Vendetta (2006)
Waste Land (2010)
Way Down East (1920)
Witness (1985)
Woody Allen: A Documentary (2011)
Zodiac (2007)

 

FILMSTRUCK

La Terra Trema (1948)
Mafioso (1962)
The Public Enemy (1931)
The Roaring Twenties (1939)
Taxi Driver (1976)

 

HULU

A.I. Artificial Intelligence (2001)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
American Psycho (2000)
Assassination (2015)
Angel Heart (1987)
Barfly (1987)
Before Midnight (2013)
Bill & Ted’s Excellent Adventure (1989)
Braveheart (1995)
The Brothers Bloom (2008)
Clear and Present Danger (1994)
Clue (1985)
Dead Man Walking (1995)
Election (1999)
Happy Accidents (2000)
Hustle & Flow (2005)
The Manchurian Candidate (1962)
Midnight in Paris (2011)
The Monster Squad (1987)
The Prestige (2006)
Pretty in Pink (1986)
Rabbit Hole (2010)
The Rainmaker (1997)
Six Shooter (2004)
Sleepers (1996)
This Is Spinal Tap (1984)
Witness (1985)
Borg vs McEnroe (2018)

 

 

COMING THIS WEEK

NETFLIX

July 7
Scream 4 (2011)

July 12
Gone Baby Gone (2007)

 

AMAZON PRIME

July 8
Snowden (2016)

 

HULU

July 10
Along with the Gods: The Two Worlds (2017)

 

Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

MOVIE REVIEW: Sicario: Day of the Soldado

Posted on by Jeremy Calcara.

SICARIO: DAY OF THE SOLDADO (2018)

When the man behind a suicide bombing at a Kansas City supermarket is revealed to have entered the country through the border between Texas and Mexico, the President of the United States is in a position to officially deem human trafficking a terrorist activity, giving them more latitude to deal with the controversial issue. With the intention of waging a battle on this new front in the war on terror, Josh Brolin’s Matt Graver and his team are given the task of firing the first shot.

“It might get dirty.”

“Dirty is why you’re here.”

Stefano Sollima’s Sicario: Day of the Soldado is the follow up to Denis Villeneuve’s outstanding Sicario that no one really knew we needed but were all, nevertheless, curious to see. Gone is Emily Blunt’s Kate Macer, the young FBI agent who served as the conscience and the audience stand in in the first film. Returning are Graver and Alejandro (Benicio Del Toro), as well as their unorthodox, but unarguably effective, ways of dealing with troubles at the border. Their plan is simple. They are going to kidnap the 16 year old daughter of the cartel kingpin who killed Alejandro’s family and make it look like it was another cartel. The intention is to start a turf war between cartels so that the war on trafficking will be fought against distracted opponents. But of course, nothing is simple at the border.

To tell more would be to give too much away. Sollima has managed to craft a follow-up that perfectly inhabits the world created in Sicario. Villeneuve had a way of putting his camera in places that made the audience feel like they were in the vehicle crossing the border or in the hidden tunnels used to traffic drugs. Sollima, especially in action sequences, gives us that same perspective, heightening the tension with every note of Hildur Guonadottir’s haunting score. One of the biggest obstacles to a sequel in my mind was going to be that the protagonist (I use that term loosely) of this film was going to be a guy who we saw murder women and children in the first film. Taylor Sheridan is able to more fully round out the character of Alejandro in a way that doesn’t ask the audience to root for him but also doesn’t allow him to be despised. Once again, Del Toro is electric in the role, but at this point in his career, saying that Benicio Del Toro is great is pretty redundant because he’s just fantastic in everything. Most of the tales that Hollywood tells of hitmen either glamorize or bring a sense of humor to the profession. S:DotS shows us the blunt reality of the job, but Del Toro never lets Alejandro become a monster. Speaking of redundant, Josh Brolin is also fantastic as Graver. His character isn’t fleshed out too much more (other than apparently he’s left his flip-flops behind for a comfy pair of Crocs), but being in the dark about his past is what makes his character work so well. Isabela Moner shows a deep inner strength as Isabel Reyes, the kidnapped teen, even as she’s completely terrified and in the dark as to what’s happening to her.

This film is tight, this film is tense, and this film is timely. Child separation, human trafficking, terrorism…those are all things that you can read about on the front page of your newspaper tomorrow morning. And Sicario: Day of the Soldado doesn’t presume to have any answers to these issues. While the original gave us Kate Mercer and her earnestness and her moral compass to see this world through, this film kind of just makes us sit in the filth and be disgusted (hopefully) by the machinations on both sides of this volatile scenario. There aren’t winners. There aren’t losers. It’s all just dirty.

So don’t go see Sicario: Day of the Soldado if you need a couple of hour diversion from your problems. But if you want a thoughtful, well-executed thriller, you’re not afraid to sit with a bit of ambiguity, and you enjoyed (or at least saw) the first installment, I think it’s worth your time.

Rating:

Jeremy Calcara is a contributing member of the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: June 28 – July 4

Posted on by Jacob Neff.

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. This week I’m recommending another career defining project from the gone-too-soon Bill Paxton, a darkly comic Jason Reitman romantic drama, and Wim Wenders contemplative exploration of a broken man.

Also, among the comings and goings, Star Wars: The Last Jedi and Disney’s Tarzan have arrived on Netflix, Shutter Island has come to both Amazon Prime and Hulu, and last year’s I Kill Giants has come to Hulu as well. Breakfast at Tiffany’s and Pee-wee’s Big Adventure are moving from Netflix to Amazon Prime. And the previously featured Changeling will be leaving Netflix on July 15. Arriving this week on Netflix is the original Jurassic Park trilogy and a whole lot more quality films to all the services as June turns to July.

 

STREAMING PICKS OF THE WEEK

Frailty

  

Year: 2001

Director: Bill Paxton

Genre: Crime, Thriller, Drama

Cast: Bill Paxton, Matthew McConaughey, Powers Boothe, Matt O’Leary, Jeremy Sumpter, Luke Askew, Levi Kreis, Derk Cheetwood, Missy Crider, Alan Davidson, Cynthia Ettinger, Gwen McGee, Rebecca Tilney

 

I start off with another film featuring the late, great Bill Paxton. On its face, Frailty, may appear to be a run-of-the-mill gory slasher movie. I assure you it’s anything but. Penned by Brent Hanley and directed by Paxton, who also plays the lead character Dad Meiks and offers another career-defining performance, the film is far from run of the mill with its narrator-driven story that offers no easy answers. Meiks loves his boys as much as any father could, but that love is challenged when he sees an angel of God and is told he must destroy demons who have taken on the guise of humans. His sons are to help. Fully convinced the calling is divine, he is compelled to carry out the task, no matter the cost to him or his sons.

While this is not a graphic film, it is a disturbing film filled with atmosphere and a soundtrack that adds to the creepy, foreboding nature of every scene. Paxton relies greatly on the Hitchcockian method of building suspense through anticipation and letting the mind visualize the violence rather than show it all. It’s a film that while offering satisfying answers, leaves many more questions unanswered. But these are the kind of questions that shouldn’t be answered by the film. Questions about the nature of God and demons and special revelation and justice and our responsibilities. Questions that matter.

Up in the Air

Year: 2009

Director: Jason Reitman

Genre: Drama, Romance

Cast: George Clooney, Vera Farmiga, Anna Kendrick, Danny McBride, Jason Bateman, Amy Morton, Melanie Lynskey, Zach Galifianakis, J.K. Simmons, Sam Elliott, Tamala Jones, Adhir Kalyan, Ashton Kutcher, Keri Maletto, Steve Eastin, Adrienne Lamping, Chris Lowell, Erin McGrane

 

Being a corporate “downsizer” requires one to develop a certain kind of heartlessness about the pain inflicted on those being laid off. In this incisive and darkly comic Jason Reitman film, George Clooney as executive Ryan Bingham perfectly exemplifies such characteristics along with the sharp cynicism and cockiness that Clooney does so well. Bingham is all wrapped up in himself and his personal goals, which fits the like minded traveler who he crosses paths (and bodies) with named Alex (Vera Farmiga) just fine.

But when Bingham is tasked to train up and comer Natalie Keener (Anna Kendrick), who has a plan to make mass firings cheaper through videoconferencing technology, he’s forced to come face to face with himself and the emptiness of the life he’s living and his inner longing for meaningful relationship. In this film, George Clooney gets to be at his cockiest and most playful as well as at his lowest. And Vera Farmiga matches him note for note. Anna Kendrick is great too as she goes through her own emotional journey.

 

Paris, Texas

  

Year: 1984

Director: Wim Wenders

Genre: Drama

Cast: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Hunter Carson, Aurore Clément, Bernhard Wicki, John Lurie, Jeni Vici, Sally Norvell, Socorro Valdez, Claresie Mobley, Viva, Tom Farrell

 

Wim Wenders directs this remarkable film detailing the journey of a middle-aged man named Travis Henderson (Harry Dean Stanton), a man who walked away from his young wife and child and disappeared into obscurity only to show up as a mute wanderer in poor health four years later. The script, co-written by Sam Shepard and L.M. Kit Carson shows great compassion for Travis, and at times, it can be difficult to see the sensitivity and lack of condemnation shown him, a man who chooses to run away from his commitments rather than face his failures, but that’s real life and there is value in seeing into the soul of such a man, to see the demons he is battling.

This is a tour-de-force from the late Stanton. The world-weariness he silently portrays, the moments of hope and happiness where a tentative smile lights up his face, the sadness he feels when he’s rejected by his son, the despair, the regret, the determination, all the emotion and personality of this broken man pours out of him. And while her part is much smaller, I would be remiss to leave out Nastassja Kinski for her role as Jane Henderson. The way she ever so slowly shifts from flirty to uncomfortable to breaking down into sobs is incredible to watch.

Partnering with cinematographer Robby Müller, Wenders uses atypical camera angles, careful framing (such as the precise use of mirrors to show both sides of a conversation simultaneously), and Ry Cooder’s gentle but haunting guitar-picking score along with brilliant dialogue all serve to create a film that is hypnotic and contemplative to frame its wonderfully evocative yet authentic performances.

 

COMING AND GOING

LAST CHANCE (last date to watch)

NETFLIX

June 30
An Honest Liar (2014)
Before Midnight (2013)
King Kong (2005)
Little Women (1994)
Michael Clayton (2007)
Midnight in Paris (2011)
On Golden Pond (1981)
Pee-wee’s Big Adventure (1985)
Tropic Thunder (2008)
V for Vendetta (2005)

From the Lethal Weapon Collection:

Lethal Weapon (1987)
Lethal Weapon 2 (1989)

July 1
Breakfast at Tiffany’s (1961)

July 15
Changeling (2008)

 

AMAZON PRIME

June 29
13 Hours: The Secret Soldiers of Benghazi (2016)
Basic Instinct (1992)
Friday the 13th (1980)
Marathon Man (1975)
The Music Never Stopped (2011)
A Simple Plan (1998)

June 30
Dogville (2004)
Escape from New York (1981)
The Karate Kid (1984)
Mystic River (2003)
Sleepers (1996)

 

FILMSTRUCK

June 29
History Is Made at Night (1937)
The Italian Connection (1972)
The Music Man (1962)

From the Lars Von Trier collection:

Breaking the Waves (1996) *
Dogville (2003) **
Europa (1991) *
The Five Obstructions (2003)

June 30
Caliber 9 (1972)
It Happened One Night (1934)
The Ladykillers (1955)
Uptight (1968)

July 6
Husbands and Wives (1992)
Who’s Afraid of Virginia Woolf? (1966)

July 8
Together (2000)

July 13
Losing Ground (1982)
Sweet Smell of Success (1957)

July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)

*  Remaining on the Criterion channel
** Remaining on the FilmStruck channel

 

HULU

June 30
Zodiac (2007)
Stories We Tell (2012)
A Simple Plan (1998)
Project Nim (2011)
Marathon Man (1976)
A League of Their Own (1992)

 

JUST ARRIVED

NETFLIX

Star Wars: The Last Jedi (2017)
Tarzan (1999)

 

AMAZON PRIME

Breach (2007)
The Invisible War (2012)
Shutter Island (2010)
Suburbia (1983)

 

FILMSTRUCK

Don’t Look Now: We’re Being Shot At (1966)
Hype! (1996)
The Searchers (1956)
Sonatine (1993)
The Sorrow and the Pity (1969)

 

HULU

Ballet 422 (2014)
Shutter Island (2010)
I Kill Giants (2017)

 

COMING THIS WEEK

NETFLIX

June 29
Tau — NETFLIX FILM (2018)

July 1
The Boondock Saints (1999)
Finding Neverland (2004)
Happy Gilmore (1996)
Interview with the Vampire (1994)
Jurassic Park (1993) — Parts II and III also available
Menace II Society (1993)
Troy (2004)

July 5
Blue Valentine (2010)

 

AMAZON PRIME

July 1
20,000 Days on Earth (2014)
A.I. Artificial Intelligence (2001)
The Act of Killing (2012)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
Angel Heart (1987)
American Psycho (2000)
Assassination (2015)
Barfly (1987)
Blazing Saddles (1974)
Breakfast at Tiffany’s (1961)
The Brothers Bloom (2008)
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Dead Man Walking (1995)
The Graduate (1967)
Gran Torino (2008)
The Invisible War (2012)
The Monster Squad (1987)
Mulholland Drive (2001)
Patriot Games (1992)
Pee-wee’s Big Adventure (1985)
Pretty in Pink (1986)
Rabbit Hole (2010)
Six Shooter (2004)
State of Grace (1990)
V for Vendetta (2006)
Waste Land (2010)
Witness (1985)
Woody Allen: A Documentary (2011)
Zodiac (2007)

 

HULU

July 1
A.I. Artificial Intelligence (2001)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
American Psycho (2000)
Assassination (2015)
Angel Heart (1987)
Barfly (1987)
Before Midnight (2013)
Bill & Ted’s Excellent Adventure (1989)
Braveheart (1995)
The Brothers Bloom (2008)
Clear and Present Danger (1994)
Clue (1985)
Dead Man Walking (1995)
Election (1999)
Hustle & Flow (2005)
Midnight in Paris (2011)
The Monster Squad (1987)
Pretty in Pink (1986)
Rabbit Hole (2010)
The Rainmaker (1997)
Six Shooter (2004)
Sleepers (1996)
This Is Spinal Tap (1984)
Witness (1985)

July 3
Borg vs McEnroe (2018)

 

Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.