What We Learned This Week: January 19-February 2

LESSON #1: YOUNGER IS BETTER AND LONGER LASTING— Before you say “that’s what she said,” let me explain that I’m are talking about Batman.  Word hit hard that Ben Affleck is retiring (i.e. passed over and forced out) from the role of the Caped Crusader, one he already entered while in his 40s (granted, they sought a veteran intentionally).  Warner Bros. moves forward with the Matt Reeves-helmed The Batman for 2021 and I’m begging they go younger.  Don’t do another guy over 40 and don’t even do another actor in their mid-to-late 30s.  Lock in a steady Batman in his prime and past his overly-told origin story in the starting age range of 25-29.  Let that guy own the role for a decade instead of being interchangeable like bad underwear.

LESSON #2: THE INDEPENDENT SPIRIT AWARDS ARE LOOKING BETTER THAN THE OSCARS RIGHT NOW— Between the many harebrained decisions and non-decisions being made by the Academy and their show producers (awards during commercial breaks, go/no-go on song nominees) and their semi-questionable nominees, the Oscars are looking like a, pardon my French, a s–tshow right now.  I look the day before the Oscars at the slate and schedule for the Independent Spirit Awards and I’m duly impressed.  Those are true nominees of the best of film.  That’s a red carpet and party I’d rather be at.  

LESSON #3: NETFLIX KNOWS WHAT’S GOOD FOR THEM— Speaking of the Oscars, there has been an anti-Netflix sentiment for the last few years.  This simmering industry stench of haters surrounds how Netflix’s streaming service does not commonly include theatrical distribution.  One of the Academy’s rules for awards qualification is to have at least a soft theatrical release somewhere. Netflix has bent to that in small ways (Mudbound) and big ways (Roma).  Well, their biggest bend of all dropped soon after Netflix snagged 15 total nominations when they agreed to join the MPAA.  It’s an olive branch of commitment to make nice and do good by the industry that they are steadily part of reforming every year.

LESSON #4: NETFLIX KEEPS REMINDING US HOW AMBITIOUS THEY ARE— At the same time the streaming giant shows industry savvy, Netflix continues to stoke its hubris fires with the burning of subscription dollars (thanks, price increases!).  Back at the end of December, Netflix announced its intentions of pacing to churn out 90 films a year with budgets as high as $200 million.  That’s beyond huge.  That’s bigger than Disney’s output.  With every high profile acquisition, every word-of-mouth hit, and, more importantly, every influx of subscribers, Netflix becomes a bigger player.  A critic like me or Aaron and Patch on Feelin’ Film could cover only Netflix films and fill a year’s worth of review quota.

YOU CAN’T BEAT FREE— Marvel is partnering with AMC Theatres to re-release Black Panther for FREE at several locations during Black History Month.  Folks, you won’t find a better price to see an Oscar nominee short of some library screening or summer kids club event at a daycare center.  You get Ryan Coogler’s gem with all the bells and whistles of a real big screen. Go catch it again or for the first time.


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.

What We Learned This Week: November 4-10

LESSON #1: SOME FILMS DO NOT REQUIRE A REBOOT— Last week, the lesson was “Some films don’t require a sequel.”  This time, we have to clap that lesson back and trade the word “sequel” for “reboot.”  News spun across Variety this week that DreamWorks is planning to restart its Shrek and Puss in Boots franchises.  First, you need a true generational gap and eight years since its last chapter, Shrek Forever After, isn’t long enough, even for the rapid aging of its core audience demographic.  More importantly, I have to ask what I consider to be a necessary qualifying question when it comes to remakes and reboots.  Have the originals aged to the degree where they are obsolete?  Sure, Shrek was corny and dated as soon as the SmashMouth song comes on, but have the narrative fairy tale angles changed or the artistic technology that made the movie?  I say they haven’t and a new one will just retread over familiar ground and not be unique or worthwhile artistically.  I say let some films stay what they are as benchmarks and time capsules for their eras.  The ’00s have their Shrek the way the ’10s have their Despicable Me/Minions.  Let them stay there.  I’m at looking at you too, The Grinch.

LESSON #2: SAY HELLO TO DISNEY+ AND GET YOUR CREDIT CARD READY— After months of little here-and-there clues and rumored plans, Disney finally and formally announced the details for its vaunted new streaming service, Disney+, coming late next year.  Housing its entire artistic arsenal from Pixar to National Geographic with all of the heroic adventure in between, the lineup depth, including original films, is undeniably impressive.  The thing I’ve been waiting to hear this entire time is price point.  While that number isn’t defined exactly yet, the linked article references a $8-14 monthly price tag.  The closer that is to $8, the more successful it’s going to be.  Disney+ will be the test to see if a la carte single-studio entity services can work because the selling point of its Netflix and Hulu competitors is the ease of variety under one service roof.  If Disney+ succeeds, it will be like dedicated cable networks for single teams or schools like the New York Yankees.  Watch everything splinter because each studio will want to create and keep their own money.

LESSON #3: PARENTS NEED TO RESPECT AND FOLLOW FILM RATINGS— For fifty years now, the MPAA has championed the film rating system to warn, screen, and catalog film content for consumers.  They are proper and they have evolved to do their job better.  Whenever there is a breakdown of outrage over a film’s rating, like this recent story of content from A Star is Born triggering troubling reactions in New Zealand, it’s not the rating’s fault.  R is R for a reason and it was labeled correctly so.  The perceived outrage is the consumer’s fault.  They either didn’t listen to the rating or didn’t commit to the due diligence to properly screen or research a film before subjecting it to younger viewers. The loopholes of the MPAA are few and far between, whereas careless parenting is rampant.  This critic and school teacher implores all parents to see any questionable film for themselves before sharing it with their impressionable children.  That’s the bare minimum.  If you don’t do it, let some solid website like Common Sense and ScreenIt do it for you.

LESSON #4: TREAT YOURSELF TO “NOIR-VEMBER”— If you want to expand your film palette to one of the most interesting and entertaining film genres under the sun, scroll your way into some film noir.  Often imitated and rarely duplicated since its hey-day, experiencing film noir is essential understanding the full scope of the cinematic art form.  That and its comprised of simple damn good movies that can still put modern thrillers to shame.  Start with this list of ten essential noirs from the journal spot Oh Not They Didn’t.  They’re all gold bathed in stark black-and-white.


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.