What We Learned This Week: July 14-20

LESSON #1: WE NEED TO REMEMBER TO THANK THE SPACE AGE FOR THE SCIENCE FICTION WE ENJOY TODAY— I’ll lead with the recommendations instead of end with them this week.  July 20th marks the 50th anniversary of the Apollo 11 moon landing, causing many of us to nostalgically appreciate the wonder of that monumental history.  It was actualized science fiction that has only gone on the inspire even more since. We owe those pioneers a little thank you every time we watch a space movie made after 1969.  First, educate yourself with the sharp documentary chronicle Apollo 11 from earlier this year.  After that, go dreamy with more movies made before and after 1969 that gaze upon or point towards our celestial neighbor.  These lists from Vox and DVD.com are perfect.  

LESSON #2: YOUR BUZZ REFILL COMES THIS WEEKEND— Speaking of this third weekend of July, San Diego hosts its annual Comic-Con.  Expect some outstanding trailers like the ones that have already dropped for Top Gun: Maverick, Cats, and It: Chapter 2Disney/Marvel returns to Hall H after a year of radio silence to sell the post-Infinity War dire straits.  Be ready for a windfall of announcements in many directions between Phase 4 of the Marvel Cinematic Universe, the quickly-approaching trilogy caper Star Wars: The Rise of Skywalker, new previews and details on the Disney+ service, and likely a whole bunch more.  Expect ballsy surprises and the other studios (WB and more) trying to resume their own chase of Mouse House.

LESSON #3: THE MOVIE OF THE SUMMER THAT WILL MAINTAIN A 100% ROTTEN TOMATOES SCORE ISN’T RUN BY DISNEY— You all know I’ve seen the vitriol possible when something big and popular gets criticized.  Folks, you can keep all the supposed and righteous universal love due for Avengers: Endgame, Toy Story 4, and The Lion King.  The most endearing and impenetrable movie this summer is going to be The Farewell.  Whoever writes that excellent movie a negative review (and it wasn’t me this time) is going to have more explaining to do than some “douche nozzle” from Chicago who gave a low grade to Buzz and Woody.  Lulu Wang’s bracing dramedy of love and loss within family circles is the movie that deserves a three-digit crown of vine-ripened internet fruit.

LESSON #4: HAVING THE RIGHT DOESN’T MAKE YOU RIGHT— Somebody needs to offer their superior publicist and image consultant services to Scarlett Johansson.  A year ago, she wisely backed out of playing a transgender character after pushback and course correction from the studio.  It didn’t sink in. Scarlett doubled-down recently in an interview saying “As an actor I should be allowed to play any person, or any tree, or any animal because that is my job and the requirements of my job.” Yes and no, Ms. Johansson and it might be as easy as swapping “should” with “could” instead.  A hard maybe is all she, or any star, should get. We have reached a societal marketplace in entertainment where the strives for fair representation matter and a big star isn’t getting it. It’s ugly when this news has to follow and sour good news like Lashana Lynch gaining a callsign title for Bond 25.

LESSON #5: ONE MORE TIME, WITH FEELING, IT’S TIME FOR CONSUMERS TO BE REFLECTIVE AND FAIR— This final lesson of the week is a callback to a January “Soapbox Special” edition of “What We Learned This Week” and it goes back even deeper. The person of interest (or elephant in the room) that brings this one back is Kevin Spacey.  News broke this week that the felony sexual assault charges against the Academy Award-winning actor were dropped this week after some nefarious measures with evidence came to light from the accuser’s side.  We all know “not guilty” in the court of public opinion is different than the same label in the court of law.  More wrongs or truths may still hover, but Kevin Spacey has a clearer name than he did last week.  That said, I bring back the bullet points of that Soapbox lesson and ask that those be applied to Spacey:

1) What’s the proper waiting period between allegations and actual guilt?  MY ANSWER REMAINS: When it gets its day in court and no less that that.  The gavel has sounded the man is free to go.  That’s the judgment that matters.

2) What amount of contrition or correction is necessary in order for people to continue their careers?  MY ANSWER REMAINS: That’s up to each case and each consumer, but the amount can’t be zero.  Spacey has made statements of contrition and, other than an odd YouTube video which probably went a little overboard, he has stayed respectfully away from spotlights.

3) What are these people allowed to do with their rest of their careers? MY ANSWER REMAINS: Anything they want or anything a boss wants to hire to run their business.  Simply put, Kevin Spacey, for the moment, is clear and deserves a chance to be a professional again.  He comes with risk, certainly, but I’ve never been a boycott list-maker (that’s a whole other “Soapbox” from days past) and I will welcome seeing him work again.  Kevin will be an interesting reclamation case to follow in the coming years.


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#108)

What We Learned This Week: July 7-13

LESSON #1: DECORUM AND CIVILITY HAVE SLIPPED AT THE COMMUNAL THEATRE EXPERIENCE— I think every single one of us has more than one story of a crappy theater patron that we’ve had to share a movie with.  I bet, combined, we’re seen it all across any and all possible loud, messy, and disrespectful behavior. I ran into a sharp column from Rebel Without a Pause Button blogger Robert Salusbury on this topic entitled “Cinema Slobs.”  Reading it (nice media inserts, by the way) makes me wonder not just the extent, which we all know is too much, but the causes of how there is more of this that what many of us remember from past generations.  It can’t all be cell phones. A spoiled culture of entitlement, born from increased costs and a negative shift of personal discipline and accountability, has to be in there somewhere. Am I right? Don’t be one of the people we all hate when you go to the movie.  Be cool and a good neighbor.

LESSON #2: SONY ISN’T STUPID AND DISNEY IS OVERCONFIDENT— With the same fervor as rooting for the chaos of NBA free agency, I got a kick out of hearing that Marvel could love its MCU rights to the Sony-controlled Spider-Man character if Spider-Man: Far From Home does not crack $1 billion of global box office.  I mean, go figure that this is even a risk, but it’s going to be closer than you think.  Spider-Man: Homecoming fell far short of a billion at about $880 million, so Disney is gambling on big growth.  This makes me laugh for two reasons. The first is the shared horror we all have knowing Sony would f–k up this character for a third time without Marvel’s champion support.  The second is how Disney might be shooting its own foot with this necessary milestone by putting The Lion King in theaters right in Spider-Man’s wake in third week.  That’s careless hubris right there.

LESSON #3: THERE IS A DIFFERENCE BETWEEN A REMAKE AND A REIMAGINING— Speaking of The Lion King, folks, I know I wrote about 1100 words on the movie, but I honestly don’t know what to truly tell you about The Lion King.  Disney calls these reimaginings, but, to me, that term means updates, modifications, and new infusions.  Jon Favreau’s has that on the outside with the stunning photo-real animation, but that’s it. There is an awful lot of shot-for-shot replication after that, which feels more remake than reimagining.  Granted, if that’s the goal, then mission accomplished because the music is there and the nostalgia is there to make a zillion dollars. Creatively, I still think it’s a shame and a missed opportunity to evolve more than the exterior.

LESSON #4: IT PAYS TO BE AN AVENGER— Here’s one more thing on Disney money.  We’ve seen Robert Downey, Jr. score fat paydays for being Tony Stark, but, goddamn, was Avenger: Endgame a golden parachute.  The top dog got $20 million up front, which is lucrative and more than the $15 million given to Chris Evans, Scarlet Johansson, and Chris Hemsworth.  For RDJ, it’s the 8% back-end deal that fills his vault with another $55 million.  That’s a handsome jump from the $500K paycheck from the first Iron Man movie.  Studs and studettes, back-end deals are where it’s at (“that’s what she said”) and they’ve been a part of the business for a long time.  Jack Nicholson’s Batman deal from 30 years ago scored like RDJ did.  Even Bradley Cooper doing just a voice took a 1% deal and walks away from Avengers: Endgame with $7 million.

LESSON #5: NETFLIX MIGHT BE GETTING SMARTER— Frequent WWLTW readers and followers have seen in this column the many instances where Netflix really throws money around (click on the tag and you’ll see).  Well, I think the teenager finally maxed out mommy and daddy’s credit card and have learned to live and spend a little leaner. Reports say the streaming giant will be more “cautious” with budgets after dropping nine figures on projects like Ben Affleck’s Triple Frontier and Martin Scorsese’s The Irishman.  Welcome to big studio problems, Netflix.  It’s the paychecks they’re writing to talent, not the production costs.  Unlike an MCU film, they aren’t getting ticket sales. As renewable and reliable as the monthly subscription rake can provide, Netflix will always have a growth cap.  Heaven forbid, they lose customers.

LESSON #6: REEVALUATING THE POLITICS OF A MOVIE IS ALMOST ALWAYS PROBLEMATIC— In my short 39 years in this world, I am fully educated and aware that some movies are not going to age well and that, matching my own website of Every Movie Has a Lesson, I believe every movie has a bias or political root of some size.  Zero is impossible. To me, each movie becomes a time capsule for the era in which is was made (double if it’s a period piece), slant and all. I get the feeling IndieWire’s Eric Kohn doesn’t see things the same way. For Forrest Gump’s 25th anniversary, the journalist wrote a takedown article heaping a whole lot of conjecture and reaching political blame.  I don’t know about you, but I can’t go there. Forrest Gump was always neutral to me because it’s steep realistic fiction.  Aging is aging. I get that some movies will fit and fall with the times, but it’s not worth burning things to the ground.

LESSON #7: GUILLERMO DEL TORO HAS GOOD TASTE— For the finishing recommendation slot, enjoy this list of The Shape of Water Oscar winner’s 25 favorite films.  It’s an outstanding balance of cinema history and modern cornerstones.  Build that Letterboxd checklist from this and begin a little journey of appreciation and education.


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#107)

MOVIE REVIEW: The Lion King (2019)

This remake of my favorite animated film of all-time was coming up against some very high expectations, and despite being only my third favorite version (behind the original and theater musical), it is nonetheless an outstanding telling of this story in its own spectacular way.


 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

FF+ Little, Mary Magdalene, The Perfect Date, Trailer Talk, and Disney + Details

We are joined by Erynne Hundley for this week’s enormous FF+ episode that features three spoiler-free reviews of films releasing this weekend, two conversations about new trailers, and one reveal and discussion of Disney’s new streaming service details and the wealth of content it will offer.

New For You 

Little – 0:02:04

Mary Magdalene – 0:11:38

The Perfect Date – 0:28:44

Trailer Talk

Weathering with You – 0:41:23

The Lion King – 0:47:08

In the News 

Disney+ Details – 0:57:12

 

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Music: City Sunshine – Kevin MacLeod

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Aaron’s Top 100 Movies (2018 Edition)

In 2017, I created my first ever Top 100 Movies list. Many gray hairs formed, I’m sure, as I sat trying to distinguish between beloved films. It’s been almost a year since that list was published and I’ve now seen quite a few more classic films that managed to find their way into my heart and onto this list. As is the case for most folks, my list is ever changing, but this serves as a current reflection of my personal cinematic taste – a snapshot view of the cinephile that I am at this moment in time. My hope is that through this list you might be able to learn a little about who I am as a person by seeing what type of stories I love most.

Note: For the purposes of this list, any film with an asterisk (*) after it represents its series or trilogy. The arrows and number after them specify a film’s movement since the last edition of this list, in this case 2017.

This is my list. There are many like it, but this one is mine.

#1 The Lord of the Rings: The Fellowship of the Ring *
#2 It’s a Wonderful Life 1
#3 Casablanca 31
#4 12 Angry Men 1
#5 The Princess Bride 1
#6 Interstellar 3
#7 La La Land 5
#8 Jaws 4
#9 Before Sunrise * 1
#10 Blade Runner * 1
#11 The Prestige 4
#12 Full Metal Jacket NEW NEW
#13 Alien 5
#14 Toy Story * NEW NEW
#15 Top Gun 1
#16 The Last of the Mohicans 1
#17 Jurassic Park 4
#18 Mary Poppins 60
#19 Raiders of the Lost Ark 14
#20 The Wizard of Oz 20
#21 The Dark Knight 1
#22 2001: A Space Odyssey 7
#23 Singin’ in the Rain 8
#24 Vertigo 6
#25 Scott Pilgrim vs. the World 6
#26 Citizen Kane 18
#27 Inception
#28 Star Wars 44
#29 Rear Window NEW NEW
#30 Almost Famous 2
#31 The Silence of the Lambs 55
#32 The Nightmare Before Christmas 6
#33 Rashomon 36
#34 Fight Club 36
#35 Gone with the Wind 4
#36 The Sound of Music 25
#37 Lawrence of Arabia NEW NEW
#38 Sleeping Beauty NEW NEW
#39 The Exorcist 27
#40 The Social Network 1
#41 The Shawshank Redemption 18
#42 All About Eve NEW NEW
#43 Scream 19
#44 The Bridge on the River Kwai 9
#45 My Neighbor Totoro 9
#46 The Empire Strikes Back 11
#47 Unforgiven 9
#48 The Godfather 37
#49 Mr. Smith Goes to Washington 26
#50 Tombstone 13
#51 Gladiator 14
#52 The Lion King 11
#53 The Thin Red Line NEW NEW
#54 The Iron Giant 9
#55 Seven Samurai 12
#56 McCabe & Mrs. Miller NEW NEW
#57 Die Hard 26
#58 Your Name. 42
#59 Children of Men 38
#60 Aliens 24
#61 Back to the Future 19
#62 Network NEW NEW
#63 Apocalypse Now 19
#64 Beauty and the Beast 23
#65 Monty Python and the Holy Grail 18
#66 National Lampoon’s Christmas Vacation NEW NEW
#67 Memento 9
#68 The Right Stuff 3
#69 Reality Bites NEW NEW
#70 Black Hawk Down NEW NEW
#71 The Blair Witch Project 25
#72 Ex Machina 16
#73 Dead Poets Society NEW NEW
#74 3:10 to Yuma 3
#75 The NeverEnding Story 20
#76 The Incredibles 25
#77 Les Miserables NEW NEW
#78 Whiplash 28
#79 Groundhog Day 3
#80 Hell or High Water 13
#81 Into the Wild 21
#82 One Flew Over the Cuckoo’s Nest 34
#83 Warrior NEW NEW
#84 The Cabin in the Woods 59
#85 Moon 1
#86 Drive 59
#87 The Red Shoes NEW NEW
#88 Reservoir Dogs 34
#89 War For the Planet of the Apes NEW NEW
#90 The Shining 10
#91 Se7en NEW NEW
#92 The Wailing 13
#93 The Departed 41
#94 The Exorcism of Emily Rose 2
#95 Fargo 12
#96 Stalker NEW NEW
#97 Pacific Rim 42
#98 Arrival NEW NEW
#99 Silence 1
#100 The Perks of Being a Wallflower NEW NEW

Dropped Out: Armageddon, Batman Begins, Dr. Strangelove, Equilibrium, Finding Nemo, Forrest Gump, Gravity, Harry Potter and the Prisoner of Azkaban, Inside Llewyn Davis, Kill Bill: Vol. 1, No Country For Old Men, Pan’s Labyrinth, Platoon, Psycho, Pulp Fiction, Serenity, Short Term 12, The Breakfast Club, The Place Beyond the Pines, True Grit (2010), Young Frankenstein

Link to list on Letterboxd

Like it? Hate it? Think I’m crazy? I’d love to hear your thoughts.


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.

Minisode 22: The Lion King

We are excited to talk about one of Disney’s most timeless tales for May’s Donor Pick episode. Featuring perhaps the best soundtrack of any animated feature film and a surprisingly tragic story, The Lion King brings out our emotions like none other. We dive into its themes of family and manipulation, as well as discuss its fantastic cast of characters. And maybe, just maybe we’ll sing.

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Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

Aaron’s Top 100 Movies (2017 Edition)

I’ve always wanted to expand my favorite films list to 100 and my birthday seemed like the perfect time for doing so. With that, I present my list. It is ever changing. This list is a current reflection of my personal cinematic taste – what speaks to me emotionally, and those films that are just too so entertaining that all evaluation of their technical quality doesn’t even matter. I’ve labored over this for quite some time and it was not an easy task, but I feel confident that the results are accurate. For today.

(For the purposes of this list, LotR: The Fellowship of the Ring and Before Sunrise represent their respective trilogy.)

This is my list. There are many like it, but this one is mine.

  1. The Lord of the Rings: The Fellowship of the Ring
  2. La La Land
  3. It’s a Wonderful Life
  4. Jaws
  5. 12 Angry Men
  6. The Princess Bride
  7. The Prestige
  8. Alien
  9. Interstellar
  10. Before Sunrise
  11. Blade Runner
  12. The Exorcist
  13. Jurassic Park
  14. Top Gun
  15. Singin’ in the Rain
  16. Inside Llewyn Davis
  17. The Last of the Mohicans
  18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
  19. Scott Pilgrim vs. the World
  20. The Dark Knight
  21. Children of Men
  22. Young Frankenstein
  23. The Shawshank Redemption
  24. Aliens
  25. The Cabin in the Woods
  26. Die Hard
  27. Inception
  28. Drive
  29. 2001: A Space Odyssey
  30. Vertigo
  31. Gone with the Wind
  32. Almost Famous
  33. Raiders of the Lost Ark
  34. Casablanca
  35. Short Term 12
  36. My Neighbor Totoro
  37. Tombstone
  38. The Nightmare Before Christmas
  39. The Social Network
  40. The Wizard of Oz
  41. The Lion King
  42. Back to the Future
  43. Seven Samurai
  44. Citizen Kane
  45. The Iron Giant
  46. The Blair Witch Project
  47. Monty Python and the Holy Grail
  48. One Flew Over the Cuckoo’s Nest
  49. Armageddon
  50. Whiplash
  51. The Incredibles
  52. The Departed
  53. The Bridge on the River Kwai
  54. Reservoir Dogs
  55. Pacific Rim
  56. Unforgiven
  57. The Empire Strikes Back
  58. Memento
  59. Forrest Gump
  60. Into the Wild
  61. The Sound of Music
  62. Scream
  63. Gravity
  64. Pan’s Labyrinth
  65. Gladiator
  66. Batman Begins
  67. Hell or High Water
  68. Pulp Fiction
  69. Rashomon
  70. Fight Club
  71. The Right Stuff
  72. Star Wars
  73. Finding Nemo
  74. Serenity
  75. Mr. Smith Goes to Washington
  76. Groundhog Day
  77. 3:10 to Yuma
  78. Mary Poppins
  79. The Wailing
  80. The Shining
  81. True Grit (2010)
  82. Apocalypse Now
  83. Fargo
  84. Moon
  85. The Godfather
  86. The Silence of the Lambs
  87. Beauty and the Beast
  88. Ex Machina
  89. No Country for Old Men
  90. The Breakfast Club
  91. The Place Beyond the Pines
  92. The Exorcism of Emily Rose
  93. Platoon
  94. Equilibrium
  95. The NeverEnding Story
  96. Kill Bill: Vol. 1
  97. Psycho (1960)
  98. Silence
  99. Harry Potter and the Prisoner of Azkaban
  100. Your Name.

Like it? Hate it? Think I’m crazy? I’d love to hear your thoughts.

Link to list on Letterboxd

 

 

What We Learned This Week: March 26-April 1

LESSON #1: BRETT RATNER IS FULL OF SUGAR-HONEY-ICED-TEA— Formerly prolific film director Brett Ratner, who’s been cleaning it up as a producer of Ratpac Entertainment, stepped out late last week to pontificate to Entertainment Weekly that “the worst thing that we have in today’s movie culture is Rotten Tomatoes” and added “I think it’s the destruction of our business.”  You can read his full thoughts, but I don’t buy his logic.  Rotten Tomatoes is too big and combines too many diverse critics for a film to be held down.  If you want better RT scores, make better movies.  It’s that easy.  Brett is full of it and, if you’ve seen his films, as I have, you probably already knew that.

LESSON #2: WARNER BROS. IS GOING ALL-IN WITH POTENTIAL COURSE CORRECTION ON THE DC EXTENDED UNIVERSE— Pack your bags when you’re done with “Justice League,” Zach Snyder.  New talent is coming.  Warner Bros. already poached James Wan of “The Conjuring/Insidious/Saw” fame for “Aquaman” two years ago and last month Chris McKay of “The LEGO Batman Movie” was tabbed to direct a solo “Nightwing” movie, joining “Dawn of the Planet of the Apes” helmer Matt Reeves jumping on “The Batman.”  This week, news broke Thursday that “Avengers” and “Firefly” mastermind Joss Whedon has crossed party lines to direct a standalone “Batgirl” movie for Warner Bros.  Now that is the coup of coups and a perfect director to deliver a legitimate female superhero film.  When “Kingsman” and “X-Men: First Class” director Matthew Vaughn puts ink to paper for “Man of Steel 2,” the shift from Total Snyder will be complete and it looks outstanding.

LESSON #3: IF YOU THINK THE “BEAUTY AND THE BEAST” RE-IMAGINING IS HUGE, JUST WAIT FOR “THE LION KING” ONE IN A FEW YEARS— Unlike the opinions of many skeptical haters, “Beauty and the Beast” destined to be a smash.  Bill Condon was a different class of director and the casting was incredible before the cameras ever rolled.  Sure enough, it has raked over $750 million worldwide in just two weeks and should cross the $1 billion mark with ease before it’s run is done.  Watch “The Lion King” do even better in a few years.  Jon Favreau nailed “The Jungle Book,” “The Lion King” has an ever larger following than “Beauty and the Beast,” and the rumors of potentially casting Beyonce as Nala to join Donald Glover’s Simba and a returning James Earl Jones  as Mufasa would be colossal.  Place that bet right now that “The Lion King” will make even more money.

LESSON #4: WATCH FEWER TRAILERS THAN YOU THINK YOU NEED— A conga line of trailers for 2017 wannabe blockbusters arrived in the last two weeks and, I, for one, wish I didn’t see a single one of them.  Trailers these days are showing too much.  Between “Spider-Man: Homecoming” and “Justice League” to “War for the Planet of the Apes” and “Alien: Covenant” and more, I felt like I was inundated with too many clues and potential spoilers.  Frankly, I’m beginning to avoid trailers altogether and have been recommending others to do the same.  Why?  Ask yourself this cardinal question: Do you really need to be convinced from any footage to see some of these slam-dunk-must-see films?  Because I don’t.  These no-doubters are getting my money regardless on resume and presence alone.  Avoid the easy and rote trailers and let yourself be surprised.  Even though I know this isn’t going to happen, I hope Disney doesn’t show a single second of “Star Wars: The Last Jedi.”  They don’t need to and, in a roundabout way, not releasing a trailer would be such a huge and unprecedented “less is more” statement proving that you can sell a movie on reputation alone.  A boy can dream.

DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current President of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.