Caless Davis is a Seattle-based film critic and contributor to the Feelin’ Film Podcast. He loves any discussion of film and meeting new people to engage in film discussions on any subject. You can follow him on Twitter and Instagram.
A foster kid becomes a wizard and battles the seven deadly sins in DC’s most magical film yet. For this conversation, returning guest Andrew B. Dyce joins the show as we talk family, kids and diverse representation in superhero movies, empathetic villains, and much more!
Shazam! Review – 0:08:18
The Connecting Point – 1:13:16
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Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.
Ridley Scott’s Blade Runner holds a special place in my heart. Over countless viewings the film has continued to evoke emotional and intellectual responses from me, often times new and unexpected. It is the film that ushered in my love of a good artificial intelligence story, a sub-genre that today I consider my favorite. The ideas it brings forth and leads us to consider are hefty ones. It is brilliant in most every way and is firmly placed in my Top 5 favorite films of all-time. And now we have a sequel…
To be honest, I wasn’t excited when this film was announced. Part of what makes Blade Runner so fascinating is the ambiguity. Will a sequel ruin all of that, and could it even lower my enjoyment of the original? These are very real fears for me. Over time, though, I’ve grown more excited about this project. Director Denis Villeneuve and cinematographer Roger Deakins have the vision and style to make them a perfect artistic fit. The casting of Ryan Gosling and Jared Leto entice me, as does the return of Harrison Ford. This film couldn’t be in better hands. But the skeptic in me remains, and Blade Runner 2049 meeting my expectations may prove a difficult task.
For once, Hollywood got it right. The studios worked very hard to encourage no spoilers be released from early Blade Runner 2049 screenings and that decision will result in a much better experience for filmgoers. The story being told is intriguing and provocative, a believable next step in the evolution of replicants that continues the original film’s exploration of what it means to be alive. As it should be expected, the question of who is and isn’t human lingers and gives rise to doubt. The concept of love and what role it plays in having a soul is also examined. A particular relationship between characters, one of whom is a holographic A.I., was among my favorite parts of the film and provided an emotional center that resonated with me.
That same A.I. is one of several new technological advancements that the world has seen in its 30 years since the original Blade Runner took place. Police Department cruisers are considerably cooler and now have enhancements like a detachable drone and weaponry. Synthetic farming is briefly shown and looks fascinating. Other new tech includes things like a portable replicant scanner and what serves as an upgraded Voight-Kampff machine that helps humans keep replicants operating between the lines.
When it comes to visuals, Roger Deakins’ cinematography is incredible. This is not the hard-boiled Blade Runner of the past that was filmed almost entirely in darkness. Everything here is shiny and futuristic. It is a gorgeous film to behold and I’ll be extremely surprised if Deakins isn’t raising a golden Oscar statue at the 2018 Academy Awards. It’s clear that he and Villeueve have a passion for the material and their artistic genius is without question.
Thought-provoking as it may be, I had an incredibly hard time connecting emotionally with the primary plot. The themes were not deepened in a way that moved me and the entire world felt very cold. Numerous recreations of moments from the original film seemed cheap and were distracting. This is a long film and it feels long. Many will likely be bored, and though I wouldn’t count myself among them, I definitely felt many scenes could have been shorter without losing any of their impact. When I saw Blade Runner 2049‘s running time I expected much more in-depth world-building than actually exists.
Admittedly, I had high expectations for Blade Runner 2049 and in some ways those were met. This is a visually stunning film and for a while it was nice exploring new, but familiar, themes in this universe. Harrison Ford’s return was wonderful and most of the performances were perfectly fine. But what I didn’t find Blade Runner 2049 to be is particularly inspired. Villeneuve shockingly plays it safe and doesn’t expand on the world in any meaningful ways. Sure, there may be some meaning for a few characters, but larger implications are left completely unexplored and some plot lines just dropped as suddenly as if the film had run out of reel and nothing could be added. While I find the original Blade Runner to be infinitely re-watchable, as of this writing I don’t see myself desiring to revisit the long slog of Blade Runner 2049 again. When graded against science fiction films in general, Blade Runner 2049 is an above average entry. But this feels now more than ever like a sequel that we didn’t need, and when graded against its compelling and great source material, it sadly falls very short.
Having now seen the film a second time, I feel it is important to update this review. Upon repeat viewing, divorced from expectations of what I thought the sequel should be, I was able to enjoy the film completely for what it actually is. Instead of finding the film cold and emotionless, I experienced quite a few moments of deep connection to different characters. The unique thing about Blade Runner 2049 is that it will not draw your attention to these moments through the use of manipulative music or exposition. You have to be paying attention, and if you are, the payoff is a powerful and moving one. I also had far less problems with the thematic content of the film. The new direction that Villeneuve has chosen to take this series is a logical step forward and though questions are once again left unanswered, they made me crave and yearn for more details, not less. Yes, the runtime is exceptionally long and it’s understandable that some viewers were yawning in my theater, but I was entranced and could have easily lived inside this world for another hour plus.
Sometimes expectations can thoroughly derail a filmgoing experience and I believe that is what happened to me. Discussing both that topic and the many emotional/philosophical story beats of Blade Runner 2049 on our podcast helped me to realize just how much I appreciate and adore this film. I love it. I cannot wait to see it again, and again, and again. I want more from Villeneuve. I want resolutions and new characters and new mysteries. Blade Runner 2049 is an exceptional work of art and deserves to be seen on the biggest screen possible.
Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.