LESSON #1: ROMA IS A DUAL-LEVEL CATEGORY OSCAR CONTENDER— Every so often during the annual awards seasons a foreign language film surges ahead with praise to become a legitimate Best Picture Academy Award contender and not just a shoe-in for its own Best Foreign Language Film Oscar. Think of Ang Lee’s Crouching Tiger, Hidden Dragon, Michael Haneke’s Amour, and Michel Hazanavicius’ 2011 Best Picture winner The Artist. Those films are rare and special. You’re going to see another one this year and that film is Alfonso Cuaron’s Roma. Stunning, dramatic, and heartbreaking, Cuaron’s love letter to his upbringing just won the Best Picture award from the New York Film Critics Circle as well as director and cinematography, all for Cuaron. With confidence, expect it to be one of the final five to eight films competing on February 24th next year.
LESSON #2: SPEAKING OF OSCARS, PADDINGTON 2 DESERVES TO BE TAKEN SERIOUSLY— You’ve been hearing Aaron White and I shout the praises of this charming sequel all year. Both Aaron and me have grand slam 5-star reviews. If a dramatic foreign film like Roma with few flaws and endless superlatives can be taken seriously as one of the best of the year, so can a spotless family film that has even more built-up appreciation. Two separate articles this week, one from David Ehrlich in IndieWire and one from Gregg Killday in The Hollywood Reporter, called for due respect in the form of Oscar nominations for Paddington 2. Killday celebrated the novelty of a Best Picture than can be flat-out enjoyable. You have to go back to The Artist, The King’s Speech, or Slumdog Millionaire to find partially light-hearted Best Picture winners. Even they still had their notes of heavy drama. Ehrlich laid out seven categories where Paddington 2 should have Oscar consideration. He’s not wrong on a single one of them. Let’s hope voters have a heart this year.
LESSON #3: A LITTLE LADY NAMED “OLIVIA” MIGHT DESERVE AN OSCAR TOO— The Academy was busy the year trying to bomb developing a “popular film” category (one more time, with feeling, just let Paddington 2 win straight up, end of discussion and need) when they could be making special awards elsewhere. As stated in our Facebook discussion group, casting and stunts come to mind. I think a little lady named “Olivia” makes quite a compelling case and she has four legs. IndieWire blew my mind this week to educate me that the same dog, a female 15-pound West Highland White Terrier, starred prominently in three films: Game Night, Widows, and Insatiable. Her name is Olivia and she was excellent in the arms of Viola Davis hatching or scheme or getting drenched on blood from the hands of Jason Bateman. Hand that pooch an honorary Oscar!
LESSON #4: LET THE LADIES CLOSE OUT YOUR “NOIR-VEMBER”— Speaking of Widows, while Steve McQueen’s film makes its theatrical run as a polished modern noir potboiler, turn back the hands of time to a few hidden gems to close our your November noir push. Chicago-based film critic Angelica Jade Bastien of The Vulture published a dynamite little list of ten female-led noir films for fans of McQueen’s film. Make it a weekend project to celebrate the end of November. Let the JustWatch search engine tell you where the titles are available for streaming or rental.
DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication. As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society. As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program. Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.