Episode 332: Point Break

In the heat of the summer, we all wish that we could just drop what we’re doing and head to the beach. Unlike Bodhi and his gang, though, we probably can’t just casually rob 27 banks in 3 years to fund a year-round lifestyle of chasing the waves. We finally get around to a discussion about one of our seasonal favorites and also do quite a bit of comparing to the franchise-starting film of a beloved series to us. We also play a bit of a game at the end to determine what theme of films we’ll be covering the next month or so. Enjoy!

* Note – full spoilers in effect for entire episode *

Follow & Subscribe

Aaron

Patrick

Feelin’ Film

Join the Facebook Discussion Group

Join the Discord

Powered by RedCircle


Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

If you like the show you can support us through Paypal. Select the link below and make your one-time or recurring contribution.

Episode 172: Toy Story 4

We approached TOY STORY 4 with apprehension, counting ourselves among those that considered Pixar’s trilogy to be one of the best ever made and already “perfect”. In this episode, Caless Davis joins us to discuss the new end of the TOY STORY franchise. We talk through our concerns and share what impacted us about Woody and the gang’s latest chapter.

Toy Story 4 Review – 0:01:38

The Connecting Point – 1:13:22

Follow & Subscribe

Join the Facebook Discussion Group

Powered by RedCircle

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Toy Story 4


 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: August 2-8

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

Before I get to the highlights, a bit of news. Arthur Gordon, a fellow member of the Feelin’ Film Discussion Group on Facebook brought it to my awareness that an increasingly large number of films from indie darling studio A24 have shown up on Netflix. A bit of research has revealed that in fact, 29 of them, a full third, are now streaming on the service. Apparently, Netflix has been nabbing them as they leave Amazon Prime, which is good news for those who either don’t have Amazon Prime or hadn’t gotten a chance to see those titles yet.

This week I’m recommending a first visit or revisit to an 80s time-travel comedy cult classic, a fictional drama from the aforementioned A24 studio that offers a surprisingly emotional and heartfelt peek into the life of real-life author David Foster Wallace, and a simple yet brilliant and timeless film from a master Japanese filmmaker that drives to the heart of the father-daughter relationship.

Among the films leaving this week and in the near future from FilmStruck are a collection of titles from Luis Buñuel as well as classics such as Lumet’s Network, Fellini’s Nights of Cabiria and PTA’s Magnolia. Also, Warrior is exiting Amazon Prime August 4.

It’s a new month, so there are a host of great titles that have just been added to all streaming services, everything from old classics like Beau Geste and Touch of Evil to modern hits like the first 2/3 of The Dark Knight trilogy and Children of Men.

 


STREAMING PICKS OF THE WEEK


Bill and Ted’s Excellent Adventure

      

Year: 1989

Director: Stephen Herek

Genre: Science Fiction, Adventure, Comedy, Music

Cast: Keanu Reeves, Alex Winter, George Carlin, Dan Shor, Hal Landon Jr., Amy Stock-Poynton, Terry Camilleri, Tony Steedman, Rod Loomis, Bernie Casey, Al Leong, Jane Wiedlin, Robert V. Barron, Clifford David, J. Patrick McNamara, Frazier Bain, Diane Franklin, Kimberley Kates, William Robbins, Steve Shepherd, Anne Machette, Traci Dawn Davis

 

With the recent news that the duo of Keanu Reeves and Alex Winter are planning to once again joining forces to bring a third Bill and Ted movie to the big screen and with the sequel being added to FilmStruck to create one of the wildest double features the service has yet produced, now’s a great time to take a trip back to 1989 and Bill and Ted’s first, most excellent adventure. Back to when they were just two unmotivated high schoolers from San Dimas, California who are about to find out that the fate of the world rests on them passing their history class and Ted not getting shipped off to military school.

Despite the film being purely a product of its time, it remains endlessly entertaining and has earned its place as a cult favorite. Bill and Ted have the kind of charismatic chemistry with one another that you can’t help but feel good about, and the fact that they aren’t the sharpest tools in the shed only adds to their charm and hilarity, especially once it comes to interacting with historical characters such as Napoleon, Joan of Arc, and Socrates. The jokes never feel mean spirited, though. George Carlin’s presence as the level-headed straight man who needs them to succeed at their mission further elevates the comedy as well as the drama.


 

The End of the Tour

Year: 2015

Director: James Ponsoldt

Genre: Biography, Drama

Cast: Jason Segel, Jesse Eisenberg, Anna Chlumsky, Mamie Gummer, Joan Cusack, Ron Livingston, Mickey Sumner, Becky Ann Baker, Dan John Miller, Stephanie Cotton, Noel Fletcher, Ben Phelps, Punnavith Koy

 

A film that draws an incredible depth of emotion, even for those with no familiarity with David Foster Wallace or his bestselling 1,000+ page novel, Infinite Jest. Donald Margulies’ script along with James Ponsoldt’s direction provides a unique peek into Wallace’s life through the experience of former Rolling Stone writer David Lipsky. We open on Lipsky (Jesse Eisenberg) discovering that Wallace has committed suicide. We are then brought back to those final days of Wallace’s book tour when Lipsky had the opportunity to interview him for Rolling Stone.

Jason Segel’s performance as Wallace is career-defining. His appearance, mannerisms, soft-spokenness, and abundance of thought-provoking observations and self-awareness make clear that we along with Lipsky are experiencing an encounter with a specific and unique individual. Eisenberg himself is also workmanlike in his performance, subtly revealing the young Lipsky’s fragility and determination. Through their interactions together, Wallace comes across much like Solomon of old, incredibly aware of all the ways we make life meaningless, but still unable to resist its seemingly harmless pleasures and addictions.


 

Late Spring

  

Year: 1949

Director: Yasujirō Ozu

Genre: Drama

Cast: Chishū Ryū, Setsuko Hara, Yumeji Tsukioka, Haruko Sugimura, Hohi Aoki, Jun Usami, Kuniko Miyake, Masao Mishima, Yoshiko Tsubouchi, Yôko Katsuragi, Toyo Takahashi, Jun Tanizaki, Ichirô Shimizu, Youko Benisawa, Manzaburo Umewaka

 

Simple, quiet, intimate, human, brilliant. Yasujirō Ozu’s no-frills approach tells a story that drives at the heart of the relationship between fathers and their daughters through the seasons of life, the sacrifices made and the need to move on. Here we have a young woman, Noriko, played by the captivating Setsuko Hara, who is happy and content to stay home and live with her widower father Shukichi (Chishū Ryū) while he and everyone else are trying to convince her to get married. Being in a post-WWII society where arranged marriages are still common and with Noriko having a friend who married for love and still ended up getting divorced, it’s hard to fault Noriko for just wanting things to stay the same. But we all know life doesn’t work that way.

Ozu deploys a consistency and stability in his camera angles and perspectives. While his style is unique, it does not offer many surprises. His focus is on the characters and the framing which help to relay the emotion of the story he’s telling. And that story packs a wallop of a punch by the time it reaches its conclusion.

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

August 4
13 Assassins (2010)

August 15
The 40 Year-Old Virgin (2005)
Seeking a Friend for the End of the World (2012)

 

AMAZON PRIME

August 4
Warrior (2011)

 

FILMSTRUCK

August 3
All Quiet on the Western Front (1930)
Berlin: Symphony of a Great City (1927)
Man with a Movie Camera (1929)
Marty (1955)
The Mission (1986)
Network (1976)

August 4
The Discreet Charm of the Bourgeoisie (1972)
That Obscure Object of Desire (1977)
The Phantom of Liberty (1974)

August 10
Altered States (1980)
The Decline of Western Civilization (1981)
Dogtooth (2009)
Falling Down (1993)
Magnolia (1999)
Nights of Cabiria (1957)
Rebel Without a Cause (1955)
Them! (1954)

August 12
The Last House on the Left (1972)

August 17
The Cook, the Thief, His Wife and Her Lover (1989)
The Draughtsman’s Contract (1982)
Escape from New York (1981)
The Falls (1980)
Hairspray (1988)
A Zed & Two Noughts (1985)

August 20
Frances Ha (2012)

 

HULU

August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)


 

JUST ARRIVED

NETFLIX

The Aviator (2004)
Batman Begins (2005)
Cinderella Man (2005)
The Constant Gardener (2005)
Clerks (1994)
Constantine (2005)
The Dark Knight (2008)
Eternal Sunshine of the Spotless Mind (2004)
Fear and Loathing in Las Vegas (1998)
The Game (1997)
Gran Torino (2008)
Haider (2014)
Hardcore Henry (2015)
Her (2013)
The Informant! (2009)
The Lord of the Rings: The Fellowship of the Ring (2001)
Million Dollar Baby (2004)
Out of Sight (1998)
PK (2014)
Serenity (2005)
Song of the Sea (2014)
Steel Magnolias (1989)
Touch of Evil (1958)

 

AMAZON PRIME

Beau Geste (1939)
The Blair Witch Project (1999)
Children of Men (2006)
Cold War (2018)
The Elephant Man (1980)
Freedom Writers (2007)
Frequency (2000)
High Noon (1952)
Hoosiers (1986)
The Hurt Locker (2008)
Jacob’s Ladder (1990)
Joe (2013)
The Soloist (2009)
Training Day (2001)
United 93 (2006)
The Usual Suspects (1995)
Watchmen (2009)

 

FILMSTRUCK

Deathtrap (1982)
Le Cercle Rouge (1970)
The Lusty Men (1952)
Out of the Past (1947)
Tootsie (1982)
The Wind Journeys (2009)

 

HULU

Before We Vanish (2017)
Black Hawk Down (2001)
Cold War (2018)
The Elephant Man (1980)
High Noon (1952)
Hoosiers (1986)
The Hunt for Red October (1990)
The Hurricane (1999)
The Hurt Locker (2008)
Jackie Brown (1997)
Jacob’s Ladder (1990)
Joe (2013)
Leaving Las Vegas (1995)
Lost in Translation (2003)
The Nasty Girl (1990)
Point Break (1991)
Shaun of the Dead (2004)
The Usual Suspects (1995)


 

COMING THIS WEEK

NETFLIX

August 3
Like Father – NETFLIX FILM (2018)

August 5
Paid In Full (2002)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.