Episode 120: Mission: Impossible – Fallout

We’re here to discuss one of our most anticipated films of the year, the newest entry in Tom Cruise’s Mission: Impossible series. This film is the first to serve as a direct sequel story-wise to one before it, and also the first to feature a returning director. I know that we both are huge fans of Christopher McQuarrie’s direction in Rogue Nation and couldn’t have been happier that he was coming back. But with all this hype, expectations were high. Did it deliver? Your mission, listeners, should you choose to accept it… is to stick around and find out what we thought, after we briefly the first five films, of course.

What We’ve Been Up To0:01:28

(Both – Mission: Impossible series)

Mission: Impossible – Fallout  Review – 0:17:27 

The Connecting Point – 1:17:08


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Music: Going Higher – Bensound.com

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MOVIE REVIEW: Mission: Impossible – Fallout

MISSION: IMPOSSIBLE – FALLOUT (2018)

2 Hours and 27 Minutes (R)

Villain Solomon Lane tells Ethan Hunt that the end he’s feared is coming and describes it as “the fallout of all [his] good intentions”. That statement could also apply to Mission: Impossible – Fallout and it’s director, the first ever to return for a second go-around in the series, Christopher McQuarrie. With this direct follow-on to the story events in Mission: Impossible – Rogue Nation, McQuarrie’s aim is clear: he is going for a home run of an action flick while attempting to marry the best parts of the series into a cohesive whole. But you know what they say about good intentions…

The impossible mission that Ethan Hunt (the ageless wizard Tom Cruise) and his crew face now is one of the more straight forward in the series. It revolves mostly around retrieving stolen plutonium to prevent terrorists from launching nuclear attacks. This is not a ground-breaking story concept by any means, but McQuarrie structures the plot in such a way that there are still plenty of smaller motivations in play along the journey while always keeping the “ticking clock” in mind. And, of course, we’re dealing with spies here so this wouldn’t be Mission: Impossible without a double-cross (or two, or three, or… you get the point). One of the biggest strengths of the film is the way in which the story borrows elements from multiple films in the series and weaves them together successfully without making the result feel recycled. There is a through-line of a very personal nature reminiscent of Mission: Impossible III, there is the aforementioned “save the entire world from destruction” big stakes, and there are some wonderfully developed team dynamics that get focused on as well. There are also quite a few callbacks to specific scenes from past movies. Though it remains interesting throughout, the one big knock on the story is how telegraphed it is. If you’ve seen a trailer for the film, you already know how this is going to go and there aren’t many surprises in store for you. Even if you managed to stay trailer free, a very early reveal robs the film of what could have been much more impactful events later on. There are also some workings of the plot that create extremely high senses of danger and emotion in the audience only to later expose that there was no reason to have those emotions in the first place.

Where McQuarrie’s good intentions do manifest into something utterly brilliant is every single one of the film’s action sequences. The film moves fast from one terrific adrenaline-pumping set piece to the next in the best of ways. Whether it’s the early on HALO jump (my personal favorite that had me holding my breath) or the hand-to-hand combat inside of a club bathroom or a motorcycle chase in heavy traffic or the well-documented insanity of Tom Cruise actually climbing onto a helicopter mid-air and then piloting it in a dogfight, the audience is left breathless and physically reeling from the practical effects and stunt work on display. Not to go unmentioned, because it’s a major contributor to these pieces, is the wonderful sound design and use of the score. At times symphonic, at others completely absent, and often just incredibly powerful pops of a bullet or punches of a fist or revs of an engine, the sound in this film greatly enhances the overall experience.

Another aspect of the series that is less frequently mentioned is its humor, and Fallout may just be the best at this. Some of the most hilarious lines come from Hunt’s team of Benji (Simon Pegg), Luther (Ving Rhames), and Director Hundley (Alec Baldwin). But the film’s most interesting relationship, between Agent Walker (Henry Cavill) and Hunt, provides plenty of laughs also, as the two spies spend the majority of their time on screen together in a battle of who has the most testosterone. The results frequently evoke a light-hearted chuckle at just the right moment to provide a brief respite from the film’s intensely driven plot. Last but not least, fan favorite British spy Ilsa Faust (Rebecca Ferguson) returns and despite seeming less important while being in more scenes, manages to ground the team in a few key emotional moments that would otherwise not have been possible.

VERDICT

Mission: Impossible – Fallout jumped out of the gate to critic claims of being the next action masterpiece. While it does excel in this area, and is certainly one of the decade’s best, technical achievement is not the only aspect of a great film. Fallout’s story is good, but not without hiccups. It’s unfortunate telegraphing of surprises holds it back from being truly special, though it has some tender emotional moments that help offset that small critique. Regardless, the film is a 2.5-hour high octane ride with a master of propulsive action and this generation’s biggest star, resulting in yet another fantastic entry into possibly the best spy film series of all-time. Don’t walk, run like Tom Cruise to the nearest theater and experience this summer’s best blockbuster in the loudest theater with the biggest screen you can.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 103: Ready Player One

It’s time to enter the OASIS! This week we were so excited to drop our new episode that we bumped up the release date because we’ve been anxiously awaiting this film ever since it was announced.We’re talking Steven Spielberg’s adaptation of Ernest Cline’s sci-fi novel, Ready Player One. We have a joyful conversation and also discuss some of the criticisms we’ve heard. Enjoy, gunters! 

What We’ve Been Up To – 0:02:57

(Aaron – The Hunger Games Quadrilogy & “Making Of” Documentaries)
(Patrick – Krypton)

Ready Player One Review – 0:17:22

The Connecting Point – 1:28:58


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Download this Episode 


Music: Going Higher – Bensound.com

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or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Ready Player One

READY PLAYER ONE (2018)

GOING IN

When you’ve read a book five times, purchased copies of it to give away, and sung its praises from the rooftops for almost 7 years, there are two major feelings you get when a movie adaptation is announced. First, you get incredibly excited (especially when it’s going to be directed by Steven freaking Spielberg), and second, you get incredibly nervous. Author Ernest Cline’s involvement in writing the script offers hope that any changes will be consistent in tone with the original work, but any time a piece of art/entertainment is so close to your heart it results in a battle to keep expectations in check.

2 Hours and 20 Minutes Later.

COMING OUT
Remember back to the time you saw an epic blockbuster film for the first time. Maybe it was Star Wars. Maybe it was Jurassic Park. Maybe it was The Avengers. Whatever the film was, it left you in awe of what movies could be. It transported you to some new world that you wanted to inhabit. It was an experience unlike any you’d had. Most likely, you would have gladly sat right in that same seat and started watching it again the moment it ended.

For the generations of people who grew up as gamers, movie, music, and TV lovers, and general pop culture addicts… Ready Player One is next in line. This is that film for you.

It was probably foolish to distrust Steven Spielberg in the first place, but we all make mistakes. Instead of disappointment, he delivered something wholly unique and special. The screenplay by Zak Penn and Ernest Cline is incredible. At the risk of using hyperbole, this might be the second best adaptation of a book that I’ve ever seen, and it’s not because the story is portrayed exactly as it is on the page. In fact, it’s the opposite. The film still follows Wade Watts (Tye Sheridan)/Parzival as he searches for James Halliday’s Easter egg inside of the OASIS. Parzival’s best friend Aech (Lena Waithe) and rival/love interest Art3mis (Olivia Cooke) are also looking for the egg, and the three try desperately to stay ahead of the evil Nolan Sorrento (Ben Mendelsohn) and IOI Corporation, who wants control of the OASIS and seeks to monetize it through advertisements and subscription plans. So, the general flow of the book’s narrative remains the same, yet getting from point A to point B happens in much different ways. The brilliance of it all is that the story has been modernized. It is updated with current gen gaming and pop culture references galore, while retaining many of the 80’s story beats and nostalgia that made it so beloved in the first place. There are even references to older films such It’s A Wonderful Life and Citizen Kane. The updated way in which this script remembers classics is truly something special and it results in two different versions of the same story – which fans of all ages can now love.

Visually, Ready Player One is a staggering achievement. Transitioning from the CGI world to the one on film is nearly flawless, and the visual effects of the OASIS itself and what takes place inside of it is mind blowingly good. This is a film that truly does demand an IMAX viewing (or five). It is wonderful to look at but it is also accompanied by an incredible score from Alan Silvestri. Utilizing many classic films scores (plenty of which are his own), he creates themes that are at once both familiar and fresh. The nostalgic rush that comes from seeing a DeLorean on screen and a subtle alteration of the Back to the Future theme playing in the background creates such a feeling of joy. This experience is even better when shared with friends, who you’ll no doubt be poking constantly as you draw each other’s attention to some awesome reference made in the film.

And this communal nature of enjoying nostalgia together is also something that the script takes very seriously. In some ways, this film’s message is better than the book. Despite it taking place almost entirely in a virtual world, Ready Player One ultimately urges us to remember reality and take a break every now and again. It also puts a premium focus on teamwork, friendship, and avoiding regret.

VERDICT

Ready Player One is a special film. Spielberg and Cline have crafted a new version of a beloved story that stands on its own, and is equally (if not more) impressive than its source material. It is the kind of blockbuster that doesn’t come along very often and that fans will embrace with adoration – endlessly watching, quoting, and discussing. If you aren’t a gamer or don’t love pop culture references, then you’re not the droid this film is looking for and you should probably just move along. Otherwise, you’re in for a treat. Enjoy your visit to the OASIS. I hope to see you there.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.