Episode 370: Spider-Man: Across the Spider-Verse

Our animated web slinger Miles Morales is back and this time he’s got a lot more friends, a new enemy, and some spider-frenemies too. We talk about our love for the animation, of course, how this story utilizes more of a dual protagonist structure, and the fantastic meta narrative about “canon”, among many other things (including a few nit picks). Dive into the Spider-Verse with us this week, and enjoy a great conversation.

* Note – full spoilers in effect for entire episode *

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Episode 278: Godzilla vs. Kong

Monsters go smash; we discuss.

Godzilla vs. Kong Spoiler Review – 07:29

The Connecting Point – 55:57

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

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or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

Episode 217: If Beale Street Could Talk

We are joined by two very special guests to discuss a film they consider to be one of the best of its decade. This Barry Jenkins masterful imagining of James Baldwin’s novel is a gorgeous depiction of love in early 1970s Harlem, and the painful racial and economic struggles that love must endure through. Barry Jenkins makes movies you feel, and our discussion is an emotional and powerful one in response.

If Beale Street Could Talk – 0:01:28

The Connecting Point – 1:04:48

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Episode 140: Spider-Man: Into the Spider-Verse

Let’s cut to the chase – this week we get to discuss our favorite animated film of 2018. Into the Spider-Verse isn’t just the ultimate Spider-man, it’s amazing, spectacular, and astonishing too, and provides us ample material to cover like sympathetic villains, the idea that everyone can be a superhero, and what a playground for telling diverse stories can look like going forward.

Spider-Man: Into the Spider-Verse Review – 0:01:36

The Connecting Point – 1:06:26

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Music: Going Higher – Bensound.com

Additional Music this episode: “Lord Knows / Fighting Stronger” (performed by Meek Mill, Jhené Aiko and Ludwig Göransson) and “Gonna Fly Now” (by  Ludwig Göransson)

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MOVIE REVIEW: Spider-Man: Into the Spider-Verse


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Hotel Artemis

HOTEL ARTEMIS (2018)

1 Hour and 34 Minutes (R)

“It’s a busy night in the Artemis.”

The setting is Los Angeles 2028, on a Wednesday (that’s important, or at least it’s repeated enough times to make you think it is). The city’s water supply has been privatized and a primary provider is cutting off access which results in the most violent riots in the city’s history. This is the backdrop for Sherman (Sterling K. Brown) and his brother’s attempt to rob a vault. But when things go south, the pair of criminals must seek medical attention in Hotel Artemis, a special membership-only resort for unsavory types. While at Artemis, Sherman runs into other various underworld characters including the dangerous and mysterious assassin Nice (Sofia Boutella), cocky and mouthy arms-dealer Acalpuco (Charlie Day), and the two caretakers of the hospital – Nurse (Jodie Foster) and Everest (Dave Bautista). Much brutal and violence in a stylized aesthetic ensues, while backed by an awesome pounding electronic Cliff Martinez score.

The best parts of Hotel Artemis sadly come only in pieces. Foster’s performance is wonderful, but like the rest of the cast her efforts are hampered by a sub-par script. Sure, there is humor that works and one-liners that result in hearty laughter, but with few exceptions the rushed character development isn’t deep enough to create the kind of emotional response the film is clearly hoping for. Likewise, the socioeconomic issue outside the hotel and the fun little futuristic tech (like freaking 3D printed organs) are never given much more than a nod either. And Jeff Goldbum’s excellent turn as the Hotel’s owner, The Wolf King of L.A., is unfortunately only a juicy cameo that also fails to pay off a major emotional turn.

The action, though, is one thing that this film has going for it throughout. It does take a bit of time to build up to, but it’s worth the wait seeing Dave Bautista and Sofia Boutella getting their fight on. Things get quite brutal and bloody, just as the tone of the film has implied they should, making for a rather exciting and enjoyable third act.

VERDICT

Fans of John Wick who go into Hotel Artemis expecting more of the same are sure to be at least somewhat disappointed. Though the film does provide some fun action and ideas, its hurried world-building and character development only hint at the potential this story has. Ultimately, Hotel Artemis offers very little that is unique or memorable, wasting a solid cast in a merely passable film that most won’t see and few who do will ever revisit.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.