What We Learned This Week: March 23-29

LESSON #1: IF YOU WANT TO KNOW WHAT A BLOODBATH MADE OUT OF INVISIBLE MONEY LOOKS LIKE…–… go look at the box office numbers for the month of March. If you thought the unfortunate and gobsmacked drop it made during the weekend March 13-19 was something to behold, it’s downright eerie to this weekend and the complete goose egg due to a nearly total industry shutdown. Take a look. This is becoming quite the asterisk in a ongoing record book.

LESSON #2: WHEN WILL THE MONEY RUN OUT?— This lesson names the big question that has to be looming around boardrooms top to bottom in the industry. Most successful companies on the level of studios and theater chains can weather a temporary stoppage, especially when a couple of businesses are offering to open for free to get people back in. One has to wonder when “furlough” (as it is called at AMC) turns into “failure.” There’s already a bankruptcy bill on the table specifically for movie theaters. This big question may turn into an ugly one.

LESSON #3: WE WILL BE LIVING VICARIOUSLY THROUGH THE MOVIES— This week was supposed to be the Opening Day of the Major League Baseball season. No matter if your local team had high or low hopes (or something in between like my Chicago Cubs), it feels like something pure and pleasant is missing. I’m glad to see A League of Their Own win the monthly Donor’s Choice vote here on Feelin’ Film. We have to live vicariously through the movies. That’s what we have to do with the loss of something like baseball and the homestretches of the NBA and NHL seasons. I’ll gladly curl up on my quarantine couch, crack a beer or two, and watch the likes of Bull Durham, The Sandlot, He Got Game, Love & Basketball, and Slap Shot. Call all of that cinematic comfort food.

LESSON #4: GET USED TO THE NEW TRAFFIC JAM— Speaking of the lag of life in the struggle to leave the sofa, it certainly appears the strain is hitting the data and network systems that are chiefly providing our new main avenue of home entertainment. The increase in Netflix outages in the U.S. and Europe is alarming and never fun. We’re going to have to learn some patience or lean on physical media. Heaven forbid we have to open an actual book or play a board game. 


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#127)

What We Learned This Week: July 23-29

LESSON #1: ARE CHRISTOPHER NOLAN’S FILMS EMOTIONLESS?— The prolific and cerebral director of Dunkirk recently answered critics who have called his films “emotionless.”  They must have missed the sharp revenge of Memento, the stirring heroic feels of his Batman trilogy, the seething jealousy of The Prestige, the suspenseful mental weight of Inception, and the familial anguish of Interstellar.  Emotionless, my ass.  I’m afraid Dunkirk will be the challenge.  I don’t think it has the necessary emotional anchors, but my Feelin’ Film peers will say otherwise.  See it for yourself (on the biggest and loudest screen possible) and let us know what you think.

LESSON #2: NETFLIX IS AN EVOLVING ENIGMA FOR THE MOVIE BUSINESS— Speaking of Christopher Nolan, he recently made negative comments on Netflix’s strategy of simultaneous streaming and release windows that take away from theatrical films.  GQ recently collected a roundtable of directors (included Ava DuVernay, Edgar Wright, Jeff Nichols, and James Gunn) who “blew up Hollywood.”  That led many, especially the Nolan disciplines, to raise those anti-Netflix pitchforks we’ve been back and forth on all year in this column.  A voice of contrast came out at much the same time from A Ghost Story director David Lowery calling the behemoth hub a “service to the industry,” especially for mid-range independent film who don’t have a chance in the theatrical marketplace (especially against the likes of Nolan’s films and their backing).  I side with Lowery, and what’s good enough for Martin Scorsese is good enough for me.  I see more help than harm, and it’s still too soon to see the growing effects, positive or negative.

LESSON #3: PRICE POINT IS THE NUMBER ONE ISSUE OF FILM VIEWERSHIP— Echoing the first two lessons this week and a great thread on the Feelin’ Film Facebook group, this whole audience problem comes down to money, plain and simple.  A family of four can get more content out of the recurring price of a Netflix subscription or more repeat viewing from the one-time-price DVD/Blu-ray disc purchase at Walmart than they would hauling everyone to the theater for tickets and concessions multiple times a year.  Add to that the substantially reduced prices for HD and Smart TVs compared to 10 or even 5 years ago.  While I fully endorse to the magic of the communal big screen experience, one would crazy not to see the price point logic and respect a smart household’s budgeting decisions.  It’s all about bang-for-your-buck and Netflix is winning that right now with content volume and ease of access.

LESSON #4: SOME FILMS DON’T BELONG IN SPACE— Bigger isn’t necessarily better, and how big is too big?  Space is too big.  I recently learned that answer when Fast and Furious series director F. Gary Gray said that a future sequel of the franchise that started with lowly car thieves in L.A. could be set in space.  WTF?!  Straining believability is fun and all, but that’s too much.  Has no one this century seen the Moonraker James Bond film?  Stop already.  Go back to Paul Walker’s sunset and be done.

LESSON #5: SOMEBODY TAKE JAMES CAMERON’S CRAZINESS AWAY— Apparently, James Cameron thinks he’s got another Terminator trilogy for the masses.  Come on, man.  While I respect the visual envelope-pushing and industry revolutionizing Cameron can perform, the man can be a quack as a writer.  That and, by the time he gets to this project for how slow he works, Arnold will be 100-years-old or we’ll all be dead.  Somebody shake this bad idea out of him and tell him to go finish Avatar 2 already.

DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current directors of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.