You Should Be Watching: November 1-7

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

In honor of this month being FilmStruck’s swan song, I am setting my spotlight on their rich catalog of films while I still can. But brace yourself. This week it’s going to get dark.


STREAMING PICKS OF THE WEEK


Elevator to the Gallows

 

Year: 1958

Director: Louis Malle

Genre: Crime, Drama, Thriller

Cast: Jeanne Moreau, Maurice Ronet, Georges Poujouly, Yori Bertin, Lino Ventura, Iván Petrovich, Elga Andersen, Jean Wall, Gérard Darrieu, Micheline Bona, Charles Denner, Félix Marten, Hubert Deschamps, Jacques Hilling, Marcel Journet, François Joux, Jean-Claude Brialy, Gisèle Grandpré

A predecessor to the coming French new wave, Elevator to the Gallows is a remarkable piece of nuanced French film-noir from first-time filmmaker Louis Malle that is enhanced even further with a pitch-perfect Miles Davis score. The striking opening shot of Jeanne Moreau’s eyes with everything else concealed in shadow is a bold start to the filmmaker’s career. The film opens on Florence (Moreau) and Julien (Maurice Ronet), lovers separated by two ends of a telephone call, conspiring to kill so they can be free to be together. Suffice it to say, things don’t go according to plan. The contemplative jazz score enhances our insight into the emotional state of the characters, especially that of Florence as she walks the streets in silence, lost in her thoughts as she searches for her missing lover,

What’s somewhat surprising is that the film isn’t content to be a mere thriller, though there is tension to be found. Malle’s interest is in more of a psychological exploration, a character study, not only of our two primary lovers, but also the younger pair of lovers, Louis (Georges Poujouly) and Véronique (Yori Bertin). They express the volatility, unpredictability, and naivete of youth, Their actions create a case of mistaken identity that not only finds themselves helplessly trapped but also traps Julien and Florence. Both couples have committed themselves to evil. But neither being spontaneous nor planning every detail gives either one what they want.


The Passion of Joan of Arc

Year: 1928

Director: Carl Theodor Dreyer

Genre: Biography, Drama, History

Cast: Maria Falconetti, Eugene Silvain, André Berley, Maurice Schutz, Antonin Artaud, Michel Simon, Jean d’Yd, Louis Ravet, Armand Lurville, Jacques Arnna, Alexandre Mihalesco, Léon Larive, Jean Aymé, Gilbert Dacheux, Gilbert Dalleu, Paul Delauzac, Dimitri Dimitriev, Fournez-Goffard, Henri Gaultier, Paul Jorge, Marie Lacroix, Henri Maillard, Raymond Narlay

Carl Theodor Dreyer’s passionate portrayal of Joan of Arc’s famous trial has been heralded as one of the all-time classics of the silent era, and it’s easy to see why. Perhaps not until 89 years later with the release of Darren Aronofsky’s mother! would a woman’s face so consume the screen of a film. Through Joan’s Passion, so named for its similarities to the trial and crucifixion of Jesus, Dreyer presents a critique of the state church. A Church not just willing but with the power and obligation to torture and execute those deemed heretics.

Renée Jeanne Falconetti (aka Maria) as Joan is a constant presence. Dreyer uses extreme close-ups throughout to bring us intimately into her experience, as barely seconds go by without her tear-streaked, emotionally-strained face filling the screen. And when it’s not her face, it’s often one of her oppressor’s, so we as the audience more directly feel the weight of oppression as well. At times, Dreyer’s film is quite shocking, such as the threats of the torture chamber, Joan’s bloodletting–surprise, it’s real, not an effect, and the burning at the stake itself, which manages to be powerful despite not showing a lot of detail.

Were it not for the young Jean Massieu (Antonin Artaud) who tries with great compassion to help Joan out of and through her fate, the misery might be unbearable. But he is a reminder that every little bit of good we can do helps.


Night and Fog

  

Year: 1955

Director: Alain Resnais

Genre: Documentary, Short, History

Cast: Michel Bouquet, Reinhard Heydrich, Heinrich Himmler, Adolf Hitler, Julius Streicher

One of the most artful and moving documentaries ever created. It’s as much of a slow burn as a 32-minute documentary about the horrors of the Holocaust can be. Alain Resnais infuses a general sense of dread even when nothing shocking is occurring or when the most shocking thing is a Nazi walking by in an apparent good mood. The way he uses generally happy, even playful music reminds us we are in more pleasant times now, but when he keeps using it even when it stands in stark contrast to the horrific images being displayed, it creates unsettling internal tension in the viewer.

Combined with the narration that briefly touches on the unspeakable horrors before shifting the perspective and forcing the viewer to evaluate their own attitudes and assumptions, an uncomfortable yet poignant experience is established that will not be shaken. And the timeless message of the closing monologue along with the now peaceful images it’s spoken over declare a warning against complacency and are one of the most powerful and effective of their kind.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

November 3
The House of Small Cubes (2008)

November 4
A Pigeon Sat on a Branch Reflecting on Existence (2014)

November 6
Europa Report (2013)

November 11
Anna Karenina (2012)

November 15
Paddington (2014)

AMAZON PRIME

November 1
Morris from America (2016)

November 7
Into the Forest (2015)
Krisha (2015)

November 11
Green Room (2015)

FILMSTRUCK

November 2
Alphaville (1965)
Army of Shadows (1969)
Bob le Flambeur (1956)
The Bridge on the River Kwai (1957)
Le Trou (1960)
Libeled Lady (1936)

November 9
The Big Sleep (1946)
Dark Passage (1947)
Dogville (2003)
Petulia (1968)
To Have and Have Not (1944)

November 16
The Asphalt Jungle (1950)
Let There Be Light (1946)
The Maltese Falcon (1941)
The Treasure of the Sierra Madre (1948)

November 29
Everything else

JUST ARRIVED

NETFLIX

Animal House (1978)
Cape Fear (1991)
Children of Men (2006)
Close Encounters of the Third Kind (1977)
Cloverfield (2008)
Doctor Strange (2016)
Dracula (1992)
The English Patient (1996)
Eternal Sunshine of the Spotless Mind (2004)
Fearless (2006)
Filmworker (2017)
From Dusk Till Dawn (1996)
Ghostbusters (1984)
Good Will Hunting (1997)
The Raid (2011)
Shirkers (2018)
United 93 (2006)

AMAZON PRIME

Badlands (1973)
The Ballad of Cable Hogue (1970)
The Birdcage (1996)
The Black Stallion (1979)
Brewster McCloud (1970)
Dead Ringers (1988)
Duck, You Sucker (1971)
Excalibur (1981)
GoldenEye (1995)
It’s a Wonderful Life (1946)
Licence to Kill (1989)
Michael Clayton (2007)
My Girl (1991)
Triangle (2009)
You Were Never Really Here (2017)

FILMSTRUCK

The Body Snatcher (1945)
Cat People (1942)
Day for Night (1973)
The Headless Woman (2008)
The Leopard Man (1943)
The Picture of Dorian Gray (1945)

HULU

Title (year)


COMING THIS WEEK

NETFLIX

November 2
The Other Side of the Wind–NETFLIX FILM (2018)

November 4
Pirates of the Caribbean: At World’s End (2007)

AMAZON PRIME

November 2
Wonder (2017)

November 3
Kick-Ass (2010)

HULU

November 2
Wonder (2017)

November 3
Kick-Ass (2010)

November 7
Europa Report (2013)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: October 25 – November 1

Back after a brief hiatus, welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Florida Project

Year: 2017

Director: Sean Baker

Genre: Drama

Cast: Brooklynn Prince, Bria Vinaite, Willem Dafoe, Valeria Cotto, Christopher Rivera, Mela Murder, Caleb Landry Jones, Aiden Malik, Macon Blair, Sabina Friedman-Seitz, Karren Karagulian, Sandy Kane, Carl Bradfield, Gary B. Gross, Sonya McCarter, Josie Olivo, Rosa Medina, Perez Jasineia, Ramos Kit 

Sean Baker’s spotlight on the world of the hidden homeless, filled with shockingly authentic performances and focused specifically on the children, is conflicting to experience. It’s the joy and wonder of kids being happy-go-lucky and saying the darndest things despite being surrounded by poverty, but they’re kids who are also often heavily influenced by crass and insensitive parents who are not necessarily the best of role models, so you’ll also hear them spouting obscenities towards others that show extreme disrespect. Of course, they’re just mimicking, they rarely have ill will toward anyone.

It’s easy to be angry at the parents in this film, specifically Halley (Bria Vinaite), for her unethical behavior and horrible influence on her daughter Moonee (Brooklynn Prince). But you also can’t help but feel sad for her desperate condition and whatever history she’s had that led to her being in it. Willem Dafoe’s tremendously understated performance as the compassionate, good guy hotel manager is the emotional bridge we need to connect with these people. He’s a responsible manager, but he also cares about these people under his care.

That’s the power of this film. It’s a window into a fragile, vulnerable people who have fallen through the cracks of society. It’s an appreciation that children are resilient and can find and bring joy to hopeless circumstances. And despite law and order needing to be kept, it’s a plea for compassion over condemnation.


The Impossible


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Year: 2012

Director: J. A. Bayona

Genre: Drama, History, Thriller

Cast: Naomi Watts, Ewan McGregor, Tom Holland, Samuel Joslin, Oaklee Pendergast, Marta Etura, Sönke Möhring, Geraldine Chaplin, Ploy Jindachote, Jomjaoi Sae-Limh, Johan Sundberg, Jan Roland Sundberg, La-Orng Thongruang, Tor Klathaley, Douglas Johansson, John Albasiny, Gitte Witt

This is ostensibly a typhoon disaster movie, but unlike the majority of films in that genre, this is based on a true story. And as such, director J. A. Bayona’s intention seems to be to strip away any element of fun from the watching and replace it with overwhelming shock and horror and ultimately compassion as the family we’ve just started to get to know with Ewan McGregor playing the father and Naomi Watts the mother are brutally battered and separated from one another by the rushing waters and debris.

Watching this film, you feel every bit of misery the characters carry. There’s the physical misery as in the case of the wife and mother Maria, who is constantly in danger of losing her leg or worse. There’s also the emotional anguish of her son Lucas. Played by a supremely talented young Tom Holland (Spider-Man: Homecoming), he carries the film and is its emotional center. As far as Lucas knows, his father and brother died in the typhoon, so he’s out of his mind desperate not to lose his mother too. In the midst of horror, it’s beautiful to watch him learn to take that compassion and desire and turn it outwards to try to help all the other people desperate to find their loved ones.


Certified Copy

  

Year: 2010

Director: Abbas Kiarostami

Genre: Drama, Romance

Cast: Juliette Binoche, William Shimell, Jean-Claude Carrière, Agathe Natanson, Gianna Giachetti, Adrian Moore, Angelo Barbagallo, Andrea Laurenzi, Filippo Trojano, Manuela Balsinelli

Iranian director Abbas Kiarostami has an uncanny ability to weave of reality and fiction together and to challenge the viewer’s understanding of both. Watching this film feels like cinematic sleight of hand. On the surface, Certified Copy feels like an alternative version of Richard Linklater’s Before Trilogy, but while the latter is content to present an imitation of reality, the former thrives on manipulating our very perception of it.

English author James Miller (William Shimell) is in Tuscany touring his new book, also titled Certified Copy. While there, he encounters French antiques dealer Elle (Juliette Binoche) and they end up spending an afternoon together driving through the surrounding countryside and walking through the villages, finding themselves having deep philosophical conversations that force them to come face to face with the emotional baggage they’ve long been carrying. The deeper they go, the more they connect, the more they argue, the more intimate they become with their thoughts and feelings and emotions, the more reality becomes blurred as to what their relationship actually is to one another.

Kiarostami’s direction is brilliant, making full use of his environment, angles, props, and amazing production design to enhance the emotional beats and themes. Shimell gives a strong performance, but he is mostly stoic throughout. Binoche, on the other hand, covers a wide range of emotions, and she doesn’t hesitate to act flustered, hopeful, angry, coy, or passionate as her character is at a particularly volatile and vulnerable time in her life.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

October 27
Bridget Jones’s Baby (2016)

October 31
The African Queen (1951)
Amélie (2001)
Hellboy II: The Golden Army (2008)
Jurassic Park I-III (1993, 1997, 2001)
The Land Before Time (1988)
Oculus (2013)
The Reader (2008)

November 4
A Pigeon Sat on a Branch Reflecting on Existence (2014)

AMAZON PRIME

October 30
The Green Butchers (2003)
Leaving Las Vegas (1995)
Mad Max (1979)
Thief (1981)

October 31
Barfly (1987)
Bull Durham (1988)
Children of Men (2006)
Eight Men Out (1988)
The Elephant Man (1980)
Fearless (2006)
Full Metal Jacket (1987)
Ghostbusters I & II (1984, 1989)
High Noon (1952)
Jacob’s Ladder (1990)
Jaws (1975)
The Monster Squad (1987)
Sleepless in Seattle (1993)
Sneakers (1992)
There Will Be Blood (2007)
United 93 (2006)
The Usual Suspects (1995)

FILMSTRUCK

October 26
Barry Lyndon (1975)
Ace in the Hole (1951)
Aguirre: The Wrath of God (1972)
Footlight Parade (1933)
Gold Diggers of 1933 (1933)
Guys and Dolls (1955)
Lawrence of Arabia (1962)
Some Like It Hot (1959)
Stalag 17 (1953)
A Streetcar Named Desire (1951)
Sunset Boulevard (1950)
Tabu (2012)
What’s Up, Doc? (1972)
Witness for the Prosecution (1957)

October 31
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

November 2
Alphaville (1965)
Army of Shadows (1969)
Bob le Flambeur (1956)
The Bridge on the River Kwai (1957)
Le Trou (1960)
Libeled Lady (1936)

November 9
The Big Sleep (1946)
Dark Passage (1947)
Dogville (2003)
Petulia (1968)
To Have and Have Not (1944)

November 16
The Asphalt Jungle (1950)
Let There Be Light (1946)
The Maltese Falcon (1941)
The Treasure of the Sierra Madre (1948)

HULU

October 31
13 Going on 30 (2004)
28 Weeks Later (2007)
Babe (1995)
Barfly (1987)
Bull Durham (1988)
Eight Men Out (1988)
The Elephant Man (1980)
High Noon (1952)
Jackie Brown (1997)
Point Break (1991)
Rabbit Hole (2010)
Rescue Dawn (2006)
The Rock (1996)
Sixteen Candles (1984)
Sleepers (1996)
Spaceballs (1987)
There Will Be Blood (2007)
This Is Spinal Tap (1984)
Unbreakable (2000)
Witness (1985)


JUST ARRIVED

NETFLIX

God Knows Where I Am (2016)
The Night Comes for Us (2018)

AMAZON PRIME

12 Angry Men (1957)
Bend It Like Beckham (2002)
The Big Country (1958)
A Bridge Too Far (1977)
Devil (2010)
Donnie Darko (2001)
A Fish Called Wanda (1988)
Man from Reno (2015)
The Proposition (2005)
A Street Cat Named Bob (2016)

FILMSTRUCK

The Americanization of Emily (1964)
Billy Budd (1962)
The Candidate (1972)
The Curse of Frankenstein (1957)
Dial M for Murder (1954)
Dracula (1958)
I Walked with a Zombie (1943)

HULU

Burn (2012)
Ever After (1998)
Ghost Stories (2017)
Janis: Little Girl Blue (2015)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

Episode 131: First Man

This week we are talking about one of our most anticipated films of the year and we are so thrilled that it did not disappoint. We both resonated with Damien Chazelle’s telling of Neil Armstrong’s story and discuss why the blending of drama and technically brilliant action sequences worked perfectly for us.

What We’ve Been Up To  0:01:17

(Patrick – Sierra Burgess if a Loser)
(Aaron  Guest Appearance  on Reel World Theology talking A Star is Born, Goosebumps 2: Haunted Halloween, Basketball: A Love Story)

First Man Review – 0:15:18

The Connecting Point – 1:08:39

 

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MOVIE REVIEW: First Man


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: October 4-10

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Conjuring

Year: 2013

Director: James Wan

Genre: Horror, Mystery, Thriller

Cast: Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston, Mackenzie Foy, Joey King, Shanley Caswell, Kyla Deaver, Hayley McFarland, Shannon Kook, John Brotherton, Sterling Jerins, Joseph Bishara, Marion Guyot, Morganna Bridgers, Amy Tipton, Zach Pappas, Rose Bachtel, James D. Nelson

What’s October without a horror recommendation? James Wan’s The Conjuring, which launched a whole new horror-verse, is like a big budget version of the wildly popular Paranormal Activity, which set off its own series. Wan draws out a similar trepidation, tension, and terror but with a more fully fleshed out world and mythology. The central characters, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) are paranormal investigators and demonologists based loosely on a real life couple and case. They are invited to investigate the paranormal events haunting the Perron family. Ron Livingston plays the father Roger and Lili Taylor his wife Carolyn. They have recently moved into an old farmhouse along with their 5 daughters. They each see, hear, and experience an unexplainable presence, at times seemingly innocent and others expressing frightening malevolence.

In addition to the Warrens’ character development both as individuals and as a couple, this film’s strength builds through its underlying dread, lightened only by the many cuts from night to daytime, representing the passing of another night and a hopeful return to safety until night falls again. There’s an inescapable sense of entrapment as plausible reasons why the family doesn’t move away enhance the dread even more. In a world that wants to pretend nothing exists beyond the physical, The Conjuring exists to remind us that there might just be more to the supernatural world than we realize.


Polytechnique

        

Year: 2009

Director: Denis Villeneuve

Genre: Crime, Drama, History

Cast: Maxim Gaudette, Sébastien Huberdeau, Karine Vanasse, Evelyne Brochu, Martin Watier, Johanne-Marie Tremblay, Natalie Hamel-Roy, Pierre-Yves Cardinal, Pierre Leblanc, Francesca Barcenas, Ève Duranceau

Following a nine-year gap after his sophomore effort, the yet unknown Denis Villeneuve directed this masterful and terrifying dramatization of the Montreal Massacre, a 1989 school shooting that based on the emotional weight of this film seems to have had a profound effect on him. It bleeds pain, terror, and sadness. Even at this early stage of his career, the fingerprints of his trademark style are evident–gorgeous, slow-paced cinematography, matching ominous music, mysterious characters, and brooding drama punctuated by intense, realistic violence.

Minimal dialogue means the actors have to show not tell the nightmare they are experiencing or in the case of the killer, enacting. Villeneuve’s tight focus on individual characters in the moment enables the viewer to intimately feel the experience. We are sickened by the evil heart of the shooter, saddened at the hurtful comments one of the female victims receives, and shocked at the sudden cold, brutal, Terminator-like violence of the killer as we reel in disbelief that there is no one to stop him.


Ball of Fire

Year: 1941

Director: Howard Hawks

Genre: Comedy, Romance

Cast: Gary Cooper, Barbara Stanwyck, S.Z. Sakall, Henry Travers, Oskar Homolka, Tully Marshall, Leonid Kinskey, Richard Haydn, Aubrey Mather, Dana Andrews, Allen Jenkins, Elisha Cook Jr., Aldrich Bowker, Dan Duryea, Ralph Peters, Kathleen Howard, Mary Field, Charles Lane, Charles Arnt 

Not just screwball comedy. Howard Hawks creatively infuses romance and borderline noir drama with major chemistry between Gary Cooper and Barbara Stanwyck who play Professor Bertram Potts and nightclub performer Katherine “Sugarpuss” O’Shea. Stanwyck practically takes the lead as she plays Sugarpuss with cool confidence, largely in control. An air of tension is established with never knowing for sure if her demonstrated feelings for Professor Potts are genuine. She is very convincing no matter what her intentions are. Cooper, while obviously intelligent, is delightfully awkward as Potts, trying to resist Sugarpuss’ advances.

Hawks uses many unique & memorable ideas & visuals, such as Sugarpuss stepping up on the books for some yum-yum, a wet washcloth bit, crazy amounts of obscure slang, Potts talking to Sugarpuss’ “Daddy”, and the whole initial setup of 8 professors living together for a multi-year project to create a definitive encyclopedia. The ending is also really clever as it makes use of the unique characteristics of each of the professors.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

October 5
The Beauty Inside (2015)
The BFG (2016)

October 7
Kubo and the Two Strings (2016)

October 13
The Babadook (2014)

October 14
Seven Pounds (2008)

October 16
Donnie Darko (2001)

October 21
The Secret Life of Pets (2016)

October 24
Big Eyes (2014)
Queen of Katwe (2016)

October 27
Bridget Jones’s Baby (2016)

AMAZON PRIME

October 15
The Fits (2016)

October 16
Louder Than Bombs (2016)

FILMSTRUCK

October 5
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
White Heat (1949)

October 12
The Hunchback of Notre Dame (1939)

October 19
Casa de Lava (1994)
Cat on a Hot Tin Roof (1958)

October 26
Barry Lyndon (1975)
Ace in the Hole (1951)
Aguirre: The Wrath of God (1972)
Footlight Parade (1933)
Gold Diggers of 1933 (1933)
Guys and Dolls (1955)
Lawrence of Arabia (1962)
Some Like It Hot (1959)
Stalag 17 (1953)
A Streetcar Named Desire (1951)
Sunset Boulevard (1950)
Tabu (2012)
What’s Up, Doc? (1972)
Witness for the Prosecution (1957)

October 31
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

HULU

October 31
13 Going on 30 (2004)
28 Weeks Later (2007)
Babe (1995)
Barfly (1987)
Bull Durham (1988)
Eight Men Out (1988)
The Elephant Man (1980)
High Noon (1952)
Jackie Brown (1997)
Point Break (1991)
Rabbit Hole (2010)
Rescue Dawn (2006)
The Rock (1996)
Sixteen Candles (1984)
Sleepers (1996)
Spaceballs (1987)
There Will Be Blood (2007)
This Is Spinal Tap (1984)
Unbreakable (2000)
Witness (1985)


JUST ARRIVED

NETFLIX

The Green Mile (1999)
Life of Brian (1979)
Black Dynamite (2009)
Blade (1998)
Blade II (2002)
Blazing Saddles (1974)
Empire Records (1995)
Hold the Dark (2018)
Mystic River (2003)
The NeverEnding Story (1984)
Once Upon a Time in America (1984)
Pee-wee’s Big Adventure (1985)
Robin Hood: Prince of Thieves (1991)
The Shining (1980)
V for Vendetta (2005)

AMAZON PRIME

Bitter Moon (1992)
Carrie (1976)
Election (1999)
Hoop Dreams (1994)
A Fistful of Dollars (1964)
For a Few Dollars More (1965)
Full Metal Jacket (1987)
The General (1998)
Galaxy Quest (1999)
Gods and Monsters (1998)
House of Usher (1960)
How to Succeed in Business Without Really Trying (1967)
The Illusionist (2006)
Let Me In (2010)
Mulholland Drive (2001)
Raging Bull (1980)
The Return of the Living Dead (1985)
RoboCop (1987)
Saving Face (2004)
Starship Troopers (1997)
The Strangers (2008)
To Sleep with Anger (1990)
Trees Lounge (1996)
The Untouchables (1987)
Wild Bill (2011)

FILMSTRUCK

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

HULU

American Psycho (2000)
Bitter Moon (1992)
Cinderella Man (2005)
Closer (2004)
Dheepan (2015)
Election (1999)
Frida (2002)
Galaxy Quest (1999)
Gods and Monsters (1998)
Guess Who’s Coming to Dinner (1967)
Insomnia (2002)
Mulholland Drive (2001)
The Music Never Stopped (2011)
The Nightmare Before Christmas (1993)
The Others (2001)
Platoon (1986)
[REC] (2007)
Raging Bull (1980)
RBG (2018)
RoboCop (1987)
Starship Troopers (1997)
Trees Lounge (1996)
Wild Bill (2011)


COMING THIS WEEK

NETFLIX

October 5
Malevolent – NETFLIX FILM (2018)
Private Life – NETFLIX FILM (2018)

October 10
22 July – NETFLIX FILM (2018)

AMAZON PRIME

October 6
A Prayer Before Dawn (2017)

October 11
Monster’s Ball (2001)
The Strangers: Prey at Night (2018)

HULU

October 6
Lowlife (2017)
Pyewacket (2018)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: September 21-26

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


Ben-Hur

 — Expires Sept. 28

Year: 1959

Director: William Wyler

Genre: Adventure, Drama, History

Cast: Charlton Heston, Jack Hawkins, Haya Harareet, Stephen Boyd, Hugh Griffith, Martha Scott, Cathy O’Donnell, Frank Thring, Sam Jaffe, Ady Berber, Finlay Currie, André Morell, Terence Longdon, Lando Buzzanca, Giuliano Gemma, Marina Berti, Robert Brown, Liana Del Balzo, Enzo Fiermonte

With 11 Academy Awards won–a record yet to be surpassed–, a career-defining performance by the dynamic, self-assured Charlton Heston as the titular Judah Ben-Hur, and the largest budget and most elaborate sets of its time, William Wyler’s Ben-Hur is a monumental achievement and the very definition of Hollywood epic. Everything about it is huge, from the 10,000 extras to the centerpiece chariot race, to the 3 1/2-hour runtime to Miklós Rózsa’s majestic score. Adapted from the 1880 Lew Wallace novel and a remake of the 1925 silent film, Ben-Hur is in the vein of the classic BIble epics, even interacts with events in the Biblical narrative, but remains its own story.

Judah is an early first century Jewish nobleman living in Jerusalem who is knowingly and wrongfully accused of attempted murder by his once childhood friend Messala (Stephen Boyd). Now a Roman commander, Messala shows himself willing to destroy the life of a family he once held dear all for the sake of Rome’s glory. The betrayed Judah will have to endure intense undeserved hardship and face his desire for revenge as he struggles to get back what he lost and encounters one who was more deserving of revenge than anyone who has ever lived.


We Need to Talk About Kevin

      

Year: 2011

Director: Lynne Ramsay

Genre: Drama, Mystery, Thriller

Cast: Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell, Rock Duer, Ashley Gerasimovich, Siobhan Fallon Hogan, Alex Manette, Kenneth Franklin, Leslie Lyles, Paul Diomede, Michael Campbell, J. Mallory McCree, Mark Elliot, Wilson, James Chen, Lauren Fox, Blake DeLong, Andy Gershenzon

This is a dismal but important film by a director who has made a career of such films, Lynne Ramsay (You Were Never Really Here)The story centers on the lives of Franklin and Eva Khatchadourian (John C. Reilly and Tilda Swinton) and their troubled son Kevin. All three actors who play Kevin at his different ages–Rock Duer, Jasper Newell, and Ezra Miller–display such smug, manipulative attitudes it is downright scary. Franklin acts as a cautionary figure. He is easily manipulated by Kevin, receiving all of his love and affection, and refuses to listen to his wife and look deeper, causing his relationship with Eva to fracture. Eva falls into misery and isolation because her child has a clear predilection towards rebellion, manipulation, and downright evil from the time he was born.

The narrative jumps around the timeline of their lives, but a painful sense of dread hangs throughout as Kevin’s true nature becomes increasingly difficult to ignore as well as the knowledge that there are many Kevins in the real world. But by God’s grace, any one of us could be a Kevin or have a child like him.


The Third Man

Year: 1949

Director: Carol Reed

Genre: Film-noir, Mystery, Thriller

Cast: Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Bernard Lee, Paul Hörbiger, Ernst Deutsch, Siegfried Breuer, Erich Ponto, Wilfrid Hyde-White, Hedwig Bleibtreu, Alexis Chesnakov, Thomas Gallagher, Herbert Halbik, Hannah Norbert, Eric Pohlmann, Carol Reed, Annie Rosar, Frederick Schrecker, Hugo Schuster, Karel Stepanek, Brother Theodore, Jenny Werner

Voted the greatest British film of all time by the British Film Institute in 1999, the Third Man is a film-noir like no other. It starts out as a merely an intriguing murder mystery where a writer named Holly Martins (Joseph Cotten) has arrived in Vienna at the invitation of his childhood friend Harry Lime only to find out he has died, but it becomes something else entirely as the story, written by Graham Greene, develops.

With the genre already being rooted in German expressionism, director Carol Reed takes the idea and runs with it, creating one of the most distinctive combinations of sight and sound on film. From the outset, the energy and tension of the film is established through Anton Karas‘ musical score, consisting of a single instrument, the zither. Reed uses Dutch angles galore that perfectly enhance the off-kilter tone of mystery and the post war environment itself without ever coming across as pretentious. And Robert Krasker’s Academy Award winning stark black and white cinematography sets a deep contrast between shadow and light to further accent the mood. Not only is the film set in post WWII Vienna, which becomes a character itself, but many of the Austrians speak German, which is often left unsubtitled, putting the audience in the same state of confusion as Holly as he tries to work out the mystery of Harry Lime.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 22
Trollhunter (2010)

September 25
The Assassin (2015)

September 27
The Imitation Game (2014)

September 29
The Commitments (1991)

September 30
The Departed (2006)
Full Metal Jacket (1987)
Life Is Beautiful (1997)
Eyes Wide Shut (1999)
Rust and Bone (2012)
Fear and Loathing in Las Vegas (1998)
Menace II Society (1993)
Cinderella Man (2005)
Inside Man (2006)
The Lost Boys (1987)

AMAZON PRIME

September 23
Shutter Island (2010)

September 29
Carrie (1976)
Drugstore Cowboy (1989)
Invasion of the Body Snatchers (1978)
Miami Blues (1990)
Spaceballs (1987)
Stargate (1994)

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
The Brothers Bloom (2008)
The Crow (1994)
Gone with the Wind (1939)
The Graduate (1967)
Hoosiers (1986)
Insomnia (2002)
Mulholland Drive (2001)
Pee-wee’s Big Adventure (1985)
Rabbit Hole (2010)
V for Vendetta (2005)
Witness (1985)
The Wizard of Oz (1939)

October 1
Raging Bull (1980)

October 3
The Curious Case of Benjamin Button (2008)

FILMSTRUCK

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (1973)
Night Moves (1975)

September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)

October 5
White Heat (1949)
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
Gigi (1958)

October 12
The Hunchback of Notre Dame (1939)
Mutiny on the Bounty (1935)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

The Endless (2017)
Role Models (2008)
Scott Pilgrim vs. the World (2010)
The Third Man (1949)
The Witch (2015)

AMAZON PRIME

Angels Wear White (2017)
The Big Combo (1955)
Blow Out (1981)
Charade (1963)
The Conformist (1970)
Don’t Torture a Duckling (1972)
It’s a Mad, Mad, Mad, Mad World (1963)
Kansas City Confidential (1952)
Locke (2013)
One-Eyed Jacks (1961)
Sophie Scholl: The Final Days (2005)
Western (2017)
Wild Bill (2011)
Woman on the Run (1950)
Zombie (1979)

FILMSTRUCK

Ball of Fire (1941)
The Best Years of Our Lives (1946)
Citizen Kane (1941)
Clouds of Sils Maria (2014)
Full Moon in Paris (1984)
Wuthering Heights (1939)

HULU

Moonrise Kingdom (2012)
The Queen (2006)


COMING THIS WEEK

NETFLIX

September 21
Nappily Ever After–NETFLIX FILM (2018)

September 25
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
A Wrinkle in Time (2018)

AMAZON PRIME

September 21
My Little Pony: The Movie (2017)

HULU

September 21
My Little Pony: The Movie (2017)

September 24
Iris (2001)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: September 13-19

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The VVitch

    — Moving from Prime to Netflix on Sep. 17

Year: 2015

Director: Robert Eggers

Genre: Mystery, Horror

Cast: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Bathsheba Garnett, Sarah Stephens, Julian Richings, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube, Vivien Moore, Karen Kaeja, Brandy Leary, R. Hope Terry, Carrie Eklund, Madlen Sopadzhiyan

No doubt about it, The Witch is very, very dark, as many classic fairy tales are, but those willing to enter in will find a challenging tale providing much worthy of grappling with. Between the design, dialogue taken straight from period sources, and natural lighting of this debut feature film from writer and director Robert Eggers, this film feels intensely, oppressively of its time, like being taken back into the 1600s and being thrust inside a Puritan’s nightmare, the type of nightmare that led to the paranoia of the Salem witch trials. That’s not to say the Puritan lifestyle was inherently oppressive. But any fear, left unchecked can spin out of control.

The family in this story, headed up by the father William (Ralph Ineson) and mother Katherine (Kate Dickie) have left the leadership and community of their former church body, each claiming the other is false in their faith. Now isolated and with each member of the family struggling with their secret sins, they are especially vulnerable to evil oppression. It’s not that they aren’t putting up a fight. They pray. They discuss Scripture. Outwardly, they try to glorify God. But its unclear where each of their hearts lie.

As eldest daughter Thomasin and the one largely responsible for the younger children, Anya Taylor-Joy owns the film from the first frame to the last. She is who we as the audience focus on. We see her parents’ struggles through her eyes. We see the actions of the younger children through her eyes. She is convincing no matter whether she’s trying to express truth or spinning a lie until it’s unclear if her obvious lies are lies at all. One thing is certain. With her parents often being distracted and the family living in isolation, there’s little to keep her grounded.


The Queen

   — Coming Sep. 15

Year: 2006

Director: Stephen Frears

Genre: Biography, Drama, History

Cast: Helen Mirren, Michael Sheen, James Cromwell, Helen McCrory, Alex Jennings, Roger Allam, Sylvia Syms, Paul Barrett, Tim McMullan, Douglas Reith, Mark Bazeley, Robin Soans, Lola Peploe, Joyce Henderson, Pat Laffan, Amanda Hadingue, John McGlynn, Gray O’Brien, Dolina MacLennan, Julian Firth

It’s hard to believe now with the public obsession over the weddings of Prince William and Prince Harry and the massive popularity of television series such as The Crown as well as British television in generalbut the British royal family used to be of little interest to those outside of Great Britain itself. Regardless of the monarchy’s role in government, the lack of attention enabled them to live mostly insulated lives, free to make decisions apart from public pressure. What changed all that? Princess Diana. By marrying into the royal family, her celebrity spread far and wide, bringing deep focus onto the monarchy and the family as a whole. What complicated it further? Diana’s divorce and subsequent death a year later.

With strong, believable performances across the board including Helen Mirren winning a Best Actress Oscar for her inhabiting the very look and essence of Queen Elizabeth II, Stephen Frear’s The Queen dives deep into the conflict immediately following Diana’s death, which speaks even to today’s society where the public routinely makes demands of the private lives of others, especially those with power. In this case, new Prime Minister Tony Blair–played by Michael Sheen–as the public’s spokesperson is pushing for the royal family to honor Diana with a show of mourning only a royal would receive. The queen and especially her husband Prince Philip are outraged that such a demand would be made of them, especially since it was their son from whom Diana divorced. James Cromwell as Philip exudes deep frustration. He is emphatic about protecting his wife the queen and their status as royals and all the heritage that comes with it, but he lacks control to do anything about the changes that feel increasingly inevitable.


White Heat

Year: 1949

Director: Raoul Walsh

Genre: Action, Crime, Drama, Thriller

Cast: James Cagney, Virginia Mayo, Edmond O’Brien, Margaret Wycherly, Steve Cochran, John Archer, Wally Cassell, Fred Clark, Paul Guilfoyle, Ford Rainey, Robert Foulk, Ian MacDonald, Robert Osterloh, Sherry Hall, Joel Allen, Claudia Barrett, Ray Bennett, Marshall Bradford, Chet Brandenburg, Robert Carson 

Cream of the crop when it comes to classic gangster movies. The script is full of colorful dialogue and creative plotting. James Cagney is at the top of his game as the gang leader Cody Jarrett. Despite his diminutive stature, he’s tough as nails–no hesitation in killing a man, even taking out one of his own who’s become an inconvenience or a risk. But he’s also a mama’s boy, though Ma (Margaret Wycherly) is just as ruthless as he is, albeit tender to him. And he’s vulnerable due to his penchant to trust those he is close to as well as due to recurring sudden, raging, debilitating headaches and a propensity towards insanity.

Virginia Mayo, plays Cody’s multi-faceted wife Verna. Her uncouth, free-spirited personality shines through along with her fear and duplicity. Finally, Edmond O’Brien is the undercover agent Hank Fallon whose job it is to quickly ingratiate himself with Jarrett so he can draw out an even bigger fish. There are great moments of suspense as any hint of the truth could get him killed in a flash. But the tension doesn’t only serve Hank. Others lives are in danger at one point or another also.

That other side of this film that makes it fascinating is the police work. Unlike the criminals, not much is revealed about the character and personal lives of the investigators. Instead, there’s a heavy focus on procedure, including detailed steps they take to track their suspects and tighten the noose, making for a unique time capsule and a lesson on the origins of today’s surveillance technology. It’s particularly surprising to see cell phones and vehicle bugs used for tracking show up in a film from the mid-twentieth century.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 13
Pete’s Dragon (2016)

September 14
Before the Devil Knows You’re Dead (2007)
Half Nelson (2006)

September 15
Moonrise Kingdom (2012)

September 27
The Imitation Game (2014)

AMAZON PRIME

September 15
Everybody Wants Some!! (2016)

September 17
The Witch (2016)

September 23
Shutter Island (2010)

FILMSTRUCK

September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Last Picture Show (1971)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (1973)
Night Moves (1975)

September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

Next Gen–NETFLIX FILM (2018)
On My Skin–NETFLIX FILM (2018)

AMAZON PRIME

Beyond the Lights (2014)
Lars and the Real Girl (2007)
The Manchurian Candidate (1962)
Pumpkinhead (1988)
The Return of the Living Dead (1985)
Stronger (2017)

FILMSTRUCK

Billy Liar (1963)
Cluny Brown (1946)
The Doll (1919)
Hamlet (1996)
McCabe & Mrs. Miller (1971)
The Shop Around the Corner (1940)
Stroszek (1977)
The Student Prince in Old Heidelberg (1927)

HULU

Happy-Go-Lucky (2008)
Stronger (2017)


COMING THIS WEEK

NETFLIX

September 14
Bleach–NETFLIX FILM (2018)
The Angel–NETFLIX FILM (2018)
The Land of Steady Habits–NETFLIX FILM (2018)

September 16
Role Models (2008)
Scott Pilgrim vs. the World (2010)

September 17
The Witch (2015)

HULU

September 15
The Queen (2006)

September 16
Moonrise Kingdom (2012)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

Connecting With Classics 008: Lawrence of Arabia

For this month, we’ve chosen to close out the dog days of summer with a classic worthy of the sweltering heat August is known for. 1962’s Lawrence of Arabia is an AFI Top 10 entry which turned 56 years old this year. The longest days of summer brought out one of the longest films we’ll watch for our podcast.  If you have yet to watch this, set aside the time and then join us for some history and conversation about this epic. 

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for a poster of the Connecting With Classics movie of their choice plus podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted. 

Contact

Join the Facebook Discussion Group

Download this Episode 


Music: Going Higher – Bensound.com

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You Should Be Watching: August 16-22

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Aviator

Year: 2004

Director: Martin Scorsese

Genre: Biography, Drama, History

Cast: Leonardo DiCaprio, Cate Blanchett, Kate Beckinsale, John C. Reilly, Alec Baldwin, Alan Alda, Ian Holm, Jude Law, Kelli Garner, Danny Huston, Brent Spiner, Willem Dafoe, Gwen Stefani, Adam Scott, Matt Ross, Frances Conroy, Stanley DeSantis, Keith Campbell, Amy Sloan, Kevin O’Rourke, Nellie Sciutto, Edward Herrmann, Kenneth Welsh, J.C. MacKenzie, Jacob Davich, Sam Hennings, Vince Giordano, Jason Cavalier, Rufus Wainwright

Nominated for a whopping 11 Academy Awards and winner of 5, Martin Scorsese’s The Aviator, headlined by the magnificent Leonardo DiCaprio is a star-studded, technically masterful, sprawling epic full of period music, design, and color about the larger than life Howard Hughes, an insanely wealthy and driven man who could do it all. He flew planes, made movies, and had an insatiable entrepreneurial spirit. His contributions to the disparate worlds of film and flight technology echo into today. He was also one of the most eccentric characters in American history, which was only worsened by hearing loss and other mounting injuries and an extreme case of OCD that eventually turned him into a complete recluse.

It’s difficult to believe Leonardo DiCaprio, who perfectly inhabits the brilliant, obsessive Hughes, did not win the Oscar he was nominated for, as it’s truly the work of a master actor, full of nuance, vulnerability, and energy. This is not to take away from the other deserving winners from this film, including Cate Blanchett, who presents a pitch-perfect Katharine Hepburn, Hughes’ long-term girlfriend and a spirited eccentric herself. The Aviator is an experience that is as joyful as it is tragic.

 


Pather Panchali

  

Year: 1955

Director: Satyajit Ray

Genre: Drama

Cast: Kanu Bannerjee, Karuna Bannerjee, Chunibala Devi, Uma Das Gupta, Subir Banerjee, Runki Banerjee, Reba Devi, Aparna Devi, Tulsi Chakraborty, Haren Banerjee, Rampada Das, Nibhanani Devi, Rama Gangopadhaya, Roma Ganguli, Binoy Mukherjee, Haridhan Nag, Harimohan Nag, Kshirod Roy, Suren Roy

With this stunning debut and the first film in what’s known as The Apu Trilogy, Satyajit Ray shows the touch of a master in handling the complex and contrasting emotional, familial, and economical dynamics at play in this story of a family living in the jungles of Bengal facing abject poverty. While each member of the central family contributes to the narrative, casting Chunibala Devi for the elderly cousin Indir was inspired. She’s like the fragile, upbeat, super old grandma who puts a smile on your face and whom you can’t help but love . Seeing the continued breakdown of her body and the harsh treatment she receives from her cousin (by marriage) Sarbojaya (Karuna Bannerjee) is painful.

The children, Durga (Uma Das Gupta) and Apu (Subir Banerjee) are relatively carefree, but Durga tends to make her mother’s challenging life even more so, though in contrast, she has a special relationship with Indir. Their father Harihar (Kanu Bannerjee) is optimistic about their future but largely absent as he’s gone months at a time trying to earn money as a writer, which leaves Sarbojaya trying to provide for her family with basically nothing. She’s often hard and bitter and even unnecessarily mean at times. She’s also a fiercely proud woman who refuses to ask for help.

She pays a stiff price for them, but her actions based on her extreme circumstances only seem outrageous at face value and when contrasted to those around her who are in happier spirits. It puts into perspective what our own attitudes would be like if faced with enduring her circumstances. Consider how we treat others when we’re having nothing more than a bad day. It’s a call for compassion and a reminder that we can always use more empathy for those around us.


The Second Mother

   

Year: 2015

Director: Anna Muylaert

Genre: Drama

Cast: Regina Casé, Michel Joelsas, Camila Márdila, Karine Teles, Lourenço Mutarelli, Helena Albergaria, Luis Miranda, Luci Pereira, Hugo Villavicenzio, Theo Werneck, Alex Rusjar, Thaissa Reis, Milcéia Vicente, Bete Dorgan, Andrey Lima Lopes

An engaging story about the complexities of inter-class and family relationships, especially when the status quo is shaken up. Val, played by Regina Casé, is a live-in maid for a wealthy family. She has a better relationship with their son Fabinho (Michel Joelsas) than his own mother does and no relationship with her estranged daughter Jessica (Camila Márdila), who resents her having moved away despite it being to provide her a better life. Suddenly, Jessica, needing a place to stay while she studies for her university entrance exam reaches out to Val, who receives permission to let her stay, hopefully not long. Her presence creates a complex new dynamic to the home and in her relationship with her mother.

Director Anna Muylaert has a careful eye for representing the separation between upper-class family represented in this film and the hired live-in help who serve them, namely Val. She also shows how important being present is as the son, Fabinho treats Val like a mother. Also, by Jessica refusing to recognize the class distinction and making herself at home, the distinctions themselves are brought into focus as well as inherent difficulties of the parent/child relationship across generational lines as well as differences in opinion of acceptable behavior. It’s a simple story but an affecting one.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

August 24
The Road (2009)

August 26
White God (2014)

AMAZON PRIME

August 23
10 Cloverfield Lane (2016)

August 24
Captain Fantastic (2016)

August 29
Dirty Dancing (1987)

FILMSTRUCK

August 17
The Cook, the Thief, His Wife and Her Lover (1989)
The Draughtsman’s Contract (1982)
Escape from New York (1981)
The Falls (1980)
Hairspray (1988)
A Zed & Two Noughts (1985)

August 20
Frances Ha (2012)

August 24
Act of Violence (1949)
Boy (2010)
Casablanca (1942)
The Freshman (1925)
From Here to Eternity (1953)
Get Carter (1971)
The Little Foxes (1941)
A Man for All Seasons (1966)
Mildred Pierce (1945)
Nine Queens (2000)
Now, Voyager (1942)
The Producers (1967)
Stella Dallas (1937)
Swing Time (1936)
Top Hat (1935)
What Ever Happened to Baby Jane? (1962)

August 31
Badlands (1973)
Bonnie and Clyde (1967)
Diary of a Lost Girl (1929)
The Exorcist (1973)
Gun Crazy (1950)
Hedwig and the Angry Inch (2001)
Kameradschaft (1931)
Reservoir Dogs (1992)
The Searchers (1956)
They Live by Night (1948)
Tootsie (1982)
Westfront 1918 (1930)
You Only Live Once (1937)

HULU

August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)


JUST ARRIVED

NETFLIX

The Guernsey Literary & Potato Peel Pie Society (2018)
Hostiles (2017)
No Country for Old Men (2007)

AMAZON PRIME

The Birth of a Nation (1915)
Carnage (2011)
The City of the Dead (1960)
The Damned United (2009)
The Devil and Daniel Johnston (2005)
Every Little Step (2008)
A Field in England (2013)
General Della Rovere (1959)
Hope and Glory (1987)
The Hunt for Red October (1990)
In Syria (2017)
La Femme Nikita (1990)
Lean on Pete (2017)
Long Weekend (1978)
The Marquise of O (1976)
Mood Indigo (2013)
Ms .45 (1981)
Passport to Pimlico (1949)
The Second Mother (2015)
Tangerines (2013)
They Call Me Jeeg (2015)
Wake in Fright (1971)
Why We Fight (2005)
Zodiac (2007)

FILMSTRUCK

Heroes for Sale (1933)
Phoenix (2014)
A Star Is Born (1937)
Westward the Women (1951)
Wild Boys of the Road (1933)

HULU

Borg vs McEnroe (2017)
The Cage Fighter (2017)


COMING THIS WEEK

NETFLIX

August 17

To All The Boys I’ve Loved Before – NETFLIX FILM
The Motive – NETFLIX FILM

HULU

August 17
Minding The Gap – HULU DOCUMENTARY (2018)

August 23
Jiro Dreams of Sushi (2011)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

Episode 118: Troy

Back on the show with us this week to discuss the over 3-hour long Director’s Cut of Wolfgang Petersen’s 2004 epic Greek tragedy Troy, is Andrew B. Dyce from Screenrant.com. We tackle this violent, emotional epic telling of a classic tale as thoroughly as possible, and we hope you enjoy.

What We’ve Been Up To – 0:01:09

(Boxed In – Patrick’s short film from the Little Rock 48-Hour Film Project)

Troy Review – 0:16:23

The Connecting Point – 1:49:50 

 

Contact


Join the Facebook Discussion Group

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Music: Going Higher – Bensound.com

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