Episode 174: Spider-Man: Far From Home

Emmanuel Noisette from Eman’s Movie Reviews joins us for a conversation about the webslinger’s newest adventure. We chat about Peter Parker’s conflicting desires, villainous plot twists, fake news, high school drama, and even get into some theorizing about the future, too.

Spider-Man: Far From Home Review – 0:02:44

The Connecting Point – 1:48:55

Follow & Subscribe


Join the Facebook Discussion Group

Download This Episode


Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Spider-Man: Far From Home

SPIDER-MAN: FAR FROM HOME is everything I could have wanted from a SPIDER-MAN: HOMECOMING sequel & follow-up to AVENGERS: ENDGAME. See it on opening night or ASAP to avoid spoilers and be sure to stay for two incredible (and game-changing) post-credit scenes.


 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Shaft (2019)

 


Erynne Hundley is Seattle-based writer and film critic, currently writing and editing articles for Essentially Erynne and Feelin’ Film. She prides herself on crafting spoiler-free film reviews that balance franchise history, stylistic approach, script interpretation, and the emotional turmoil the final piece creates. You can find her on Twitter and Instagram for article updates.

Episode 154: Captain Marvel

It took Marvel 21 films but they finally have a female-led superhero flick. We are joined by Patrick Willems to discuss the origin story of Captain Marvel and how it fits within the MCU franchise, as well as whether the film’s high expectations were met and how its cultural significance is woven into the narrative.

 

Captain Marvel Review – 0:07:10

The Connecting Point – 1:23:05

Follow & Subscribe


Join the Facebook Discussion Group

Download This Episode


Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Captain Marvel


 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

FF+ Glass, Superman Double Feature, and Spider-Man

In this week’s episode of FF+ Aaron reviews M. Night Shyamalan’s trilogy ending film Glass and then we discuss our theater experience seeing a Fathom Events double feature of the DC Animated films The Death of Superman and Reign of the Supermen. We also chat some about newly announced projects for Christopher McQuarrie and Dan Trachtenberg, then share our thoughts on the first trailer for Spider-Man: Far From Home.

New For You

(Glass) – 0:01:19

(The Death of Superman/Reign of the Supermen) – 0:08:03

In the News – 0:29:04

Trailer Talk (Spider-Man: Far From Home) – 0:38:18


Follow & Subscribe


Join the Facebook Discussion Group

Download This Episode


Music: City Sunshine – Kevin MacLeod

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Glass


 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 114: Incredibles 2

It took us two tries but our second attempt succeeded in producing Episode 114: Incredibles 2. We are joined by returning guest Blaine Grimes (who also joined the show for Episode 36: The Incredibles) for this conversation about Brad Bird’s action-packed, culturally relevant, family superhero extravaganza. A sequel anxiously awaited for 14 years creates a lot expectations. Hear whether we felt the film lived up to ours or not in this fun discussion.

What We’ve Been Up To – 0:02:40

(Aaron – Tag)
(Blaine – National Treasure 1 & 2)

Incredibles 2 Review – 0:11:00

The Connecting Point – 1:09:04


Contact


Join the Facebook Discussion Group

Download this Episode 


Music: Going Higher – Bensound.com

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

You Should Be Watching: June 21-27

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week, I’m recommending a film about a conversation starring Tommy Lee Jones and Samuel L. Jackson, a creepy psychological thriller featuring Joel Edgerton as writer, director, and actor, and the little-seen debut film by none other than the great Christopher Nolan. Also, among the heavy hitters, it’s your last chance to see Captain America: Civil War on Netflix, and Star Wars: The Last Jedi arrives there. It’s also your last chance for last week’s featured films, Room and the Human Condition Trilogy.

 


STREAMING PICKS OF THE WEEK


The Sunset Limited

Year: 2011

Director: Tommy Lee Jones

Genre: Drama

Cast: Tommy Lee Jones, Samuel L. Jackson

 

Based on a play written by Cormac McCarthy (The Road, No Country for Old Men), The Sunset Limited consists of a conversation between Black (Samuel L. Jackson), an ex-con believer, and White (Tommy Lee Jones who also directed), a suicidal atheist professor. While a film with no action that takes place in a single room may sound dull, believe me when I say this conversation is utterly riveting from the first words to the last, and the film is as dramatic, entertaining, emotional, and thought-provoking as any blockbuster.

Jackson and Jones play off each other with seeming ease and the nuance that comes with being experts in their craft. It’s fascinating to see ebb and flow of the dialogue as either Black or White finds his groove and pursues it. Likewise, the emotional beats affect how each carries on, whether in quiet introspection, attempts at humor, or bouts of indignance. Black’s eagerness to see White find hope and come to believe as he does while also being humorously honest about his own doubts is particularly refreshing.


 

The Gift

Year: 2015

Director: Joel Edgerton

Genre: Thriller, Drama, Mystery

Cast: Jason Bateman, Rebecca Hall, Joel Edgerton, Allison Tolman, Tim Griffin, Busy Philipps, Adam Lazarre-White, Beau Knapp, Wendell Pierce, Mirrah Foulkes, Nash Edgerton, David Denman, Katie Aselton, David Joseph Craig, Susan May Pratt, P. J. Byrne, Felicity Price, Melinda Allen, Beth Crudele

 

Simultaneously showing off Joel Edgerton’s talents as a writer, director, and actor, The Gift is a surprisingly effective creepy suburban mystery thriller that keeps you on edge and off balance throughout and might have you a little paranoid yourself coming out of it, but you’ll want to go in as blind as possible.

The story centers around married couple Simon and Robyn (Jason Bateman and Rebecca Hall), who following a miscarriage have moved back to near where Simon grew up in an attempt to leave the pain behind and get their relationship back on track again. Shortly after arriving, Simon has a chance but polite and friendly encounter with Edgerton’s character Gordo, who claims to know him from high school. But then a series of unnerving events start occurring that drive dread and paranoia into this already fragile marriage. This isn’t the funny Bateman, but it is the uncomfortable one and with an edge at that. The tale Edgerton has crafted is fiendishly clever and explores the power of fear and the importance of character and the nature of both in the context of a marriage.


 

Following

  

Year: 1998

Director: Christopher Nolan

Genre: Thriller, Crime, Drama

Cast: Jeremy Theobald, Alex Haw, Lucy Russell, John Nolan, Dick Bradsell, Gillian El-Kadi, Jennifer Angel, Nicolas Carlotti, Darren Ormandy, Guy Greenway, Tassos Stevens, Tristan Martin, Rebecca James, Paul Mason, David Bovill

 

Christopher Nolan has proven himself to be one of the world’s premier filmmakers with every one one of his films becoming appointment theater. Anyone that enjoys his work should definitely see the film that started it all. Despite its low budget, Nolan’s full-length debut is a tightly scripted and masterfully edited surprise, full of the seeds of his later work. It’s a crime thriller that though using an entirely different story acts as something of a test-run for the time-bending mind-bender Memento that put him on the map.

From the opening scene, the tone is set with a bit of now-familiar percussive score full of energy and tension as we’re introduced to the main character, who’s found himself in a bit of as-yet-unexplained trouble. It also soon becomes apparent that Nolan was exploring interweaved, out-of-order chronology even at this very early stage, and he thrives on misdirection and refusing to spoon-feed any details. Instead, he forces the viewer to pay attention to dialogue and visual cues such as a haircut and puffy eyes to alert the viewer to shifts in time. Quite bluntly, if you’re a Nolan fan, you need to be watching Following.

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

June 24
Captain America: Civil War (2016)

June 29
On Golden Pond (1981)

June 30
An Honest Liar (2014)
Before Midnight (2013)
King Kong (2005)
Michael Clayton (2007)
Tropic Thunder (2008)
V for Vendetta (2005)

From the Lethal Weapon Collection:

Lethal Weapon (1987)
Lethal Weapon 2 (1989)

 

AMAZON PRIME

June 23
Room (2013)

June 29
13 Hours: The Secret Soldiers of Benghazi (2016)
Basic Instinct (1992)
Friday the 13th (1980)
Marathon Man (1975)
The Music Never Stopped (2011)
A Simple Plan (1998)

June 30
Escape from New York (1981)
The Karate Kid (1984)
Mystic River (2003)
Sleepers (1996)

 

FILMSTRUCK

June 22
An American in Paris (1951)
An Angel at My Table (1990) *
The Human Condition I: No Greater Love (1959) *
The Human Condition II: Road to Eternity (1960) *
The Human Condition III: A Soldier’s Prayer (1961) *
The Piano (1993)

June 29
History Is Made at Night (1937)
The Italian Connection (1972)
The Music Man (1962)

From the Lars Von Trier collection:

Breaking the Waves (1996) *
Dogville (2003) **
Europa (1991) *
The Five Obstructions (2003)

June 30
Caliber 9 (1972)
It Happened One Night (1934)
The Ladykillers (1955)
Uptight (1968)

July 6
Husbands and Wives (1992)
Who’s Afraid of Virginia Woolf? (1966)

July 8
Together (2000)

July 13
Losing Ground (1982)
Sweet Smell of Success (1957)

*  Remaining on the Criterion channel
** Remaining on the FilmStruck channel

 

HULU

June 30
Zodiac (2007)
Stories We Tell (2012)
A Simple Plan (1998)
Project Nim (2011)
Marathon Man (1976)
A League of Their Own (1992)


 

JUST ARRIVED

NETFLIX

In Bruges (2008)
A Little Princess (1995)
Set it Up (2018)

 

AMAZON PRIME

After Tiller (2013)
Duck, You Sucker (1971)
The Great Silence (1968)
Janis: Little Girl Blue (2015)
The Last Seduction (1994)
Rock ‘n’ Roll High School (1979)
Yellow Submarine (1968)

 

FILMSTRUCK

Ninotchka (1939)
Running on Empty (1988)
Queen Christina (1933)

 

HULU

Middle of Nowhere (2012)
Primal Fear (1996)
The Second Mother (2015)
Smoke (1995)
Tell Them Anything You Want: A Portrait of Maurice Sendak (2009)
The Untouchables (1987)


 

COMING THIS WEEK

NETFLIX

June 22
Brain on Fire — NETFLIX FILM (2016)
Us and Them — NETFLIX FILM (2018)

June 23
Tarzan (1999)

June 26
Star Wars: The Last Jedi (2017)

 

AMAZON PRIME

June 26
Shutter Island (2009)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

MOVIE REVIEW: Incredibles 2

INCREDIBLES 2 (2018)

1 Hour and 58 Minutes (PG)

Four years before the Marvel Cinematic Universe kicked off with Iron Man, and one year before Christopher Nolan began his beloved Dark Knight Trilogy with Batman Begins, Pixar entered the genre with a bang, pow, and pop in 2004 by releasing an animated superhero team-up the likes of which audiences had never really seen before. Brad Bird’s family superhero film, The Incredibles, went on to win the Academy Award for Best Animated Feature and remains to this day the best cinematic version of Marvel’s Fantastic Four (despite not actually being a direct representation of those characters).

Now, fourteen years later, Bird is returning to the world of animation for the first time since 2007 with Incredibles 2, an animated sequel that fans have long desired. Unlike the movie landscape when Bird released his original, though, superhero films have become a powerful box office presence, with many years seeing the release of five or more. The challenge for Incredibles 2 is even bigger as it comes right on the heels of the two highest grossing superhero films of all-time: Avengers: Infinity War and Black Panther. The question of whether audiences will embrace yet another superhero film so quickly is a fair one, but I’m ecstatic to say that odds are good because Bird and Pixar have provided us with a sequel that lives up to its title and was worth the 14-year wait.

Incredibles 2 doesn’t skip a beat, picking up immediately after the ending of The Incredibles, with a brand new villain having just emerged from beneath the city and our newly bonded family of heroes poised to take on the threat. But a desire to help sometimes manifests itself in bad decisions, and the Parr’s leave the city in quite a mess while constantly trying to pass off babysitting of Jack-Jack to each other during the ensuing fight. The destruction reminds the world just how dangerous superpowers can be. Aiming to reverse this perception, Winston and Evelyn Deaver (Bod Odenkirk and Catherine Keener) approach the family and Frozone (Samuel L. Jackson) with a proposal, to make Elastigirl (Holly Hunter) the face of superhero crime fighting and use a combination of their technology and media coverage to help show the world the benefit Supers can bring. As the story goes on (at an incredibly frantic pace), it explores Mr. Incredible’s (Craig T. Nelson) jealousy of Elastigirl’s new role, introduces a new villain who enslaves through the use of video screens, and excites with flurries of extremely well-animated action.

A major side plot of the film revolves around Mr. Incredible’s attempt to become a stay-at-home father for the first time and deal with the challenges of parenthood. Two of his more difficult tasks are trying to connect with his teenage daughter Violet (Sarah Vowell) and discovering the various superhero abilities of his infant son. It’s a big change for Mr. Incredible and many viewers will relate to his experiences. As the film goes on, the familial struggles continue to be front and center, but Bird also has a lot to say about the world around us. His hilarious script is also smart and not only uses our culture’s addiction to video screens as a plot point but makes strong statements about the importance of equality and representation. Some viewers may find it a bit on the nose, but mostly these topics are all handled very subtly and never feel out of place in the narrative.

VERDICT

Reuniting with the Parr family in Incredibles 2 is a technically dazzling, joyful experience for kids and adults alike. Brad Bird’s story is culturally relevant and a lot of fun, but shines brightest when it stays grounded in the ongoing struggle of the Parr’s to find their place in the world and within their family. The Incredibles provide us with a family of heroes who we don’t just root for, but relate to, and even with the wealth of comic books films gracing movie screens in 2018, that is something special. Though it doesn’t quite reach the sharp perfection and emotional depth of its original, Incredibles 2 is the must-see animated film of the year.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.