What We Learned This Week: July 1-14

LESSON #1: SCARLETT JOHANSSON IS A THERMOMETER FOR CASTING HEAT— The Avengers star sparked social media fires the last two weeks by initially accepting a role as a transgender male for the film Rub & Tug.  The movie is helmed by her Ghost in the Shell director Rupert Sanders, creating quite an echo to the whitewashing backlash she received there.  Detractors rightfully cited the inequality of opportunities for transgender performers to be cast in transgender roles, or any mainstream role for that matter.  Johannson’s callous comeback to the criticism did not help and the Twitterverse reacted with smite. Luckily, Scarlett thought the wiser, left the role, and offered a statement of contrition. Between this and Ghost in the Shell, this is two strikes for Johansson when most people barely ever get one.  She needs to think before she signs or hire better management. On the bright side, she’ll always have Black Widow to save her Q rating and that long-planned solo film just picked up a director in little-known Aussie filmmaker Cate Shortland.  At least that’s good news for her.

LESSON #2: MOVIE EXECUTIVES ARE AWARE OF OBVIOUS POINTS— Short-sighted armchair movie audiences (and people with their own outlets) like to throw their hands in the air and wonder how studios can honestly produce and release what they see to be terrible movies compounded from a mountain of bad choices.  Guess what, the powers that be aren’t as blind as you think. “Candid” is just a nice way to say “bluntly honest” and solid example (other than the usual awesomeness of Kevin Feige) cropped up recently.  In June, Warner Bros. film chairman Toby Emmerich opened up for a very frank interview with Entertainment Weekly.  When asked about film performance and what types of films are working right now, Emmerich simply stated “I think the good movies work better. Somebody once said the best business strategy in motion pictures in quality.” Countering when Rotten Tomatoes was brought up on DCEU films, he followed that with “I would say no matter what, the better the movie is the more advantage it is.”  See, that’s a guy who gets it and a classic case of “it’s easier said than done.” Even with the bottom line in mind, they know improvement is needed.

LESSON #3: IT’S NEVER TOO EARLY TO START AN OSCAR CAMPAIGN— It’s not arm-twisting “For Your Consideration” swag quite yet, but the PR firm that represents Emily Blunt and John Krasinski recently sent out a small and simple reminder package for A Quiet Place, complete with a letter of superlatives and copy of the film.  Yes, the Oscars are almost eight months away, but if you’ve got a good film, flaunt it and shout it from the mountaintops.  If a February release like Get Out can last over a year to remain in the minds of Oscar voters, so can March’s successful blockbuster surprise.  You don’t have to push hard, but you do have to keep on pushing. Go get you some hardware, John!

LESSON #4: THE UGLY DETAILS ARE COMING— A Harvey Weinstein interview ran this week in The Spectator where he admits “I did offer them acting jobs in exchange for sex, but so did and still does everyone.”  This was just a sitdown for a magazine. Imagine the court transcripts of sworn testimonies when the time comes.  Names have been named all over, but when the ugly details get put into print or words, this deplorable chapter of Hollywood is going to get worse.

LESSON #5: ONLINE JOURNALISM IS BECOMING AN ENDANGERED SPECIES NEXT TO ITS PRINT ANCESTOR AND GOOD CREATORS ARE THE CASUALTIES— Because there are so many to choose from in a saturated internet, film and entertainment websites come and go all the time.  Few notice because they move on to the next bookmark or scrolled headline. What people don’t realize is that closures (like The Dissolve) mean precious paying jobs for so many freelance writers and critics.  I’ve had an outlet suddenly (Examiner.com) close on me before and now it’s happening to colleagues of mine over at The A.V. Club, whose parent company is financially sputtering to the point of putting its shingles up for sale.  Other than deep-pocketed benefactors and advertising revenue, money has always been hard to scratch together on the free internet.  Newspapers at least get your quarters and dollars every time you pick one up. Websites don’t unless you’re clicking away on their borders.  Resources are scarce and when the money disappears, so do the opportunities. It’s a shame.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson and also on Medium.com where he is one of the 50 “Top Writers” in the Movies category.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.

What We Learned This Week: October 1-7

LESSON #1: THERE ARE LIKELY MORE SKELETONS IN MORE CLOSETS THAN WE WILL EVER KNOW— Last year, it was the allegations surrounding Casey Affleck.  Last week was the culmination of old indiscretions from Ain’t It Cool News and Alamo Drafthouse.  This week, it’s the unearthed disgusting behavior from mega-producer Harvey Weinstein.  I wish this story would be the last on the topic of unchecked sexual harassment, but I think any law of averages from any statistical measure will tell us this is the tip of an iceberg and not the finale.  I’ll repeat my plea from last week to remove the silence and dish out the overdue consequences.

LESSON #2: HARRY DEAN STANTON DESERVES TO WIN THE THIRD POSTHUMOUS ACTING OSCAR EVER AWARDED— You can call Lucky a capstone, a eulogy, or whatever you want, but the late Harry Dean Stanton deserved serious Oscar consideration for Best Actor even before his death.  His legend will only grow with the public seeing the film. Starkly present in both the character and the actor himself, every wrinkle hides a layer, a story to be told, or a touchstone to an unseen memory. You cannot stare deep enough into his sullen eyes without being captivated by his plight.

LESSON #3: THE MONEY PEOPLE EARN MAKING A MOVIE— Mark me down as a guy who never knew how much the folks you see listed in the end credits of a film got paid.  We hear about the big paychecks of actors and directors, but rarely the “little people.”  Check out this article from TIME magazine. File this under the “You Learn Something Every Day” department.

LESSON #4: IS THE THEATRICAL PRODUCT GETTING SLOPPY?— I recently enjoyed the perspective written up by Sonny Bunch in The Washington Post.  I found the technical details behind projection, sound, and lights to be fascinating.  The more I think about my theatrical experiences every week, the more I see what Bunch is referring to.  Calling it a “scapegoat” to attendance I think is a little too strong, but discerning fans are right to expect and want better from their premium ticket prices.

LESSON #5: GEORGE CLOONEY IS TOO YOUNG TO BE GETTING LIFETIME ACHIEVEMENT AWARDS— The American Film Institute announced that George Clooney will be receiving their 46th Lifetime Achievement Award next June.  Mr. Clooney is only 56-years-old.  I don’t want to turn into Don “TMasterpiece” Shanahan, but George’s career is far from full or even complete.  Let’s put the “lifetime” in lifetime achievement awards.  The guy could work at the top of his game for another quarter-century.  Come back when the guy is 76 instead of 56.  Next thing you know, Jennifer Lawrence is going to win the thing before she turns 30.  Jeez!


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current directors of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.