Episode 375: Mission: Impossible – Rogue Nation

Continuing our immersion in the MISSION: IMPOSSIBLE franchise over a few weeks, we have a conversation about the franchise’s sixth entry, one that shines for its overall balance of high quality elements. We talk about the addition of Ilsa Faust as a mysterious friend/foe and subtle love interest, how great of an antagonist Solomon Lane and The Syndicate are, and why Ethan’s relationship with his teammates will always make this series special. Plus more, of course, because there are always crazy stunts and intricate set pieces to ooh and aah over, as well.

* Note – full spoilers in effect for entire episode *

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Episode 180: Hobbs & Shaw

This week we are a little faster than usual, and a lot more furious as we discuss the first spin-off in our beloved Fast and Furious franchise. Truth be told this is one of the least positive episodes of our show, as this film we were so very looking forward to just did not work for us, but we keep that positive honesty and talk about the things we did like, as well.

Hobbs & Shaw Review – 0:00:57

 

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MOVIE REVIEW: Hobbs & Shaw

I’m a huge, HUGE fan of the FAST AND FURIOUS series, so it doesn’t feel good to admit that HOBBS AND SHAW isn’t great. I enjoyed seeing this with my son, but the dialogue is cringe-worthy, “the feels” forced, and the action just okay. I left disappointed.


 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Hotel Artemis

HOTEL ARTEMIS (2018)

1 Hour and 34 Minutes (R)

“It’s a busy night in the Artemis.”

The setting is Los Angeles 2028, on a Wednesday (that’s important, or at least it’s repeated enough times to make you think it is). The city’s water supply has been privatized and a primary provider is cutting off access which results in the most violent riots in the city’s history. This is the backdrop for Sherman (Sterling K. Brown) and his brother’s attempt to rob a vault. But when things go south, the pair of criminals must seek medical attention in Hotel Artemis, a special membership-only resort for unsavory types. While at Artemis, Sherman runs into other various underworld characters including the dangerous and mysterious assassin Nice (Sofia Boutella), cocky and mouthy arms-dealer Acalpuco (Charlie Day), and the two caretakers of the hospital – Nurse (Jodie Foster) and Everest (Dave Bautista). Much brutal and violence in a stylized aesthetic ensues, while backed by an awesome pounding electronic Cliff Martinez score.

The best parts of Hotel Artemis sadly come only in pieces. Foster’s performance is wonderful, but like the rest of the cast her efforts are hampered by a sub-par script. Sure, there is humor that works and one-liners that result in hearty laughter, but with few exceptions the rushed character development isn’t deep enough to create the kind of emotional response the film is clearly hoping for. Likewise, the socioeconomic issue outside the hotel and the fun little futuristic tech (like freaking 3D printed organs) are never given much more than a nod either. And Jeff Goldbum’s excellent turn as the Hotel’s owner, The Wolf King of L.A., is unfortunately only a juicy cameo that also fails to pay off a major emotional turn.

The action, though, is one thing that this film has going for it throughout. It does take a bit of time to build up to, but it’s worth the wait seeing Dave Bautista and Sofia Boutella getting their fight on. Things get quite brutal and bloody, just as the tone of the film has implied they should, making for a rather exciting and enjoyable third act.

VERDICT

Fans of John Wick who go into Hotel Artemis expecting more of the same are sure to be at least somewhat disappointed. Though the film does provide some fun action and ideas, its hurried world-building and character development only hint at the potential this story has. Ultimately, Hotel Artemis offers very little that is unique or memorable, wasting a solid cast in a merely passable film that most won’t see and few who do will ever revisit.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.