What We Learned This Week: September 30-October 6

LESSON #1: NOT WATCHING TRAILERS HAS BEEN WORTH IT— When I presented my no-more-trailers challenge to the Feelin’ Film group after the Super Bowl in February, I took it upon myself to lead that charge.  Even as a busy critic consuming an insane volume of films, I have my personal anticipation list too just like any fan.  Damien Chazelle’s First Man topped that list for 2018, and I avoided every piece of footage before seeing it early this past week.  I have to say seeing it fresh as possible made for an incredibly rich experience, a fulfilling sensation I’ve grown to enjoy with all films since quitting the trailer habit.  I’ll echo the challenge again to say pick one film and try it. You won’t be sorry.

LESSON #2: YOU CAN’T HAVE VENOM WITHOUT SPIDER-MAN— I’m going to sound like the Comic Guy on The Simpsons wearing his flag of toxic fandom, but if you’re going to make a Venom movie to introduce the Eddie Brock villain starring a beefy Tom Hardy that looks and moves like the monstrous Spider-Man opposition he should be, you have to start with Spider-Man as well, period. Thanks to blind studio and creative hubris, an incredible character is being pushed down audience throats too soon and with zero connection.  The new film fails is a disservice to a minor icon, a missed corrective opportunity, and a damn shame for the present and future of Sony’s Spider-Man franchise potential.

LESSON #3: BRADLEY COOPER CAN DO ANYTHING— The stories behind the many talents and performances of Bradley Cooper are going to fill books one day.  The four-time Oscar nominee and Master of Arts graduate from the Actors Studio Drama School has abstained from alcohol for 14 years and counting speaks fluent French.  Those are mere footnote nuggets compared to role preparation stories of workouts and training for The A-Team and American Sniper, dance lessons for Silver Linings Playbook, and character embodiment for The Elephant Man on stage.  His latest career chapter of A Star is Born might be his most impressive effort yet, directing for the first time and diving into 18 months of vocal training and guitar lessons.  The guy’s commitment and craft are becoming off the charts.  Someday soon with some successful arm-twisting and endearment, I have a feeling we’re going to call him the best active American actor working.

LESSON #4: FAKE REVIEWS DO NOT WORK TO DETER AUDIENCES— Two oddball stories about fake film reviews floated across the wire this week.  The first goes with A Star is Born where there are reports of Lady Gaga fans pushing fake negative reviews of Venom to chop down its box office competition.  The second is even stranger with the findings of an academic study suggesting that 50% of the online hate traffic for Star Wars: The Last Jedi originated from Russian trolls and non-human bots.  I know I probably shouldn’t, but I find both of these stories to be absolutely hilarious for two reasons.  First, the lengths people will go for their fandom is staggeringly silly.  Second, it’s funny that those participants actually think these schemes will work.  If anything, the opposing diehard fans against them will only work harder to clear their good names and prove the hate wrong.  In the end, all you get is a whole bunch of digital squawking and dumb hashtags.  


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.

MOVIE REVIEW: A Star is Born


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 107: Avengers Infinity War

After 10 years and 18 films, Marvel’s ambitious, unique interconnected world of superhero films comes to this, a team-up movie the likes of which we have never seen before. Historic in its scope and in its box office success, Avengers: Infinity War is a special blockbuster and one that provides plenty to discuss. We’ve been chomping at the bit to talk about this one, its place in the MCU, and where Marvel goes from here.

Avengers: Infinity War Review – 0:02:33

The Connecting Point – 01:27:30


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MOVIE REVIEW: Avengers: Infinity War

AVENGERS: INFINITY WAR (2018)

2 Hours and 29 Minutes (PG-13)

Marvel and The Russo Brothers had a very daunting task before them. Paying off the culmination of a decade of build-up and backstory, stretching over 18 films, is a challenge unlike any studio or director in Hollywood had ever faced. And to accomplish this feat, they worked with what has to be the largest cast of known stars ever assembled for a movie. The ambition of Marvel and its commitment to the cinematic universe it pioneered is worthy of praise and respect.

If there’s one thing I was looking for in Avengers: Infinity War, it was raised stakes. Much like the comic books these films are based on (in which characters rarely die and cities are destroyed without much afterthought), Marvel films have not fully dealt with loss in a way that seems realistic. Right from the start of Infinity War, though, Marvel makes it very clear that has changed. The potential consequences of a Thanos (Josh Brolin) victory are evident and the film progresses with an emotional weight and sense of urgency that it could not have attained if the studio followed its same old formula. This also creates much more investment in characters and the worlds they inhabit, and thus pays off quite a few very moving scenes in a much bigger way. If you haven’t cried in a Marvel movie before, you’re not alone, but this may be your first. I had genuine chills a few different times. But don’t worry, that trademark Marvel humor and witty one-liners are still there and won’t have you depressed for too long at a time.

Another area that Marvel outdoes previous films in their own franchise is with Thanos himself. Make no mistake, this is his film and his story. He is a fully developed villain with more screen time than any before him, and it helps to create a character with whom the audience can both despise and yet struggle with feelings of empathy for. Brolin’s talent is very obvious in this performance despite the incredible looking CGI that encompasses him. His Thanos is not just some loud, angry, destructive villain. He is intelligent and calculating. He is nuanced. He is cold, yes, but when he gives his reasons for what he wants to do with the Infinity Stones and why, in a very warped way it makes some sense. His presence as the foil to the Avengers and Guardians gives this film something unique and memorable.

With a cast this large it is inevitable that not everyone’s favorite will have the responsibility or amount of action they hope for. The Russo’s do an admirable job of balancing these heroes, however, and somehow left me feeling satisfied. Sure, a little more backstory or deeper character moments for them all would be nice, but it’s also unrealistic to expect in a single film of this length. By managing to give everyone at least one small moment in the sun, the Russo’s succeed where I believe many would have failed. Another result of keeping most character development small is that the film moves fast, pausing a few times for majorly impactful storyline beats, but mostly cutting between different groups of heroes working to accomplish different tasks. By keeping the heroes in smaller groups, we get to feel more focused when we’re with them, and enjoy the new forms of dialogue that emerge between characters who previously had not interacted.

The action in Avengers: Infinity War is, as expected, fantastic. Seeing heroes fight together with new gear and weapons, or teaming up in ways never experienced by movie goers before, was a huge treat. In one major battle that involves a host of heroes and countless alien attackers, the Silvestri score and rising stakes create a feeling similar to that in the Battle of the Pelennor Field from The Return of the King. While Avengers: Infinity War never quite reaches that level of epic, it comes much closer than many (myself included) ever thought possible.

VERDICT

If you’re thinking that this review is a but vague, please know that is by design. Fans have waited 10 years for this and going in with as little information possible is going to result in the best viewing experience. Avengers: Infinity War isn’t entirely unpredictable, but it’s got some surprises too. The historic puzzle that the Russo Brothers have put together is nothing short of amazing and will lend itself to multiple viewings. Perhaps that’s the highest praise possible for a film of this kind, that after it finished I immediately would have sat through those 2.5+ hours again. To sum it all up, Avengers: Infinity War lived up to the hype by being both entertaining and emotional. Well done, Marvel. Well done.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 076: Silver Linings Playbook

It’s week three of our book-to-movie series here in September and in this episode we are discussing the 2012 David O. Russell adaptation of Matthew Quick’s hit novel. Silver Linings Playbook offers us a peak into lives we don’t often see on a Hollywood screen, and particularly not in a way that results in romance. We have a great time discussing how these relationships make us feel and what we might learn from them.

What We’ve Been Up To – 0:02:15

(Aaron – mother!)

Silver Linings Playbook Review – 0:11:58

The Connecting Point – 1:01:38

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Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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Episode 056: Guardians of the Galaxy Vol. 2

It’s The Fast & Furious, in spaaaaaaaace. Well, maybe not quite, but it’s close. With a strong theme of family resonating throughout, Guardians of the Galaxy Vol. 2 gives us much more to discuss than just really cool space battles (but there are plenty of those, too). The character depth here is a real strength and it’s clear that director James Gunn knows exactly the tone he’s going for. In our opinion, he mostly nails it. We have a fun conversation about this one. WE ARE GROOT.

What We’ve Been Up To – 0:01:54

(Patrick – The Way, Way Back)
(Aaron – The Hitchhiker’s Guide to the Galaxy, Psycho-Pass, La La Land)

Guardians of the Galaxy Vol. 2 Review – 0:20:26

The Connecting Point – 1:08:45

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Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!