Episode 343: Marcel the Shell with Shoes On

Posted on by Aaron White.

Sometimes a movie comes along that just impacts you emotionally in a way that most don’t. It makes you laugh aloud and cry while leaving you with the feeling that you connected with its characters in a way that is lasting. This film is about a tiny sentient shell, with one big googly-eye, and shoes on, and it had that effect on us. We hope that you’ll enjoy listening to this conversation even half as much as we did having it.

* Note – full spoilers in effect for entire episode *

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You Should Be Watching: July 19-25

Posted on by Jacob Neff.

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week I’m highlighting a change of pace food-focused indie film from Jon Favreau (expiring soon), a surreal mindbender from Denis Villeneuve, and another all-time classic from Charlie Chaplin.

This month is your last chance to see Finding Dory on Netflix, Gran Torino and The Hurt Locker on Amazon Prime, and classics like His Girl Friday, Rio Bravo, and Taxi Driver on FilmStruck. Now streaming are titles such as Room, Mary and the Witch’s Flower, and The Spectacular Now on Netflix and The Philadelphia Story and the Judy Garland version of A Star Is Born on FilmStruck.

 

STREAMING PICKS OF THE WEEK

Chef

Year: 2014

Director: Jon Favreau

Genre: Adventure, Comedy, Drama

Cast: Jon Favreau, Sofía Vergara, Emjay Anthony, John Leguizamo, Scarlett Johansson, Dustin Hoffman, Oliver Platt, Bobby Cannavale, Amy Sedaris, Robert Downey Jr., Russell Peters, Chase Grimm, Will Schutze, Gloria Sandoval, Jose C. Hernandez, Alberto Salas, Alfredo Ortiz

 

When he’s not busy making movies or in a past life, Jon Favreau—who plays main character Carl Casper—seems to have spent a fair amount of time in the kitchen and frequenting food trucks. As writer, director, and lead actor on this picture, his love for the world of food shines through, as does his frustration with artists being told how they have to make their art  and critics–professional and otherwise–putting down the art.

Casper is a head chef at a high-class restaurant in Los Angeles, but he’s fed up with being told how to make his dishes and blows up at a stuffy, influential critic both on Twitter and in person after receiving a scathing review. With his reputation now trashed and unable to make the dishes he knows would be loved, he leaves the restaurant and has to figure out what’s next for him career-wise and what to do about his relationships with his estranged son Percy (Emjay Anthony) and his ex-wife Inez (Sofia Vergara).

In all, Chef is a unique look at the classic middle age crisis but in the modern world of friendly divorces and social media, where emotions run wild, reputations are changed in a moment, and news today is gone tomorrow.

EXPIRING: Last day to watch on Amazon Prime is July 27

 

Enemy

Year: 2013

Director: Denis Villeneuve

Genre: Thriller, Mystery

Cast: Jake Gyllenhaal, Mélanie Laurent, Sarah Gadon, Isabella Rossellini, Joshua Peace, Tim Post, Kedar Brown, Megan Mane, Misha Highstead, Alexis Uiga, Darryl Dinn, Kiran Friesen, Loretta Yu, Stephen R. Hart, Paul Stephen

 

Despite it being far more surreal than any of his other films Denis Villeneuve’s (Blade Runner 2049, Arrival) fingerprints can be seen all over Enemy, from pacing to atmospheric score to thematic color design. It is sublimely edited, attention-grabbing throughout, and terrifically haunting in its direction. For what it’s worth, even his use of nudity, while graphic, is limited and more artistic than titillating.

But none of it works without Jake Gyllenhaal’s performance as two radically different characters who look the same, one a professor named Adam Bell, the other a small-time actor named Daniel St. Claire, who Adam stumbles upon after renting one of his movies. Unable to shake the reality that Daniel is a mirror image of himself, Adam becomes obsessed with him. And it only gets stranger and more challenging and confusing from there. It’s virtually impossible to tell the difference between dreams, reality, imagination, and symbolism, and why the heck spiders keep appearing. But despite the likelihood that the film will leave you in utter confusion, it’s a fascinating experience with knockout performances, an incredible score, and wonderfully creative visual design.

 

City Lights

  

Year: 1931

Director: Charlie Chaplin

Genre: Comedy, Drama, Romance

Cast: Charlie Chaplin, Virginia Cherrill, Florence Lee, Harry Myers, Al Ernest Garcia, Hank Mann, Albert Austin, Eddie Baker, Henry Bergman, Buster Brodie, Jeanne Carpenter, Tom Dempsey, James Donnelly, Ray Erlenborn, Robert Graves, Charles Hammond, Jean Harlow, Joseph Herrick, Austen Jewell, Willie Keeler, Robert Parrish John Rand, W.C. Robinson, Cy Slocum, Tony Stabenau, Mark Strong, Tiny Ward, Stanhope Wheatcroft, Florence Wix

 

A delightful film through and through, full of laughter, awe, and heartwarming goodness, but it also embraces the reality of the hard times. You can’t help but root for Charlie Chaplin’s character The Tramp. He has such a good heart and keeps finding himself a victim of circumstance, for better and worse. Virginia Cherill as his love interest is so cute and  great at playing blind. Their on-screen chemistry is special.

There is a lyrical quality to the film that uses the perfect choreography of movement and wonderful musical score to keep each scene flowing smoothly into the next. Incredible timing is needed to make the interactions work as they need to, but Chaplin is such an expert, he makes it all look easy.

There are diverse settings, and the film is chock full of gags, but one of the highlights is the boxing match. Its choreography is among the most creative of its type. And not only is that entire sequence laugh-out-loud funny, both before and during the match, it’s also thrilling and suspenseful. If you only see one Chaplin film, make it City Lights. It’s a true joy to experience.

 

COMING AND GOING

LAST CHANCE (last date to watch)

NETFLIX

July 29
Assassination (2015)

July 31
Finding Dory (2016)
Walk Hard: The Dewey Cox Story (2007)

 

AMAZON PRIME

July 19
Embrace of the Serpent

July 27
Chef

July 30
Dirty Rotten Scoundrels (1988)
The Texas Chainsaw Massacre 2 (1986)
Wild Bill (1995)

July 31
A Christmas Story (1983)
Gran Torino (2008)
The Hurt Locker (2009)

 

FILMSTRUCK

July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)

July 27
All the President’s Men (1976)
Ball of Fire (1941)
Bringing Up Baby (1938)
His Girl Friday (1940)
The Killing Fields (1984)
Rio Bravo (1959)

July 28
Night and the City (1950)

July 31
Taxi Driver (1976)

August 3
All Quiet on the Western Front (1930)
Berlin: Symphony of a Great City (1927)
Man with a Movie Camera (1929)
Marty (1955)
Network (1976)

August 4
The Discreet Charm of the Bourgeoisie (1972)
That Obscure Object of Desire (1977)
The Phantom of Liberty (1974)

August 10
The Decline of Western Civilization (1981)
Dogtooth (2009)
Magnolia (1999)
Nights of Cabiria (1957)
Rebel Without a Cause (1955)

 

JUST ARRIVED

NETFLIX

Enemy (2013)
Locke (2013)
Mary and the Witch’s Flower (2017)
Obvious Child (2014)
Room (2015)
The Rover (2014)
The Spectacular Now (2013)
The Stranger (1946)
Under the Skin (2013)

 

AMAZON PRIME

The Doors (1991)
Return to Me (2000)
Walking Tall (1973)

 

FILMSTRUCK

Gaslight (1944)
The Philadelphia Story (1940)
A Star Is Born (1954)
Two Women (1960)

 

HULU

Cold in July (2014)
The Good, The Bad, The Weird (2008)

 

COMING THIS WEEK

NETFLIX

July 20
Father of the Year—NETFLIX FILM (2018)

July 22
An Education (2009)

 

AMAZON PRIME

July 24
How to Talk to Girls at Parties (2017)

 

HULU

July 20
Embrace of the Serpent (2015)

July 25
Black Cop (2017)

 

Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

Episode 114: Incredibles 2

Posted on by thisispatch.

It took us two tries but our second attempt succeeded in producing Episode 114: Incredibles 2. We are joined by returning guest Blaine Grimes (who also joined the show for Episode 36: The Incredibles) for this conversation about Brad Bird’s action-packed, culturally relevant, family superhero extravaganza. A sequel anxiously awaited for 14 years creates a lot expectations. Hear whether we felt the film lived up to ours or not in this fun discussion.

What We’ve Been Up To – 0:02:40

(Aaron – Tag)
(Blaine – National Treasure 1 & 2)

Incredibles 2 Review – 0:11:00

The Connecting Point – 1:09:04


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MOVIE REVIEW: Incredibles 2

Posted on by Aaron White.

INCREDIBLES 2 (2018)

1 Hour and 58 Minutes (PG)

Four years before the Marvel Cinematic Universe kicked off with Iron Man, and one year before Christopher Nolan began his beloved Dark Knight Trilogy with Batman Begins, Pixar entered the genre with a bang, pow, and pop in 2004 by releasing an animated superhero team-up the likes of which audiences had never really seen before. Brad Bird’s family superhero film, The Incredibles, went on to win the Academy Award for Best Animated Feature and remains to this day the best cinematic version of Marvel’s Fantastic Four (despite not actually being a direct representation of those characters).

Now, fourteen years later, Bird is returning to the world of animation for the first time since 2007 with Incredibles 2, an animated sequel that fans have long desired. Unlike the movie landscape when Bird released his original, though, superhero films have become a powerful box office presence, with many years seeing the release of five or more. The challenge for Incredibles 2 is even bigger as it comes right on the heels of the two highest grossing superhero films of all-time: Avengers: Infinity War and Black Panther. The question of whether audiences will embrace yet another superhero film so quickly is a fair one, but I’m ecstatic to say that odds are good because Bird and Pixar have provided us with a sequel that lives up to its title and was worth the 14-year wait.

Incredibles 2 doesn’t skip a beat, picking up immediately after the ending of The Incredibles, with a brand new villain having just emerged from beneath the city and our newly bonded family of heroes poised to take on the threat. But a desire to help sometimes manifests itself in bad decisions, and the Parr’s leave the city in quite a mess while constantly trying to pass off babysitting of Jack-Jack to each other during the ensuing fight. The destruction reminds the world just how dangerous superpowers can be. Aiming to reverse this perception, Winston and Evelyn Deaver (Bod Odenkirk and Catherine Keener) approach the family and Frozone (Samuel L. Jackson) with a proposal, to make Elastigirl (Holly Hunter) the face of superhero crime fighting and use a combination of their technology and media coverage to help show the world the benefit Supers can bring. As the story goes on (at an incredibly frantic pace), it explores Mr. Incredible’s (Craig T. Nelson) jealousy of Elastigirl’s new role, introduces a new villain who enslaves through the use of video screens, and excites with flurries of extremely well-animated action.

A major side plot of the film revolves around Mr. Incredible’s attempt to become a stay-at-home father for the first time and deal with the challenges of parenthood. Two of his more difficult tasks are trying to connect with his teenage daughter Violet (Sarah Vowell) and discovering the various superhero abilities of his infant son. It’s a big change for Mr. Incredible and many viewers will relate to his experiences. As the film goes on, the familial struggles continue to be front and center, but Bird also has a lot to say about the world around us. His hilarious script is also smart and not only uses our culture’s addiction to video screens as a plot point but makes strong statements about the importance of equality and representation. Some viewers may find it a bit on the nose, but mostly these topics are all handled very subtly and never feel out of place in the narrative.

VERDICT

Reuniting with the Parr family in Incredibles 2 is a technically dazzling, joyful experience for kids and adults alike. Brad Bird’s story is culturally relevant and a lot of fun, but shines brightest when it stays grounded in the ongoing struggle of the Parr’s to find their place in the world and within their family. The Incredibles provide us with a family of heroes who we don’t just root for, but relate to, and even with the wealth of comic books films gracing movie screens in 2018, that is something special. Though it doesn’t quite reach the sharp perfection and emotional depth of its original, Incredibles 2 is the must-see animated film of the year.

Rating:

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.