Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.
We discuss the second winner in our Director #BattleMonth bracket, Akira Kurosawa’s 1954 epic, Seven Samurai. This marks the first time we’ve covered a film as long as this one (nearly 3.5 hours) and also our first black & white foreign film.
What We’ve Been Up To – 0:01:31
(Aaron – The Meg, BlacKkKlansman, Dog Days)
(Both – recap of bracket picks)
Seven Samurai Review – 0:24:57
The Connecting Point -1:17:15
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Music: Going Higher – Bensound.com
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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!
In a briefly belated July Donor Pick episode we discuss the time-looping alien-slaughtering action of Tom Cruise and Emily Blunt in Edge of Tomorrow.
Contact
Join the Facebook Discussion Group
Powered by RedCircle
Music: Going Higher – Bensound.com
Support us on Patreon & get awesome rewards:
or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.
Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!
This week marks the first conversation about one of our final four Director #BattleMonth winners. We were thrilled to see our listeners choose Ridley Scott’s 2000 Roman epic Gladiator and have an excellent discussion nailing down why we resonate with this story (and ones like it) so much.
What We’ve Been Up To – 0:01:22
(Aaron – Christopher Robin)
(Both – recap of bracket picks)
Gladiator Review – 0:15:29
The Connecting Point – 1:25:29
Contact
Join the Facebook Discussion Group
Powered by RedCircle
Music: Going Higher – Bensound.com
Support us on Patreon & get awesome rewards:
or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.
Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!
Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
Before I get to the highlights, a bit of news. Arthur Gordon, a fellow member of the Feelin’ Film Discussion Group on Facebook brought it to my awareness that an increasingly large number of films from indie darling studio A24 have shown up on Netflix. A bit of research has revealed that in fact, 29 of them, a full third, are now streaming on the service. Apparently, Netflix has been nabbing them as they leave Amazon Prime, which is good news for those who either don’t have Amazon Prime or hadn’t gotten a chance to see those titles yet.
This week I’m recommending a first visit or revisit to an 80s time-travel comedy cult classic, a fictional drama from the aforementioned A24 studio that offers a surprisingly emotional and heartfelt peek into the life of real-life author David Foster Wallace, and a simple yet brilliant and timeless film from a master Japanese filmmaker that drives to the heart of the father-daughter relationship.
Among the films leaving this week and in the near future from FilmStruck are a collection of titles from Luis Buñuel as well as classics such as Lumet’s Network, Fellini’s Nights of Cabiria and PTA’s Magnolia. Also, Warrior is exiting Amazon Prime August 4.
It’s a new month, so there are a host of great titles that have just been added to all streaming services, everything from old classics like Beau Geste and Touch of Evil to modern hits like the first 2/3 of The Dark Knight trilogy and Children of Men.
Year: 1989
Director: Stephen Herek
Genre: Science Fiction, Adventure, Comedy, Music
Cast: Keanu Reeves, Alex Winter, George Carlin, Dan Shor, Hal Landon Jr., Amy Stock-Poynton, Terry Camilleri, Tony Steedman, Rod Loomis, Bernie Casey, Al Leong, Jane Wiedlin, Robert V. Barron, Clifford David, J. Patrick McNamara, Frazier Bain, Diane Franklin, Kimberley Kates, William Robbins, Steve Shepherd, Anne Machette, Traci Dawn Davis
With the recent news that the duo of Keanu Reeves and Alex Winter are planning to once again joining forces to bring a third Bill and Ted movie to the big screen and with the sequel being added to FilmStruck to create one of the wildest double features the service has yet produced, now’s a great time to take a trip back to 1989 and Bill and Ted’s first, most excellent adventure. Back to when they were just two unmotivated high schoolers from San Dimas, California who are about to find out that the fate of the world rests on them passing their history class and Ted not getting shipped off to military school.
Despite the film being purely a product of its time, it remains endlessly entertaining and has earned its place as a cult favorite. Bill and Ted have the kind of charismatic chemistry with one another that you can’t help but feel good about, and the fact that they aren’t the sharpest tools in the shed only adds to their charm and hilarity, especially once it comes to interacting with historical characters such as Napoleon, Joan of Arc, and Socrates. The jokes never feel mean spirited, though. George Carlin’s presence as the level-headed straight man who needs them to succeed at their mission further elevates the comedy as well as the drama.
Year: 2015
Director: James Ponsoldt
Genre: Biography, Drama
Cast: Jason Segel, Jesse Eisenberg, Anna Chlumsky, Mamie Gummer, Joan Cusack, Ron Livingston, Mickey Sumner, Becky Ann Baker, Dan John Miller, Stephanie Cotton, Noel Fletcher, Ben Phelps, Punnavith Koy
A film that draws an incredible depth of emotion, even for those with no familiarity with David Foster Wallace or his bestselling 1,000+ page novel, Infinite Jest. Donald Margulies’ script along with James Ponsoldt’s direction provides a unique peek into Wallace’s life through the experience of former Rolling Stone writer David Lipsky. We open on Lipsky (Jesse Eisenberg) discovering that Wallace has committed suicide. We are then brought back to those final days of Wallace’s book tour when Lipsky had the opportunity to interview him for Rolling Stone.
Jason Segel’s performance as Wallace is career-defining. His appearance, mannerisms, soft-spokenness, and abundance of thought-provoking observations and self-awareness make clear that we along with Lipsky are experiencing an encounter with a specific and unique individual. Eisenberg himself is also workmanlike in his performance, subtly revealing the young Lipsky’s fragility and determination. Through their interactions together, Wallace comes across much like Solomon of old, incredibly aware of all the ways we make life meaningless, but still unable to resist its seemingly harmless pleasures and addictions.
Year: 1949
Director: Yasujirō Ozu
Genre: Drama
Cast: Chishū Ryū, Setsuko Hara, Yumeji Tsukioka, Haruko Sugimura, Hohi Aoki, Jun Usami, Kuniko Miyake, Masao Mishima, Yoshiko Tsubouchi, Yôko Katsuragi, Toyo Takahashi, Jun Tanizaki, Ichirô Shimizu, Youko Benisawa, Manzaburo Umewaka
Simple, quiet, intimate, human, brilliant. Yasujirō Ozu’s no-frills approach tells a story that drives at the heart of the relationship between fathers and their daughters through the seasons of life, the sacrifices made and the need to move on. Here we have a young woman, Noriko, played by the captivating Setsuko Hara, who is happy and content to stay home and live with her widower father Shukichi (Chishū Ryū) while he and everyone else are trying to convince her to get married. Being in a post-WWII society where arranged marriages are still common and with Noriko having a friend who married for love and still ended up getting divorced, it’s hard to fault Noriko for just wanting things to stay the same. But we all know life doesn’t work that way.
Ozu deploys a consistency and stability in his camera angles and perspectives. While his style is unique, it does not offer many surprises. His focus is on the characters and the framing which help to relay the emotion of the story he’s telling. And that story packs a wallop of a punch by the time it reaches its conclusion.
August 4
13 Assassins (2010)
August 15
The 40 Year-Old Virgin (2005)
Seeking a Friend for the End of the World (2012)
August 4
Warrior (2011)
August 3
All Quiet on the Western Front (1930)
Berlin: Symphony of a Great City (1927)
Man with a Movie Camera (1929)
Marty (1955)
The Mission (1986)
Network (1976)
August 4
The Discreet Charm of the Bourgeoisie (1972)
That Obscure Object of Desire (1977)
The Phantom of Liberty (1974)
August 10
Altered States (1980)
The Decline of Western Civilization (1981)
Dogtooth (2009)
Falling Down (1993)
Magnolia (1999)
Nights of Cabiria (1957)
Rebel Without a Cause (1955)
Them! (1954)
August 12
The Last House on the Left (1972)
August 17
The Cook, the Thief, His Wife and Her Lover (1989)
The Draughtsman’s Contract (1982)
Escape from New York (1981)
The Falls (1980)
Hairspray (1988)
A Zed & Two Noughts (1985)
August 20
Frances Ha (2012)
August 31
Across the Universe (2007)
A Beautiful Mind (2001)
The ’Burbs (1989)
Clue (1985)
Dead Man Walking (1995)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
My Left Foot: The Story of Christy Brown (1989)
Primal Fear (1996)
Rain Man (1988)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)
The Aviator (2004)
Batman Begins (2005)
Cinderella Man (2005)
The Constant Gardener (2005)
Clerks (1994)
Constantine (2005)
The Dark Knight (2008)
Eternal Sunshine of the Spotless Mind (2004)
Fear and Loathing in Las Vegas (1998)
The Game (1997)
Gran Torino (2008)
Haider (2014)
Hardcore Henry (2015)
Her (2013)
The Informant! (2009)
The Lord of the Rings: The Fellowship of the Ring (2001)
Million Dollar Baby (2004)
Out of Sight (1998)
PK (2014)
Serenity (2005)
Song of the Sea (2014)
Steel Magnolias (1989)
Touch of Evil (1958)
Beau Geste (1939)
The Blair Witch Project (1999)
Children of Men (2006)
Cold War (2018)
The Elephant Man (1980)
Freedom Writers (2007)
Frequency (2000)
High Noon (1952)
Hoosiers (1986)
The Hurt Locker (2008)
Jacob’s Ladder (1990)
Joe (2013)
The Soloist (2009)
Training Day (2001)
United 93 (2006)
The Usual Suspects (1995)
Watchmen (2009)
Deathtrap (1982)
Le Cercle Rouge (1970)
The Lusty Men (1952)
Out of the Past (1947)
Tootsie (1982)
The Wind Journeys (2009)
Before We Vanish (2017)
Black Hawk Down (2001)
Cold War (2018)
The Elephant Man (1980)
High Noon (1952)
Hoosiers (1986)
The Hunt for Red October (1990)
The Hurricane (1999)
The Hurt Locker (2008)
Jackie Brown (1997)
Jacob’s Ladder (1990)
Joe (2013)
Leaving Las Vegas (1995)
Lost in Translation (2003)
The Nasty Girl (1990)
Point Break (1991)
Shaun of the Dead (2004)
The Usual Suspects (1995)
August 3
Like Father – NETFLIX FILM (2018)
August 5
Paid In Full (2002)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
We’re here to discuss one of our most anticipated films of the year, the newest entry in Tom Cruise’s Mission: Impossible series. This film is the first to serve as a direct sequel story-wise to one before it, and also the first to feature a returning director. I know that we both are huge fans of Christopher McQuarrie’s direction in Rogue Nation and couldn’t have been happier that he was coming back. But with all this hype, expectations were high. Did it deliver? Your mission, listeners, should you choose to accept it… is to stick around and find out what we thought, after we briefly chat about the first five films, of course.
What We’ve Been Up To – 0:01:28
(Both – Mission: Impossible series)
Mission: Impossible – Fallout Review – 0:17:27
The Connecting Point – 1:17:08
Contact
Join the Facebook Discussion Group
Powered by RedCircle
Music: Going Higher – Bensound.com
Support us on Patreon & get awesome rewards:
or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.
Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
This week’s highlights include the lesser known but no less significant collaboration between Martin Scorsese, Robert De Niro, and Paul Schrader. Also, Paul King’s introduction to the world of a long beloved storybook bear. And finally, a Colombian filmmaker takes us on a dark and strange journey into the Amazon jungles of last century.
Say goodbye to Finding Dory, Jackie Brown, and 13 Assassins on Netflix, Gran Torino and The Hurt Locker on Amazon Prime, Taxi Driver and All Quiet on the Western Front on FilmStruck, and Braveheart on Hulu, all leaving very soon along with many others.
Say hello to the new August titles, such as Batman Begins and Her on Netflix, The Hurt Locker and High Noon on Amazon Prime, and Leaving Las Vegas, Lost in Translation, and Shaun of the Dead on Hulu.
Year: 1980
Director: Martin Scorsese
Genre: Drama, Biography, Sport
Cast: Robert De Niro, Joe Pesci, Cathy Moriarty, Frank Vincent, Nicholas Colasanto, Theresa Saldana, Mario Gallo, John Turturro, Joseph Bono, Frank Adonis, Charles Scorsese, Rita Bennett, Bernie Allen, Gene LeBell
A knockout, tour-de-force of filmmaking at all levels–acting, camera work, direction, script, sound design–and an unflinching biography of Jake LaMotta, a talented boxer who had greatness in his grasp, but whose self-destructive, uncontrollable bouts of lust, jealousy, and rage sent him into a downward spiral.
Michael Chapman’s groundbreaking black and white cinematography grabs your attention from the opening titles. And Scorsese wears the neorealist influences on his sleeve, particularly that of the master Italian filmmaker Luchino Visconti and his film Rocco and his Brothers. But his choices are often surprising as occasionally he will offset the intense visuals with dreamlike surrealism, complete with operatic score. The film received 8 well-deserved Oscar nominations, including Best Picture, and took home two–Film Editing and Best Actor for Robert De Niro’s transformative performance. Paul Schrader and Mardik Martin provided the intricate script. The dialogue between Jake and his brother Joey (Joe Pesci) is as densely and carefully choreographed as the many fights, in and out of the ring.
Year: 2014
Director: Paul King
Genre: Adventure, Comedy, Family, Animation
Cast: Ben Whishaw, Hugh Bonneville, Sally Hawkins, Samuel Joslin, Madeleine Harris, Julie Walters, Nicole Kidman, Jim Broadbent, Peter Capaldi, Imelda Staunton, Michael Gambon, Madeleine Worrall, Tim Downie, Matt King, Simon Farnaby, Kayvan Novak, Matt Lucas
Whether or not you’ve seen one of this year’s best films that happens to feature that lovable bear with an affinity for marmalade, let me remind you that the original is quite the treat as well. Paddington is an energetic, surprisingly funny, and heartwarming reintroduction to a beloved character and the Brown family, who takes him in to their home. Director and co-writer Paul King sets the perfect balance between absurdity and clever humor, creating a storybook world that’s just a little more fantastical than our own where no one bats an eye at a talking bear even though they’ve never seen one.
The Brown family is easy to like, each member delightfully unique in their personalities and quirks, even and maybe especially the straight-laced father Henry played by Hugh Bonneville. Alternatively, the mother Mary (Sally Hawkins) is immediately taken in by Paddington, despite his proneness to accidentally creating messes. It’s also fun to see the variety of familiar faces such as Peter Capaldi as the nosy upstairs neighbor who wants the status quo upheld and Nicole Kidman as the dastardly villain. The music is also engaging, full of energy and remarkably diverse.
Year: 2015
Director: Ciro Guerra
Genre: Adventure, Drama
Cast: Nilbio Torres, Antonio Bolivar, Brionne Davis, Jan Bijvoet, Luigi Sciamanna, Nicolás Cancino, Yauenkü Miguee
The plot of this striking film from Colombian filmmaker Ciro Guerra was inspired by the travel diaries of two South American explorers. In this story, they are two scientists separated by decades but with similar goals of finding the mysterious yakruna, a rare and sacred healing plant. The first scientist, a German named Theo von Martius (Jan Bijvoet), comes seeking a cure for his diseased body. The second, an American named Evan (Brionne Davis), intends to complete the journey Theo started.
Each end up securing the services of the same guide, the shaman Karamakate for their search into the deepest, darkest jungles of the Amazon. This bit of casting is particularly strong as the younger played by Nilbio Torres and the older by Antonio Bolívar seem like they could be the same person, though for better and worse, time has had a noticeable effect on both body and personality of the older.
The unique, remote environment and diversity in peoples rarely seen make this important viewing, but it does become quite the strange, dark, psychedelic road movie. It offers an impactful message about how society is drastically changed and long-standing culture is so quickly lost by the infiltration of outside influences, especially when that influence takes an authoritative even god-like role.
July 29
Assassination (2015)
July 31
Max Manus: Man of War (2008)
Finding Dory (2016)
Jackie Brown (1997)
Walk Hard: The Dewey Cox Story (2007)
August 4
13 Assassins (2010)
August 15
The 40 Year-Old Virgin (2005)
Seeking a Friend for the End of the World (2012)
July 27
Chef
July 30
Dirty Rotten Scoundrels (1988)
The Texas Chainsaw Massacre 2 (1986)
Wild Bill (1995)
July 31
A Christmas Story (1983)
Gran Torino (2008)
The Hurt Locker (2009)
August 1
The Club (2015)
July 27
All the President’s Men (1976)
Ball of Fire (1941)
Bringing Up Baby (1938)
His Girl Friday (1940)
The Killing Fields (1984)
Rio Bravo (1959)
July 28
Night and the City (1950)
July 31
Taxi Driver (1976)
August 3
All Quiet on the Western Front (1930)
Berlin: Symphony of a Great City (1927)
Man with a Movie Camera (1929)
Marty (1955)
The Mission (1986)
Network (1976)
August 4
The Discreet Charm of the Bourgeoisie (1972)
That Obscure Object of Desire (1977)
The Phantom of Liberty (1974)
August 10
Altered States (1980)
The Decline of Western Civilization (1981)
Dogtooth (2009)
Falling Down (1993)
Magnolia (1999)
Nights of Cabiria (1957)
Rebel Without a Cause (1955)
Them! (1954)
August 12
The Last House on the Left (1972)
August 17
The Cook, the Thief, His Wife and Her Lover (1989)
The Draughtsman’s Contract (1982)
Escape from New York (1981)
The Falls (1980)
Hairspray (1988)
A Zed & Two Noughts (1985)
August 20
Frances Ha (2012)
July 31
Braveheart (1995)
Dirty Pretty Things (2002)
Dirty Rotten Scoundrels (1988)
Hustle & Flow (2005)
Planet of the Apes (1968)
Steel Magnolias (1989)
Traffic (2000)
Amy (2015)
Bolt (2008)
An Education (2009)
The End of the Tour (2015)
Ex Machina (2014)
A Most Violent Year (2014)
Slow West (2015)
Tusk (2014)
Capote (2005)
How to Talk to Girls at Parties (2017)
Raging Bull (1980)
High Sierra (1941)
The Time Machine (1960)
Angel Heart (1987)
Black Cop (2017)
Embrace of the Serpent (2015)
July 29
Her (2013)
August 1
The Aviator (2004)
Batman Begins (2005)
Clerks (1994)
Constantine (2005)
Gran Torino (2008)
The Informant! (2009)
The Lord of the Rings: The Fellowship of the Ring (2001)
Million Dollar Baby (2004)
Steel Magnolias (1989)
August 1
The Blair Witch Project (1999)
Cold War (2018)
The Elephant Man (1980)
Freedom Writers (2007)
Frequency (2000)
High Noon (1952)
Hoosiers (1986)
The Hurt Locker (2008)
Jacob’s Ladder (1990)
Joe (2013)
The Soloist (2009)
The Usual Suspects (1995)
Watchmen (2009)
August 1
Black Hawk Down (2001)
Cold War (2018)
The Elephant Man (1980)
High Noon (1952)
Hoosiers (1986)
The Hunt for Red October (1990)
The Hurricane (1999)
The Hurt Locker (2008)
Jackie Brown (1997)
Jacob’s Ladder (1990)
Joe (2013)
Leaving Las Vegas (1995)
Lost in Translation (2003)
The Nasty Girl (1990)
Point Break (1991)
Shaun of the Dead (2004)
The Usual Suspects (1995)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
Villain Solomon Lane tells Ethan Hunt that the end he’s feared is coming and describes it as “the fallout of all [his] good intentions”. That statement could also apply to Mission: Impossible – Fallout and it’s director, the first ever to return for a second go-around in the series, Christopher McQuarrie. With this direct follow-on to the story events in Mission: Impossible – Rogue Nation, McQuarrie’s aim is clear: he is going for a home run of an action flick while attempting to marry the best parts of the series into a cohesive whole. But you know what they say about good intentions…
The impossible mission that Ethan Hunt (the ageless wizard Tom Cruise) and his crew face now is one of the more straight forward in the series. It revolves mostly around retrieving stolen plutonium to prevent terrorists from launching nuclear attacks. This is not a ground-breaking story concept by any means, but McQuarrie structures the plot in such a way that there are still plenty of smaller motivations in play along the journey while always keeping the “ticking clock” in mind. And, of course, we’re dealing with spies here so this wouldn’t be Mission: Impossible without a double-cross (or two, or three, or… you get the point). One of the biggest strengths of the film is the way in which the story borrows elements from multiple films in the series and weaves them together successfully without making the result feel recycled. There is a through-line of a very personal nature reminiscent of Mission: Impossible III, there is the aforementioned “save the entire world from destruction” big stakes, and there are some wonderfully developed team dynamics that get focused on as well. There are also quite a few callbacks to specific scenes from past movies. Though it remains interesting throughout, the one big knock on the story is how telegraphed it is. If you’ve seen a trailer for the film, you already know how this is going to go and there aren’t many surprises in store for you. Even if you managed to stay trailer free, a very early reveal robs the film of what could have been much more impactful events later on. There are also some workings of the plot that create extremely high senses of danger and emotion in the audience only to later expose that there was no reason to have those emotions in the first place.
Where McQuarrie’s good intentions do manifest into something utterly brilliant is every single one of the film’s action sequences. The film moves fast from one terrific adrenaline-pumping set piece to the next in the best of ways. Whether it’s the early on HALO jump (my personal favorite that had me holding my breath) or the hand-to-hand combat inside of a club bathroom or a motorcycle chase in heavy traffic or the well-documented insanity of Tom Cruise actually climbing onto a helicopter mid-air and then piloting it in a dogfight, the audience is left breathless and physically reeling from the practical effects and stunt work on display. Not to go unmentioned, because it’s a major contributor to these pieces, is the wonderful sound design and use of the score. At times symphonic, at others completely absent, and often just incredibly powerful pops of a bullet or punches of a fist or revs of an engine, the sound in this film greatly enhances the overall experience.
Another aspect of the series that is less frequently mentioned is its humor, and Fallout may just be the best at this. Some of the most hilarious lines come from Hunt’s team of Benji (Simon Pegg), Luther (Ving Rhames), and Director Hundley (Alec Baldwin). But the film’s most interesting relationship, between Agent Walker (Henry Cavill) and Hunt, provides plenty of laughs also, as the two spies spend the majority of their time on screen together in a battle of who has the most testosterone. The results frequently evoke a light-hearted chuckle at just the right moment to provide a brief respite from the film’s intensely driven plot. Last but not least, fan favorite British spy Ilsa Faust (Rebecca Ferguson) returns and despite seeming less important while being in more scenes, manages to ground the team in a few key emotional moments that would otherwise not have been possible.
Mission: Impossible – Fallout jumped out of the gate to critic claims of being the next action masterpiece. While it does excel in this area, and is certainly one of the decade’s best, technical achievement is not the only aspect of a great film. Fallout’s story is good, but not without hiccups. It’s unfortunate telegraphing of surprises holds it back from being truly special, though it has some tender emotional moments that help offset that small critique. Regardless, the film is a 2.5-hour high octane ride with a master of propulsive action and this generation’s biggest star, resulting in yet another fantastic entry into possibly the best spy film series of all-time. Don’t walk, run like Tom Cruise to the nearest theater and experience this summer’s best blockbuster in the loudest theater with the biggest screen you can.
Rating:
Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.
Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.
This week I’m highlighting a change of pace food-focused indie film from Jon Favreau (expiring soon), a surreal mindbender from Denis Villeneuve, and another all-time classic from Charlie Chaplin.
This month is your last chance to see Finding Dory on Netflix, Gran Torino and The Hurt Locker on Amazon Prime, and classics like His Girl Friday, Rio Bravo, and Taxi Driver on FilmStruck. Now streaming are titles such as Room, Mary and the Witch’s Flower, and The Spectacular Now on Netflix and The Philadelphia Story and the Judy Garland version of A Star Is Born on FilmStruck.
Year: 2014
Director: Jon Favreau
Genre: Adventure, Comedy, Drama
Cast: Jon Favreau, Sofía Vergara, Emjay Anthony, John Leguizamo, Scarlett Johansson, Dustin Hoffman, Oliver Platt, Bobby Cannavale, Amy Sedaris, Robert Downey Jr., Russell Peters, Chase Grimm, Will Schutze, Gloria Sandoval, Jose C. Hernandez, Alberto Salas, Alfredo Ortiz
When he’s not busy making movies or in a past life, Jon Favreau—who plays main character Carl Casper—seems to have spent a fair amount of time in the kitchen and frequenting food trucks. As writer, director, and lead actor on this picture, his love for the world of food shines through, as does his frustration with artists being told how they have to make their art and critics–professional and otherwise–putting down the art.
Casper is a head chef at a high-class restaurant in Los Angeles, but he’s fed up with being told how to make his dishes and blows up at a stuffy, influential critic both on Twitter and in person after receiving a scathing review. With his reputation now trashed and unable to make the dishes he knows would be loved, he leaves the restaurant and has to figure out what’s next for him career-wise and what to do about his relationships with his estranged son Percy (Emjay Anthony) and his ex-wife Inez (Sofia Vergara).
In all, Chef is a unique look at the classic middle age crisis but in the modern world of friendly divorces and social media, where emotions run wild, reputations are changed in a moment, and news today is gone tomorrow.
EXPIRING: Last day to watch on Amazon Prime is July 27
Year: 2013
Director: Denis Villeneuve
Genre: Thriller, Mystery
Cast: Jake Gyllenhaal, Mélanie Laurent, Sarah Gadon, Isabella Rossellini, Joshua Peace, Tim Post, Kedar Brown, Megan Mane, Misha Highstead, Alexis Uiga, Darryl Dinn, Kiran Friesen, Loretta Yu, Stephen R. Hart, Paul Stephen
Despite it being far more surreal than any of his other films Denis Villeneuve’s (Blade Runner 2049, Arrival) fingerprints can be seen all over Enemy, from pacing to atmospheric score to thematic color design. It is sublimely edited, attention-grabbing throughout, and terrifically haunting in its direction. For what it’s worth, even his use of nudity, while graphic, is limited and more artistic than titillating.
But none of it works without Jake Gyllenhaal’s performance as two radically different characters who look the same, one a professor named Adam Bell, the other a small-time actor named Daniel St. Claire, who Adam stumbles upon after renting one of his movies. Unable to shake the reality that Daniel is a mirror image of himself, Adam becomes obsessed with him. And it only gets stranger and more challenging and confusing from there. It’s virtually impossible to tell the difference between dreams, reality, imagination, and symbolism, and why the heck spiders keep appearing. But despite the likelihood that the film will leave you in utter confusion, it’s a fascinating experience with knockout performances, an incredible score, and wonderfully creative visual design.
Year: 1931
Director: Charlie Chaplin
Genre: Comedy, Drama, Romance
Cast: Charlie Chaplin, Virginia Cherrill, Florence Lee, Harry Myers, Al Ernest Garcia, Hank Mann, Albert Austin, Eddie Baker, Henry Bergman, Buster Brodie, Jeanne Carpenter, Tom Dempsey, James Donnelly, Ray Erlenborn, Robert Graves, Charles Hammond, Jean Harlow, Joseph Herrick, Austen Jewell, Willie Keeler, Robert Parrish John Rand, W.C. Robinson, Cy Slocum, Tony Stabenau, Mark Strong, Tiny Ward, Stanhope Wheatcroft, Florence Wix
A delightful film through and through, full of laughter, awe, and heartwarming goodness, but it also embraces the reality of the hard times. You can’t help but root for Charlie Chaplin’s character The Tramp. He has such a good heart and keeps finding himself a victim of circumstance, for better and worse. Virginia Cherill as his love interest is so cute and great at playing blind. Their on-screen chemistry is special.
There is a lyrical quality to the film that uses the perfect choreography of movement and wonderful musical score to keep each scene flowing smoothly into the next. Incredible timing is needed to make the interactions work as they need to, but Chaplin is such an expert, he makes it all look easy.
There are diverse settings, and the film is chock full of gags, but one of the highlights is the boxing match. Its choreography is among the most creative of its type. And not only is that entire sequence laugh-out-loud funny, both before and during the match, it’s also thrilling and suspenseful. If you only see one Chaplin film, make it City Lights. It’s a true joy to experience.
July 29
Assassination (2015)
July 31
Finding Dory (2016)
Walk Hard: The Dewey Cox Story (2007)
July 19
Embrace of the Serpent
July 27
Chef
July 30
Dirty Rotten Scoundrels (1988)
The Texas Chainsaw Massacre 2 (1986)
Wild Bill (1995)
July 31
A Christmas Story (1983)
Gran Torino (2008)
The Hurt Locker (2009)
July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)
July 27
All the President’s Men (1976)
Ball of Fire (1941)
Bringing Up Baby (1938)
His Girl Friday (1940)
The Killing Fields (1984)
Rio Bravo (1959)
July 28
Night and the City (1950)
July 31
Taxi Driver (1976)
August 3
All Quiet on the Western Front (1930)
Berlin: Symphony of a Great City (1927)
Man with a Movie Camera (1929)
Marty (1955)
Network (1976)
August 4
The Discreet Charm of the Bourgeoisie (1972)
That Obscure Object of Desire (1977)
The Phantom of Liberty (1974)
August 10
The Decline of Western Civilization (1981)
Dogtooth (2009)
Magnolia (1999)
Nights of Cabiria (1957)
Rebel Without a Cause (1955)
Enemy (2013)
Locke (2013)
Mary and the Witch’s Flower (2017)
Obvious Child (2014)
Room (2015)
The Rover (2014)
The Spectacular Now (2013)
The Stranger (1946)
Under the Skin (2013)
The Doors (1991)
Return to Me (2000)
Walking Tall (1973)
Gaslight (1944)
The Philadelphia Story (1940)
A Star Is Born (1954)
Two Women (1960)
Cold in July (2014)
The Good, The Bad, The Weird (2008)
July 20
Father of the Year—NETFLIX FILM (2018)
July 22
An Education (2009)
July 24
How to Talk to Girls at Parties (2017)
July 20
Embrace of the Serpent (2015)
July 25
Black Cop (2017)
Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.
