What We Learned This Week: January 1-13

LESSON #1: EITHER BUSINESS IS BAD OR PEOPLE ARE FINDING THEIR ENTERTAINMENT ELSEWHERE— I have found that in the box office business, trends rarely lie.  Looking past inflation and price changes, the reported actual ticket sale counts are alarming according to the year-end news reported in several places.  A six percent drop is telling but not drastic.  “Lowest in 25 years” is a whole other thing.  To me, as I’ve stated in this column frequently, it’s all about the price point for family dollars.  The wave of unlimited TV and streaming options available at high quality and far lower costs than it takes to bring the average family of four to the multiplex with refreshments is becoming a no-brainer for those cost-minded folks.

LESSON #2: SPEAKING OF BUSINESS, APPLE MIGHT HAVE A COUNTERPUNCH TO DISNEY— Once Disney bought 21st Century Fox, they gained controlling percentage of Hulu Plus at the same time as they’ve been positioning to launch their own dedicated streaming platforms.  The target was placed on Netflixes back, especially after the Mouse House pulled all of their content off the platform to bring under their own roof.  Netflix might have found a benefactor and powerful one.  According to reports sourced by Citi, Apple is angling to buy Netflix with a billion dollar price tag.  Throw Amazon’s power in there, and this WWE triple threat match in a streaming ring just got big

LESSON #3: SPEAKING OF BUSINESS, KEEPING ADVOCATING FOR EQUAL PAY ACROSS GENDERS— You can try to slice it, refocus the points, or pretend to justify the reasons however you want, but the Mark Wahlberg/Michelle Williams All the Money in the World compensation disparity story that broke this week is kind of sh-tty no matter which way you play it.  It just flat-out looks bad.  I’m glad it’s getting investigated by the union (Screen Actors Guild).  I keep the benefit of the doubt going that good faith is out there or that contracts are this and other contracts are that.  For that to remain, a positive outcome (with a rolled head or two) must arrive or this will only incite more from an already fractured female demographic, and rightfully so.

LESSON #4: WE HAVE TO CONSIDER THREE BILLBOARDS OUTSIDE EBBING, MISSOURI A FULL-FLEGED OSCAR CONTENDER NOW— To me, the Golden Globes have been a joke, are a joke, and will remain a joke with some of their category distinctions, silly nominees, and oddball choices.  That said, the Golden Globes aren’t the only awards Sam Rockwell, Frances McDormand, and Martin McDonagh’s film are sweeping up.  The two actors have been surging and now stand as legitimate co-frontrunners with Willem Dafoe (The Florida Project) and Sally Hawkins (The Shape of Water) who have dominated the Best Supporting Actor and Best Actress categories.  These dark horses aren’t so pitch black anymore.  By the way, you know which Golden Globe winner is not a real contender?  James Franco.  Via con dios, dude.

LESSON #5: THE STAR WARS: THE LAST JEDI HATERS ARE GOING TO BE BUTTHURT FOR A LONG TIME— …and it’s going to be agonizing to deal with them.  Most of the haters are just harmless snobs and sub-trolls.  Their rants and forgettable and carry weak traction, like silly petitions to remove the latest film from canon.  However, some of them take it too far.  This recent story of Kelly Marie Tran dealing with racist and sexist comments is a prime example.  That’s the kind of crap that goes too far and isn’t “fansmanship” nitpicking over water cooler talk anymore.  That’s the hurtful garbage that needs to go and get a life.

LESSON #6: CIRCLE BACK TO THE BEST OF 2017— Rotten Tomatoes closed the 2017 calendar with their list of 100% Tomatometer films.  Seven titles never received a bad review.  Use JustWatch to seek them out in this boring and empty annual moviegoing wasteland known as January.  Liam Neeson flicks can only keep your attention so long.  If you want more films after those seven, you’ve got five top-ten lists right here on Feelin’ Film from your hosts and contributors.

DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  He is a proud member and one of the founders of the Chicago Independent Film Critics Circle.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on FacebookTwitterMedium, and Creators Media.


Minisode 32: Three Kings

Dark-comedy, scathing political satire, drama about human nature, or all of the above? David O. Russell’s Three Kings is a mixture of tones with a lot to say about the Persian Gulf War wrapped in an often funny, sometimes brutal adventure story. We dig in to this November Donor Pick and see if we can find the gold within.


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Dark-comedy, scathing political satire, drama about human nature, or all of the above? David O. Russell’s Three Kings is a mixture of tones with a lot to say about the Persian Gulf War wrapped in an often funny, sometimes brutal adventure story. We dig in to this November Donor Pick and see if we can find the gold within.


Join the Facebook Discussion Group

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MOVIE REVIEW: Daddy’s Home 2

Daddy’s Home 2 (2017)

Daddy’s Home was a surprisingly funny and mildly heartwarming 2015 comedy that reunited (2010’s The Other Guys, still the best comedy of the 2000’s, don’t @ me.) Mark Wahlberg, Will Ferrell and their proven comic chemistry in a comedy about a stepdad, Barry (Ferrell), attempting to gain the respect of his stepchildren and their father Dusty (Wahlberg). While the film itself is extremely formulaic, Wahlberg and Ferrell kept it from feeling like a bland rehash of something you’ve seen before. It’s a fun little movie to watch when you just want to shut your brain off and laugh. When I heard about the sequel, I was mildly intrigued, figuring that I’d at least enjoy seeing the pairing of Wahlberg and Ferrell again. Unfortunately, Daddy’s Home 2 is nothing more than an ill-conceived cash grab, taking advantage of the reputation of its predecessor, the star power of the cast and the holiday movie season.

I always like to start with the good first, and DH2 isn’t all bad. Ferrell and Wahlberg are still a lot of fun together. John Lithgow’s turn as Ferrell’s overly affectionate and endlessly supportive father Don is fantastic as well. Brad and Don are two enthusiastic peas in a pod and their relationship provides what little spark the film has to offer. There are two scenes that are really very funny, but unfortunately those two scenes book end the film, leaving the middle to feel bloated, bland and boring. Linda Cardellini does fine with what she’s given, and the kids are cute and amusing, but like the original, they aren’t given much to work with. This franchise isn’t about the women or the children, it’s all about the dads.

Unfortunately, that’s about all of the positives that I can muster. Other than a few minutes at the very beginning, Mel Gibson, who plays Wahlberg’s father Kurt, just doesn’t fit in this movie at all. The plot, if you can call it that, involves Kurt intentionally trying to ruin Christmas for…reasons? With motivations that go mostly unexplained, he believes it would be a gas to pit Brad and Dusty against each other to destroy their holiday. Dumb. Confusingly, the film goes out of its way to make Kurt the crotchety old guy, disgusted by today’s new parenting method, but every time someone takes his advice, he’s proven to be correct. Dusty has a wife, who exists only to be hot and to shoplift (yeah, I don’t know). John Cena shows up when the movie is about 3/4 over as the father to Dusty’s stepdaughter. I was excited to see him in the credits as he’s proven to be a pretty enjoyable comedic actor, but he’s completely wasted and doesn’t really need to exist at all. Most of the third act of the film takes place in a movie theater and that’s where it completely falls apart, abandoning anything that resembles narrative structure in favor of easy jokes about the film industry and an eye-roll inducing musical number.

Daddy’s Home 2 isn’t the worst movie I’ve seen this year. If you’re wanting to watch a Christmas movie, it’s better than anything ever produced by the Hallmark Channel. But it’s not good. Save your hard earned money and your precious time and stream this one later if you must. But you’re not missing anything if you skip it altogether.



Jeremy Calcara is a contributing member of the Feelin’ Film team. In addition watching as many movies as he can and writing reviews for Feelin’ Film, Jeremy consumes an unhealthy amount of television and writes about it weekly in his Feelin’ TV column.   Follow him on Facebook and Twitter  to be notified when new content is posted.