What We Learned This Week: June 3-9

LESSON #1: TOXIC FANDOM IS ONE OF THIS INDUSTRY’S LARGEST UNCHECKED PROBLEMS— What used to be little nit-picky pissing and moaning no more imposing than the Comic Book Guy character on The Simpsons is turning overly voluminous, hurtful, egregious, and flat-out unnecessary.  The latest ugly example came this week when months of harassing and abusive social media actions led Star Wars: The Last Jedi actress Kelly Marie Tran to delete her Instagram.  Notice in the title of the lesson that I said “industry.”  This fanboy immaturity and hate isn’t exclusive to Star Wars fans.  This kind of abhorrent behavior fueled by internet troll courage lights up with comic book films, gaming culture, TV shows large and small, and many other sources far too often and far too loudly.  Let this school teacher tell you that all this bitching about fiction and entertainment is fruitless and unhealthy.  No piece of entertainment is worth any level of the hate and consequences leveled to Ms. Tran.  The support around her is positive but more must be done.  If you claim these pieces of pop culture are core influences of your formative character, then you don’t have a very good core and need help in the form of interpersonal relationships not rooted in fantasy.  I know its the few ruining it for the behaved majority, but turn off the screens, take off the cosplay, put away the toys, grow up, and go engage in real relationships.  At an industry level, accountability is needed, and I love this NBC News piece from Ani Bundell and this Forbes editorial from Scott Mendelson as highly recommended reads.  No matter how you cut it, this is bullying and it’s time to employ the “see something, say something” practices we tell school kids nowadays.  Help report and block improper behavior.

LESSON #2: EACH FILM STARRING WOMEN OR MADE BY WOMEN IS NOT REQUIRED TO ADVANCE FEMINISM— From one torch-bearing subject to another, I referenced a junket interview from the Ocean’s 8 press tour in my review of the film where the leading ladies are tired of answering questions large and small about gender roles.  They made Ocean’s 8 to have fun.  Let Ocean’s 8 be marvelous for what it is (namely a proper heist film) and not curved by who is in it and which chromosomes they have. When someone adds the marginalizing and labeling descriptors of “all-female,” “women-centered,” or, worse, “chick flick,” their narrow vision becomes part of the problem. That goes both ways. Not every film for or including women has to carry a torch and a battering ram for the #MeToo movement.  Let something fun be fun.  Furthermore, in a second interview piece and connecting to Lesson #1, Ocean’s 8 star Sandra Bullock also drew alarming comparison to the flaq the Ghostbusters reboot cast received two years ago.  The wave of hate for that film was off-the-charts higher than what Ocean‘s 8 is receiving, which shows the fickle hypocrisy of toxic fandom.

LESSON #3: THE RIGHT DOCUMENTARY CAN MAKE A FLASHIER DRAMATIZATION UNNECESSARY AND OBSOLETE— This one is more a prophecy than a lesson.  One of my many reactions and takeaways after watching (my full review) the incredibly detailed, moving, and impactful documentary Won’t You Be My Neighbor? is that I, for one, absolutely do not need an upcoming movie biopic version of Fred Rogers’ life story.  There is tangible spirit and a magic watching the real personality of the late TV personality that comes out in Morgan Neville’s film that speaks rightly true and cannot be translated into a glitzy newfangled narrative using dramatic license.  I don’t care how wholesome and loved Tom Hanks is or how immensely talented his is as one of the finest actors walking the planet.  Even he cannot suspend disbelief to become Fred Rogers.  The genuine article is too singular, too unique, and, to borrow his favorite word, too special.  Fred’s central mission and message is strong enough on its own and demands full reality.  Flattering imitation, in my opinion and even cited in the documentary itself with recaps of impersonations done by Saturday Night Live, The Tonight Show, SCTV, and In Living Color, would take away shine from the gleaming legitimacy of what Fred Rogers stands for.  There is more value to both nostalgic audiences and neophyte discoverers of Fred Rogers to see his actual self in Won’t You Be My Neighbor? than the diluted Hollywood version to come.  Let a documentary become a summer blockbuster for a change.  Get some truth out there and see this film.

LESSON #4: A VENOM CHARACTER NOT IN THE CURRENT MARVEL CINEMATIC UNIVERSE IS NOT A REAL VENOM AT ALL— I was right there with you salivating at the idea of Tom Hardy playing a brawny Eddie Brock and his beastly alter-ego of Venom.  Throwing looks and Daily Bugle character history out the window, you couldn’t cast a more imposing threat for an emerging Tom Holland Spider-Man than Hardy.  The problem I’ve always seen has been timing.  Pulling off a Venom film is cart-before-the-horse too soon for a brand-new teenage Spider-Man. Now, the problem has increased to misalignment with the news that the Venom film will not be a recognized part of the MCU.  I know I just talked about toxic fanboy culture earlier in the column, but, I’m sorry, Venom is not Venom without Spider-Man.  What looked to already be an impatient cash grab by Sony to stay relevant with its Marvel character properties now looks to be an expensive and possibly pointless waste of resources entirely.

LESSON #5: YOU CAN’T WASH THE STINK OF MICHAEL BAY OFF THAT EASILY— Much like Venom in a way after its recent trailer surprises, I don’t care how good that Bumblebee trailer looked this past week (and yes, Mr. Ignore-All-Trailers over here did see it).  It’s going to take more than a decent teaser or two and a whole heap of deeper narrative work from Kubo and the Two Strings director Travis Knight on the final product to improve this tainted franchise.  Hope is there with Knight’s reputation, but plenty of films, when manipulated correctly with marketing magic, have duped us before.  I will still preach tempered expectations for Bumblebee.  Michael Bay’s cinematic skunk spray is still all over this.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  He is a proud member and one of the founders of the Chicago Independent Film Critics Circle.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on FacebookTwitter, and Medium.

 

What We Learned This Week: May 13-26

LESSON #1: ARGUE WITH A LEG TO STAND ON— Call it an occupational hazard built by years of fandom, research, and practice, but I tell myself everyday (maybe not to a Stuart Smalley level, but close) that I’ve got a pretty good head on my shoulders and a better-than-decent eye for the good, bad, great, and ugly when it comes to just about anything movie-related.  That passion gets me in plenty of debates online and across social media on any range of topics (masterpieces vs. classics, best vs. favorite, etc).  Wearing the critic badge on top of that knowledge, I get labeled arrogant and full of hubris.  To me, it’s not hubris when the stances are educated and supported with substance.  I’ve done my homework and I’ve come prepared or I wouldn’t be debating in the first place.  I can’t say the same thing for many other people on the other side of debates.  The language of this lesson is a plea that if you’re going to present an argument or stance, be able to back it up.  The substance of your stance has to be stronger than wimpy likes and dislikes.  The trolls and whiners I meet don’t have that integrity.  For example, see an actor or director’s filmography before making any declarations for or against them in any point of comparison.  Even more egregious, see the actual film you’re debating and labeling before laying judgment.  Bring more to the table than thin personal preferences and clickbait hearsay.  Bring a little more objectivity beyond the surface-level subjectivity.

LESSON #2: MAKE CHARACTERIZATIONS THAT FIT STORYLINES— As if irascible and irrational Star Wars fans had to find more things to hate, pockets of new semi-protests started up this week before the release of Solo: A Star Wars Story when Lando Calrissian actor Donald Glover and screenwriter Jonathan Kasdan declared the character to be pansexual.  There are many angles to consider here from this left-field turn.  Increased LGBTQ+ representation is always a welcome thing in these modern and more progressive times and, secondly, writers/actors are allowed their interpretation of characters they play.  However, reflect on making such a label or change purposeful and not a measure of tokenism.  Consider the fit and don’t shoehorn in LGBTQ+ characters for the sake of doing so without actually having the story to do so.  This one feels like tokenism and a hollow attempt at praise.  That said, this, whether for or against, is not a reason to protest a film or abandon a beloved character.

LESSON #3: KNOWN FATES TAKE AWAY FROM THE SUSPENSE— I have to reprint this irrefutable dilemma from my Solo: A Star Wars Story review from Every Movie Has a Lesson.  This goes for every prequel in existence.  Because the audience knows certain characters have documented futures, there is a perceptible, if not even enormous, storytelling loss in the peril department.  The edge of one’s seat becomes a little more relaxed and more than a bit farther away.  In Solo, no matter what happens to Han Solo, Chewbacca, Lando Calrissian, and the Millennium Falcon, they’re going to be fine.  In equal measure, since a large majority of the side characters present in Solo are never mentioned in the films later down the timeline, you might as well put a red shirt of Star Trek doom on each of them.  Foregone conclusions like that are not spoiler alerts.  Those are plain facts. Ignoring this conundrum is pure gullibility.  The common rewind counterargument is “well, it’s about the journey… blah, blah, blah.”  Sure, but then the impact of said journey better be damn important or move us to pieces.  As hellaciously fun as it is at times, Solo: A Star Wars Story is missing a certain level of that compelling juice.

LESSON #4: JAMES MANGOLD AND BOUNTY HUNTERS ARE A GOOD POTENTIAL FIT— In surprise news on the night of Solo‘s debut, another anthology/prequel backstory was announced by the Mouse House.  Logan, Cop Land, and Walk the Line director James Mangold has been tapped to helm a Boba Fett origin film.  While that film will have the same predicament as Lesson #3, Boba Fett is at least a character with more intriguing mystery and depth to solve than Han Solo, arguably the most iconic character of the whole franchise.  That’s exactly the kind of cult status character that deserves these kinds of standalone film attempts, and, gosh, what a hire.  Just imagine a talent like Mangold crafting a grizzled, borderline space western of a relentless pursuer stalking his prey and taking down all comers who cross his path.  Grow that legend!  Along the same lines, my fingers are crossed that Donald Glover, who steals every scene he’s in from Solo, gets his own film after the inevitable box office success.

LESSON #5: PRE-SCREENINGS CAN DO THEIR JOB IN CATCHING QUESTIONABLE CONTENT BEFORE IT PLAYS TO ALL AUDIENCES— Kudos to the parents who made a stink about some questionable scenes in the upcoming family-marketed film Show Dogs.  You can read the details here here about some testicular inspection scenes (which true to real dog shows or not) that hit a little too close to predatory sexual grooming allusions if the roles were people instead of dogs voiced by people.  The studio is doing the right thing and editing out the poor choices before the theatrical release.  This goes to show that some studios have the wherewithal to seek the right approvals before releasing something willy-nilly.  Sure, scenes like those shouldn’t have made it past the script editor, but it counts as better late than never to not just make the changes, but listen to the paying customers in the first place.
LESSON #6: SOME PULLED PLUGS ARE WHOLLY DESERVED— Speaking of paying attention and judging the landscape, Paramount Pictures dropped the seventh Transformers film from its release schedule.  The off-shoot Bumblebee film is still coming this December, but maybe this long road of Michael Bay trash is finally done.  You can only beat dead horses so long.  Can Disney borrow the same logic soon with Pirates of the Caribbean.  Just as the cited article suggests, this joy might be short-lived (but it is joy nonetheless).  The word “reboot” is being thrown around because once any studio makes several billion dollars, they’re going to want to try and make it happen again.  There are always more horses to flog on the big studio lots.

LESSON #7: THE MIGHTY FALL THE HARDEST— Lastly, I was as shocked as the next person by the CNN report of extensive and multiple inappropriate harassment allegations against Oscar-winning A-lister and overall beloved figure Morgan Freeman.  He is easily the biggest name to be burned since Kevin Spacey. As with each of these stories that have come to light over the course of the last year (and often stated in this column), no matter who it is, my first reactions are patience and sadness long before anger and judgment.  First and foremost, I, for one, refuse to label a man guilty or otherwise on rumors alone until accusations are proven or disproven.  I choose to wait.  Each person deserves their chance to defend themselves, seek the proper contrition, or both.  Until then, disappointment fills me more than anger.  I respect the works of these people too much to ever “ban” or “boycott” their careers and erase them from the proverbial record books.  I just don’t think that’s right.  They existed, their work remains, and it mattered.  It may lose some level of respect considering the circumstances, but it’s never reduced to zero for me.  My policy has always been to separate the person and the performance.  I still watch Kevin Spacey movies and I will still watch Morgan Freeman ones too, only now the impact is softened to a degree.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  He is a proud member and one of the founders of the Chicago Independent Film Critics Circle.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on FacebookTwitter, and Medium.

 

August 2018 – “Choose Your Director Month”

In January 2017, Feelin’ Film had its inaugural Director Month, covering the films of our favorite director – Christopher Nolan. Going through a single director’s films over the course of several weeks in a row provided a unique perspective on how his work had evolved, and was one of the most enjoyable things we’d done. So, in January 2018, we chose to make Director Month an annual occurrence and covered the films of Stanley Kubrick. This, too, was a wonderful experience for us and left us anxious to do it again.

Looking forward at the new release schedule, we have identified August 2018 as a great time to slip in another Director Month. But this time, we want YOU, our listeners, to choose whose filmography we dive into. Below you will find a list of directors and the corresponding films we would discuss. This is your chance to tell us what you want to hear us talk about on the podcast, and you can vote by clicking on the link below to join our Facebook Discussion Group and selecting your preferred choices in the poll.

Vote Here

Tony Scott

THE LAST BOY SCOUT
MAN ON FIRE
CRIMSON TIDE
DAYS OF THUNDER


Michael Mann

HEAT
COLLATERAL
THIEF
MIAMI VICE


Michael Bay

PAIN AND GAIN
TRANSFORMERS
PEARL HARBOR
THE ROCK


Jeff Nichols

MUD
SHOTGUN STORIES
TAKE SHELTER
LOVING


David Fincher

SE7EN
ZODIAC
FIGHT CLUB
GONE GIRL


Coen Brothers

FARGO
NO COUNTRY FOR OLD MEN
INSIDE LLEWYN DAVIS
THE BIG LEBOWSKI


Clint Eastwood

UNFORGIVEN
MYSTIC RIVER
AMERICAN SNIPER
MILLION DOLLAR BABY


James Cameron

THE ABYSS
TITANIC
ALIENS
TRUE LIES


Martin Scorsese

GOODFELLAS
HUGO
THE DEPARTED
TAXI DRIVER


Wes Anderson

THE GRAND BUDAPEST HOTEL
MOONRISE KINGDOM
ISLE OF DOGS
FANTASTIC MR. FOX


Kathryn Bigelow

ZERO DARK THIRTY
THE HURT LOCKER
POINT BREAK
NEAR DARK

What We Learned This Week: April 9-15

LESSON #1: THE WORD “GENIUS” IS THROWN AROUND TOO MUCH— After hearing Academy Award winner Anthony Hopkins label his much-maligned “Transformers: The Last Knight” director Michael Bay a “genius” and a “savant” recently, I’m prepared to add “genius” to a list of overused words of hyperbole that include “epic” and “great” when talking about all things movies.  All three words are used too much and not truly earned.  I’ll grant that Michael Bay is a successful driver of spectacle and cheese.  His movies make a ton of money, but I don’t see the deeper wherewithal of the craft to make him the first dictionary definition of “savant.”  I see more the second definition that dives into mental disability, but he is tone-deaf and one-dimensional.

LESSON #2: CHRISTIAN AUDIENCES DESERVE BETTER FILMSAlcohollywood podcaster Clint Worthington, a film critic colleague from mine here in Chicago, wrote a dynamite piece for Crooked Scoreboard entitled “Calling Christian Movies to Repentance.”  The editorial examines the recent rise of a certain brand of films specifically made by and targeting sympathetic Christian audiences.  He talks about message, film quality, and more.  Go read the piece yourself and measure where your taste lies.  Clint nails the faults of this trend and I agree wholeheartedly with this lesson’s statement.    To truly and triumphantly serve a purpose and engage wider audiences, better thoughts and better films need to be fostered.  Well done, Clint.

LESSON #3: LET KIDS BE KIDS— Marc Webb’s “Gifted,” starring Chris Evans arrives this week and I cannot help but share this leading life lesson from my review.  It’s too good not to echo.  The film represents this lesson perfectly and in an unpretentious way.  Allow “Gifted” or this school teacher right here tell you and show you that too much academic pressure is placed on school-aged children these days.  They take too many high-stakes tests and spend too many hours doing rote and mindless homework.  College prep can start in high school, but leave it off of seven-year-olds.  Even geniuses can cultivate being well-rounded.  Let them go outside, skin a few knees, build something, and find activities they enjoy.  Feed those brains with experiences and not just book-based knowledge. Need ideas?  Here’s just one list of many things to do instead of homework.

LESSON #4: YOU’RE GOING TO LIKE JOSH BROLIN— In a casting news surprise that dropped Wednesday, Josh Brolin signed a four-picture deal to play the pivotal role of Cable for “Deadpool 2” and beyond.  Brolin has the qualities you’re looking for.  I promise you that.  He’s the right age and has perfect masculine features chiseled from granite.  Tell all the “but he’s already Thanos” cry babies to stop.  Fox and Disney/Marvel are different worlds right now.  If Chris Evans can be readily accepted as Steve Rogers after playing Johnny Storm, then Brolin can go from an off-screen voice/performance capture role as Thanos to putting his face out there as Cable with a different tone and timbre.  Most importantly, Brolin has the right temperament to play the grizzled warrior.  His mature resume of renaissance from the last ten years speaks for itself in terms of talent and huge range to play just about anything you want, from showy to reserved.

 

DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current President of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.

What We Learned This Week: April 2-8

LESSON #1: THE FIRST STEP TO FIXING A PROBLEM IS RECOGNIZING YOU HAVE ONE— True to the quoted mantra of this lesson, a major movie studio did something I don’t think I’ve ever seen in recent memory.  They cited and accepted blame on an actual fault that the rest of us in the general public have known for months and could have told them the first moment it began.  After a dismal third place finish at the box office and parallel to the horribly tone-deaf Pepsi advertisement this week, Paramount Pictures exec Kyle Davies admitted that the “conversation regarding casting impacted the reviews” for “Ghost in the Shell.”  He wasn’t going to call it “whitewashing,” but we can read between the lines.  Maybe “Ghost in the Shell” becomes the public blemish example that pushes studios to change the way they do business.  One can only hope, but it was going to take a showy financial loser that stung someone’s bottom line before anyone noticed.

LESSON #2: HAVE A SCRIPT BEFORE YOU MAKE A MOVIE— Two little news nuggets about stories and screenplays pinged on my radar this week.  One was positive, in my opinion, and one was negative.  On the plus side, renowned and polarizing filmmaker Terrance Malick stated in an interview that he is “backing away from that style” of making movies without scripts.  He elaborated that “there’s a lot of strain when working without a script because you can lose track of where you are.”  You don’t say?!  Anyone who has seen “The Tree of Life,” “To the Wonder,” “Knight of Cups,” and “Song to Song” knows what I’m talking about.  As beautiful and experiential as those films are, they are absolute disorganized messes.  On the other end, “Transformers” steward Michael Bay revealed that 14 (yes, 14!) future “Transformers” movies already written.  Compared to Malick, way to be prepared.  Still, can someone light that shoebox of cocktail napkins written in crayon on fire and save us the future misery?

LESSON #3: THE MTV MOVIE AWARDS ARE STILL A JOKE AND WILL ALWAYS BE A JOKE— This year, MTV is merging their TV and movie award shows together into shared categories.  Here is the complete list of categories and nominees.  What’s the result of that?  All I see is compressed crap.  I think TV and film are two entirely different mediums of artistry and performance that shouldn’t be compared together, but what would I know?  I’m over the age of 24, have a full-time job, and don’t have a man-bun.  There’s a place for fan-centered awards, certainly, but stay fun and don’t pretend to be important.  The Nickelodeon Kid’s Choice Awards get it right.  I’m more shocked that the MTV Movie and TV Awards actually have a Best Documentary category than their usual silly categories like Best Kiss.  I know I’m stepping to #getoffmylawn territory, but 90% of the Millennials watching MTV haven’t seen a single one of those nominees.  Stop already.  Shows like this feel like a slap in the face to recognizing real talent and real quality.

 

DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current President of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.