Minisode 049: Edge of Tomorrow

In a briefly belated July Donor Pick episode we discuss the time-looping alien-slaughtering action of Tom Cruise and Emily Blunt in Edge of Tomorrow


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Music: Going Higher – Bensound.com

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MOVIE REVIEW: The Meg

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 121: Gladiator

This week marks the first conversation about one of our final four Director #BattleMonth winners. We were thrilled to see our listeners choose Ridley Scott’s 2000 Roman epic Gladiator and have an excellent discussion nailing down why we resonate with this story (and ones like it) so much.

What We’ve Been Up To  0:01:22

(Aaron – Christopher Robin)
(Both – recap of bracket picks)

Gladiator  Review –  0:15:29

The Connecting Point – 1:25:29


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Music: Going Higher – Bensound.com

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Episode 120: Mission: Impossible – Fallout

We’re here to discuss one of our most anticipated films of the year, the newest entry in Tom Cruise’s Mission: Impossible series. This film is the first to serve as a direct sequel story-wise to one before it, and also the first to feature a returning director. I know that we both are huge fans of Christopher McQuarrie’s direction in Rogue Nation and couldn’t have been happier that he was coming back. But with all this hype, expectations were high. Did it deliver? Your mission, listeners, should you choose to accept it… is to stick around and find out what we thought, after we briefly the first five films, of course.

What We’ve Been Up To0:01:28

(Both – Mission: Impossible series)

Mission: Impossible – Fallout  Review – 0:17:27 

The Connecting Point – 1:17:08


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MOVIE REVIEW: Mission: Impossible – Fallout

MISSION: IMPOSSIBLE – FALLOUT (2018)

2 Hours and 27 Minutes (R)

Villain Solomon Lane tells Ethan Hunt that the end he’s feared is coming and describes it as “the fallout of all [his] good intentions”. That statement could also apply to Mission: Impossible – Fallout and it’s director, the first ever to return for a second go-around in the series, Christopher McQuarrie. With this direct follow-on to the story events in Mission: Impossible – Rogue Nation, McQuarrie’s aim is clear: he is going for a home run of an action flick while attempting to marry the best parts of the series into a cohesive whole. But you know what they say about good intentions…

The impossible mission that Ethan Hunt (the ageless wizard Tom Cruise) and his crew face now is one of the more straight forward in the series. It revolves mostly around retrieving stolen plutonium to prevent terrorists from launching nuclear attacks. This is not a ground-breaking story concept by any means, but McQuarrie structures the plot in such a way that there are still plenty of smaller motivations in play along the journey while always keeping the “ticking clock” in mind. And, of course, we’re dealing with spies here so this wouldn’t be Mission: Impossible without a double-cross (or two, or three, or… you get the point). One of the biggest strengths of the film is the way in which the story borrows elements from multiple films in the series and weaves them together successfully without making the result feel recycled. There is a through-line of a very personal nature reminiscent of Mission: Impossible III, there is the aforementioned “save the entire world from destruction” big stakes, and there are some wonderfully developed team dynamics that get focused on as well. There are also quite a few callbacks to specific scenes from past movies. Though it remains interesting throughout, the one big knock on the story is how telegraphed it is. If you’ve seen a trailer for the film, you already know how this is going to go and there aren’t many surprises in store for you. Even if you managed to stay trailer free, a very early reveal robs the film of what could have been much more impactful events later on. There are also some workings of the plot that create extremely high senses of danger and emotion in the audience only to later expose that there was no reason to have those emotions in the first place.

Where McQuarrie’s good intentions do manifest into something utterly brilliant is every single one of the film’s action sequences. The film moves fast from one terrific adrenaline-pumping set piece to the next in the best of ways. Whether it’s the early on HALO jump (my personal favorite that had me holding my breath) or the hand-to-hand combat inside of a club bathroom or a motorcycle chase in heavy traffic or the well-documented insanity of Tom Cruise actually climbing onto a helicopter mid-air and then piloting it in a dogfight, the audience is left breathless and physically reeling from the practical effects and stunt work on display. Not to go unmentioned, because it’s a major contributor to these pieces, is the wonderful sound design and use of the score. At times symphonic, at others completely absent, and often just incredibly powerful pops of a bullet or punches of a fist or revs of an engine, the sound in this film greatly enhances the overall experience.

Another aspect of the series that is less frequently mentioned is its humor, and Fallout may just be the best at this. Some of the most hilarious lines come from Hunt’s team of Benji (Simon Pegg), Luther (Ving Rhames), and Director Hundley (Alec Baldwin). But the film’s most interesting relationship, between Agent Walker (Henry Cavill) and Hunt, provides plenty of laughs also, as the two spies spend the majority of their time on screen together in a battle of who has the most testosterone. The results frequently evoke a light-hearted chuckle at just the right moment to provide a brief respite from the film’s intensely driven plot. Last but not least, fan favorite British spy Ilsa Faust (Rebecca Ferguson) returns and despite seeming less important while being in more scenes, manages to ground the team in a few key emotional moments that would otherwise not have been possible.

VERDICT

Mission: Impossible – Fallout jumped out of the gate to critic claims of being the next action masterpiece. While it does excel in this area, and is certainly one of the decade’s best, technical achievement is not the only aspect of a great film. Fallout’s story is good, but not without hiccups. It’s unfortunate telegraphing of surprises holds it back from being truly special, though it has some tender emotional moments that help offset that small critique. Regardless, the film is a 2.5-hour high octane ride with a master of propulsive action and this generation’s biggest star, resulting in yet another fantastic entry into possibly the best spy film series of all-time. Don’t walk, run like Tom Cruise to the nearest theater and experience this summer’s best blockbuster in the loudest theater with the biggest screen you can.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 117: Ant-Man and the Wasp

This week we are covering the sequel to the 2015 hit, and one of Aaron’s favorite Marvel characters, Ant-Man. It’s got jokes, it’s got heart, and it’s got the word QUANTUM being used more than a few times. We also have a great conversation about the recently released documentary Won’t You Be My Neighbor?

What We’ve Been Up To – 0:00:56

(Aaron & Patrick – Won’t You Be My Neighbor?)

Ant-Man and the Wasp Review – 0:18:50

The Connecting Point – 1:09:03


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Music: Going Higher – Bensound.com

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or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

You Should Be Watching: July 5-11

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week on an all-Prime edition, I’m recommending a top-notch pairing of the Safdie brothers and Robert Pattinson, an intense Paul Greengrass docudrama that isn’t United 93, and Werner Herzog’s atypical film about Vietnam War POWs.

Also, Amazon Prime is knocking it out of the park with the quantity and quality of films that have arrived on the service this past week, everything from Buster Keaton’s The General to David Lynch’s Mulholland Drive. Martin Scorsese’s acclaimedTaxi Driver, written by Paul Schrader, has come to FilmStruck. And it’s your last full week to catch Sweet Smell of Success on FilmStruck and the previously featured Changeling on Netflix. This coming week, you can look forward to seeing Gone Baby Gone show up on Netflix and Snowden on Prime.

 


STREAMING PICKS OF THE WEEK


Good Time

Year: 2017

Director: Benny Safdie, Josh Safdie

Genre: Thriller, Crime, Drama

Cast: Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Taliah Webster, Buddy Duress, Barkhad Abdi, Necro Peter Verby, Gladys Mathon, Saida Mansoor, Eric Paykert, Rose Gregorio, Rachel Black, Cliff Moylan, Hirakish Ranasaki, Maynard Nicholl, Craig muMs Grant, George Lee Miles, Lucas Elliot Eberl, Edgar Morais, Souleymane Sy Savane, Shaun Rey, Marcos A. Gonzalez

 

With Good Time, The Safdie brothers have cooked up a tense and energetic cautionary tale showcasing the selfish nature and disastrous and inescapable consequences of crime, especially on loved ones. Oneohtrix Point Never provides the brilliant 80s-styled synth score that perfectly drives tension and sets the mood.

Despite any significant makeup or disguise other than the incredibly lifelike mask he uses as a bank robber, Robert Pattinson is practically unrecognizable as lowlife Connie Nikas in this Murphy’s law crime thriller. And it’s not only his appearance that makes him a chameleon. He displays a tremendous range of emotion as his desperation grows and his life spirals out of control. In addition to Connie making things increasingly worse for himself, the real tragedy of this film is how he sucks his mentally ill brother, Nick, played to great effect by co-director Ben Safdie, into his ill-advised bank robbery and the aftermath thereof. Connie and Nick’s relationship is the heart of the film and colors every decision Connie makes.


Bloody Sunday

Year: 2002

Director: Paul Greengrass

Genre: Action, Drama, Adventure, History, War

Cast: James Nesbitt, Allan Gildea, Gerard Crossan, Mary Moulds, Carmel McCallion, Tim Pigott-Smith, Nicholas Farrell, Christopher Villiers, James Hewitt, Declan Duddy, Edel Frazer, Joanne Lindsay, Mike Edwards, Gerry Hammond, Jason Stammers, Ken Williams, Bryan Watts, Simon Mann, Rhidian Bridge, Johnny O’Donnell, David Clayton Rogers, Sean O’Kane, Thomas McEleney, Deirdre Irvine, Gerry Newton, David Pearse, Gerard McSorley

 

Far less well known than his 9/11 fly-on-the-wall docudrama United 93, Paul Greengrass‘ Bloody Sunday was his four years earlier but no less impactful foray into similarly-styled film making. This emotionally-charged film dramatizes the 1972 Northern Ireland massacre immortalized in the U2 song Sunday Bloody Sunday. Fittingly, that song plays over the final credits to its completion, long after the screen has faded to black. This incident is not well known on this side of the Atlantic, which means great skill was needed to create this kind of film that eschews exposition or character introductions or backstories and have it impact the viewer and make any sense. By the shocking, powerful third act, Greengrass has done just that, largely thanks to James Nesbitt’s anchoring of the film with his intense and heartbreaking portrayal of veteran civil rights campaigner Ivan Cooper, who has gone from waking up, expecting to participate in another quiet, peaceful protest to finding himself in the midst of blood and bullets.


Rescue Dawn

 

Year: 2006

Director: Werner Herzog

Genre: War, Drama, Adventure, Biography, Drama

Cast: Christian Bale, Steve Zahn, Marshall Bell, Toby Huss, Pat Healy, François Chau, James Oliver, GQ, Saichia Wongwiroj, Brad Carr, Teerawat Mulvilai, Jeremy Davies, Kriangsak Ming-olo, Somkuan ‘Kuan’ Siroon, Mr. Yuttana Muenwaja, Chorn Solyda, Galen Yuen, Apichart Chusakul, Lek Chaiyan Chunsuttiwat, Zach Grenier, Evan Jones

 

Featuring nearly as much whispering and fly-on-the-wall footage as any Terrence Malick film, everyone gets to bring their own special brand of crazy to this atypical Vietnam war movie directed by Werner Herzog. By the time the cocky pilot Dieter Dengler (Christian Bale) crashes, gets captured and tortured, and is brought to the POW camp, the POWs he’s put with have already been there for so long, they’ve become shells of themselves, caricatures that are a bit one dimensional and weird, to put it lightly. Among the performances, Steve Zahn does crazy well, and it’s fascinating to see Bale go from cocky self-assurance to utter desperation over the course of the film.

While their experience is certainly not a pleasant one and quiet must be maintained at all times, other than being locked into stocks at night and all but starved, the prisoners have little interaction with their guards. Despite character names such as Little Hitler, this is no WWII death camp. Other more significant dangers lie outside the camp.

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

July 9
Closet Monster (2015)

July 11
Mountains May Depart (2015)

July 15
Changeling (2008)

 

FILMSTRUCK

July 6
Husbands and Wives (1992)
Who’s Afraid of Virginia Woolf? (1966)

July 8
Together (2000)

July 13
Losing Ground (1982)
Sweet Smell of Success (1957)

July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)

July 27
All the President’s Men (1976)
Ball of Fire (1941)
Bringing Up Baby (1938)
His Girl Friday (1940)
The Killing Fields (1984)
Rio Bravo (1959)

July 28
Night and the City (1950)

July 31
Taxi Driver (1976)


 

JUST ARRIVED

NETFLIX

Blue Valentine (2010)
The Boondock Saints (1999)
Certain Women (2016)
Finding Neverland (2004)
Happy Gilmore (1996)
Interview with the Vampire (1994)
Jurassic Park (1993) — Parts II and III also available
Menace II Society (1993)
Real Genius (1985)
Troy (2004)

 

AMAZON PRIME

20,000 Days on Earth (2014)
A.I. Artificial Intelligence (2001)
The Act of Killing (2012)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
Angel Heart (1987)
American Psycho (2000)
Assassination (2015)
Bad Boy Bubby (1993)
Barfly (1987)
The Bear (1988)
Blazing Saddles (1974)
Breakfast at Tiffany’s (1961)
The Brothers Bloom (2008)
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Dead Man Walking (1995)
Fearless (2006)
The General (1926)
The Graduate (1967)
Gran Torino (2008)
Indie Game: The Movie (2012)
The Insult (2017)
The Invisible War (2012)
The Last Waltz (1978)
The Monster Squad (1987)
Mulholland Drive (2001)
Patriot Games (1992)
Pee-wee’s Big Adventure (1985)
Pretty in Pink (1986)
Rabbit Hole (2010)
Rescue Dawn (2006)
Shoeshine (1946)
Six Shooter (2004)
Sneakers (1992)
State of Grace (1990)
The Strange Little Cat (2013)
Tangerines (2013)
A Trip to the Moon (1902)
V for Vendetta (2006)
Waste Land (2010)
Way Down East (1920)
Witness (1985)
Woody Allen: A Documentary (2011)
Zodiac (2007)

 

FILMSTRUCK

La Terra Trema (1948)
Mafioso (1962)
The Public Enemy (1931)
The Roaring Twenties (1939)
Taxi Driver (1976)

 

HULU

A.I. Artificial Intelligence (2001)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
American Psycho (2000)
Assassination (2015)
Angel Heart (1987)
Barfly (1987)
Before Midnight (2013)
Bill & Ted’s Excellent Adventure (1989)
Braveheart (1995)
The Brothers Bloom (2008)
Clear and Present Danger (1994)
Clue (1985)
Dead Man Walking (1995)
Election (1999)
Happy Accidents (2000)
Hustle & Flow (2005)
The Manchurian Candidate (1962)
Midnight in Paris (2011)
The Monster Squad (1987)
The Prestige (2006)
Pretty in Pink (1986)
Rabbit Hole (2010)
The Rainmaker (1997)
Six Shooter (2004)
Sleepers (1996)
This Is Spinal Tap (1984)
Witness (1985)
Borg vs McEnroe (2018)

 


 

COMING THIS WEEK

NETFLIX

July 7
Scream 4 (2011)

July 12
Gone Baby Gone (2007)

 

AMAZON PRIME

July 8
Snowden (2016)

 

HULU

July 10
Along with the Gods: The Two Worlds (2017)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

Minisode 046: Rush

It’s donor pick time, and it looks like we were too fast for our own good, seeing as how we sped right past June and are bringing you that pick a few days into July. Thanks for being forgiving and we hope you enjoy this conversation as much as we do. We’re talking Rush, Ron Howard’s 2013 biopic about the Formula One racing rival between James Hunt and Niki Lauda.


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Music: Going Higher – Bensound.com

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Episode 116: Independence Day

Happy 4th of July! To celebrate this patriotic American holiday, we are finally getting around to discussing the beloved sci-fi adventure film, Independence Day. Josh from LSG Media’s Science Fiction Film Podcast joins us to as we try to figure out why so many love the cheesy nature of this film, but reject similar dialogue and plots in other movies. Spoiler alert, we definitely talk about “the speech” and even play it, too, so get ready to wipe your eyes and pump your fist!

What We’ve Been Up To – 0:01:30

(Aaron – Sicario: Day of the Soldado, Beirut)
(Patrick – The West Wing Weekly/Aaron Sorkin)
(Josh – Anthropoid, Mr. Nobody)

Independence Day Review – 0:19:06

The Connecting Point – 1:17:39


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Music: Going Higher – Bensound.com

Support us on Patreon & get awesome rewards:

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Sicario: Day of the Soldado

SICARIO: DAY OF THE SOLDADO (2018)

When the man behind a suicide bombing at a Kansas City supermarket is revealed to have entered the country through the border between Texas and Mexico, the President of the United States is in a position to officially deem human trafficking a terrorist activity, giving them more latitude to deal with the controversial issue. With the intention of waging a battle on this new front in the war on terror, Josh Brolin’s Matt Graver and his team are given the task of firing the first shot.

“It might get dirty.”

“Dirty is why you’re here.”

Stefano Sollima’s Sicario: Day of the Soldado is the follow up to Denis Villeneuve’s outstanding Sicario that no one really knew we needed but were all, nevertheless, curious to see. Gone is Emily Blunt’s Kate Macer, the young FBI agent who served as the conscience and the audience stand in in the first film. Returning are Graver and Alejandro (Benicio Del Toro), as well as their unorthodox, but unarguably effective, ways of dealing with troubles at the border. Their plan is simple. They are going to kidnap the 16 year old daughter of the cartel kingpin who killed Alejandro’s family and make it look like it was another cartel. The intention is to start a turf war between cartels so that the war on trafficking will be fought against distracted opponents. But of course, nothing is simple at the border.

To tell more would be to give too much away. Sollima has managed to craft a follow-up that perfectly inhabits the world created in Sicario. Villeneuve had a way of putting his camera in places that made the audience feel like they were in the vehicle crossing the border or in the hidden tunnels used to traffic drugs. Sollima, especially in action sequences, gives us that same perspective, heightening the tension with every note of Hildur Guonadottir’s haunting score. One of the biggest obstacles to a sequel in my mind was going to be that the protagonist (I use that term loosely) of this film was going to be a guy who we saw murder women and children in the first film. Taylor Sheridan is able to more fully round out the character of Alejandro in a way that doesn’t ask the audience to root for him but also doesn’t allow him to be despised. Once again, Del Toro is electric in the role, but at this point in his career, saying that Benicio Del Toro is great is pretty redundant because he’s just fantastic in everything. Most of the tales that Hollywood tells of hitmen either glamorize or bring a sense of humor to the profession. S:DotS shows us the blunt reality of the job, but Del Toro never lets Alejandro become a monster. Speaking of redundant, Josh Brolin is also fantastic as Graver. His character isn’t fleshed out too much more (other than apparently he’s left his flip-flops behind for a comfy pair of Crocs), but being in the dark about his past is what makes his character work so well. Isabela Moner shows a deep inner strength as Isabel Reyes, the kidnapped teen, even as she’s completely terrified and in the dark as to what’s happening to her.

This film is tight, this film is tense, and this film is timely. Child separation, human trafficking, terrorism…those are all things that you can read about on the front page of your newspaper tomorrow morning. And Sicario: Day of the Soldado doesn’t presume to have any answers to these issues. While the original gave us Kate Mercer and her earnestness and her moral compass to see this world through, this film kind of just makes us sit in the filth and be disgusted (hopefully) by the machinations on both sides of this volatile scenario. There aren’t winners. There aren’t losers. It’s all just dirty.

So don’t go see Sicario: Day of the Soldado if you need a couple of hour diversion from your problems. But if you want a thoughtful, well-executed thriller, you’re not afraid to sit with a bit of ambiguity, and you enjoyed (or at least saw) the first installment, I think it’s worth your time.

Rating:


Jeremy Calcara is a contributing member of the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.