Based off of an article in the New Yorker, Maggie Betts takes a simple and straightforward case and makes a mountain out of a mole hill, amplifying racial undertones of the time period into a place of priority that distracts from what could have been a more compelling courtroom drama. The performances are great and the points being made about poor character are admirable, but ultimately this was the wrong approach and results in a very middling and not particularly rousing legal film.
* Note – full spoilers in effect for entire episode *
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Aaron
Patrick
