You Should Be Watching: September 13-19

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The VVitch

    — Moving from Prime to Netflix on Sep. 17

Year: 2015

Director: Robert Eggers

Genre: Mystery, Horror

Cast: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Bathsheba Garnett, Sarah Stephens, Julian Richings, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube, Vivien Moore, Karen Kaeja, Brandy Leary, R. Hope Terry, Carrie Eklund, Madlen Sopadzhiyan

No doubt about it, The Witch is very, very dark, as many classic fairy tales are, but those willing to enter in will find a challenging tale providing much worthy of grappling with. Between the design, dialogue taken straight from period sources, and natural lighting of this debut feature film from writer and director Robert Eggers, this film feels intensely, oppressively of its time, like being taken back into the 1600s and being thrust inside a Puritan’s nightmare, the type of nightmare that led to the paranoia of the Salem witch trials. That’s not to say the Puritan lifestyle was inherently oppressive. But any fear, left unchecked can spin out of control.

The family in this story, headed up by the father William (Ralph Ineson) and mother Katherine (Kate Dickie) have left the leadership and community of their former church body, each claiming the other is false in their faith. Now isolated and with each member of the family struggling with their secret sins, they are especially vulnerable to evil oppression. It’s not that they aren’t putting up a fight. They pray. They discuss Scripture. Outwardly, they try to glorify God. But its unclear where each of their hearts lie.

As eldest daughter Thomasin and the one largely responsible for the younger children, Anya Taylor-Joy owns the film from the first frame to the last. She is who we as the audience focus on. We see her parents’ struggles through her eyes. We see the actions of the younger children through her eyes. She is convincing no matter whether she’s trying to express truth or spinning a lie until it’s unclear if her obvious lies are lies at all. One thing is certain. With her parents often being distracted and the family living in isolation, there’s little to keep her grounded.


The Queen

   — Coming Sep. 15

Year: 2006

Director: Stephen Frears

Genre: Biography, Drama, History

Cast: Helen Mirren, Michael Sheen, James Cromwell, Helen McCrory, Alex Jennings, Roger Allam, Sylvia Syms, Paul Barrett, Tim McMullan, Douglas Reith, Mark Bazeley, Robin Soans, Lola Peploe, Joyce Henderson, Pat Laffan, Amanda Hadingue, John McGlynn, Gray O’Brien, Dolina MacLennan, Julian Firth

It’s hard to believe now with the public obsession over the weddings of Prince William and Prince Harry and the massive popularity of television series such as The Crown as well as British television in generalbut the British royal family used to be of little interest to those outside of Great Britain itself. Regardless of the monarchy’s role in government, the lack of attention enabled them to live mostly insulated lives, free to make decisions apart from public pressure. What changed all that? Princess Diana. By marrying into the royal family, her celebrity spread far and wide, bringing deep focus onto the monarchy and the family as a whole. What complicated it further? Diana’s divorce and subsequent death a year later.

With strong, believable performances across the board including Helen Mirren winning a Best Actress Oscar for her inhabiting the very look and essence of Queen Elizabeth II, Stephen Frear’s The Queen dives deep into the conflict immediately following Diana’s death, which speaks even to today’s society where the public routinely makes demands of the private lives of others, especially those with power. In this case, new Prime Minister Tony Blair–played by Michael Sheen–as the public’s spokesperson is pushing for the royal family to honor Diana with a show of mourning only a royal would receive. The queen and especially her husband Prince Philip are outraged that such a demand would be made of them, especially since it was their son from whom Diana divorced. James Cromwell as Philip exudes deep frustration. He is emphatic about protecting his wife the queen and their status as royals and all the heritage that comes with it, but he lacks control to do anything about the changes that feel increasingly inevitable.


White Heat

Year: 1949

Director: Raoul Walsh

Genre: Action, Crime, Drama, Thriller

Cast: James Cagney, Virginia Mayo, Edmond O’Brien, Margaret Wycherly, Steve Cochran, John Archer, Wally Cassell, Fred Clark, Paul Guilfoyle, Ford Rainey, Robert Foulk, Ian MacDonald, Robert Osterloh, Sherry Hall, Joel Allen, Claudia Barrett, Ray Bennett, Marshall Bradford, Chet Brandenburg, Robert Carson 

Cream of the crop when it comes to classic gangster movies. The script is full of colorful dialogue and creative plotting. James Cagney is at the top of his game as the gang leader Cody Jarrett. Despite his diminutive stature, he’s tough as nails–no hesitation in killing a man, even taking out one of his own who’s become an inconvenience or a risk. But he’s also a mama’s boy, though Ma (Margaret Wycherly) is just as ruthless as he is, albeit tender to him. And he’s vulnerable due to his penchant to trust those he is close to as well as due to recurring sudden, raging, debilitating headaches and a propensity towards insanity.

Virginia Mayo, plays Cody’s multi-faceted wife Verna. Her uncouth, free-spirited personality shines through along with her fear and duplicity. Finally, Edmond O’Brien is the undercover agent Hank Fallon whose job it is to quickly ingratiate himself with Jarrett so he can draw out an even bigger fish. There are great moments of suspense as any hint of the truth could get him killed in a flash. But the tension doesn’t only serve Hank. Others lives are in danger at one point or another also.

That other side of this film that makes it fascinating is the police work. Unlike the criminals, not much is revealed about the character and personal lives of the investigators. Instead, there’s a heavy focus on procedure, including detailed steps they take to track their suspects and tighten the noose, making for a unique time capsule and a lesson on the origins of today’s surveillance technology. It’s particularly surprising to see cell phones and vehicle bugs used for tracking show up in a film from the mid-twentieth century.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 13
Pete’s Dragon (2016)

September 14
Before the Devil Knows You’re Dead (2007)
Half Nelson (2006)

September 15
Moonrise Kingdom (2012)

September 27
The Imitation Game (2014)

AMAZON PRIME

September 15
Everybody Wants Some!! (2016)

September 17
The Witch (2016)

September 23
Shutter Island (2010)

FILMSTRUCK

September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Last Picture Show (1971)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (1973)
Night Moves (1975)

September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

Next Gen–NETFLIX FILM (2018)
On My Skin–NETFLIX FILM (2018)

AMAZON PRIME

Beyond the Lights (2014)
Lars and the Real Girl (2007)
The Manchurian Candidate (1962)
Pumpkinhead (1988)
The Return of the Living Dead (1985)
Stronger (2017)

FILMSTRUCK

Billy Liar (1963)
Cluny Brown (1946)
The Doll (1919)
Hamlet (1996)
McCabe & Mrs. Miller (1971)
The Shop Around the Corner (1940)
Stroszek (1977)
The Student Prince in Old Heidelberg (1927)

HULU

Happy-Go-Lucky (2008)
Stronger (2017)


COMING THIS WEEK

NETFLIX

September 14
Bleach–NETFLIX FILM (2018)
The Angel–NETFLIX FILM (2018)
The Land of Steady Habits–NETFLIX FILM (2018)

September 16
Role Models (2008)
Scott Pilgrim vs. the World (2010)

September 17
The Witch (2015)

HULU

September 15
The Queen (2006)

September 16
Moonrise Kingdom (2012)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: September 6-12

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Game

Year: 1997

Director: David Fincher

Genre: Mystery, Drama, Thriller

Cast: Michael Douglas, Sean Penn, Deborah Kara Unger, James Rebhorn, Spike Jonze, Anna Katarina, Armin Mueller-Stahl, Carroll Baker, Scott Hunter McGuire, Elizabeth Dennehy, Daniel Schorr, John Aprea, Charles Martinet, Caroline Barclay, Peter Donat, Florentine Mocanu, Kimberly Russell, Gerry Becker

As is common with David Fincher’s films, The Game works on multiple levels. At its surface, it’s a Kafkaesque thriller about a rich investment banker, Nicholas Van Orton (Michael Douglas), a man who has everything. Van Orton receives a unique, well-meaning gift from his estranged brother Conrad (Sean Penn). The gift is access to a new type of personalized game that would integrate into his everyday life and activities, hopefully adding some excitement to it all. But very quickly, Van Orton finds himself trapped in an inescapable nightmare where fiction increasingly becomes his reality.

At a deeper level, Van Orton is a real character. He’s a man who at a young age saw his father commit suicide, which has forever haunted him and overshadowed the choices he would make in life. Now as a middle-aged man, wealthy and estranged from everyone he’s ever loved, he must step up to the mirror of his father and evaluate his life. This reality–the pain, the cynicism, the independent nature along with the fear when his life teeters out of control–affects every nuance of Douglas’ performance.


David and Lisa

Year: 1962

Director: Frank Perry

Genre: Drama, Romance

Cast: Keir Dullea, Janet Margolin, Howard Da Silva, Neva Patterson, Clifton James, Richard McMurray, Nancy Nutter, Mathew Anden, Jaime Sánchez, Coni Hudak, Karen Lynn Gorney, Janet Lee Parker

Famous for playing astronaut Dave Bowman in Stanley Kubrick’s 2001: A Space Odyssey, here in only his 2nd film appearance, Keir Dullea as the titular teenager David along with Janet Margolin as Lisa star in this unique, brilliantly acted romantic drama that exemplifies the realities, complications, and horrors of living with mental disorders. Key to making the drama compelling is the detailed character development and compassion shown in Eleanor Perry’s script, and director Frank Perry’s skill in dialing up the tension by taking us into the experience.

David has a genius-level intellect and a strict concept of how things must be ordered, which has made him arrogant and difficult to control, but the threat of a single touch causes him intense fear as he’s convinced it might kill him. He also has terrible recurring nightmares of killing people in surreal ways. Lisa, of much lower IQ, is in a constant battle between herself and an alternate, darker, much more self-assured personality, who can only be kept at bay by rhyming, both by her and by those talking to her. Both find themselves in the care of a mental institution and find themselves drawn to each other, but they have to battle to both understand each other’s difficulties as well as learn to cope with their own if they’re going to make it work.

 


The Thief of Bagdad

    — Expires September 14

Year: 1924

Director: Raoul Walsh

Genre: Adventure, Fantasy, Family, Romance

Cast: Douglas Fairbanks, Snitz Edwards, Charles Belcher, Julanne Johnston, Sôjin, Anna May Wong, Brandon Hurst, Tote Du Crow, Noble Johnson, Sam Baker, Winter Blossom, Etta Lee, Mathilde Comont, Charles Stevens, Eugene Jackson, Jesse Lasky Jr., David Sharpe, Paul Malvern, Scotty Mattraw, Jess Weldon, K. Nambu

Don’t let the nearly two and a half hour run time of this classic silent adventure fantasy scare you off. This surprisingly fast-paced adaptation of several of the ancient Arabian Nights tales, which was remade for the sound era in 1940, was made by the prolific director Raoul Walsh, whose filmmaking career spanned 51 years and is regarded as Douglas Fairbanks‘ favorite of his performances. It entertains with its variety of locations, exotic set design, colorful characters, delightful special effects, and the creative and intriguing story elements.

Fairbanks plays the lead character Ahmed, a common thief who finds himself on the run from the palace guards after he sees and becomes infatuated with the unnamed princess, played by Julanne Johnston. Stop me if this sounds familiar. Ahmed disguises himself as a prince in an attempt to win her heart and soon finds everything coming up roses, despite the existence of other suitors. That is, until the princess’ Mongol slave, played by oriental siren Anna May Wong discovers Ahmed’s identity, leading to the princess having to beg for his life. It goes on from there with a competitive quest and a flying carpet, a cloak of invisibility, a giant underwater spider, and so on. Douglas Fairbanks is a fun, charismatic actor to watch, and the special effects are impressive, especially for a film that’s nearly 100 years old.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 13
Pete’s Dragon (2016)

September 14
Before the Devil Knows You’re Dead (2007)
Half Nelson (2006)

September 15
Moonrise Kingdom (2012)

September 27
The Imitation Game (2014)

AMAZON PRIME

September 15
Everybody Wants Some!! (2016)

September 17
The Witch (2016)

FILMSTRUCK

September 7
The Bad and the Beautiful (1952)
The Band Wagon (1953)
Giant (1956)
Grand Illusion (1937)
Home from the Hill (1960)
Meet Me in St. Louis (1944)
Seven Brides for Seven Brothers (1954)
Slacker (1990)
Some Came Running (1958)
Steamboat Round the Bend (1935)
Tea and Sympathy (1956)
The Thin Man Series (1934 – 1947)
Touchez Pas au Grisbi (1954)

September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (197
Night Moves (1975)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

Black Panther (2018)
The Breakfast Club (1985)
Bruce Almighty (2003)
The Emperor’s New Groove (2000)
Groundhog Day (1993)
The Hitchhiker’s Guide to the Galaxy
King Kong (2005)
Lilo & Stitch (2002)
Nacho Libre (2006)
Pearl Harbor (2001)
Scarface (1983)
Unforgiven (1992)

AMAZON PRIME

Chinatown (1974)
Blow Out (1981)
Dressed to Kill (1980)
Ghostbusters (1984)
Ghostbusters 2 (1989)
Hustle & Flow (2005)
Jerry Maguire (1996)
Miami Vice (2006)
Primal Fear (1996)
Robin Hood: Prince of Thieves (1991)
Sleepless in Seattle (1993)
Smokey and the Bandit (1977)
Testament (1983)
There Will Be Blood (2007)
What’s Eating Gilbert Grape (1993)

FILMSTRUCK

Cul-de-sac (1966)
Dead Man (1985)
Kes (1969)

HULU

13 Going On 30 (2004)
Adaptation. (2002)
Blow Out (1981)
City of God (2002)
Dressed to Kill (1980)
The English Patient (1996)
Field of Dreams (1989)
The Fly (1986)
Jerry Maguire (1996)
Primal Fear (1996)
Rushmore (1998)
Signs (2002)
Searching for Sugar Man (2012)
Sixteen Candles (1984)
The Terminator (1984)
There Will Be Blood (2007)
Unbreakable (2000)
What’s Eating Gilbert Grape (1993)


COMING THIS WEEK

NETFLIX

September 7
Next Gen–NETFLIX FILM (2018)
Sierra Burgess Is A Loser–NETFLIX FILM (2018)

September 11
The Resistance Banker–NETFLIX FILM (2018)

September 12
On My Skin–NETFLIX FILM (2018)

AMAZON PRIME

September 8
Stronger (2017)

HULU

September 8
Stronger (2017)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.