Episode 377: Barbenheimer

The movie event of the summer is here and we couldn’t just choose one of these great films to discuss, so we’re talking about both! Patrick is out on vacation this weekend but Meredith Loftus is filling on to discuss what made Barbenheimer such a phenomenon, what makes Greta Gerwig’s colorful satirical comedy so meaningful, and how unique and powerful of a biopic Christopher Nolan has crafted. It’s a celebration of great cinema, with a few criticisms here and there, and we hope you enjoy.

Barbie – 13:56

Oppenheimer – 49:30

* Note – full spoilers in effect for entire episode *

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Episode 249: The Dark Knight Rises

RISE with us as we discuss the final installment of Christopher Nolan’s great trilogy. A lot of movie deserves a lot of conversation and we are up to the task.

The Dark Knight Rises Spoiler Review – 0:14:11

The Connecting Point – 1:26:40

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Episode 196: Memphis Belle

In this first of two episodes celebrating Veterans Day and honoring great achievements during World War II, contributor Don Shanahan from Every Movie Has a Lesson joins us to discuss a film that recounts the incredible success of a particular B-17 bombing crew and puts us right there alongside a great cast of characters to experience the danger these airmen faced and how they managed together.

Memphis Belle Review – 0:03:22

The Connecting Point – 1:15:23

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MOVIE REVIEW: Sicario: Day of the Soldado

SICARIO: DAY OF THE SOLDADO (2018)

When the man behind a suicide bombing at a Kansas City supermarket is revealed to have entered the country through the border between Texas and Mexico, the President of the United States is in a position to officially deem human trafficking a terrorist activity, giving them more latitude to deal with the controversial issue. With the intention of waging a battle on this new front in the war on terror, Josh Brolin’s Matt Graver and his team are given the task of firing the first shot.

“It might get dirty.”

“Dirty is why you’re here.”

Stefano Sollima’s Sicario: Day of the Soldado is the follow up to Denis Villeneuve’s outstanding Sicario that no one really knew we needed but were all, nevertheless, curious to see. Gone is Emily Blunt’s Kate Macer, the young FBI agent who served as the conscience and the audience stand in in the first film. Returning are Graver and Alejandro (Benicio Del Toro), as well as their unorthodox, but unarguably effective, ways of dealing with troubles at the border. Their plan is simple. They are going to kidnap the 16 year old daughter of the cartel kingpin who killed Alejandro’s family and make it look like it was another cartel. The intention is to start a turf war between cartels so that the war on trafficking will be fought against distracted opponents. But of course, nothing is simple at the border.

To tell more would be to give too much away. Sollima has managed to craft a follow-up that perfectly inhabits the world created in Sicario. Villeneuve had a way of putting his camera in places that made the audience feel like they were in the vehicle crossing the border or in the hidden tunnels used to traffic drugs. Sollima, especially in action sequences, gives us that same perspective, heightening the tension with every note of Hildur Guonadottir’s haunting score. One of the biggest obstacles to a sequel in my mind was going to be that the protagonist (I use that term loosely) of this film was going to be a guy who we saw murder women and children in the first film. Taylor Sheridan is able to more fully round out the character of Alejandro in a way that doesn’t ask the audience to root for him but also doesn’t allow him to be despised. Once again, Del Toro is electric in the role, but at this point in his career, saying that Benicio Del Toro is great is pretty redundant because he’s just fantastic in everything. Most of the tales that Hollywood tells of hitmen either glamorize or bring a sense of humor to the profession. S:DotS shows us the blunt reality of the job, but Del Toro never lets Alejandro become a monster. Speaking of redundant, Josh Brolin is also fantastic as Graver. His character isn’t fleshed out too much more (other than apparently he’s left his flip-flops behind for a comfy pair of Crocs), but being in the dark about his past is what makes his character work so well. Isabela Moner shows a deep inner strength as Isabel Reyes, the kidnapped teen, even as she’s completely terrified and in the dark as to what’s happening to her.

This film is tight, this film is tense, and this film is timely. Child separation, human trafficking, terrorism…those are all things that you can read about on the front page of your newspaper tomorrow morning. And Sicario: Day of the Soldado doesn’t presume to have any answers to these issues. While the original gave us Kate Mercer and her earnestness and her moral compass to see this world through, this film kind of just makes us sit in the filth and be disgusted (hopefully) by the machinations on both sides of this volatile scenario. There aren’t winners. There aren’t losers. It’s all just dirty.

So don’t go see Sicario: Day of the Soldado if you need a couple of hour diversion from your problems. But if you want a thoughtful, well-executed thriller, you’re not afraid to sit with a bit of ambiguity, and you enjoyed (or at least saw) the first installment, I think it’s worth your time.

Rating:


Jeremy Calcara is a contributing member of the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 95.1: Full Metal Jacket Diary with Matthew Modine & Adam Rackoff

After recording Episode 95: Full Metal Jacket, we found ourselves eagerly seeking out even more information about the film. This led to the discovery of Full Metal Jacket Diary, a collection of star Matthew Modine’s journal entries and pictures that had been not only printed in book form and recorded as an audiobook, but developed into a one-of-a-kind immersive iPad app experience. We found Modine’s stories of his time on the set and insight into the mind of Stanley Kubrick to be fascinating.

In this special episode, we sit down with both Matthew Modine and short film producer/iPad app developer Adam Rackoff for conversations about the book, the app, and Matthew’s experiences filming Full Metal Jacket.

** Get Full Metal Jacket Diary Here **

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Episode 095: Full Metal Jacket

Our final week of Kubrick Month has arrived and we wrap things up by having a conversation about the movie that gave us the great director’s take on the Vietnam War. Full Metal Jacket is extremely tense, often funny, and incredibly shot, but it is more than just a war movie. It’s also a commentary about humanity and with that provides us plenty to talk through. It’s been an awesome month of celebrating Stanley Kubrick and we’re glad to go out with a bang. 


What We’ve Been Up To – 0:01:26

(Aaron – Maze Runner: The Death Cure)
(Patrick – Electric Dreams)

Full Metal Jacket Review – 0:12:53

The Connecting Point – 2:00:37

Guest Appearances:


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Music: Going Higher – Bensound.com

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!