MOVIE REVIEW: Widows


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: November 1-7

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

In honor of this month being FilmStruck’s swan song, I am setting my spotlight on their rich catalog of films while I still can. But brace yourself. This week it’s going to get dark.


STREAMING PICKS OF THE WEEK


Elevator to the Gallows

 

Year: 1958

Director: Louis Malle

Genre: Crime, Drama, Thriller

Cast: Jeanne Moreau, Maurice Ronet, Georges Poujouly, Yori Bertin, Lino Ventura, Iván Petrovich, Elga Andersen, Jean Wall, Gérard Darrieu, Micheline Bona, Charles Denner, Félix Marten, Hubert Deschamps, Jacques Hilling, Marcel Journet, François Joux, Jean-Claude Brialy, Gisèle Grandpré

A predecessor to the coming French new wave, Elevator to the Gallows is a remarkable piece of nuanced French film-noir from first-time filmmaker Louis Malle that is enhanced even further with a pitch-perfect Miles Davis score. The striking opening shot of Jeanne Moreau’s eyes with everything else concealed in shadow is a bold start to the filmmaker’s career. The film opens on Florence (Moreau) and Julien (Maurice Ronet), lovers separated by two ends of a telephone call, conspiring to kill so they can be free to be together. Suffice it to say, things don’t go according to plan. The contemplative jazz score enhances our insight into the emotional state of the characters, especially that of Florence as she walks the streets in silence, lost in her thoughts as she searches for her missing lover,

What’s somewhat surprising is that the film isn’t content to be a mere thriller, though there is tension to be found. Malle’s interest is in more of a psychological exploration, a character study, not only of our two primary lovers, but also the younger pair of lovers, Louis (Georges Poujouly) and Véronique (Yori Bertin). They express the volatility, unpredictability, and naivete of youth, Their actions create a case of mistaken identity that not only finds themselves helplessly trapped but also traps Julien and Florence. Both couples have committed themselves to evil. But neither being spontaneous nor planning every detail gives either one what they want.


The Passion of Joan of Arc

Year: 1928

Director: Carl Theodor Dreyer

Genre: Biography, Drama, History

Cast: Maria Falconetti, Eugene Silvain, André Berley, Maurice Schutz, Antonin Artaud, Michel Simon, Jean d’Yd, Louis Ravet, Armand Lurville, Jacques Arnna, Alexandre Mihalesco, Léon Larive, Jean Aymé, Gilbert Dacheux, Gilbert Dalleu, Paul Delauzac, Dimitri Dimitriev, Fournez-Goffard, Henri Gaultier, Paul Jorge, Marie Lacroix, Henri Maillard, Raymond Narlay

Carl Theodor Dreyer’s passionate portrayal of Joan of Arc’s famous trial has been heralded as one of the all-time classics of the silent era, and it’s easy to see why. Perhaps not until 89 years later with the release of Darren Aronofsky’s mother! would a woman’s face so consume the screen of a film. Through Joan’s Passion, so named for its similarities to the trial and crucifixion of Jesus, Dreyer presents a critique of the state church. A Church not just willing but with the power and obligation to torture and execute those deemed heretics.

Renée Jeanne Falconetti (aka Maria) as Joan is a constant presence. Dreyer uses extreme close-ups throughout to bring us intimately into her experience, as barely seconds go by without her tear-streaked, emotionally-strained face filling the screen. And when it’s not her face, it’s often one of her oppressor’s, so we as the audience more directly feel the weight of oppression as well. At times, Dreyer’s film is quite shocking, such as the threats of the torture chamber, Joan’s bloodletting–surprise, it’s real, not an effect, and the burning at the stake itself, which manages to be powerful despite not showing a lot of detail.

Were it not for the young Jean Massieu (Antonin Artaud) who tries with great compassion to help Joan out of and through her fate, the misery might be unbearable. But he is a reminder that every little bit of good we can do helps.


Night and Fog

  

Year: 1955

Director: Alain Resnais

Genre: Documentary, Short, History

Cast: Michel Bouquet, Reinhard Heydrich, Heinrich Himmler, Adolf Hitler, Julius Streicher

One of the most artful and moving documentaries ever created. It’s as much of a slow burn as a 32-minute documentary about the horrors of the Holocaust can be. Alain Resnais infuses a general sense of dread even when nothing shocking is occurring or when the most shocking thing is a Nazi walking by in an apparent good mood. The way he uses generally happy, even playful music reminds us we are in more pleasant times now, but when he keeps using it even when it stands in stark contrast to the horrific images being displayed, it creates unsettling internal tension in the viewer.

Combined with the narration that briefly touches on the unspeakable horrors before shifting the perspective and forcing the viewer to evaluate their own attitudes and assumptions, an uncomfortable yet poignant experience is established that will not be shaken. And the timeless message of the closing monologue along with the now peaceful images it’s spoken over declare a warning against complacency and are one of the most powerful and effective of their kind.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

November 3
The House of Small Cubes (2008)

November 4
A Pigeon Sat on a Branch Reflecting on Existence (2014)

November 6
Europa Report (2013)

November 11
Anna Karenina (2012)

November 15
Paddington (2014)

AMAZON PRIME

November 1
Morris from America (2016)

November 7
Into the Forest (2015)
Krisha (2015)

November 11
Green Room (2015)

FILMSTRUCK

November 2
Alphaville (1965)
Army of Shadows (1969)
Bob le Flambeur (1956)
The Bridge on the River Kwai (1957)
Le Trou (1960)
Libeled Lady (1936)

November 9
The Big Sleep (1946)
Dark Passage (1947)
Dogville (2003)
Petulia (1968)
To Have and Have Not (1944)

November 16
The Asphalt Jungle (1950)
Let There Be Light (1946)
The Maltese Falcon (1941)
The Treasure of the Sierra Madre (1948)

November 29
Everything else

JUST ARRIVED

NETFLIX

Animal House (1978)
Cape Fear (1991)
Children of Men (2006)
Close Encounters of the Third Kind (1977)
Cloverfield (2008)
Doctor Strange (2016)
Dracula (1992)
The English Patient (1996)
Eternal Sunshine of the Spotless Mind (2004)
Fearless (2006)
Filmworker (2017)
From Dusk Till Dawn (1996)
Ghostbusters (1984)
Good Will Hunting (1997)
The Raid (2011)
Shirkers (2018)
United 93 (2006)

AMAZON PRIME

Badlands (1973)
The Ballad of Cable Hogue (1970)
The Birdcage (1996)
The Black Stallion (1979)
Brewster McCloud (1970)
Dead Ringers (1988)
Duck, You Sucker (1971)
Excalibur (1981)
GoldenEye (1995)
It’s a Wonderful Life (1946)
Licence to Kill (1989)
Michael Clayton (2007)
My Girl (1991)
Triangle (2009)
You Were Never Really Here (2017)

FILMSTRUCK

The Body Snatcher (1945)
Cat People (1942)
Day for Night (1973)
The Headless Woman (2008)
The Leopard Man (1943)
The Picture of Dorian Gray (1945)

HULU

Title (year)


COMING THIS WEEK

NETFLIX

November 2
The Other Side of the Wind–NETFLIX FILM (2018)

November 4
Pirates of the Caribbean: At World’s End (2007)

AMAZON PRIME

November 2
Wonder (2017)

November 3
Kick-Ass (2010)

HULU

November 2
Wonder (2017)

November 3
Kick-Ass (2010)

November 7
Europa Report (2013)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

Episode 133: Upgrade

To celebrate Halloween, we’re covering this 2018 sci-fi action thriller with horror elements to it. We love a good exploration of how humans interact with new technology and Leigh Whannell’s UPGRADE gives us not only plenty to ponder but an entertaining, kick-ass delivery system for its big ideas. This is a fun conversation and one that had us asking ourselves some tough questions. Enjoy!

Upgrade Review – 0:01:47

The Connecting Point – 0:54:20


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Music: Going Higher – Bensound.com

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

You Should Be Watching: October 25 – November 1

Back after a brief hiatus, welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Florida Project

Year: 2017

Director: Sean Baker

Genre: Drama

Cast: Brooklynn Prince, Bria Vinaite, Willem Dafoe, Valeria Cotto, Christopher Rivera, Mela Murder, Caleb Landry Jones, Aiden Malik, Macon Blair, Sabina Friedman-Seitz, Karren Karagulian, Sandy Kane, Carl Bradfield, Gary B. Gross, Sonya McCarter, Josie Olivo, Rosa Medina, Perez Jasineia, Ramos Kit 

Sean Baker’s spotlight on the world of the hidden homeless, filled with shockingly authentic performances and focused specifically on the children, is conflicting to experience. It’s the joy and wonder of kids being happy-go-lucky and saying the darndest things despite being surrounded by poverty, but they’re kids who are also often heavily influenced by crass and insensitive parents who are not necessarily the best of role models, so you’ll also hear them spouting obscenities towards others that show extreme disrespect. Of course, they’re just mimicking, they rarely have ill will toward anyone.

It’s easy to be angry at the parents in this film, specifically Halley (Bria Vinaite), for her unethical behavior and horrible influence on her daughter Moonee (Brooklynn Prince). But you also can’t help but feel sad for her desperate condition and whatever history she’s had that led to her being in it. Willem Dafoe’s tremendously understated performance as the compassionate, good guy hotel manager is the emotional bridge we need to connect with these people. He’s a responsible manager, but he also cares about these people under his care.

That’s the power of this film. It’s a window into a fragile, vulnerable people who have fallen through the cracks of society. It’s an appreciation that children are resilient and can find and bring joy to hopeless circumstances. And despite law and order needing to be kept, it’s a plea for compassion over condemnation.


The Impossible


FREE WITH ADS

Year: 2012

Director: J. A. Bayona

Genre: Drama, History, Thriller

Cast: Naomi Watts, Ewan McGregor, Tom Holland, Samuel Joslin, Oaklee Pendergast, Marta Etura, Sönke Möhring, Geraldine Chaplin, Ploy Jindachote, Jomjaoi Sae-Limh, Johan Sundberg, Jan Roland Sundberg, La-Orng Thongruang, Tor Klathaley, Douglas Johansson, John Albasiny, Gitte Witt

This is ostensibly a typhoon disaster movie, but unlike the majority of films in that genre, this is based on a true story. And as such, director J. A. Bayona’s intention seems to be to strip away any element of fun from the watching and replace it with overwhelming shock and horror and ultimately compassion as the family we’ve just started to get to know with Ewan McGregor playing the father and Naomi Watts the mother are brutally battered and separated from one another by the rushing waters and debris.

Watching this film, you feel every bit of misery the characters carry. There’s the physical misery as in the case of the wife and mother Maria, who is constantly in danger of losing her leg or worse. There’s also the emotional anguish of her son Lucas. Played by a supremely talented young Tom Holland (Spider-Man: Homecoming), he carries the film and is its emotional center. As far as Lucas knows, his father and brother died in the typhoon, so he’s out of his mind desperate not to lose his mother too. In the midst of horror, it’s beautiful to watch him learn to take that compassion and desire and turn it outwards to try to help all the other people desperate to find their loved ones.


Certified Copy

  

Year: 2010

Director: Abbas Kiarostami

Genre: Drama, Romance

Cast: Juliette Binoche, William Shimell, Jean-Claude Carrière, Agathe Natanson, Gianna Giachetti, Adrian Moore, Angelo Barbagallo, Andrea Laurenzi, Filippo Trojano, Manuela Balsinelli

Iranian director Abbas Kiarostami has an uncanny ability to weave of reality and fiction together and to challenge the viewer’s understanding of both. Watching this film feels like cinematic sleight of hand. On the surface, Certified Copy feels like an alternative version of Richard Linklater’s Before Trilogy, but while the latter is content to present an imitation of reality, the former thrives on manipulating our very perception of it.

English author James Miller (William Shimell) is in Tuscany touring his new book, also titled Certified Copy. While there, he encounters French antiques dealer Elle (Juliette Binoche) and they end up spending an afternoon together driving through the surrounding countryside and walking through the villages, finding themselves having deep philosophical conversations that force them to come face to face with the emotional baggage they’ve long been carrying. The deeper they go, the more they connect, the more they argue, the more intimate they become with their thoughts and feelings and emotions, the more reality becomes blurred as to what their relationship actually is to one another.

Kiarostami’s direction is brilliant, making full use of his environment, angles, props, and amazing production design to enhance the emotional beats and themes. Shimell gives a strong performance, but he is mostly stoic throughout. Binoche, on the other hand, covers a wide range of emotions, and she doesn’t hesitate to act flustered, hopeful, angry, coy, or passionate as her character is at a particularly volatile and vulnerable time in her life.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

October 27
Bridget Jones’s Baby (2016)

October 31
The African Queen (1951)
Amélie (2001)
Hellboy II: The Golden Army (2008)
Jurassic Park I-III (1993, 1997, 2001)
The Land Before Time (1988)
Oculus (2013)
The Reader (2008)

November 4
A Pigeon Sat on a Branch Reflecting on Existence (2014)

AMAZON PRIME

October 30
The Green Butchers (2003)
Leaving Las Vegas (1995)
Mad Max (1979)
Thief (1981)

October 31
Barfly (1987)
Bull Durham (1988)
Children of Men (2006)
Eight Men Out (1988)
The Elephant Man (1980)
Fearless (2006)
Full Metal Jacket (1987)
Ghostbusters I & II (1984, 1989)
High Noon (1952)
Jacob’s Ladder (1990)
Jaws (1975)
The Monster Squad (1987)
Sleepless in Seattle (1993)
Sneakers (1992)
There Will Be Blood (2007)
United 93 (2006)
The Usual Suspects (1995)

FILMSTRUCK

October 26
Barry Lyndon (1975)
Ace in the Hole (1951)
Aguirre: The Wrath of God (1972)
Footlight Parade (1933)
Gold Diggers of 1933 (1933)
Guys and Dolls (1955)
Lawrence of Arabia (1962)
Some Like It Hot (1959)
Stalag 17 (1953)
A Streetcar Named Desire (1951)
Sunset Boulevard (1950)
Tabu (2012)
What’s Up, Doc? (1972)
Witness for the Prosecution (1957)

October 31
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

November 2
Alphaville (1965)
Army of Shadows (1969)
Bob le Flambeur (1956)
The Bridge on the River Kwai (1957)
Le Trou (1960)
Libeled Lady (1936)

November 9
The Big Sleep (1946)
Dark Passage (1947)
Dogville (2003)
Petulia (1968)
To Have and Have Not (1944)

November 16
The Asphalt Jungle (1950)
Let There Be Light (1946)
The Maltese Falcon (1941)
The Treasure of the Sierra Madre (1948)

HULU

October 31
13 Going on 30 (2004)
28 Weeks Later (2007)
Babe (1995)
Barfly (1987)
Bull Durham (1988)
Eight Men Out (1988)
The Elephant Man (1980)
High Noon (1952)
Jackie Brown (1997)
Point Break (1991)
Rabbit Hole (2010)
Rescue Dawn (2006)
The Rock (1996)
Sixteen Candles (1984)
Sleepers (1996)
Spaceballs (1987)
There Will Be Blood (2007)
This Is Spinal Tap (1984)
Unbreakable (2000)
Witness (1985)


JUST ARRIVED

NETFLIX

God Knows Where I Am (2016)
The Night Comes for Us (2018)

AMAZON PRIME

12 Angry Men (1957)
Bend It Like Beckham (2002)
The Big Country (1958)
A Bridge Too Far (1977)
Devil (2010)
Donnie Darko (2001)
A Fish Called Wanda (1988)
Man from Reno (2015)
The Proposition (2005)
A Street Cat Named Bob (2016)

FILMSTRUCK

The Americanization of Emily (1964)
Billy Budd (1962)
The Candidate (1972)
The Curse of Frankenstein (1957)
Dial M for Murder (1954)
Dracula (1958)
I Walked with a Zombie (1943)

HULU

Burn (2012)
Ever After (1998)
Ghost Stories (2017)
Janis: Little Girl Blue (2015)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

Episode 132: Halloween (2018)

With Patrick away on a cruise, Aaron is joined by Reed and Nathan from The Fear of God Podcast to discuss the new sequel to John Carpenter’s 1978 classic that helped create the slasher genre as we know it today.

Halloween Review – 0:05:13

The Connecting Point – 1:01:30


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Join the Facebook Discussion Group

 Download This Episode


Music: Going Higher – Bensound.com

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Halloween


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: October 4-10

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Conjuring

Year: 2013

Director: James Wan

Genre: Horror, Mystery, Thriller

Cast: Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston, Mackenzie Foy, Joey King, Shanley Caswell, Kyla Deaver, Hayley McFarland, Shannon Kook, John Brotherton, Sterling Jerins, Joseph Bishara, Marion Guyot, Morganna Bridgers, Amy Tipton, Zach Pappas, Rose Bachtel, James D. Nelson

What’s October without a horror recommendation? James Wan’s The Conjuring, which launched a whole new horror-verse, is like a big budget version of the wildly popular Paranormal Activity, which set off its own series. Wan draws out a similar trepidation, tension, and terror but with a more fully fleshed out world and mythology. The central characters, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) are paranormal investigators and demonologists based loosely on a real life couple and case. They are invited to investigate the paranormal events haunting the Perron family. Ron Livingston plays the father Roger and Lili Taylor his wife Carolyn. They have recently moved into an old farmhouse along with their 5 daughters. They each see, hear, and experience an unexplainable presence, at times seemingly innocent and others expressing frightening malevolence.

In addition to the Warrens’ character development both as individuals and as a couple, this film’s strength builds through its underlying dread, lightened only by the many cuts from night to daytime, representing the passing of another night and a hopeful return to safety until night falls again. There’s an inescapable sense of entrapment as plausible reasons why the family doesn’t move away enhance the dread even more. In a world that wants to pretend nothing exists beyond the physical, The Conjuring exists to remind us that there might just be more to the supernatural world than we realize.


Polytechnique

        

Year: 2009

Director: Denis Villeneuve

Genre: Crime, Drama, History

Cast: Maxim Gaudette, Sébastien Huberdeau, Karine Vanasse, Evelyne Brochu, Martin Watier, Johanne-Marie Tremblay, Natalie Hamel-Roy, Pierre-Yves Cardinal, Pierre Leblanc, Francesca Barcenas, Ève Duranceau

Following a nine-year gap after his sophomore effort, the yet unknown Denis Villeneuve directed this masterful and terrifying dramatization of the Montreal Massacre, a 1989 school shooting that based on the emotional weight of this film seems to have had a profound effect on him. It bleeds pain, terror, and sadness. Even at this early stage of his career, the fingerprints of his trademark style are evident–gorgeous, slow-paced cinematography, matching ominous music, mysterious characters, and brooding drama punctuated by intense, realistic violence.

Minimal dialogue means the actors have to show not tell the nightmare they are experiencing or in the case of the killer, enacting. Villeneuve’s tight focus on individual characters in the moment enables the viewer to intimately feel the experience. We are sickened by the evil heart of the shooter, saddened at the hurtful comments one of the female victims receives, and shocked at the sudden cold, brutal, Terminator-like violence of the killer as we reel in disbelief that there is no one to stop him.


Ball of Fire

Year: 1941

Director: Howard Hawks

Genre: Comedy, Romance

Cast: Gary Cooper, Barbara Stanwyck, S.Z. Sakall, Henry Travers, Oskar Homolka, Tully Marshall, Leonid Kinskey, Richard Haydn, Aubrey Mather, Dana Andrews, Allen Jenkins, Elisha Cook Jr., Aldrich Bowker, Dan Duryea, Ralph Peters, Kathleen Howard, Mary Field, Charles Lane, Charles Arnt 

Not just screwball comedy. Howard Hawks creatively infuses romance and borderline noir drama with major chemistry between Gary Cooper and Barbara Stanwyck who play Professor Bertram Potts and nightclub performer Katherine “Sugarpuss” O’Shea. Stanwyck practically takes the lead as she plays Sugarpuss with cool confidence, largely in control. An air of tension is established with never knowing for sure if her demonstrated feelings for Professor Potts are genuine. She is very convincing no matter what her intentions are. Cooper, while obviously intelligent, is delightfully awkward as Potts, trying to resist Sugarpuss’ advances.

Hawks uses many unique & memorable ideas & visuals, such as Sugarpuss stepping up on the books for some yum-yum, a wet washcloth bit, crazy amounts of obscure slang, Potts talking to Sugarpuss’ “Daddy”, and the whole initial setup of 8 professors living together for a multi-year project to create a definitive encyclopedia. The ending is also really clever as it makes use of the unique characteristics of each of the professors.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

October 5
The Beauty Inside (2015)
The BFG (2016)

October 7
Kubo and the Two Strings (2016)

October 13
The Babadook (2014)

October 14
Seven Pounds (2008)

October 16
Donnie Darko (2001)

October 21
The Secret Life of Pets (2016)

October 24
Big Eyes (2014)
Queen of Katwe (2016)

October 27
Bridget Jones’s Baby (2016)

AMAZON PRIME

October 15
The Fits (2016)

October 16
Louder Than Bombs (2016)

FILMSTRUCK

October 5
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
White Heat (1949)

October 12
The Hunchback of Notre Dame (1939)

October 19
Casa de Lava (1994)
Cat on a Hot Tin Roof (1958)

October 26
Barry Lyndon (1975)
Ace in the Hole (1951)
Aguirre: The Wrath of God (1972)
Footlight Parade (1933)
Gold Diggers of 1933 (1933)
Guys and Dolls (1955)
Lawrence of Arabia (1962)
Some Like It Hot (1959)
Stalag 17 (1953)
A Streetcar Named Desire (1951)
Sunset Boulevard (1950)
Tabu (2012)
What’s Up, Doc? (1972)
Witness for the Prosecution (1957)

October 31
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

HULU

October 31
13 Going on 30 (2004)
28 Weeks Later (2007)
Babe (1995)
Barfly (1987)
Bull Durham (1988)
Eight Men Out (1988)
The Elephant Man (1980)
High Noon (1952)
Jackie Brown (1997)
Point Break (1991)
Rabbit Hole (2010)
Rescue Dawn (2006)
The Rock (1996)
Sixteen Candles (1984)
Sleepers (1996)
Spaceballs (1987)
There Will Be Blood (2007)
This Is Spinal Tap (1984)
Unbreakable (2000)
Witness (1985)


JUST ARRIVED

NETFLIX

The Green Mile (1999)
Life of Brian (1979)
Black Dynamite (2009)
Blade (1998)
Blade II (2002)
Blazing Saddles (1974)
Empire Records (1995)
Hold the Dark (2018)
Mystic River (2003)
The NeverEnding Story (1984)
Once Upon a Time in America (1984)
Pee-wee’s Big Adventure (1985)
Robin Hood: Prince of Thieves (1991)
The Shining (1980)
V for Vendetta (2005)

AMAZON PRIME

Bitter Moon (1992)
Carrie (1976)
Election (1999)
Hoop Dreams (1994)
A Fistful of Dollars (1964)
For a Few Dollars More (1965)
Full Metal Jacket (1987)
The General (1998)
Galaxy Quest (1999)
Gods and Monsters (1998)
House of Usher (1960)
How to Succeed in Business Without Really Trying (1967)
The Illusionist (2006)
Let Me In (2010)
Mulholland Drive (2001)
Raging Bull (1980)
The Return of the Living Dead (1985)
RoboCop (1987)
Saving Face (2004)
Starship Troopers (1997)
The Strangers (2008)
To Sleep with Anger (1990)
Trees Lounge (1996)
The Untouchables (1987)
Wild Bill (2011)

FILMSTRUCK

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

HULU

American Psycho (2000)
Bitter Moon (1992)
Cinderella Man (2005)
Closer (2004)
Dheepan (2015)
Election (1999)
Frida (2002)
Galaxy Quest (1999)
Gods and Monsters (1998)
Guess Who’s Coming to Dinner (1967)
Insomnia (2002)
Mulholland Drive (2001)
The Music Never Stopped (2011)
The Nightmare Before Christmas (1993)
The Others (2001)
Platoon (1986)
[REC] (2007)
Raging Bull (1980)
RBG (2018)
RoboCop (1987)
Starship Troopers (1997)
Trees Lounge (1996)
Wild Bill (2011)


COMING THIS WEEK

NETFLIX

October 5
Malevolent – NETFLIX FILM (2018)
Private Life – NETFLIX FILM (2018)

October 10
22 July – NETFLIX FILM (2018)

AMAZON PRIME

October 6
A Prayer Before Dawn (2017)

October 11
Monster’s Ball (2001)
The Strangers: Prey at Night (2018)

HULU

October 6
Lowlife (2017)
Pyewacket (2018)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

MOVIE REVIEW: Venom


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Bad Times at the El Royale

 


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.