Justice League (2017)
The lead up to Justice League has been at times joyful to witness, and at others incredibly frustrating. Zack Synder’s DCEU has plenty of loyal fans defending its dark tone, but legions more who seem to prefer the more comedic and light-hearted nature of the Marvel Cinematic Universe. As a big fan of all previous DC comic book films not named Suicide Squad, I can’t help but find myself in the former category. I have thoroughly enjoyed Snyder’s willingness to go deeper into the psyches of his characters and despite not loving every casting choice or action sequence, my overall response to the DCEU has been highly positive. While I mostly prefer solo superhero films, this initial team-up of the Justice League does have me very excited. The fanboy in me is really hoping for a Green Lantern appearance. I’ll also admit that I am a bit concerned about the Whedon script doctoring that occurred after Snyder took a hiatus due to the terrible tragic loss of his daughter. My hope is that Synder’s tone is not completely replaced by a focus on humor and lack of stakes.
Well, consider me surprised. All of that Joss Whedon rewriting that I was concerned about? Totally worked. In fact, the film holds together well with two distinctly different tones flowing throughout, even if the difference is always noticeable and occasionally distracting. Whedon’s dialogue is mostly a hit, and especially so when it comes out of the mouth of The Flash (Ezra Miller). Flash provides us with the quippy nature the MCU has embraced, but it works because only one character is a goofball and not all five. The team dynamic is great and consists entirely of unique personalities. Aquaman (Jason Momoa) is a strong and powerful, independent bad-ass living the life of a loner but with a heart of gold. Cyborg (Ray Fisher) is brooding and angry, certain his new form is a curse. Batman (Ben Affleck) has renewed hope in humanity, regret over Superman’s death, and wants to save the world, while Wonder Woman (Gal Gadot) follows-up her strong solo debut with a nice little arc of her own about what it means to be a leader. Truly, what Justice League really has going for it most is the cast chemistry. The relationship between Cyborg and Flash really stands out. These two “accidents” have a lot in common and are both discovering and coming to grips with their powers together, along with slowly developing trust and a friendship.
Its rather miraculous that Whedon’s humor and light-heartedness intertwine with Snyder’s serious storyline so easily. This is still a superhero universe with a lot at stake, where humans die and superheroes are vulnerable. But the dialogue works by delivering moments of levity instead of turning the film into a comedy. Justice League does bring up philosophical questions and ideas that carry over from previous films, too. In doing so, it balances those heavier topics with the epic sense of fun that we should get from reading or watching superheroes in action.
When it comes to the action, it’s vintage Snyder all the way. Fast cuts with explosive visuals and some well-timed slow motion feature prominently. I was worried that the movie might have a serious fake CGI look to it, but surprisingly it didn’t bother me at all. The majority of the action sequences are moving so fast that it’s hard to get a good handle on what’s going on, however, there are a few stand-out scenes – most of them involving Wonder Woman in some capacity, and that’s never a bad thing.
The film isn’t perfect, though. The opening scene and early setup feels rushed and incohesive. Once the team is together everything feels great, but getting there is just a little clunky. The villain is also not particularly memorable, although I did enjoy him more than previous DC baddies. His personality was lacking but the action involving him was a lot of fun, and he conveys a sense of otherworldly strength that was necessary for us to believe in the threat he poses.
One last thing to mention is that the film has two
very good GREAT post-credit scenes. One right after the film ends and another all the way at the very end of the credits. They are both worth waiting for. Do not miss these. The final one, especially, is textbook for how a post-credit scene should be done.
Justice League endured a lot of changes during its production and the result is a film that has glimpses of greatness but never quite reaches that plateau. Still, the film balances its dual tones just fine and manages to provide well-rounded character development for the whole team. Ezra Miller steals the show as The Flash and team chemistry, in general, is a big highlight. A movie doesn’t have to be perfect to entertain, and Justice League does plenty of the latter. It is a joy to see these heroes together on the big screen and many emotions were felt. My prevailing thought when walking out of the theater with a huge smile on my face was simply, “I want more,” and that happiness is a big relief.
Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.