Feelin’ TV: November 27-December 3, 2017

Don’t be sad that it’s over, be thankful that it happened. The week of the Arrowverse’s annual crossover event is now over. And although my heart is a little sad that we won’t see these heroes all working together for another year, what we got in Crisis on Earth X was a wildly entertaining four hour block of television.

In the past, the crossover has been much like similar comic book scenarios where a three or four hour story is broken down to three or four different portions that take place from the lens of the show they’re on, for example, during Supergirl, Supergirl takes center stage, and so on and so forth. It worked pretty well last year, my only real squabble was that while we were promised a four-part crossover, Supergirl’s (the show, not the character) connection was only tangential as the connection to the rest of the universe came in the closing moments of what had been a standard episode of the show. This year, though, they went all in, even going so far to eschew the normal opening credits of each program for the crossover specific Crisis on Earth X name.  The result was a more unified story with a singular vision where every character was given the opportunity to shine. Even non-super characters like Felicity and Iris, normally regulated to speaking into the ears of Green Arrow and the Flash, respectively, had much of the resolution of the plot on their shoulders as the story went on. After doing this for the past couple of years, you can also sense there’s a comfortability with the casts of all four shows, which only added to the enjoy-ability of the event.

The plot of the crossover is simple. Oliver Queen crosses dimensions to steal the heart of Supergirl. Unfortunately, we’re not talking about romance here. In this scenario, the Oliver in question is a Nazi führer from Earth X who actually needs to steal the beating heart of Supergirl to save his wife, also Kara, known on their earth as Overgirl. It’s a fairly straight forward plan, which works in the crossover’s favor as it gives us a chance to get to the action. And the action is a real treat. By the time everyone in the Arrowverse is suited up in battle, I’ll admit to having goosebumps and a tear in my eye. It was a feeling similar to the ones I had when I first watched Avengers or a few weeks ago when I saw Justice League. The event built to its climax perfectly and the payoff was spectacular. Sure, it was cheesy and some of the CGI was poor, but I honestly can’t imagine it being pulled off any better.

I believe what put the event over the top, and I’ve talked about this before, was that the crossover had real stakes. That’s something I wasn’t expecting. When I began watching Supergirl on Tuesday, I had the thought, “This is going to be fun but ultimately the TV equivalent of empty calories because they surely won’t do anything to throw off the status quo of any of these four shows.” I’m happy to report that I was completely wrong. Before Crisis on Earth X was over we had not one, but two couples get married and one main character was dead. On that latter point, I was completely stunned. I expected someone good to die, but I expected it to be someone on the periphery to give the event the appearance of stakes without actually giving it any. Besides adding emotional depth to the entire undertaking, it also made the danger that our heroes were facing feel real. It was a brave choice, and while I’m sad to see the character go, it raised Crisis on Earth X from good to great. I totally can’t wait until next year! The Crisis on Earth X four-part event can be streamed on The CW app.

Channel Surfing:

  • Agents of SHIELD is BACK! And it was great! The two part season premiere of AoS aired this Friday with an opening act straight out of the Twilight Zone and a mystery that has the potential to really carry the season. The thing that impressed me the most about Agents of SHIELD this week was its production value. As I watched the cold open, I couldn’t help but think that it felt like I was watching a movie, not a network TV show. AoS gets a bad rap from a lot of people who never watched past the first season. Over the past few years it has matured into a pretty darn great show that deserves your attention if you’re into the drama. The new season of Agents of SHIELD can be viewed on Hulu.

That’s all for this week. As always, if there’s anything you’d like me to check out that we haven’t covered, let me know in the comments or in the Facebook group. Programming note: I’m going to be taking a break from Feelin’ TV for the next 4-6 weeks while most shows are on break for the holidays and my wife and I prepare for the birth of our child. I appreciate you reading and look forward to returning in a few weeks. Happy Holidays, and I’ll see you next year!


Jeremy Calcara is a contributing member of the Feelin’ Film team. In addition watching as many movies as he can and writing reviews for Feelin’ Film, Jeremy consumes an unhealthy amount of television and writes about it weekly in his Feelin’ TV column.   Follow him on Facebook and Twitter  to be notified when new content is posted.

Feelin’ TV: July 17-23

Season seven of Game of Thrones has been a lot of talking bookended by two scenes of pretty intense action. While I didn’t enjoy the action at the end of Sunday’s episode, I really enjoyed all of the talking. I don’t know how to describe why I didn’t enjoy the naval battle that ended the episode other than to say the whole thing felt small. It reminded me of something you might see in a well-produced stage play. That’s fine for a show on The CW or ABC Family (I refuse to call it Freeform), but HBO has shown us some epic, sweeping battles in the past and this one was subpar. If, however, it turns out that this was the end of hearing about Dorn though, I’ll retroactively refer to it as the greatest moment in GoT history. The decimation of the iron fleet was the second thing about the episode that greatly surprised me. I wasn’t completely disappointed in the result of that battle, as it seems like it will propel Daenerys to take Grandma Tyrell’s advice and act like the dragon she claims to be.

The first surprise and the one that I found disappointing is the enthusiasm Jamie showed in recruiting people to Cersei’s cause. I thought that he seemed to be growing weary of his power hungry sister last week. It’s still entirely possible that he’s doing this out of self-preservation rather than sincerity as he awaits his opportunity to leave Cersei in his past, and I hope that is where his story is headed. There isn’t always a lot of redemption to be had in the world of Game of Thrones, but Jamie’s journey from a guy who we first met as he was pushing a pre-teen out of the window of a tower into a sympathetic character has been a high point in the series for me.

The other parts of the episode that really stuck with me were Littlefinger and Varys both being put in their place. Jon holding Littlefinger by the neck up against the wall in the crypt at Winterfell was pretty satisfying. Littlefinger is a snake, and I hope winter comes for him pretty soon. The scene where Varys is confronted by Daenerys served as a good history lesson about how far he, she and Tyrion have come in the last six seasons. When Varys talked to Ned way back in season one about his scheming being for the good of the realm and the people, I never bought it for a second. But now with the benefit of having spent time with Varys, I do. And I found myself wanting to speak on his behalf like Tyrion as the Breaker of Chains questioned his loyalty. Has he always had the best intentions? I don’t know. But I believe he does now. Daenerys’ reservations were valid, but I’m glad she chose to show him mercy both because I think he’s a good man and because selfishly, as a viewer, the scenes that feature Emilia Clarke, Peter Dinklage and Conleth Hill together really sing.

So Jon is on his way to meet his aunt, Good Queen Gravejoy has been captured by Uncle Gravejoy, and Theon is going swimming. What happens next is anyone’s guess. What did you think about the episode? Leave your thoughts in the comments or in the Facebook group. Game of Thrones can be streamed on the HBO NOW app or on HBO GO with an eligible cable subscription.

I didn’t watch anything else this weekend because it’s July and there aren’t a lot of things on. But thanks to San Diego Comic Con, there was lots of TV news to share and trailers galore. I thought I’d close out this week’s column with a few trailers for shows that will undoubtedly be covered on Feelin’ TV soon.

Netflix: Stranger Things and The Defenders

AMC: The Walking Dead

Disney: Ducktales and Inhumans

Fox: The Gifted

CW: Black Lightning, Supergirl, Arrow, Legends of Tomorrow and The Flash

For a comprehensive roundup of all the trailers to come out of San Diego over the weekend including movies and shows that I don’t cover or plan on covering, Screen Rant has you covered here. Thanks for reading, and don’t forget to chime in over on our Facebook group.

 

 

Feelin’ TV: July 10-16

Parks and Recreation is the greatest sitcom of all time. That’s not scientifically provable or anything, but I believe it with all my heart. I spent the last month watching the series all the way through for the sixth time. Even if you disagree with me about it being the best ever, I doubt you’ll be able to point to a comedy that had as perfect of a two-season run as Parks and Rec did for seasons 3 and 4 of its run. Even when it wasn’t great, it was still really good. Because at Feelin’ Film, we really like making lists, I decided that I would submit my picks for the best five episodes of Parks and Recreation:

5. One Last Ride (S7E12) – The final couple of seasons might have relied a little too heavily on giving its characters everything they ever wanted, and that shortcoming is definitely on full display in the series finale. But, man, it’s so good that I just don’t even care. I get tears all around as we get to see what Leslie (Amy Poehler) and the gang are up to in the future, especially when it comes to the fate of my spirit animal, Ron Swanson (Nick Offerman).

4. Practice Date (S2E4) – This is the only episode on my list from before Ben Wyatt (Adam Scott) and Chris Traeger’s (Rob Lowe) arrival in Pawnee. The A story provides a lot of comedy as Ann (Rashida Jones) takes Leslie on a practice date to help calm the nerves she’s feeling about her first date with Dave (Louis CK). While hearing about all of Leslie’s nightmarish first dates is a lot of fun, what makes this episode so memorable for me is its B story, where all of the other members of the parks department are having a contest to see how much dirt they can dig up on their co-workers. It’s our first introduction to Duke Silver and its where we really start to get to know Jerry Gergich (Jim O’Heir) as the office punching bag. It’s a lot of fun.

3. Fancy Party (S3E9) – My favorite couple on Parks is April (Aubrey Plaza) and Andy (Chris Pratt), hands down. April’s perpetually annoyed demeanor plays off of Andy’s wide-eyed man-child to a form a relationship that managed to feel both inevitable and wildly implausible at the same time. That they would invite their friends and family to bring components of a party to their house (Ben’s items to bring: Avatar, 50 pair of 3-D glasses and a 3-D capable TV) for the purpose of having a surprise wedding is sweet and hilarious and perfectly encapsulates April and Andy.

2. Ron and Tammy: Part Two (S3E4) – I couldn’t make this list without including at least one of the episodes where we get to see Ron interact with his second ex-wife (and real-life spouse Megan Mullally) Tammy 2. I picked a second one because of the ridiculously amusing gag of seeing Ron with corn rows and a mustache with a bald spot in the middle from “friction.” What puts this version of the Ron and Tammy saga on the list over the others is the B story where we learn about Ben’s paralyzing fear of policemen as he and Leslie position themselves to get a favor from Pawnee’s chief of police. It’s this episode where Ben starts to really learn what Leslie is all about. When he asks the police chief why he says that Leslie Knope gets all the favors she wants and he responds, “Because she’s the kind of person who uses favors to help other people.”

1. Flu Season (S3E2) – I realize that three of my five picks are from season three, but you have to understand that I believe that season three of Parks and Rec is the best season of TV sitcom ever. And Flu Season is 22 tight minutes of laughs and the crew splitting off into perfect comedic parings, Tom (Aziz Ansari) and Ben, April and Ann, and my personal favorite, Ron and Andy. Oh, and it also contains what show creator Michael Schur has called, and I agree with him, the funniest one liner in all seven seasons of the show, seen here.

I’m going to restrain myself from giving honorable mentions because I might list every other episode. What say you? What did I miss? What are your favorite episodes? Parks and Recreation can be streamed on Netflix. 


In the age of digital streaming, everyone has a show they want you to watch. Depending on how many seasons you’ve already missed, this can be a daunting proposition. This is why I’m always excited when someone recommends I watch a show and it has less than 20 episodes. I was able to watch Luther in a week! It happened again this week when a friend recommended I watch ABC’s Downward Dog. Downward Dog had a lot going for it. First, it stars Allison Tolman who is probably best known for her role as Molly Solverson on the first season of FX’s Fargo. Tolman is great. I’m a big fan. The conceit is also pretty intriguing. Picture a Modern Family/The Office/Parks and Recreation style mockumentary style sit-com, but the only character that does the talking head portions and the narration is a middle-aged dog who is going through an existential crisis. It’s fun in a way that, as my friend put it, it will never last. And my friend was right. It’s already been cancelled. But the best thing about it is that there are only 8 episodes. I watched the whole thing in an afternoon. It’s the perfect show to begin and finish watching over the summer while your other shows are on hiatus. It’s light, it moves quick and it’s really, really funny. It’s been cancelled by ABC, but the producers are reportedly shopping it around to other networks. It’s unique and different and every viewer counts. Downward Dog can be streamed on Hulu.


Shall We Begin? After what seemed like a lifetime but really was only a year, HBO’s Game of Thrones is back! Once the dust settled from a bloody first few minutes, the rest of the episode was spent moving the pieces into place for the rest of season seven and next year’s climactic season eight. By the looks of it, they’re not going to spend much time messing around. Cersei wants her kingdom back and isn’t going to take no for an answer. Jon needs dragon glass to defeat the Night’s King and, thanks to Sam, he’s about to find out that there’s a whole mess of it at Dragonstone. It looks like we’ll get to see the family reunion that we’ve all been looking forward to but Jon and his Aunt Daenerys don’t yet know is a thing, as the Mother of Dragons has just landed at, you guessed it, Dragonstone. You’ve also got Arya and Bran doing their thing, Sansa paying a little too much attention to Littlefinger and whatever it is that Uncle Greyjoy has up his sleeve. There are a lot of moving pieces and only 12 episodes left until it’s all over.

So what do you think is going to happen? Are Ms. Breaker of Chains and Mr. Snow going to kill the Lannisters on their way to defeat the White Walkers? Or do they need to form a tentative truce with Cersei to survive the winter? And what side is Jamie going to be on? My plan for Game of Thrones is to give a weekly, mostly spoiler free recap on Feelin’ Film TV with the opportunity for more in depth, spoiler-filled discussion in the comments and on our Facebook page. Game of Thrones airs Sunday nights on HBO and can be found streaming on the HBO Now and HBO Go platforms.

That’s all for now! As always, we want this to just be the start of our discussion. Feel free to contribute your thoughts in the comments or our Facebook group. Leave us your thoughts on my list or your predictions for this season of Game of Thrones. See you next week!

Feelin’ TV: May 29-June 4

Expiration dates can be a good thing. If cows didn’t gently whisper the use by date of their milk into the ears of dairy farmers, we’d regularly be pouring chunky liquid onto our Frosted Flakes. We’d never know when to throw out sour cream. We’d neglect to change the oil in our cars and destroy our engines. We’d have human sacrifice, cats and dogs living together, mass hysteria…but I digress. While television dramas that adhere to the old school case of the week style story structure can continue in perpetuity, some dramas need expiration dates. Dexter is my go to example of this. Much of seasons 1-4 were as good as anything on television. But it was getting less and less plausible that Dexter wouldn’t be caught every minute of every episode. Had the show-runners and the network agreed that Dexter would end after season five or season six, it might have a place in the conversation about best TV shows of the 00’s. Instead, because of viewership numbers, Showtime squeezed every last bit of creative juice from Dexter’s orange and just kept squeezing until they had four more seasons of utter garbage that spoiled the first four seasons by association. In contrast, well thought of shows like Breaking Bad and Mad Men set expiration dates for themselves, allowing the creators to focus their storytelling on their eventual end game. The Leftovers and The Americans have done this and produced some of their best episodes since. While it makes me sad to think that there’s only one episode of The Leftovers and one season of The Americans to go, I appreciate the decision knowing that I’ll see quality storytelling written with the end in mind.

House of Cards needs an expiration date. Don’t get me wrong. I love House of Cards. This has been said a lot about a lot of different actors, but I would actually pay money to sit and watch Kevin Spacey read the phone book in character as Frank Underwood. Robin Wright is bone-chilling as the cold and calculating Claire. Michael Kelly is creepy as hell as the ruthlessly loyal Doug Stamper. Season five, which dropped on Netflix last week, even adds Campbell Scott and Patricia Clarkson to the mix as a pair of DC power-brokers with ambiguous motives, and predictably, they’re fantastic. There’s a lot about season five that I really enjoyed. Unfortunately, so much of the narrative feels meandering and aimless. Thankfully, the final two episodes snap the story into focus and give me hope for a possible season six, but I can’t imagine that the Underwood’s story has much more than one season left in them if they want to remain interesting. The first three seasons of the show were so riveting as Frank and Claire schemed and lied and bribed and murdered their way into the White House that the last two, while still fun, paled in comparison. If you haven’t gotten to it yet, I’m not at all saying that season five was bad. I enjoyed it quite a bit. I just don’t know how much I’ll continue to enjoy it in the future if subsequent seasons don’t have the end in mind.

In other news…

• “Just when I thought I was out, they pull me back in!” I’ve already mentioned The Americans briefly above, but I wanted to take a moment to applaud the show on the completion of a tight, concise, riveting and gut-wrenching season. It looked like the Jennings family might be on the way out of the game, but as Phillip and Elizabeth find out, it’s not an easy game to quit. The finale was chock full of nice little character moments that I appreciate the show taking the time to recognize. Paige effectively saying her goodbyes to Pastor Tim, Martha being given the chance for some happiness in her new home, the entire montage set to Elton John’s “Goodbye Yellow Brick Road” and Phillip’s moment of decision about what to do with the intel that is going to keep him from doing what he wants are all given the time they need to breathe even though there’s a lot of business to get down to. All that was missing was Oleg, whose stories haven’t always interested me but whose situation I’ve found to be quite intriguing this season. As the Jennings’ begin to hear about the cracks in their idealized homeland of 1980’s Soviet Russia, there’s something that resonates with this 2017 American too. We’re seeing with Oleg’s story that as the differences between the living conditions of the rulers and the ruled widens, the ruled are less concerned with the consequences of showing their disdain for the systems that oppress them. In the past year or so, we’ve seen the kind of change that this sort of awakening can produce. As for me though, I much more enjoy watching the Jennings family than I enjoy watching the news. At least when it comes to their homeland, I know how the story ends.

• It was hard for me to think about the series finale of Damon Lindelof’s HBO series The Leftovers without thinking about the finale of his similarly themed show, ABC’s Lost. I was a big fan of Lost until that finale, at which point I became rather annoyed that I had ever watched the show at all. The problem with Lost was that it asked lots of questions and the implication was, both in the show and through interviews with the show’s creators, that it was going to eventually provide the answers to those questions for viewers. What ended up happening was, instead of providing the answers to five seasons of questions, the sixth season simply concerned itself with asking its own questions and answering those, leaving a lot unresolved. Looking back on that finale that aired in May of 2010, it would’ve been nearly impossible to pull off a satisfying conclusion to the story because there was simply too much ground to cover. It’s an interesting contrast to The Leftovers, a show that raised a whole heck of a lot of questions but, to its credit, never promised answers to any of them. Answers were not what the show was about. What The Leftovers turned out to be was a character study about how people cope when there aren’t any answers to be found. While there’s probably plenty of intrigue that could be mined from finding the answers to the questions that would arise if 2% of the world’s population suddenly disappeared, Lindelof and Tom Perrotta (the writer on whose novel the first season was based) chose to take the route of telling smaller, more personal stories of a few of the people who were left behind. There was some really, really weird stuff going on in the post-Great Departure world. It was stuff that if I really thought about it, I’d want to have its purpose explained to me. But people do weird things when they don’t have answers to the tragedies that occur in their lives, and The Leftovers is better for deciding to be concerned with those people and not the circumstances that caused or led to the tragedy. In that way, it would’ve been almost impossible for me to be disappointed with this week’s finale, and indeed I was not. In fact, I’d consider it among the best series finales that I’ve ever seen. From the opening moments with Nora (Carrie Coon) and Matt (Christopher Eccleston) doing Mad Libs (sorry, Matt Libs) by the sea to the final comforting images of two characters assuring each other that in a world where nothing is certain, they can be certain in their belief in each other. Alan Sepinwall wrote a long, detailed and spoiler filled review of the finale and the show itself over at Uproxx. If you’re a fan of the show, I suggest checking it out.

Thanks to the people who have given me a few suggestions about some things to watch while most shows are on hiatus in July and August. I’ve almost gotten through 2 seasons of Luther this week upon the recommendation of Phillip, a loyal reader and regular participant on our Facebook page. Other shows on the docket are The Goldbergs, Halt and Catch Fire and at some point, I’m going to have to catch up with the latest season of Orphan Black that recently became available on Amazon. What am I missing? Give me your suggestions in the comments or on Facebook.

Next week we’ll cover Fargo and Better Call Saul more in depth as both have moved the pieces into place for exciting ends to their seasons.

Feelin’ TV: May 15-21

Let me lay this premise on you. What if 24 and West Wing had a baby and on that show, Jack Bauer was played by Maggie Q and President Bartlett was played by Jack Bauer? Does that sound like a show you’d like to watch? Of course it does! I was looking forward to checking out Designated Survivor from the first time I saw a commercial for its premiere. I did not expect the show to be good but I thought it would probably be fun. My expectation was that it would be predictable with a high cheese factor but worth watching because, you know, Kiefer Sutherland. Predictably, it won’t ever be mistaken for prestige TV drama. It has been cheesy, overly preachy, President Kirkman’s (Sutherland) chief rival has been a little too much of a mustache twirler for my liking and one of our main characters is really only alive because the plot needs them to be. Furthermore, the first half of the season was quite a bit stronger than the second, due to, in my opinion, the premature disposal of the show’s chief adversary which left it with a bit of a villain problem. When your antagonist is a large group of anonymous people, the truth is, you really don’t have an antagonist. That isn’t to say that I haven’t enjoyed it. On the contrary, it has been what I thought it would be and at times, a whole lot more. At its best, the show has been intriguing, exciting, funny and full of heart. The performances are great all around. Maggie Q is someone whose presence I always welcome on my TV. Kiefer Sutherland has been solid in a much different role than we’ve seen him in recently. Kal Penn and Virgina Madsen have stood out in their supporting roles. Although I’m not sure the high point that this week’s finale ends on is entirely earned, I’m excited to see where the show goes next season, especially now that it seems to have put a face on its bad guy heading into the fall.

Designated Survivor stands in stark contrast to other current shows that use a fictional White House as their setting. HBO’s Veep may just be the funniest show on TV. Unfortunately, the fact that the culture the show portrays of conviction-less and image obsessed men and women in power represents the “most realistic show about politics” on TV tends to bum me out. Netflix’s House of Cards shows a much darker and more nihilistic view of American politics. President Frank Underwood shows us what a man consumed by a lust for power looks like within the confines of our system of government. While I find these shows to be entertaining for different reasons, I very much enjoy the outlook of Designated Survivor. President Kirkman’s politics can seem naive and Pollyannaish to my cynical side, but there currently aren’t many other places in entertainment that express a general sense of optimism about the people who make our laws. Sure, there’s a good chance that pessimism is more than earned, but it has been nice to escape from it for an hour a week during Designated Survivor.

  • Brooklyn Nine-Nine is quietly having one of its best seasons. The show has a nice combination of workplace comedy mixed and case of the week situations that add depth to relationships while also being funny send ups of common cop show and movie tropes. This week’s episodes were delightful as we got to see Boyle, Terry and Diaz tap into their love for remodeling shows as they overhaul the break room while Perralta got to solve a mystery that involved Holt’s mom. Fox didn’t do the show many favors this season as it only aired two episodes between December 13 and April 11. The airing of the show has been so disjointed that I’m planning to watch it all over again over the summer because I think it very well could be the best season the show has put together. But I can’t really remember the first half at all other than that I recall enjoying them quite a bit. The last two episodes air this Tuesday.

 

  • New to stream this week on Netflix is season three of Unbreakable Kimmy Schmidt from the minds of Tina Fey and Robert Carlock. For fans of the show who loved the first season and were somewhat underwhelmed by season two, I believe you’ll be pleasantly surprised upon viewing season 3. While it never reaches the heights of its freshman season, it strikes a great balance between the innocent naivete of Ellie Kemper’s titular Kimmy and biting humor about the world she inhabits. Because Kemper plays Kimmy with such earnestness and irresistible charm, the edgier social commentary never comes off as preachy. Episode six, “Kimmy is a Feminist,” stands out in my mind as one that highlights both Kemper’s performance and the writer’s critique of the current social climate.  Co-stars Carol Kane and Jane Krakowski are a lot of fun. I’ve heard complaints that Krakowski’s Jacqueline is a bit too derivative of her 30 Rock character, Jenna Maroney, and I couldn’t argue with that assertion. But I love me some Jenna Maroney so I don’t really mind. Titus Burress gets a chance to shine in episode two in what will be a special treat for fans of Beyonce’s Lemonade.  If you’ve never seen the show, I’d highly recommend it, especially if you’re a fan of Fey’s 30 Rock.

 

  • Next week, I plan to talk a bit about HBO’s The Leftovers which turned out one of its best episodes ever on Sunday, only a week after airing its most bizarre. This doesn’t get the publicity of other HBO dramas, but it deserves to. There are only two episodes left and there are only 28 episodes altogether. If you haven’t started, you still have the time to get it all watched by the time the finale airs!

 

  • And this week in the Arrowverse:
    Arrow
    had a few fun guest appearances, but this week’s episode is the epitome of a table setter to get things in place for this week’s finale. Malcolm Merlyn! Nyssa! Slade Wilson! They’re all back! Can they stop Vigilante? I have a guess! Arrow is going to go through a bit of a transition between this week’s finale and next season’s premiere. The flashbacks that have been a large part of the story, at their best they’ve added depth but at their worst they’ve been dead weight, will finally catch up with where the series began. I’m interested to see how the show adjusts without these context adding vignettes.


    The Flash
    surprised me by quickly running (Ha! Pun!) through plot that I thought would be saved for this week. I have some crazy, spoiler-filled theories on what is going to happen during this week’s finale that a few of us have discussed in the Facebook group. Head over there if you’re caught up or don’t mind being (possibly) spoiled.

     

    The best Arrowverse episode of the week no doubt belonged to Supergirl. While it’s a testament to the ability of the writers and an expanded cast that the show has continued to produce high quality episodes despite the departure of last season’s MVP, Calista Flockhart, it feels really good to have Cat Grant back in National City for the last two episodes of the season. When you add other seasoned TV veterans Teri Hatcher and Linda Carter into the mix, there’s a serious amount of girl power on display this week. The title of next week’s episode is “Nevertheless, She Persisted,” which gives me goosebumps on its own. I can’t wait for the finale.

Feelin’ TV: May 15-21

Let me lay this premise on you. What if 24 and West Wing had a baby and on that show, Jack Bauer was played by Maggie Q and President Bartlett was played by Jack Bauer? Does that sound like a show you’d like to watch? Of course it does! I was looking forward to checking out Designated Survivor from the first time I saw a commercial for its premiere. I did not expect the show to be good but I thought it would probably be fun. My expectation was that it would be predictable with a high cheese factor but worth watching because, you know, Kiefer Sutherland. Predictably, it won’t ever be mistaken for prestige TV drama. It has been cheesy, overly preachy, President Kirkman’s (Sutherland) chief rival has been a little too much of a mustache twirler for my liking and one of our main characters is really only alive because the plot needs them to be. Furthermore, the first half of the season was quite a bit stronger than the second, due to, in my opinion, the premature disposal of the show’s chief adversary which left it with a bit of a villain problem. When your antagonist is a large group of anonymous people, the truth is, you really don’t have an antagonist. That isn’t to say that I haven’t enjoyed it. On the contrary, it has been what I thought it would be and at times, a whole lot more. At its best, the show has been intriguing, exciting, funny and full of heart. The performances are great all around. Maggie Q is someone whose presence I always welcome on my TV. Kiefer Sutherland has been solid in a much different role than we’ve seen him in recently. Kal Penn and Virgina Madsen have stood out in their supporting roles. Although I’m not sure the high point that this week’s finale ends on is entirely earned, I’m excited to see where the show goes next season, especially now that it seems to have put a face on its bad guy heading into the fall.

Designated Survivor stands in stark contrast to other current shows that use a fictional White House as their setting. HBO’s Veep may just be the funniest show on TV. Unfortunately, the fact that the culture the show portrays of conviction-less and image obsessed men and women in power represents the “most realistic show about politics” on TV tends to bum me out. Netflix’s House of Cards shows a much darker and more nihilistic view of American politics. President Frank Underwood shows us what a man consumed by a lust for power looks like within the confines of our system of government. While I find these shows to be entertaining for different reasons, I very much enjoy the outlook of Designated Survivor. President Kirkman’s politics can seem naive and Pollyannaish to my cynical side, but there currently aren’t many other places in entertainment that express a general sense of optimism about the people who make our laws. Sure, there’s a good chance that pessimism is more than earned, but it has been nice to escape from it for an hour a week during Designated Survivor.

  • Brooklyn Nine-Nine is quietly having one of its best seasons. The show has a nice combination of workplace comedy mixed and case of the week situations that add depth to relationships while also being funny send ups of common cop show and movie tropes. This week’s episodes were delightful as we got to see Boyle, Terry and Diaz tap into their love for remodeling shows as they overhaul the break room while Perralta got to solve a mystery that involved Holt’s mom. Fox didn’t do the show many favors this season as it only aired two episodes between December 13 and April 11. The airing of the show has been so disjointed that I’m planning to watch it all over again over the summer because I think it very well could be the best season the show has put together. But I can’t really remember the first half at all other than that I recall enjoying them quite a bit. The last two episodes air this Tuesday.

 

  • New to stream this week on Netflix is season three of Unbreakable Kimmy Schmidt from the minds of Tina Fey and Robert Carlock. For fans of the show who loved the first season and were somewhat underwhelmed by season two, I believe you’ll be pleasantly surprised upon viewing season 3. While it never reaches the heights of its freshman season, it strikes a great balance between the innocent naivete of Ellie Kemper’s titular Kimmy and biting humor about the world she inhabits. Because Kemper plays Kimmy with such earnestness and irresistible charm, the edgier social commentary never comes off as preachy. Episode six, “Kimmy is a Feminist,” stands out in my mind as one that highlights both Kemper’s performance and the writer’s critique of the current social climate.  Co-stars Carol Kane and Jane Krakowski are a lot of fun. I’ve heard complaints that Krakowski’s Jacqueline is a bit too derivative of her 30 Rock character, Jenna Maroney, and I couldn’t argue with that assertion. But I love me some Jenna Maroney so I don’t really mind. Titus Burress gets a chance to shine in episode two in what will be a special treat for fans of Beyonce’s Lemonade.  If you’ve never seen the show, I’d highly recommend it, especially if you’re a fan of Fey’s 30 Rock.

 

  • Next week, I plan to talk a bit about HBO’s The Leftovers which turned out one of its best episodes ever on Sunday, only a week after airing its most bizarre. This doesn’t get the publicity of other HBO dramas, but it deserves to. There are only two episodes left and there are only 28 episodes altogether. If you haven’t started, you still have the time to get it all watched by the time the finale airs!

 

  • And this week in the Arrowverse:


    Arrow
    had a few fun guest appearances, but this week’s episode is the epitome of a table setter to get things in place for this week’s finale. Malcolm Merlyn! Nyssa! Slade Wilson! They’re all back! Can they stop Vigilante? I have a guess! Arrow is going to go through a bit of a transition between this week’s finale and next season’s premiere. The flashbacks that have been a large part of the story, at their best they’ve added depth but at their worst they’ve been dead weight, will finally catch up with where the series began. I’m interested to see how the show adjusts without these context adding vignettes.


    The Flash
    surprised me by quickly running (Ha! Pun!) through plot that I thought would be saved for this week. I have some crazy, spoiler-filled theories on what is going to happen during this week’s finale that a few of us have discussed in the Facebook group. Head over there if you’re caught up or don’t mind being (possibly) spoiled.

    The best Arrowverse episode of the week no doubt belonged to Supergirl. While it’s a testament to the ability of the writers and an expanded cast that the show has continued to produce high quality episodes despite the departure of last season’s MVP, Calista Flockhart, it feels really good to have Cat Grant back in National City for the last two episodes of the season. When you add other seasoned TV veterans Teri Hatcher and Linda Carter into the mix, there’s a serious amount of girl power on display this week. The title of next week’s episode is “Nevertheless, She Persisted,” which gives me goosebumps on its own. I can’t wait for the finale.