Patch’s Top 10 Films of 2018

2018 was a stellar year for movies. More often than not, I found myself asking the question “Can this year get any better?” after finishing one of the many great films ranging from big blockbusters to upstart independents to non-fiction narratives. Anytime I do a top 10, wrestling with the ones that “didn’t make the cut” makes me feel like a coach that has to cut those players that were great, but just not great enough. That doesn’t negate the films’ impact on me by any means. Sometimes, you just have to make sacrifices. However, I’m not going to completely disregard them, so here are my honorable Top 5 Best of the Rest of 2018.


THE BEST OF THE REST

5. Annihilation
4. Upgrade
3. Green Book
2. Crazy Rich Asians
1. Sierra Burgess is a Loser


 

THE FEATURE FILMS

Now, for the all-star team of films that I chose, I was surprised at how varied my list was. That says so much about how great this year was in film-making. If you are reading this, I hope that you’ve had a chance to see these films, and if not, that this will encourage you to do so.


10. RALPH BREAKS THE INTERNET – Sequels can be a high risk/high reward avenue when it comes to franchises. Honestly, I was content with Wreck It Ralph as a stand-alone feature. That story was told. What more needed to be said? Well, apparently, a whole internet’s worth of stories. What the first film did for my love of all things gaming, the sequel successfully pulled off the personification of the world of cyberspace. Not only that, but the message at the heart of Ralph 2 is one that I wasn’t expecting, one that speaks to the importance of what real friendship is.

9. FIRST MAN –  Damien Chazelle + Ryan Gosling + Space = Yes Please. I thought I knew what I was getting when I walked into the theater. Apollo 13, The Right Stuff, and From Earth to the Moon are staple space viewings for me. But I walked out of the theater saying, “Wow, that really was about Neil Armstrong.” I thought that I was going to get a movie about space and the guy who first set foot on the moon. Instead I got an intimate portrayal of a man who struggled with the weight of being a father, a husband, and an astronaut, all while dealing with grief over the loss of a child. Any nominations this film get are much deserved, and I hope to see that come awards season.

8. A STAR IS BORN – This was a movie that I had very little interest in. I hadn’t seen any of the previous iterations, and thinking about Lady Gaga in a theatrical performance where she may be out of her element (aka not dressed up as something obnoxious) didn’t give me a lot of hype value. But then I watched the opening performance by director/actor Bradley Cooper, a man who altered his whole persona (voice included) to own this role of Jackson Maine, and I was floored. Then Lady Gaga comes in and completely sells me on her character, Ally, not only with her singing chops (this I knew) but the way in which she and Cooper’s chemistry worked so well. This film did so much in helping me see that beauty and ugliness of a star’s life, how it can change you and turn you into something you aren’t proud of. It also showed me how the love two people have in the midst of that can not only survive, but succeed, and leave a lasting legacy.

7. THE ENDLESS – Imagine a movie that tells you one thing and then about half way through, shouts in your face “Gotcha.” Now imagine if that worked for you. I’ve had experiences like that, where I’m sold on a movies premise and then it completely goes sideways. More often than not, it spoils my movie experience. The Endless just ratcheted it up to another level of enjoyment. It’s drama and sci-fi, two things I love, but packaged together in a way that I have never seen before. I can’t say much more without spoiling it, but of any movie on this list, I would say see this as soon as you can.

6. READY PLAYER ONE – Book to movie adaptations can be a slippery slope. I’ve learned to extend a lot more grace as I’ve watched more of these as long as the central plot doesn’t change and characters don’t become inconsistent with who their book counterparts are (I’m looking at you Percy Jackson). But something interesting happened with Ready Player One for me. While those two character traits stayed intact for the most part, the book and movie became two different experiences because of the amount of changes that Spielberg and company implemented. Some will complain that the deviations from the source material detracted from the quality, I would make the opposite observation. The spirit of what the book was trying to do played out on the big screen, and the changes done made so much more sense in that medium. I love being able to have two unique experiences when it comes one of my favorite stories in the last decade.

5. AVENGERS: INFINITY WAR – Stakes. That’s what seemed to be missing for me in the massive success that is the MCU. Infinity War changed that. Finally, we had real consequences to a universe that has been growing for 10 years. Finally, we had significant sacrifices with the real possibility that some of our favorite heroes have been lost for good. And finally, the MCU gave us a villain that wasn’t as flat as a pancake. Infinity War got my superhero excitement revived and my hope is that Avengers: Endgame finds its way to this list in 2019.

4. THE HATE U GIVE – If I had to give a One Word Takeaway for this film, it would be “honest.” I’ll admit this was a hard watch for me. It’s a movie that finds a way to portray the ugly reality of what our current racial landscape looks like, to walk in the shoes of a young black teenager. To say this film is important is an understatement. It’s a conversation starter and a perspective changer. But it’s also a movie that, in the most subtle way, leaves me with a sense of hope, and it’s an honest hope. It’s a reminder that even though things are ugly and may always be that way, I don’t have to be a part of that ugliness. I can help be a voice that changes the conversation, the perception, and the landscape.

3.  EIGHTH GRADE – This movie and The Hate U Give were neck and neck in my final rankings, and on any given day I could switch the two. Eighth Grade hits all the emotional notes for me, a guy who never cries, enough to start sobbing in the middle of the gym while on a treadmill. I confess that I don’t have a middle school daughter. Currently, I’m experiencing what it’s like to live with a 6 year old boy. But the truths presented in this film still resonate with me. I was that awkward kid trying to figure out who I was, caught in the middle of elementary school and high school. I am also a dad that knows those experiences are going to befall my child one day and as a dad, I can’t even begin to know how to handle it. But that’s okay. This film is a fantastic depiction of the beauty that can exist in the messiness of life. It’s also one that leaves me feeling hopeful as a dad. Gucci!

2. SPIDER-MAN: INTO THE SPIDER-VERSE – My most anticipated movie of 2018 did NOT disappoint. From the animation to the narrative to the adaption of the comic event that, in and of itself is fantastic, this film helmed by the guys behind THE LEGO MOVIE and LEGO BATMAN brought exactly what I expected and more. Spider-Verse gave me, not only a fresh take on Marvel’s flagship character, but also opened the door for more stories that could come from this “spider-verse” and what that could mean for introducing more different kinds of spider characters. I would not be disappointed if I got to experience a new Spider-Verse film every holiday season. Merry Christmas to me.

1. HEARTS BEAT LOUD – Where did THIS film come from? Had it not been for my best friend pointing me to this movie, I wouldn’t have even considered it as a contender. And why would I. Independent movies have a hard time finding their way to my neck of the woods. Fortunately, I was able to see it and my goodness, I hadn’t felt the way I did since Sing Street. It hits all the right notes for me. Drama, family relationships, and music. Lots of great music. Kiersey Clemons and Nick Offerman make a fantastic father/daughter combination. It’s tender, funny when it needs to be, and doesn’t try to be anything more than it sets out to be. Movies like this, because of their quiet demeanor are not going to get a lot of recognition, and that’s sad. Nonetheless, it topped my list and I will gladly champion it as much as I can.


Patrick “Patch” Hicks calls Little Rock, Arkansas home with his family of four (his wife, son and three pets). When he’s not podcasting, he works as a multimedia designer and is also dabbling in the art of writing and directing. You can find him floating around the web on Twitter, Facebook, and his home on the web, ThisIsPatch.com.

 

 

Aaron’s Top 10 Films of 2018

Roma, If Beale Street Could Talk, Black Panther, Upgrade, Burning, A Quiet Place, First Reformed, Widows, Ralph Breaks the Internet, and Won’t You Be My Neighbor? These are just some of the wonderful movies released this year (out of 171 new films seen, up from 155 last year) which I couldn’t find room for in my Top 20, much less my Top 10, but still heartily recommend you seek out and see. The process of narrowing down my favorites to the top ten films of the year was a painful experience that required a lot of reflection and time. Just know that I harbor deep affection for many of the films you see listed earlier in this introduction and also below in the #11-20 special mention spots.

With regards to my criteria, when it comes to ranking films critically, I do that as part of my membership in the Seattle Film Critics Society (see our awards here). But here at Feelin’ Film we focus on matters of the heart, so my chosen films are often ones that I found the most affecting in 2018 – those movies that provided me an incredible emotional experience of some sort. Other things that factor strongly into my ranking are how likely I am to remember a film months down the road and rewatchability, so think of this list as leaning more favorite than best.

In order to make this a tad easier on myself, and also because they truly are a unique medium unto themselves, I have listed my Top 5 Documentaries separately. This was an incredible year for non-fiction filmmaking and more than one of these below would be featured in my Top 10 of the year if these lists were combined.


THE DOCUMENTARIES

5. SCIENCE FAIR – An entertaining, encouraging, and essential spotlight on some of the bright young minds that will be responsible for innovations and research that dictate the future of humanity. This inspirational, feel-good documentary follows a handful of brilliant multi-ethnic teenagers from around the world as they compete at the annual International Science and Engineering Fair (ISEF), the “Olympics of science fair”, and is a heartfelt celebration of both their drive to learn and the parents and teachers who support their ambition.

4. WON’T YOU BE MY NEIGHBOR? – I knew very little about Fred Rogers, the iconic and innovative television personality, before seeing this story about his life. His heart for children and unwavering hope to see every person loved and respected for who they are, as well as his sense of ministry and passion for child development, led to an incredible career of service that the world sorely needed. It was a joy to learn about his life through those who knew him and a reminder that the world could sure use a solid dose of Mister Rogers again today.

3. MINDING THE GAP – Incredibly personal story of three skateboarding friends, one of which is documenting their lives over the course of many years Boyhood-style. The film takes unexpected turns in dealing with the realities of absentee fathers, the challenges of parenting, and domestic abuse, but the honesty and courage of director Bing Liu and his friends throughout the process creates an experience that is extremely important and potentially life-changing for viewers.

2. THEY SHALL NOT GROW OLD – An immersive documentary experience like nothing that has ever been made before. What Peter Jackson has done with previously unseen archival footage from the Imperial War Museum, restoring and colorizing it, then combining it with recorded interviews of the very soldiers who lived through World War I, is truly stunning and deeply intimate. The film is nothing less than a triumphant tribute to those who served and an impressive technical marvel that sets a new standard for the kind of storytelling that can be achieved in 2018 and beyond.

1. FREE SOLO – Real, raw, and intense as it gets. This story of Alex Honnold’s attempt to become the first person to ever free solo climb (that means with no ropes, y’all) Yosemite National Park’s 3,200 foot high El Capitan wall is stripped of Hollywood special effects, stuntmen, and safety measures, creating a truly unique voyeuristic experience. World-class photographer Jimmy Chin’s camerawork is amazing but it’s the intimacy of getting to know Alex, his girlfriend, and fellow climbers that makes this documentary truly special. This deeper connection with Alex as a person also makes watching his final ascent one of the most truly nail-bitingly stressful things I have ever witnessed. This film additionally inspired me to get back outdoors and commune with nature, so it impacted me in a potentially long-lasting way. (Hear my interview with 2018 National Geographic Adventurer of the Year & subject of Free Solo Alex Honnold in Minisode 53 here.)


THE FEATURE FILMS

20. GREEN BOOK – (Hear our discussion about Green Book in Episode 138 here.)

19. SPIDER-MAN: INTO THE SPIDER-VERSE – (Hear our discussion about Spider-Man: Into the Spider-Verse in Episode 140 here.)

18. ISLE OF DOGS 

17. SEARCHING – (Hear our discussion about Searching in Minisode 51 here.)

16. INCREDIBLES 2 – (Hear our discussion about Incredibles 2 in Episode 114 here.)

15. SHOPLIFTERS

14. ANNIHILATION – (Hear our discussion about Annihilation in Episode 099 here.)

13. CREED II – (Hear our discussion about Creed II in Episode 137 here.)

12. MISSION: IMPOSSIBLE – FALLOUT – (Hear our discussion about Mission: Impossible – Fallout in Episode 120 here.)

11. EIGHTH GRADE – (Hear our discussion about Eighth Grade in Minisode 48 here.)


10. THE HATE U GIVE – I was a complete wreck watching this film from start to finish. It provides perspectives on police violence and race that you just can’t get without intimately knowing people who’ve lived through the kind of experiences these characters do, and does so through expert filmmaking, performances, score, and script. It’s eye-opening, heartbreaking, and evocative. It is also entertaining in stretches, but engaging with the complex thematic material is challenging. The emotional experience I had watching The Hate U Give was likely the most powerful one I had all year, and if there is one film that I find vitally important enough to suggest families see it with their teenagers, this is the one.

 

9. AVENGERS: INFINITY WAR – We waited 10 years for this and the historic puzzle that the Russo Brothers have put together is nothing short of amazing, lending itself to multiple viewings and deeper analysis. Despite being 2.5 hours long, I never once felt that length, as the film hurtled me along toward an inevitable tragedy. I was shocked that Infinity War managed to live up to its incredible hype. It was as entertaining and emotional as a superhero film has ever been and sucked me back into MCU fandom right as I was starting to fall away from it from fatigue. (Hear our discussion about Avengers: Infinity War in Episode 107 here.)

 

8. THE RIDER – This Western slice-of-life story about real-life cowboy Brady Jandreau wrestling with what he wants versus what is best for him plays out in ways that are both painful and touching. Director Chloé Zhao’s choice to have the film acted by the actual Jandreau family added a layer of realism and created a level of personal connection to the characters that may not have been reachable otherwise. The film features a beautiful score and my favorite cinematography of the year. It is both a moving piece of storytelling and cinematic achievement that I won’t soon forget. (Hear me discuss The Rider with J.D. on InSession Film Podcast here.)

 

7. FIRST MAN – From the pulse-pounding opening scene, seeing this film in IMAX was an extraordinary, unique, and stunningly immersive cinematic experience. Damien Chazelle’s manner of storytelling, keeping the focus centered on one man and letting us experience Neil’s journey through both the intimacy of his personal life and the exhilarating flight challenges that give him purpose, was incredibly impactful. The performances and production design are phenomenal, but the technical mastery of this picture’s flight sequences is unlike anything I’d ever seen. Likewise, the sound design was so intense and score so awe-inspiring that you could feel them in your bones and soul. Chazelle’s film is breathtaking, while also being a fantastic history lesson, and is definitely both the best biopic of 2018 and one of the best films ever made about the space program. (Hear our discussion about First Man in Episode 131 here.)

6. HEARTS BEAT LOUD – Hearts Beat Loud is not just the witty title of this third feature film from Brett Haley, but also a prophetic description of the physiological response it evokes when I watch it. Nick Offerman and Kiersey Clemons are stellar as a father and daughter bonding over a shared love of music, dealing with his mid-life crisis of sorts and her impending departure for college. The catchy tunes they create bring out the feels but it’s the thoughtful, realistic story about coping with the challenges that life brings us that keeps me emotionally invested throughout this charming, heartwarming exploration of parenthood, love, and facing the future. (Hear our discussion about Hearts Beat Loud in Episode 129 here.)

 

5. A STAR IS BORN – The first act of this film is a mesmerizing display of immersive, emotional storytelling and song, and one of the top five or so sections of any film in 2018. What Bradley Cooper and Lady Gaga have created here in this 4th retelling of the classic Hollywood tale is not only the best version but also one of the most entertaining, memorable films of the year. Its songs and performances, its triumphs and tragedy, have grown on me with every viewing thus far, and the deeper my emotional connection gets the more closely I hold this film in my heart. (Hear our episode about A Star is Born in Episode 130 here.)

 

4. READY PLAYER ONE – My expectations for this film adaptation of a favorite book were sky high, and somehow the master of the adventure movie himself, Steven Spielberg, delivered. Seeing the OASIS come to life before my eyes had me in awe. I love the visual effects, the constant references that gamers and pop culture addicts like myself eat up, and the new version of a beloved story that stands on its own as equally (if not more) impressive than its source material. This film, like the book it is based on, was created with a very specific geeky target audience in mind. I am that audience and this film is a new favorite, bound to be joyfully revisited year after year. (Hear our discussion about Ready Player One in Episode 103 here.)

 

3. AQUAMAN – Do you remember the moment when you became a fan of something? My favorite superhero of all-time is Batman, and seeing Michael Keaton on the big screen is what kicked off a nearly 30-year love affair with the caped crusader. I also cannot forget the feeling inside me when I first witnessed Middle-earth in Peter Jackson’s The Lord of the Rings trilogy. I enjoyed the books before that, but seeing them realized in a cinematic way is what cemented my extreme fandom. Well, this year that happened again, and came from a completely unexpected place. Aquaman is a combination of things that I love. It is an underwater Star Wars, with the visual world-building of Tron: Legacy and Avatar, plus an adventurous quest for a relic a la an Uncharted video game, and topped off with epic Lord of the Rings-like battles. I had little to no knowledge of the character prior to this film, but I fell hard for the origin story of this king torn between two natures, wrestling with guilt, familial conflict, and mercy. The visuals, the score, the performances, the costumes, the amazing action, and the campy way in which this epic tale is constructed fit together perfectly for me. Thanks to this film, I am now an Aquaman fan and riding this rare wave of pure bliss as far as it will take me.

 

2. BLINDSPOTTING –  Rarely have I ever been been so floored by a film. This movie gave me one of the most emotionally visceral cinematic experiences that I’ve had this year, leaving me thoroughly exhausted and in need of both a hug and a nap. The performances by Diggs and Casal are phenomenal. The script, which the two friends/stars spent years developing, is the best of the year and brings absolute fire in every scene. There is so much heart in this funny, thought-provoking, entertaining picture that perfectly expresses a relevant rage about such topics as police violence, gentrification, post-traumatic stress, and more. The battle between #1 and #2 was very, very close, and I suspect that Blindspotting is the type of film whose genius ability to address these topics in an honest but healthy way will only be appreciated more as time passes.

 

1. PADDINGTON 2 – “If we are kind and polite, the world will be right.” Little did I know walking into a theater in early January that I would be seeing my #1 film of the year. The aforementioned quote is the most memorable line of dialogue from any movie in 2018. It, and many other wonderful pieces of Aunt Lucy’s advice, have stuck with me all year long. Technically the film is marvelous. Its flawless blending of live-action and CGI is special. The colorful, symmetrical cinematography is so vibrant and alive that it bursts off of the screen. No other film was quite as perfect a blend of artistic excellence in filmmaking, lovely performances, and emotional significance for me. In a world that often gives us plenty of reason to frown, Paddington brings kindness, hopefulness and pure delight. (Hear our discussion about Paddington 2 in Episode 112 here.)


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

What We Learned This Week: June 3-9

LESSON #1: TOXIC FANDOM IS ONE OF THIS INDUSTRY’S LARGEST UNCHECKED PROBLEMS— What used to be little nit-picky pissing and moaning no more imposing than the Comic Book Guy character on The Simpsons is turning overly voluminous, hurtful, egregious, and flat-out unnecessary.  The latest ugly example came this week when months of harassing and abusive social media actions led Star Wars: The Last Jedi actress Kelly Marie Tran to delete her Instagram.  Notice in the title of the lesson that I said “industry.”  This fanboy immaturity and hate isn’t exclusive to Star Wars fans.  This kind of abhorrent behavior fueled by internet troll courage lights up with comic book films, gaming culture, TV shows large and small, and many other sources far too often and far too loudly.  Let this school teacher tell you that all this bitching about fiction and entertainment is fruitless and unhealthy.  No piece of entertainment is worth any level of the hate and consequences leveled to Ms. Tran.  The support around her is positive but more must be done.  If you claim these pieces of pop culture are core influences of your formative character, then you don’t have a very good core and need help in the form of interpersonal relationships not rooted in fantasy.  I know its the few ruining it for the behaved majority, but turn off the screens, take off the cosplay, put away the toys, grow up, and go engage in real relationships.  At an industry level, accountability is needed, and I love this NBC News piece from Ani Bundell and this Forbes editorial from Scott Mendelson as highly recommended reads.  No matter how you cut it, this is bullying and it’s time to employ the “see something, say something” practices we tell school kids nowadays.  Help report and block improper behavior.

LESSON #2: EACH FILM STARRING WOMEN OR MADE BY WOMEN IS NOT REQUIRED TO ADVANCE FEMINISM— From one torch-bearing subject to another, I referenced a junket interview from the Ocean’s 8 press tour in my review of the film where the leading ladies are tired of answering questions large and small about gender roles.  They made Ocean’s 8 to have fun.  Let Ocean’s 8 be marvelous for what it is (namely a proper heist film) and not curved by who is in it and which chromosomes they have. When someone adds the marginalizing and labeling descriptors of “all-female,” “women-centered,” or, worse, “chick flick,” their narrow vision becomes part of the problem. That goes both ways. Not every film for or including women has to carry a torch and a battering ram for the #MeToo movement.  Let something fun be fun.  Furthermore, in a second interview piece and connecting to Lesson #1, Ocean’s 8 star Sandra Bullock also drew alarming comparison to the flaq the Ghostbusters reboot cast received two years ago.  The wave of hate for that film was off-the-charts higher than what Ocean‘s 8 is receiving, which shows the fickle hypocrisy of toxic fandom.

LESSON #3: THE RIGHT DOCUMENTARY CAN MAKE A FLASHIER DRAMATIZATION UNNECESSARY AND OBSOLETE— This one is more a prophecy than a lesson.  One of my many reactions and takeaways after watching (my full review) the incredibly detailed, moving, and impactful documentary Won’t You Be My Neighbor? is that I, for one, absolutely do not need an upcoming movie biopic version of Fred Rogers’ life story.  There is tangible spirit and a magic watching the real personality of the late TV personality that comes out in Morgan Neville’s film that speaks rightly true and cannot be translated into a glitzy newfangled narrative using dramatic license.  I don’t care how wholesome and loved Tom Hanks is or how immensely talented his is as one of the finest actors walking the planet.  Even he cannot suspend disbelief to become Fred Rogers.  The genuine article is too singular, too unique, and, to borrow his favorite word, too special.  Fred’s central mission and message is strong enough on its own and demands full reality.  Flattering imitation, in my opinion and even cited in the documentary itself with recaps of impersonations done by Saturday Night Live, The Tonight Show, SCTV, and In Living Color, would take away shine from the gleaming legitimacy of what Fred Rogers stands for.  There is more value to both nostalgic audiences and neophyte discoverers of Fred Rogers to see his actual self in Won’t You Be My Neighbor? than the diluted Hollywood version to come.  Let a documentary become a summer blockbuster for a change.  Get some truth out there and see this film.

LESSON #4: A VENOM CHARACTER NOT IN THE CURRENT MARVEL CINEMATIC UNIVERSE IS NOT A REAL VENOM AT ALL— I was right there with you salivating at the idea of Tom Hardy playing a brawny Eddie Brock and his beastly alter-ego of Venom.  Throwing looks and Daily Bugle character history out the window, you couldn’t cast a more imposing threat for an emerging Tom Holland Spider-Man than Hardy.  The problem I’ve always seen has been timing.  Pulling off a Venom film is cart-before-the-horse too soon for a brand-new teenage Spider-Man. Now, the problem has increased to misalignment with the news that the Venom film will not be a recognized part of the MCU.  I know I just talked about toxic fanboy culture earlier in the column, but, I’m sorry, Venom is not Venom without Spider-Man.  What looked to already be an impatient cash grab by Sony to stay relevant with its Marvel character properties now looks to be an expensive and possibly pointless waste of resources entirely.

LESSON #5: YOU CAN’T WASH THE STINK OF MICHAEL BAY OFF THAT EASILY— Much like Venom in a way after its recent trailer surprises, I don’t care how good that Bumblebee trailer looked this past week (and yes, Mr. Ignore-All-Trailers over here did see it).  It’s going to take more than a decent teaser or two and a whole heap of deeper narrative work from Kubo and the Two Strings director Travis Knight on the final product to improve this tainted franchise.  Hope is there with Knight’s reputation, but plenty of films, when manipulated correctly with marketing magic, have duped us before.  I will still preach tempered expectations for Bumblebee.  Michael Bay’s cinematic skunk spray is still all over this.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  He is a proud member and one of the founders of the Chicago Independent Film Critics Circle.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on FacebookTwitter, and Medium.

 

2018 Seattle International Film Festival

Each year the Seattle International Film Festival (SIFF) screens hundreds of feature films, documentaries, short films, and more from all around the world over a 25-day period in May and June. This year the largest and most highly attended festival in the United States will run from May 25 – June 10 and show 433 films representing 90 countries, a lineup which includes 35 World premieres, 46 North American premieres, and 25 U.S. premieres. The festival will screen several highly anticipated films such as First Reformed starring Ethan Hawke, Sorry To Bother You starring Lakeith Stanfield, and a documentary about Fred Rogers that is sure to make you cry, Won’t You Be My Neighbor. Suffice it to say, all 433 films won’t be covered here, but in addition to our podcast coverage of the festival you will find capsule reviews of a wide variety of films across many genres. Check back often for new capsule reviews as we cover the 44th Annual Seattle International Film Festival. (Newest reviews on top.)

Must See: HEARTS BEAT LOUD, REVENGE, WON’T YOU BE MY NEIGHBOR?, FIRST REFORMED, BODIED

Recommended: MOUNTAIN, CHAMPIONS, THE RUSSIAN FIVE, CATWALK: TALES FROM THE CAT SHOW CIRCUIT, AMERICAN ANIMALS

Worth Watching: DON’T WORRY HE WON’T GET FAR ON FOOT, THREE IDENTICAL STRANGERS, BEAST, MICHELIN STARS: TALES FROM THE KITCHEN

Skip: LITTLE TITO AND THE ALIENS


DON’T WORRY, HE WON’T GET FAR ON FOOT (120 minutes)

Joaquin Phoenix transforms into the wheelchair-bound recovering alcoholic John Callahan in Gus Van Sant’s biopic about the famous Portland cartoonist. Phoenix’s powerful and wide-ranging emotional performance is matched by the most vulnerable work of Jonah Hill’s career as he portrays Callahan’s AA group leader and friend. Don’t Worry is an often humorous, thoughtful look at the challenge of dealing with addiction and affliction, but it also features an odd use of non-linear storytelling and wastes the talented Rooney Mara in a forgettable role as Callahan’s trophy girlfriend. See it for the stand-out acting and ultimate message of hope.

Rating:


THREE IDENTICAL STRANGERS (98 minutes)

In this stunningly true story, triplets separated at birth discover one another and fall into brotherly love before deeper, darker secrets are revealed regarding the circumstances of their detachment. Compelling right from the start, high energy and an intriguing structure keep this documentary fresh as it considers the age old question of nature vs. nurture. At its best when telling of the boys’ experiences while both together and growing up apart, the film isn’t quite as strong after its shocking reveal and during its subsequent exploration of why this all happened. The tragedy of the tale is incredibly emotional and thought-provoking, though, making us consider the line between humanity and science through the lens of very real people whose lives were dictated for them in ways they never expected.

Rating:

[All SIFF showings have passed; wide release on June 29, 2018]


HEARTS BEAT LOUD (98 minutes)

Hearts Beat Loud is not just the witty title of this third feature film from Brett Haley, but also a prophetic description of the physiological response it evokes. Frank (Nick Offerman) is stellar as a hip, but childish, widowed father whose last vestige of connection with his soon-to-be med student daughter Sam (Kiersey Clemons) is a shared love of music. The catchy tunes they create bring out the feels but this thoughtful, realistic story about coping with the challenges that life brings keeps us emotionally invested through its charming, heartwarming exploration of parenthood, love, and facing the future.

Rating:

[All SIFF showings have passed; wide release on June 8, 2018]


MOUNTAIN (74 minutes)

Like a poetic love letter to the mystical draw of the mountaintop, Willem Dafoe’s smooth voice (backed by the symphonic tones of the Australian Chamber Orchestra) narrates this awe-inspiring journey through the history of man’s relationship with some of the most imposing natural structures on the planet. Cinematographer Renan Ozturk’s stunning high-altitude imagery of mountains all across the world is a visual delight and worthy of the biggest theater screen possible, though viewers with a fear of heights are in for a terrifying experience.

Rating:

Showtimes: May 21 – 7:00 pm (SIFF Cinema Egyptian), May 22 – 7:00 pm (Majestic Bay)

[Get Tickets]


LITTLE TITO AND THE ALIENS (92 minutes)

In this playful science fiction dramedy, Tito and Anita travel to America to live with their widowed scientist uncle after their father passes away in Italy. The Professor, living as a recluse in the Nevada desert near Area 51, has stalled in his work on a top secret government project, but the arrival of his niece and nephew force him to confront not only his own grief but theirs as well. Featuring elements that echo Spielberg’s work (down to a very similar score), Little Tito and the Aliens has some heartfelt moments but is too scattered and derivative to be very highly recommended.

Rating:

Showtimes: June 7 – 7:00 pm (SIFF Cinema Uptown), June 8 – 4:00 pm (SIFF Cinema Egyptian)

June 10 – 4:30 pm (AMC Pacific Place)

[Get Tickets]


CHAMPIONS (CAMPEONES) (120 minutes)

Champions is another feel-good, family-friendly story about a judgmental and egotistical person who learns to accept others through spending time with them. But despite following a typical trajectory right up to a completely telegraphed ending, Director/Writer Javier Fesser’s film is so charming and funny that it simply doesn’t matter if you could write the plot yourself. Anchored by an incredible cast of performers as basketball players with intellectual disabilities and a genuinely emotional turn by star Javier Gutierrez as their new coach, Champions is an enjoyable, inspiring story that will warm the heart.

Rating:

Showtimes: June 1 – 9:00 pm (Kirkland Performance Center), June 8 – 6:15 pm (SIFF Cinema Uptown) w/ Director Q&A

June 9 – 3:00 pm (SIFF Cinema Uptown) w/ Director Q&A

[Get Tickets]


THE RUSSIAN FIVE (99 minutes)

Joshua Riehl’s documentary comes at the perfect time for a Seattle community starving for a hockey team of their own. The best sports documentaries take a topic many know and unpack hidden history. The Russian Five tells of how the Detroit Red Wings forever changed the NHL by bringing in talented Russian players, sometimes at risk of their lives and well-being of their families. Filled with awesome archival game footage and interviews, Riehl’s film echoes the rock star quality of its subjects and is a shocking, heartbreaking, and ultimately triumphant story about family and determination in sports.

Rating:

Showtimes: May 19 – 5:30 pm (SIFF Cinema Uptown) w/ Director Q&A, May 20 – 6:00 pm (Majestic Bay) w/ Director Q&A

May 29 – 9:00 pm (Shoreline)

[Get Tickets]


BODIED (121 minutes, R)

Director Joseph Kahn is most known for high-profile music videos, but alongside producer Eminem he takes on the rap battle scene in this high intensity, satirical, lyrical exploration of PC culture as we know it today. Bodied follows white progressive grad student Adam on his journey from researching battle rap to competing himself. It’s smart script constantly spits fire and offends every race, gender, ethnicity, sexual orientation and more while inviting viewers to consider how much words matter. Added visual flourish reminds of Scott Pilgrim and the rap battles themselves are sure to become the stuff of legend.

Rating:

Showtimes: June 9 – 9:30 pm (SIFF Cinema Egyptian), June 10 – 9:15 pm (SIFF Cinema Egyptian)

[Get Tickets]


AMERICAN ANIMALS (116 minutes, R)

Director Bart Layton leverages his history with documentaries in this bold feature debut about four privileged real-life college friends who rely on their knowledge of movies to plan and execute a rare book heist. With a unique style that overlays interviews of the actual subjects into the narrative, this exhilarating crime drama is notable in how it depicts differing perspectives of how the events unfolded. Slick, stylish, and often hilarious, the film does suffer from pacing issues in its purely dramatic sections, but this fresh take on the sub-genre is a fascinating experience.

Rating:

Showtimes: May 19 – 9:00 pm (SIFF Cinema Uptown), May 20 – 1:30 pm (AMC Pacific Place) w/ Director Q&A

[Get Tickets]


FIRST REFORMED (113 minutes, R)

Known for his transcendental style and self-destructive characters, legendary writer/director Paul Schrader’s latest film stars Ethan Hawke in an arguably career-best performance as a former military chaplain turned small church pastor wrestling with despair, physical ailments, and an increasingly critical view of how the modern church operates. An intellectually profound script regarding matters of faith and environmentalism is coupled with careful artistic direction that creates a simmering emotional experience. This is a dark, unsettling character drama interested more in asking questions than providing answers – but for those who engage, it can be a powerful conversation-starter and trigger for self-reflection.

Rating:

Showtimes: May 18 – 4:00 pm (SIFF Cinema Egyptian), May 22 – 7:00 pm (SIFF Cinema Uptown)

[Get Tickets]


WON’T YOU BE MY NEIGHBOR? (93 minutes)

Bring the tissues for this story about Fred Rogers, the iconic and innovative television personality with a heart for children and unwavering hope to see every person loved and respected for who they are. Fred’s sense of ministry and passion for child development helped him make Mister Rogers’ Neighborhood a safe place for learning that was radical in its time and unreplicated to this day. Through the use of interviews and historical context, Oscar-winning Director Morgan Neville thoroughly explores who Rogers was and shows his lessons are still needed today more than ever.

Rating:

Showtimes: May 26 – 6:00 pm (SIFF Cinema Uptown), May 27 – 1:30 pm (SIFF Cinema Uptown)

[Get Tickets]


CATWALK: TALES FROM THE CAT SHOW CIRCUIT (75 minutes)

People love cats. Some people love cats so much that they travel the country attending what amounts to a beauty contest for their feline companion, and Catwalk: Tales from the Cat Show Circuit tells some of these amusing stories while detailing the surprisingly complex and competitive world of cat shows as seen through the nail-biting race for #1 between puffy red Persian Ooh La La and playful Turkish Angora Bobby. Thoroughly entertaining and full of gorgeous kitty cinematography, this sweet, fun and informative documentary is a joy for the whole family (pets included).

Rating:

Showtimes: May 19 – 3:30 pm (SIFF Cinema Uptown), May 20 – 1:00 pm (SIFF Cinema Uptown), June 2 – 3:30 pm (Shoreline)

[Get Tickets]


MICHELIN STARS: TALES FROM THE KITCHEN (82 minutes)

Early in this documentary from Danish director Rasmus Dinesen, one renowned chef calls the famous restaurant grading Michelin Guide, “the most important guide in the world,” and for those chasing the ultra-elusive Michelin Star it is. Dinesen travels around the world learning about both the trials and glory that come from seeking the culinary world’s highest rating. The film is less concerned with specific dishes, but still features plenty of mouth-watering cinematography while providing a fair and balanced conversation about the Guide’s history and place in the restaurant world today.

Rating:

Showtimes: May 21 – 6:30 pm (Lincoln Square), May 23 – 6:00 pm (SIFF Cinema Uptown) [Get Tickets]


BEAST (107 minutes, R)

Haunting and suspenseful, director Michael Pearce’s feature film debut Beast is a slow-burn thriller that takes its time alternating between moments of high intensity and quiet psychological depth. It is anchored by an incredible, star-making first performance by Jessie Buckley, as a troubled young girl in an isolated island community who engages in a relationship with a mysterious stranger being investigated for multiple murders. The film is heavy in metaphor and takes a little too long to resolve, but its crescendo to the finale is powerful and quite memorable.

Rating:

Showtimes: May 20 – 8:00 pm (Ark Lodge Cinemas), May 21 – 9:30 pm (AMC Pacific Place) [Get Tickets]


REVENGE (108 minutes, R)

With the heart-pounding, blood-pumping Revenge, French filmmaker Coralie Fargeat bursts onto the scene in a ferocious manner. This heavily stylized rape-revenge has a considerably unique feel due to its female director turning the tables on the male gaze at every corner and offering a female protagonist with plenty of agency. Bloody, remarkably intense, and backed by a fantastic soundtrack, it’s a gorgeously shot violent payback session that is so slick and entertaining that it overcomes its slightly long runtime and is accessible enough that even non-fans of exploitation films can enjoy.

Rating:

Showtimes: May 18 – Midnight (SIFF Cinema Egyptian) [Get Tickets]


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

SIFF 2018 Coverage #2

In this second round of Seattle International Film Festival coverage, Matt Oakes from Silver Screen Riot joins Aaron to discuss and make recommendations for some of the films they’ve seen. (Showtimes for SIFF screenings are included with each review.)

Seattle International Film Festival (SIFF): https://www.siff.net/festival

Eighth Grade – 0:04:21

American Animals – 0:09:26

Boundaries – 0:15:35

Revenge – 0:21:04

Blue My Mind – 0:27:33

First Reformed – 0:32:32

Won’t You Be My Neighbor? – 0:43:47


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