You Should Be Watching: November 8-14

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

However, while there is still yet time, the November spotlight on FilmStruck continues. And while FilmStruck will be gone soon, Kanopy remains, and on the bright side, Netflix just released Orson Welles’ final film, 30 years after his passing along with a new documentary about its making. Also, Amazon Prime added a whole host of high quality films this past week from the likes of Stanley Kubrick, Sidney Lumet, Billy Wilder, and many more.



Year: 1955

Director: Carl Theodor Dreyer

Genre: Drama, Fantasy

Cast: Birgitte Federspiel, Henrik Malberg, Emil Hass Christensen, Ejner Federspiel, Kirsten Andreasen, Sylvia Eckhausen, Ann Elisabeth Groth, Cay Kristiansen, Preben Lerdorff Rye, Gerda Nielsen, Ove Rud, Susanne Rud, Henry Skjær, Edith Trane

Carl Theodor Dreyer has an brilliant eye for frame composition, production design, lighting, and camera movement, and that’s just the technical side of this striking film. Dreyer’s script, based on a play by Danish Lutheran priest Kaj Munk, is a window into the life and faith (or lack thereof) of each of the Borgens, a farming family in rural Denmark, and the community in which they live. The main characters are the patriarch Morten and his grown children, Anders, Johannes, and the eldest Mikkel and his wife Inger, who is pregnant with her and Mikkel’s third child.

Each family member is distinct from the others with their own hopes, dreams, struggles, and personal journey of life and faith. Yet, they are still very much a family living under one roof and so the multiple narrative threads are woven together into a beautiful tapestry. The elderly Morten is set in his ways, as is Peter the tailor, the father of Anne, whom Anders pines after. Both Morten and Peter refuse Anders’ request to marry Anne because they are in different sects of Christianity, creating a proudly religious version of the Romeo and Juliet story. Mikkel has no faith, but his wife Inger is deeply religious. So when her pregnancy comes to trouble, Mikkel is forced into his own crisis of faith. In a crossing of history with fantasy, Morten’s middle son, Johannes, after having studied the works of the Danish philosopher and theologian Søren Kierkegaard, has become convinced he Johannes is Jesus Christ himself. He echoes the words of Jesus from the Bible and speaks prophecy that he expects to be believed. Each of these family member’s threads of life story and struggles with faith and reality crash into everyone else’s leading everyone to the critical moment where they are forced to decide what they truly believe and what they will do about it.

Where Is My Friend’s House?

Year: 1987

Director: Abbas Kiarostami

Genre: Drama, Family

Cast: Babek Ahmedpour, Ahmed Ahmedpour, Kheda Barech Defai, Iran Outari, Ait Ansari, Sadika Taohidi, Biman Mouafi, Ali Djamali, Aziz Babai, Nader Ghoulami, Akbar Mouradi, Teba Slimani, Mohammad Reza Parvaneh, Farahanka Brothers, Maria Chdjari, Hamdallah Askarpour, Kadiret Kaoiyenpour, Hager Farazpour, Mohamed Hocine Rouhi, Rafia Difai, Agakhan Karadach Khani, Mohammad Reza Nematzadeh

Who doesn’t remember being a child, facing what to you was a life or death situation, but neither your parents nor any other adult grasped the gravity of your plight and instead kept harping on you to do what was important to them or what they were certain was in your best interest? But they didn’t stop to realize that you had every intention to do what they wanted except you had this emergency you needed help with first?

Iranian filmmaker Abbas Kiarostami perfectly captures the experience of being a child trapped in such a true-to-life, Kafkaesque nightmare. Ahmed (Babek Ahmedpour) and Mohamed (Ahmed Ahmedpour) are classmates. Their very strict and aggressive teacher has harshly berated Mohamed and threatened him with expulsion if he fails to do his homework in his notebook once more. Ahmed witnesses his friend break down into tears and we along with him suddenly find ourselves feeling great empathy for the boy. Yet later, there is a mix-up, and when Ahmed arrives home, he discovers he has both his own and Mohamed’s notebook, leaving him torn between obeying his mother, who won’t even listen to his plight, and doing everything he possibly can to return his friend’s notebook even though he lives in a neighboring town, and he has no idea where his house is.

With such a simple but universally relatable concept, we are drawn into the world of children and reminded that they need our compassion and understanding. How quickly we as adults forget the experience of being a child as the roles become reversed and we become the ones making demands of them. How much anxiety is caused when a child feels invisible to adults or when adults think they know what the child needs without caring enough to stop and listen?



Year: 1952

Director: Akira Kurosawa

Genre: Drama

Cast: Takashi Shimura, Haruo Tanaka, Nobuo Kaneko, Bokuzen Hidari, Miki Odagiri, Shin’ichi Himori, Minoru Chiaki, Minosuke Yamada, Kamatari Fujiwara, Makoto Kobori, Nobuo Nakamura, Atsushi Watanabe, Isao Kimura, Masao Shimizu, Yūnosuke Itō, Yoshie Minami, Kumeko Urabe, Eiko Miyoshi, Noriko Honma, Yatsuko Tan’ami, Kin Sugai, Kyôko Seki, Kusuo Abe, Tomo’o Nagai, Seiji Miyaguchi, Daisuke Katô, Hiroshi Hayashi, Fuyuki Murakami 

No matter where we are in life, we all know that we’ll eventually die, whether from cancer, an accident, or old age. Through Ikiru, master filmmaker Akira Kurosawa gives the viewer an opportunity for reflection as it provides an intimate view of one man’s experience of having discovered he has stomach cancer and only has months to live, leading him on a journey of introspection and regret that so much of his life had been spent in meaningless attitudes and actions.

Takashi Shimura plays Kanji Watanabe. Having worked as a government bureaucrat doing the same job for decades as well as being a widower with a son whose primary concern is his inheritance, he suddenly is left wondering what it was all for. What was the point? Ikiru means to live, and Kanji now finds himself desperate to figure out what it means to live. Along the way, he notices his young female subordinate named Toyo (Miki Odagiri) and becomes enamored not with her but with her personality that is positively brimming with the joy of being alive, so he develops a relationship with her to try to figure out her secrets.

The other side of the film, especially in the third act explores the way we make assumptions about other people and how often reality differs from what we think. It serves as a sober reminder that we should be careful about making judgments about others. We may not know the full story.


LAST CHANCE (last date to watch)


November 11
Anna Karenina (2012)

November 12
Call Me Lucky (2015)

November 15
Paddington (2014)


November 11
Green Room (2015)

November 15
Me Before You (2016)

November 19
It’s a Mad, Mad, Mad, Mad World (1963)
The Manchurian Candidate (1962)

November 20
In the Heat of the Night (1967)


November 9
The Big Sleep (1946)
Dark Passage (1947)
Dogville (2003)
Petulia (1968)
To Have and Have Not (1944)

November 16
The Asphalt Jungle (1950)
Let There Be Light (1946)
The Maltese Falcon (1941)
The Treasure of the Sierra Madre (1948)

November 29
Everything else


November 30
American Psycho (2000)
Escape from New York (1981)
Get Shorty (1995)
Ghost in the Shell (1995)
Primal Fear (1996)
The Terminator (1984)
They Came Together (2014)
What’s Eating Gilbert Grape (1993)



The Other Side of the Wind (2018)
They’ll Love Me When I’m Dead (2018)
Into the Forest (2015)


The Adventures of Tintin (2011)
The Apartment (1960)
Barry Lyndon (1975)
Being There (1979)
A Clockwork Orange (1971)
Crossing Delancey (1988)
Deliverance (1972)
Diner (1982)
Dog Day Afternoon (1975)
Elite Squad: The Enemy Within (2010)
From Russia with Love (1963)
The Getaway (1972)
Going in Style (1979)
The Gold Rush (1925)
Goldfinger (1964)
The Goodbye Girl (1977)
Jeremiah Johnson (1972)
Kes (1969)
Klute (1971)
The Last Waltz (1978)
Little Odessa (1994)
Logan’s Run (1976)
Lord of War (2005)
The Man Who Would Be King (1975)
McCabe & Mrs. Miller (1971)
Mean Streets (1973)
Of Mice and Men (1992)
The Misfits (1961)
Moonraker (1979)
The Motorcycle Diaries (2004)
Network (1976)
Night Moves (1975)
Paths of Glory (1957)
Performance (1970)
The Pink Panther (1963)
Point Blank (1967)
The Red Violin (1998)
A Shot in the Dark (1964)
The Song Remains the Same (1976)
Soylent Green (1973)
Star 80 (1983)
Summer 1993 (2017)
Westworld (1973)
What’s Up, Doc? (1972)
The Who: The Kids Are Alright (1979)
Wonder (2017)
The Year of Living Dangerously (1982)
Zama (2017)


Adam’s Rib (1949)
The African Queen (1951)
The Lion in Winter (1968)
The Loneliness of the Long Distance Runner (1962)
Stage Door (1937)


Europa Report (2013)
Kick-Ass (2010)
Wonder (2017)



November 11
Outlaw King — NETFLIX FILM (2018)

November 12
Green Room (2015)


November 10
The Children Act (2017)


November 10
Big Hero 6 (2014)

November 12
The Wolfpack (2015)

Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: October 4-10

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


The Conjuring

Year: 2013

Director: James Wan

Genre: Horror, Mystery, Thriller

Cast: Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston, Mackenzie Foy, Joey King, Shanley Caswell, Kyla Deaver, Hayley McFarland, Shannon Kook, John Brotherton, Sterling Jerins, Joseph Bishara, Marion Guyot, Morganna Bridgers, Amy Tipton, Zach Pappas, Rose Bachtel, James D. Nelson

What’s October without a horror recommendation? James Wan’s The Conjuring, which launched a whole new horror-verse, is like a big budget version of the wildly popular Paranormal Activity, which set off its own series. Wan draws out a similar trepidation, tension, and terror but with a more fully fleshed out world and mythology. The central characters, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) are paranormal investigators and demonologists based loosely on a real life couple and case. They are invited to investigate the paranormal events haunting the Perron family. Ron Livingston plays the father Roger and Lili Taylor his wife Carolyn. They have recently moved into an old farmhouse along with their 5 daughters. They each see, hear, and experience an unexplainable presence, at times seemingly innocent and others expressing frightening malevolence.

In addition to the Warrens’ character development both as individuals and as a couple, this film’s strength builds through its underlying dread, lightened only by the many cuts from night to daytime, representing the passing of another night and a hopeful return to safety until night falls again. There’s an inescapable sense of entrapment as plausible reasons why the family doesn’t move away enhance the dread even more. In a world that wants to pretend nothing exists beyond the physical, The Conjuring exists to remind us that there might just be more to the supernatural world than we realize.



Year: 2009

Director: Denis Villeneuve

Genre: Crime, Drama, History

Cast: Maxim Gaudette, Sébastien Huberdeau, Karine Vanasse, Evelyne Brochu, Martin Watier, Johanne-Marie Tremblay, Natalie Hamel-Roy, Pierre-Yves Cardinal, Pierre Leblanc, Francesca Barcenas, Ève Duranceau

Following a nine-year gap after his sophomore effort, the yet unknown Denis Villeneuve directed this masterful and terrifying dramatization of the Montreal Massacre, a 1989 school shooting that based on the emotional weight of this film seems to have had a profound effect on him. It bleeds pain, terror, and sadness. Even at this early stage of his career, the fingerprints of his trademark style are evident–gorgeous, slow-paced cinematography, matching ominous music, mysterious characters, and brooding drama punctuated by intense, realistic violence.

Minimal dialogue means the actors have to show not tell the nightmare they are experiencing or in the case of the killer, enacting. Villeneuve’s tight focus on individual characters in the moment enables the viewer to intimately feel the experience. We are sickened by the evil heart of the shooter, saddened at the hurtful comments one of the female victims receives, and shocked at the sudden cold, brutal, Terminator-like violence of the killer as we reel in disbelief that there is no one to stop him.

Ball of Fire

Year: 1941

Director: Howard Hawks

Genre: Comedy, Romance

Cast: Gary Cooper, Barbara Stanwyck, S.Z. Sakall, Henry Travers, Oskar Homolka, Tully Marshall, Leonid Kinskey, Richard Haydn, Aubrey Mather, Dana Andrews, Allen Jenkins, Elisha Cook Jr., Aldrich Bowker, Dan Duryea, Ralph Peters, Kathleen Howard, Mary Field, Charles Lane, Charles Arnt 

Not just screwball comedy. Howard Hawks creatively infuses romance and borderline noir drama with major chemistry between Gary Cooper and Barbara Stanwyck who play Professor Bertram Potts and nightclub performer Katherine “Sugarpuss” O’Shea. Stanwyck practically takes the lead as she plays Sugarpuss with cool confidence, largely in control. An air of tension is established with never knowing for sure if her demonstrated feelings for Professor Potts are genuine. She is very convincing no matter what her intentions are. Cooper, while obviously intelligent, is delightfully awkward as Potts, trying to resist Sugarpuss’ advances.

Hawks uses many unique & memorable ideas & visuals, such as Sugarpuss stepping up on the books for some yum-yum, a wet washcloth bit, crazy amounts of obscure slang, Potts talking to Sugarpuss’ “Daddy”, and the whole initial setup of 8 professors living together for a multi-year project to create a definitive encyclopedia. The ending is also really clever as it makes use of the unique characteristics of each of the professors.


LAST CHANCE (last date to watch)


October 5
The Beauty Inside (2015)
The BFG (2016)

October 7
Kubo and the Two Strings (2016)

October 13
The Babadook (2014)

October 14
Seven Pounds (2008)

October 16
Donnie Darko (2001)

October 21
The Secret Life of Pets (2016)

October 24
Big Eyes (2014)
Queen of Katwe (2016)

October 27
Bridget Jones’s Baby (2016)


October 15
The Fits (2016)

October 16
Louder Than Bombs (2016)


October 5
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
White Heat (1949)

October 12
The Hunchback of Notre Dame (1939)

October 19
Casa de Lava (1994)
Cat on a Hot Tin Roof (1958)

October 26
Barry Lyndon (1975)
Ace in the Hole (1951)
Aguirre: The Wrath of God (1972)
Footlight Parade (1933)
Gold Diggers of 1933 (1933)
Guys and Dolls (1955)
Lawrence of Arabia (1962)
Some Like It Hot (1959)
Stalag 17 (1953)
A Streetcar Named Desire (1951)
Sunset Boulevard (1950)
Tabu (2012)
What’s Up, Doc? (1972)
Witness for the Prosecution (1957)

October 31
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)


October 31
13 Going on 30 (2004)
28 Weeks Later (2007)
Babe (1995)
Barfly (1987)
Bull Durham (1988)
Eight Men Out (1988)
The Elephant Man (1980)
High Noon (1952)
Jackie Brown (1997)
Point Break (1991)
Rabbit Hole (2010)
Rescue Dawn (2006)
The Rock (1996)
Sixteen Candles (1984)
Sleepers (1996)
Spaceballs (1987)
There Will Be Blood (2007)
This Is Spinal Tap (1984)
Unbreakable (2000)
Witness (1985)



The Green Mile (1999)
Life of Brian (1979)
Black Dynamite (2009)
Blade (1998)
Blade II (2002)
Blazing Saddles (1974)
Empire Records (1995)
Hold the Dark (2018)
Mystic River (2003)
The NeverEnding Story (1984)
Once Upon a Time in America (1984)
Pee-wee’s Big Adventure (1985)
Robin Hood: Prince of Thieves (1991)
The Shining (1980)
V for Vendetta (2005)


Bitter Moon (1992)
Carrie (1976)
Election (1999)
Hoop Dreams (1994)
A Fistful of Dollars (1964)
For a Few Dollars More (1965)
Full Metal Jacket (1987)
The General (1998)
Galaxy Quest (1999)
Gods and Monsters (1998)
House of Usher (1960)
How to Succeed in Business Without Really Trying (1967)
The Illusionist (2006)
Let Me In (2010)
Mulholland Drive (2001)
Raging Bull (1980)
The Return of the Living Dead (1985)
RoboCop (1987)
Saving Face (2004)
Starship Troopers (1997)
The Strangers (2008)
To Sleep with Anger (1990)
Trees Lounge (1996)
The Untouchables (1987)
Wild Bill (2011)


Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)


American Psycho (2000)
Bitter Moon (1992)
Cinderella Man (2005)
Closer (2004)
Dheepan (2015)
Election (1999)
Frida (2002)
Galaxy Quest (1999)
Gods and Monsters (1998)
Guess Who’s Coming to Dinner (1967)
Insomnia (2002)
Mulholland Drive (2001)
The Music Never Stopped (2011)
The Nightmare Before Christmas (1993)
The Others (2001)
Platoon (1986)
[REC] (2007)
Raging Bull (1980)
RBG (2018)
RoboCop (1987)
Starship Troopers (1997)
Trees Lounge (1996)
Wild Bill (2011)



October 5
Malevolent – NETFLIX FILM (2018)
Private Life – NETFLIX FILM (2018)

October 10
22 July – NETFLIX FILM (2018)


October 6
A Prayer Before Dawn (2017)

October 11
Monster’s Ball (2001)
The Strangers: Prey at Night (2018)


October 6
Lowlife (2017)
Pyewacket (2018)

Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.