Despite an avalanche worth of cliches, the over-the-top nitroglycerin-fueled action and a dramatic rescue attempt premise allow for a big, fun movie experience set on the gorgeous but dangerous snowy peaks of Pakistan.
* Note – full spoilers in effect for entire episode *
Powered by RedCircle
Follow & Subscribe
Aaron
Patrick
So, it’s week 3 of our James Cameron Director Month series, and with it comes a film of unsinkable size. Coming in at 3 hours and 15 minutes, and with a $200 million dollar budget, Titanic set out to tell the story of one of the biggest tragic events in history. We welcome Seattle-based blogger, writer, and film critic, Erynne Hundley to the show for this discussion where we find out if this epic historical romance really does make our hearts go on, or if our opinion of the film sunk over the years.
Titanic Review – 0:01:50
The Connecting Point – 1:17:31
Follow & Subscribe
Join the Facebook Discussion Group
Powered by RedCircle
Support us on Patreon & get awesome rewards:
or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.
Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!
We roll on through James Cameron’s filmography, this week discussing his only movie in the spy genre. But like all of his films, Cameron goes big with this one, creating a balanced action comedy that has stood the test of time.
True Lies Review – 0:02:21
The Connecting Point – 0:53:44
Follow & Subscribe
Join the Facebook Discussion Group
Powered by RedCircle
Support us on Patreon & get awesome rewards:
or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.
Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. This week I’m recommending another career defining project from the gone-too-soon Bill Paxton, a darkly comic Jason Reitman romantic drama, and Wim Wenders contemplative exploration of a broken man.
Also, among the comings and goings, Star Wars: The Last Jedi and Disney’s Tarzan have arrived on Netflix, Shutter Island has come to both Amazon Prime and Hulu, and last year’s I Kill Giants has come to Hulu as well. Breakfast at Tiffany’s and Pee-wee’s Big Adventure are moving from Netflix to Amazon Prime. And the previously featured Changeling will be leaving Netflix on July 15. Arriving this week on Netflix is the original Jurassic Park trilogy and a whole lot more quality films to all the services as June turns to July.
Year: 2001
Director: Bill Paxton
Genre: Crime, Thriller, Drama
Cast: Bill Paxton, Matthew McConaughey, Powers Boothe, Matt O’Leary, Jeremy Sumpter, Luke Askew, Levi Kreis, Derk Cheetwood, Missy Crider, Alan Davidson, Cynthia Ettinger, Gwen McGee, Rebecca Tilney
I start off with another film featuring the late, great Bill Paxton. On its face, Frailty, may appear to be a run-of-the-mill gory slasher movie. I assure you it’s anything but. Penned by Brent Hanley and directed by Paxton, who also plays the lead character Dad Meiks and offers another career-defining performance, the film is far from run of the mill with its narrator-driven story that offers no easy answers. Meiks loves his boys as much as any father could, but that love is challenged when he sees an angel of God and is told he must destroy demons who have taken on the guise of humans. His sons are to help. Fully convinced the calling is divine, he is compelled to carry out the task, no matter the cost to him or his sons.
While this is not a graphic film, it is a disturbing film filled with atmosphere and a soundtrack that adds to the creepy, foreboding nature of every scene. Paxton relies greatly on the Hitchcockian method of building suspense through anticipation and letting the mind visualize the violence rather than show it all. It’s a film that while offering satisfying answers, leaves many more questions unanswered. But these are the kind of questions that shouldn’t be answered by the film. Questions about the nature of God and demons and special revelation and justice and our responsibilities. Questions that matter.
Year: 2009
Director: Jason Reitman
Genre: Drama, Romance
Cast: George Clooney, Vera Farmiga, Anna Kendrick, Danny McBride, Jason Bateman, Amy Morton, Melanie Lynskey, Zach Galifianakis, J.K. Simmons, Sam Elliott, Tamala Jones, Adhir Kalyan, Ashton Kutcher, Keri Maletto, Steve Eastin, Adrienne Lamping, Chris Lowell, Erin McGrane
Being a corporate “downsizer” requires one to develop a certain kind of heartlessness about the pain inflicted on those being laid off. In this incisive and darkly comic Jason Reitman film, George Clooney as executive Ryan Bingham perfectly exemplifies such characteristics along with the sharp cynicism and cockiness that Clooney does so well. Bingham is all wrapped up in himself and his personal goals, which fits the like minded traveler who he crosses paths (and bodies) with named Alex (Vera Farmiga) just fine.
But when Bingham is tasked to train up and comer Natalie Keener (Anna Kendrick), who has a plan to make mass firings cheaper through videoconferencing technology, he’s forced to come face to face with himself and the emptiness of the life he’s living and his inner longing for meaningful relationship. In this film, George Clooney gets to be at his cockiest and most playful as well as at his lowest. And Vera Farmiga matches him note for note. Anna Kendrick is great too as she goes through her own emotional journey.
Year: 1984
Director: Wim Wenders
Genre: Drama
Cast: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Hunter Carson, Aurore Clément, Bernhard Wicki, John Lurie, Jeni Vici, Sally Norvell, Socorro Valdez, Claresie Mobley, Viva, Tom Farrell
Wim Wenders directs this remarkable film detailing the journey of a middle-aged man named Travis Henderson (Harry Dean Stanton), a man who walked away from his young wife and child and disappeared into obscurity only to show up as a mute wanderer in poor health four years later. The script, co-written by Sam Shepard and L.M. Kit Carson shows great compassion for Travis, and at times, it can be difficult to see the sensitivity and lack of condemnation shown him, a man who chooses to run away from his commitments rather than face his failures, but that’s real life and there is value in seeing into the soul of such a man, to see the demons he is battling.
This is a tour-de-force from the late Stanton. The world-weariness he silently portrays, the moments of hope and happiness where a tentative smile lights up his face, the sadness he feels when he’s rejected by his son, the despair, the regret, the determination, all the emotion and personality of this broken man pours out of him. And while her part is much smaller, I would be remiss to leave out Nastassja Kinski for her role as Jane Henderson. The way she ever so slowly shifts from flirty to uncomfortable to breaking down into sobs is incredible to watch.
Partnering with cinematographer Robby Müller, Wenders uses atypical camera angles, careful framing (such as the precise use of mirrors to show both sides of a conversation simultaneously), and Ry Cooder’s gentle but haunting guitar-picking score along with brilliant dialogue all serve to create a film that is hypnotic and contemplative to frame its wonderfully evocative yet authentic performances.
June 30
An Honest Liar (2014)
Before Midnight (2013)
King Kong (2005)
Little Women (1994)
Michael Clayton (2007)
Midnight in Paris (2011)
On Golden Pond (1981)
Pee-wee’s Big Adventure (1985)
Tropic Thunder (2008)
V for Vendetta (2005)
From the Lethal Weapon Collection:
Lethal Weapon (1987)
Lethal Weapon 2 (1989)
July 1
Breakfast at Tiffany’s (1961)
July 15
Changeling (2008)
June 29
13 Hours: The Secret Soldiers of Benghazi (2016)
Basic Instinct (1992)
Friday the 13th (1980)
Marathon Man (1975)
The Music Never Stopped (2011)
A Simple Plan (1998)
June 30
Dogville (2004)
Escape from New York (1981)
The Karate Kid (1984)
Mystic River (2003)
Sleepers (1996)
June 29
History Is Made at Night (1937)
The Italian Connection (1972)
The Music Man (1962)
From the Lars Von Trier collection:
Breaking the Waves (1996) *
Dogville (2003) **
Europa (1991) *
The Five Obstructions (2003)
June 30
Caliber 9 (1972)
It Happened One Night (1934)
The Ladykillers (1955)
Uptight (1968)
July 6
Husbands and Wives (1992)
Who’s Afraid of Virginia Woolf? (1966)
July 8
Together (2000)
July 13
Losing Ground (1982)
Sweet Smell of Success (1957)
July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)
* Remaining on the Criterion channel
** Remaining on the FilmStruck channel
June 30
Zodiac (2007)
Stories We Tell (2012)
A Simple Plan (1998)
Project Nim (2011)
Marathon Man (1976)
A League of Their Own (1992)
Star Wars: The Last Jedi (2017)
Tarzan (1999)
Breach (2007)
The Invisible War (2012)
Shutter Island (2010)
Suburbia (1983)
Don’t Look Now: We’re Being Shot At (1966)
Hype! (1996)
The Searchers (1956)
Sonatine (1993)
The Sorrow and the Pity (1969)
Ballet 422 (2014)
Shutter Island (2010)
I Kill Giants (2017)
June 29
Tau — NETFLIX FILM (2018)
July 1
The Boondock Saints (1999)
Finding Neverland (2004)
Happy Gilmore (1996)
Interview with the Vampire (1994)
Jurassic Park (1993) — Parts II and III also available
Menace II Society (1993)
Troy (2004)
July 5
Blue Valentine (2010)
July 1
20,000 Days on Earth (2014)
A.I. Artificial Intelligence (2001)
The Act of Killing (2012)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
Angel Heart (1987)
American Psycho (2000)
Assassination (2015)
Barfly (1987)
Blazing Saddles (1974)
Breakfast at Tiffany’s (1961)
The Brothers Bloom (2008)
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Dead Man Walking (1995)
The Graduate (1967)
Gran Torino (2008)
The Invisible War (2012)
The Monster Squad (1987)
Mulholland Drive (2001)
Patriot Games (1992)
Pee-wee’s Big Adventure (1985)
Pretty in Pink (1986)
Rabbit Hole (2010)
Six Shooter (2004)
State of Grace (1990)
V for Vendetta (2006)
Waste Land (2010)
Witness (1985)
Woody Allen: A Documentary (2011)
Zodiac (2007)
July 1
A.I. Artificial Intelligence (2001)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
American Psycho (2000)
Assassination (2015)
Angel Heart (1987)
Barfly (1987)
Before Midnight (2013)
Bill & Ted’s Excellent Adventure (1989)
Braveheart (1995)
The Brothers Bloom (2008)
Clear and Present Danger (1994)
Clue (1985)
Dead Man Walking (1995)
Election (1999)
Hustle & Flow (2005)
Midnight in Paris (2011)
The Monster Squad (1987)
Pretty in Pink (1986)
Rabbit Hole (2010)
The Rainmaker (1997)
Six Shooter (2004)
Sleepers (1996)
This Is Spinal Tap (1984)
Witness (1985)
July 3
Borg vs McEnroe (2018)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
This week, I’m recommending one of my all-time favorite crime thrillers that doubles as a piercing character study of the everyman. Next, I have a classic pairing of Bogart and Hepburn on an adventure on the rivers of Africa. And finally, I’m recommending an intense Israeli courtroom drama about one woman’s quest for a divorce from a loveless marriage. And in the coming and going section, there are a whole bucketload of worthwhile movies coming to streaming in the first week of June including the arrival of Thor: Ragnarok to Netflix, Lady Bird to Amazon Prime, and Blade Runner 2049 to Hulu.
Year: 1998
Director: Sam Raimi
Genre: Thriller, Crime, Drama
Cast: Bill Paxton, Bridget Fonda, Billy Bob Thornton, Brent Briscoe, Chelcie Ross, Gary Cole, Becky Ann Baker, Tom Carey, Jack Walsh
To start my recommendations, I’m headed back to 90s crime thriller territory to a can’t miss film about good people doing evil things. It’s easy to watch films like The Wolf of Wall Street and… well, Wall Street and self-righteously sit back and condemn the greed on display. We’re not heartless and self-absorbed like those jerks, we think. We wouldn’t put the pursuit of money above literally everything else. We’re not evil like that. But greed is not so easily dismissed. Greed does in fact lie in the heart of good people. And when that greed takes hold, well, as the Bible says, the love of money is a root of all kinds of evil.
The setup of A Simple Plan is just that, simple. Two kindly brothers, Hank and Jacob, and their good friend Lou (Bill Paxton, Billy Bob Thornton, Brent Briscoe) discover a crashed plane in the woods near their home with nothing but a dead pilot and over four million dollars in cash. What Sam Raimi does with this setup is to masterfully challenge his audience through the consequences of one seemingly rational decision after another by each of these characters along with Hank’s wife Sarah (Bridget Fonda) to reveal the horrifying things human nature can convince us to do out of greed and fear of getting caught. It is a film rightfully at the top of Raimi’s filmography, one of the best studies of human nature on film, and among the best performed roles of each of its stars. I cannot recommend <i>A Simple Plan</i> highly enough.
Year: 1951
Director: John Huston
Genre: Adventure, Romance, War, Drama
Cast: Humphrey Bogart, Katharine Hepburn, Robert Morley, Peter Bull, Theodore Bikel, Walter Gotell, Peter Swanwick, Richard Marner
Sure, it’s directed by John Huston, the man who gave us such adventure classics as The Treasure of the Sierra Madre and The Man Who Would Be King. Sure, it’s filmed on location in the jungles of Uganda and the Congo in lush technicolor. But what makes The African Queen really shine is the strength of its stars, that is Humphrey Bogart and Katharine Hepburn. Even playing the disheveled, ill-mannered boat captain Charlie Allnut, Bogie can’t help but charm. And with Hepburn as his near polar opposite, the straight-laced missionary Rose Sayer who has just seen her mission destroyed and the villagers run off by the Germans of World War I, the stage is set for this unlikely pair to set off on an unlikely adventure.
Through the trials of a handful of thrilling set pieces and especially the sharp, snappy dialogue and wonderful chemistry between Charlie and Rose, a relationship slowly begins to take shape. While neither expects the other to become something they’re not, they find satisfaction in learning about each other and looking out for their well-being, whether it’s Charlie taking ill or Rose about to dive into alligator-filled waters to get away from a horde of files. The more dirty, weary, and bedraggled the pair become, the more joy they find in simply being together and facing their obstacles as one. All in all, it’s a charming film showcasing Africa’s beauty and its exotic rivers and an inspiring story of love strengthened through trials.
Year: 2014
Director: Ronit Elkabetz, Shlomi Elkabetz
Genre: Drama
Cast: Ronit Elkabetz, Simon Abkarian, Menashe Noy, Gabi Amrani, Dalia Beger
For my final recommendation, I head to the oft-neglected area of Israeli film for a searing single-room setting courtroom drama. Gett: The Trial of Viviane Amsalem presents the unfolding of hearing after hearing as Viviane (Ronit Elkabetz) and her lawyer implore the Jewish religious courts to give her a divorce from her husband Elisha (Simon Abkarian) whom she can’t abide and no longer lives with. He is completely unwilling to grant her the divorce she seeks. While he claims to want her back, to love her, the bitterness is evident on both their faces. The acting in this film is stellar. It’s amazing to watch the change in Elkabetz throughout the extended trial, whether through her nonverbal reactions or her slow burning frustration that eventually bubbles over.
This is actually the third film in the Gett Trilogy. Weird recommendation, I know. However, I absolutely do recommend it even as a standalone film, even though Viviane’s stated goal is to obtain a divorce. Let me be clear. I hate divorce. It approves of selfishness, makes one’s happiness the ultimate priority, excuses a lack of sacrificial love, and tears apart families. I hate how prevalent divorce is, especially in western society, where people treat their vow to love and cherish the other for as long as they both shall live with utter disregard. So why the recommendation? It’s a brilliant study of Jewish culture and its court system and the bitter consequence of a lack of love lived out, a love in word not in deed until even the words are gone. While on one hand this film is a call to reform the Jewish court system, on the other, it’s a powerful revelation of how marriages die. It acts as a powerful warning to all husbands and wives to give themselves fully to their spouses, to love them deeply and unselfishly.
May 31
8 Mile (2002)
Janis: Little Girl Blue (2015)
Men In Black (1997)
My Left Foot: The Story of Christy Brown (1989)
Neerja (2016)
Oldboy (2003)
Scarface (1983)
Super (2010)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Resurrection of Jake the Snake (2015)
Training Day (2001)
June 24
Captain America: Civil War (2016)
June 29
On Golden Pond (1981)
May 31
From the Rocky Collection:
From the James Bond Collection:
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
The Spy Who Loved Me (1977)
June 7
Remember (2015)
June 9
Rosewater (2014)
May 31
High Noon (1952)
June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)
Natural Born Killers (1994)
June 8
Christopher Guest:
Best in Show (2000)
Waiting for Guffman (1996)
On the Waterfront (1954)
A Face in the Crowd (1957)
June 15
A Matter of Life and Death (1946)
Metropolis (1927)
Peeping Tom (1960)
Wag the Dog (1997)
June 22
An American in Paris (1951)
The Piano (1993)
May 31
1984 (1984)
Breakdown (1997)
Manhattan (1979)
The Secret of N.I.M.H. (1982)
Coco (2017)
Bombshell: The Hedy Lamarr Story (2017)
Seven Beauties (1975)
The Unknown (1927)
Wendy and Lucy (2008)
The Women (1939)
Lolita (1962)
Grand Hotel (1932)
I, Tonya (2017)
Rain Man (1988)
June 1
Blue Jasmine (2013)
The Departed (2006)
Miracle (2004)
National Treasure (2004)
Outside In (2017)
June 2
The King’s Speech (2010)
June 5
Thor: Ragnarok (2017)
June 1
The Age of Innocence (1993)
Bad Lieutenant: Port of Call New Orleans (2009)
Breakdown (1997)
The ’Burbs (1989)
Day of the Dead (1985)
The Disaster Artist (2017)
Escape from Alcatraz (1979)
Event Horizon (1997)
The Natural (1984)
The Running Man (1987)
Saturday Night Fever (1977)
Space Jam (1996)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Wonder Wheel — AMAZON ORIGINAL MOVIE (2017)
June 3
Lady Bird (2017)
Stargate (1994)
June 1
Apollo 13 (1995)
A Beautiful Mind (2001)
Brokeback Mountain (2005)
Bull Durham (1988)
The ’Burbs (1989)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Lord of the Rings: The Two Towers (2002)
The Lord of the Rings: The Return of the King (2003)
Margin Call (2011)
My Left Foot: The Story of Christy Brown (1989)
Punch-Drunk Love (2002)
The Running Man (1987)
Steel Magnolias (1989)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)
June 2
Blade Runner 2049 (2017)
June 3
Stargate (1994)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
This week we give Bill Paxton one more tribute by talking about his incredible directorial debut and performance in Frailty. This thriller/horror film has deep religious themes and a story that is difficult to watch, but is brilliant in its execution. We dissect the choices made, and how we ultimately view its ambiguous ending, among many other aspects of this truly special movie.
What We’ve Been Up To – 0:01:15
(Patrick – Chalet Girl)
(Aaron – Puella Magi Madoka Magica, Tokyo Ghoul, Attack on Titan, Your Name, Persona 5)
Frailty Review – 0:19:16
The Connecting Point – 1:12:59
Powered by RedCircle
Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie
Support us on Patreon & get awesome rewards:
or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.
Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!
March’s Donor Pick episode is a favorite of ours and gives us a reason to praise the late, great Bill Paxton as well. Tombstone is a classic Western action-adventure with one of the greatest ensemble casts ever assembled and perhaps the most quotable script of all-time. But it also offers us a chance to talk about themes of family, loyalty, and what it means to fight against your nature. Thank you, Patreon supporters, for picking this awesome flick for us to talk about. We had a blast and we hope you will too when listening.
Powered by RedCircle
Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie
Support us on Patreon & get awesome rewards:
or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.
Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!
