Recently I made a major change to how I rate films, doing away with half-stars altogether in favor of a simplified system with only 1, 2, 3, 4, or 5 stars as an option. My hope is that by taking away the additional complication of half-stars, I will be able to more accurately rate films on the first go-around. It’s no secret that I struggle with hype and I often find myself using half-stars only to scale ratings back when the end of the year rolls around and I take another look at them. Additionally, and more importantly, I’ve come to thoroughly embrace the conversations that we have about film online in places like our Feelin’ Film Discussion Group and in person at work. What I desire is for the words in my written reviews, on my podcast, or spoken in conversation to tell you more about my feelings for a film than the number assigned to it. To that end, simplifying my ratings means if you want to understand what distinguishes films in a certain group (say my 4-star rating) from each other, you’ll have to actually read what I have to say or… gasp… ask me about them.

With this change came a mass re-rating project, and after completing that and noticing that I am 2.5 years removed from my last Top 100 list, this was the perfect opportunity to give it an update. As always is the case, gray hairs emerged during this painful process as I tried to distinguish between beloved films. As always, my list is ever-changing, but this serves as a current reflection of my personal cinematic taste – a snapshot view of the cinephile that I am at this moment in time. I hope that as you read through this list you might be able to learn a little about who I am as a person by seeing what type of stories I love the most.

Note: For the purposes of this list, any film with an asterisk (*) after it represents its series or trilogy and is only used in cases where all films of the series are rated as 5-star. The arrows and numbers after each title them are just a fun little addition that shows a film’s movement since the last edition of this list. You can see the previous editions here:

2017 Top 100
2018 Top 100

This is my list. There are many like it, but this one is mine.

• It’s not unlikely for films to enter/leave/re-enter this list, but any film that has dropped out at one point and come back on is still designated as “NEW” just to keep things simple.

Link to list on Letterboxd

Like it? Hate it? Think I’m crazy? I’d love to hear your thoughts.

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.