LESSON #1: FIND COMPROMISE WHEN IT CLEARLY BENEFITS BOTH PARTIES— The thunderstorm combination of shock and disappointment rained down this week in the form of tirades (and endless memes) and laments towards Sony Pictures and Disney this week when negotiations between the two studio giants couldn’t settle on an extension of production credit and involvement for the Marvel character of Spider-Man. Circling back to the original landmark deal from 2015, Marvel was set to only receive 5% of any box office revenue earned by their shared partnership. Now that we have all seen the surging success built by Spidey’s rub of inclusion with the Marvel Cinematic Universe, I can’t say I blame Marvel czar Kevin Feige asking for a bigger cut of the pie. Still, this is Sony’s property to control and if they think they can make a profitable Spider-Man movie without MCU ties, they can sure try. All in all, what’s missing is compromise and the fans as the losers. I know Feige asked for that 5% to go up to 50%. Is that a shade greedy coming from the all-powerful Disney? Maybe. Is pulling the character away from the greater universe he belongs in a little bit of selfish hubris from the same Sony studio that ruined this precious character twice already? Probably. What I’m calling for is compromise because this deal could be done and the billions can still be made if egos and dollar signs got a little more reasonable.
LESSON #2: “THE LASAGNA RULE”— Let me repeat a great Feelin Film Discussion Group thread over her in WWLTW. Our follower Joseph Hamrick posted an excellent editorial piece from Steven Volynets on Quillette talking about joy being replaced by negativity in the field of film criticism. As a credentialed critic myself, I’ve been seeing this among my peers and I liken some of them now to those huffy judges from food judging TV shows like Chopped. The judges, or critics in this case, always seem to be looking for these impossibly superficial and hyper-personal standards when some dishes (or movies) are not built for excellence and still turn out delicious (or entertaining). I have deemed this the “The Lasagna Rule.” There are very few ways to dress up lasagna. There’s no color variety or crunch quotient required. It’s a gooey and ugly stack of traditional cheesy, meaty, and pasta-y layers that are going to look like shit on any plate. But, damn, it’s tasty just the way it is. Plenty of movies are that way too and don’t need refinement to be good or successful. Critics need to change their palette or lens to fit the cinematic dish or restaurant. Dare I say, be more objective…
LESSON #3: GO GET IMPRESSED WITH DIRECTOR’S CUTS OF MOVIES— Be it because of studio tinkering, failed budgets, second thoughts, or artistic purity, I am always fascinated by the origin, existence, and content of notable “director’s cuts” of films. On the heels of the so-called “Final Cut” of Apocalypse Now hitting IMAX locations this week, the closing WWLTW recommendation slot goes to seeking out these extended visions. World of Reel has a list of six they call better than their originals and IndieWire has a list they consider best and essential. While you could use my favorite streaming search engine JustWatch to find these titles, I’m betting most are only available on physical media. Hunt down those libraries!
DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication. As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society. As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts. Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work. (#112)