Welcome to our newest feature, Now Available, where we’ll give you a quick review of a film we didn’t cover when it was released in theaters that’s releasing for home viewing this week, along with a list of everything else and where you can see our coverage on it.
They say that hell hath no fury like a woman scorned and Melinda Moore-Gayle (Taraji P. Henson) is a living embodiment of that statement. After spending 18 years supporting her deadbeat inventor husband only to see him hit it big after they split, she’s out to get the life she was promised at any cost. But is her assessment of the situation coming from reality or a damaged and skewed perception? These are the questions one is left to ponder in Tyler Perry’s Acrimony.
Since this is Feelin’ Film, I’ll start with the positive. Acrimony doesn’t telegraph where it’s going. What I mean by that is that with about 20 minutes left I said aloud to myself, “Hmm, how is this going to end?” I watch 300-400 movies a year. It’s not very often that I don’t know where a film is headed. Whenever it happens, it’s always a pleasant surprise. I’ll give Perry kudos for that. Furthermore, Henson is absolutely great in the film. I’ve been a fan of hers since she was a supporting character on CBS’s great Person of Interest and I’m ecstatic that her performances in shows like Fox’s Empire and movies like Hidden Figures have resulted in her being given more prominent roles. She absolutely deserves better than this. None of the rest of the cast makes any sort of an impression at all. They might as well not even exist. On top of that, the pacing is awful, which exacerbates its bloated 2 hour run-time. It continually breaks rule number one of storytelling, repeatedly telling us how bad Melinda’s temper is when they could’ve simply spent time showing the audience the lengths of her fury. In the end, I think that Perry has some good ideas for his Fatal Attraction-esque tale of a damaged relationship leading to betrayal and rage, but he falls well short in the execution. A movie that kept me guessing throughout with a standout lead performance really shouldn’t leave me feeling both bored and relieved that it’s over. But here we are.
Also available this week:
Antarctica: In The Footsteps of the Emperor (a documentary by the director of March of the Penguins).