Jeremy’s Top 10 Films of 2017

2017 was a great year for me as far as movies go. I was able to see more new movies than ever before, and thanks to Aaron and Patrick, I was also given the opportunity to write about them from time to time. I’m not a critic. I’m never going to talk about how the director’s use of color helped to invoke a sense of whimsy or anything like that, because I don’t know what that even means. I’m glad there are people out there who do know, because I like to listen to them talk about movies and hopefully get a little smarter while doing so. But I’m just a guy who likes movies and watches way too many of them. All in all, I was able to watch 107 movies that had release dates in the United States in 2017. The following are my ten favorite, not necessarily the ones that I thought were the best films. Enjoy!

10- Logan

This is the first of two films on this list that were released last winter but managed to hang out in my top ten all year. I’ve long been a fan of Hugh Jackman and his portrayal of Wolverine in the X-Men films, but like many others, I had hated the individual Wolverine films up until Logan. So my expectations for this film were quite low. I was completely blown away when James Mangold managed to create the perfect send-off for not one, but two characters in the X-Men universe, all the while making an emotionally satisfying film about legacy and family.

9- The Greatest Showman

If you would’ve told me 10 years ago that I’d be getting super into musicals in my late 30’s, I never would have believed you. But here we are. I really like this movie, but I completely LOVE the soundtrack. I recently got a Google Home Mini for Christmas and thus far it’s basically been a Greatest Showman soundtrack playing machine. I could be nitpicky and talk about its faults, but I kind of just want to dance in my living room to This Is Me instead.

8- Dunkirk

I’m a pretty big Christopher Nolan fan (it’s one of the requirements to be a Feelin’ Film contributor) so I was pretty excited to see this one from the moment I heard about it. Its tension really puts you in the headspace of its characters and while some saw the timing differences in the three different story threads distracting, I thought it was brilliant and served to heighten the imminent danger in the film. It’s not my favorite Nolan, but it’s still really good.

7- Three Billboards Outside Ebbing, Missouri

This one hit me in all of the right places. I thought the story and dialogue were both funny and heartbreaking with excellent performances by the all-star cast, with Sam Rockwell standing out. This film is a lot darker than what I am usually into. but I really enjoyed the realistic way in which it portrayed positive change in its characters, even characters as unlikable as the ones that McDonough gives us.

6- Wonder Woman

I don’t have a whole bunch of words to say about Wonder Woman, I just really loved this movie. The scene where Diana emerges from the trench at No Man’s Land is one of my two or three favorite scenes of the year. Gal Godot perfectly brings the Amazon goddess to the screen, giving her a perfect amount of naivety, beauty and compassion without sacrificing her fierceness as a warrior. It immediately became my favorite entry into the DCEU even though I’m a guy who really likes all of the films in that universe (besides Suicide Squad, but that goes without saying).

5- The Big Sick

I went to see this one afternoon this summer after hearing Feelin’ Film contributor Don Shanahan gush about it for a few days. He wasn’t using hyperbole. I loved this film. It’s funny and sweet and heartbreaking and thought-provoking, often achieving all of those things in the same moment. Holly Hunter and Ray Romano give my two favorite supporting performances of the year in this stand-out film.

4- Star Wars Episode VIII: The Last Jedi

So my wife went and had a baby on the day I was to go to the 10:00 opening night show of SW, meaning we’d still be in the hospital when the second showing I had tickets to came around. The timing of the birth of my son (whom I love and with whom I hold no grudges about the time and date of his arrival) meant that I wouldn’t be able to see the film until almost a full week after its release. But I really think that this ended up being a good thing. I was somewhat careful to avoid spoilers, but I saw enough to know that the critics were loving it but that a lot of the fans were pretty upset. I think this helped my mindset going in as I started to expect the unexpected. Because of that, I came out of the theater completely in love. I think the story went places where it needed to go to move the universe beyond the family tree of the Skywalkers while also adding a satisfying chapter to Luke’s legend. The new characters continue to impress and the old ones have absolutely brought their A game to the new trilogy as well. This movie has already moved to number three in my Star Wars rankings and by this time next year, I wouldn’t be surprised to see it at the top. I can’t wait to see what Rian Johnson has in store for his new SW trilogy.

3- Lady Bird

Lady Bird is another movie that I wouldn’t have seen (at this point, anyway) if it weren’t for the relationships I’ve been able to build at Feelin’ Film. After spending a couple of hours chatting with Aaron and Patrick about Edge of Seventeen (episode 86 of the podcast), Aaron suggested to me that I’d like Lady Bird. He wasn’t wrong. Beautifully acted and casted and directed and performed, Lady Bird is one of the best coming of age stories I’ve seen on screen. What’s the opposite of a back-handed compliment? Like when you’re playfully bashing on something that you actually love? Is there a word? If there isn’t we need to invent one to accurately capture Lady Bird, Greta Gerwig’s funny and heartfelt love letter to her home.

2- Get Out

This movie was the number one film on my list for more time than any other movie this year. I saw it because I’m a fan of Jordan Peele from Key and Peele and I thought that if he wrote a film, it would probably be pretty fun. As an experience, it was one of the most enjoyable times I had at the theater all year. As a film, I found its themes to be something that has challenged my thinking even more on repeat viewings. It’s one hell of a directorial debut and I’m looking forward to what he’s got up his sleeve next.

1- Brigsby Bear

Sometimes a movie comes along that just hits you in the right place at the right time. Brigsby Bear did that for me. It’s a quirky comedy (described by Filmspotting’s Adam Kempenaar as Be Kind, Rewind meets Room) that can be enjoyed on its surface, but that also has a lot to say about friendship, family, moving on from tragedy, the joy of creating art and what makes us love the things we love if you want to engage with it on a deeper level. I’ve seen it three times now and each time something new stands out for me to think on for a while. Kyle Mooney is perfect as our main character man-child James and Mark Hamill gives my favorite performance of his in 2017 in a supporting role. This will be a movie that I watch often and might just end up being one of my favorites of all-time.

The films that almost made this list but just didn’t quite make the cut are:

  1. War for the Planet of the Apes
  2. Baby Driver
  3. Justice League
  4. Spiderman: Homecoming
  5. Wonder

And if you want to see my ranking of all 107 movies that I’ve seen that were released this year, check out my Letterboxd list. Notable movies I haven’t had a chance to catch up with yet are Darkest Hour, I, Tonya, The Disaster Artist, Phantom Thread, and The Post. I look forward to many more movie conversations here in the new year. I appreciate you reading and hope that 2018 holds great things in store for you and yours.


Jeremy Calcara is a contributing member of the Feelin’ Film team. In addition watching as many movies as he can and writing reviews for Feelin’ Film, Jeremy consumes an unhealthy amount of television and writes about it weekly in his Feelin’ TV column.   Follow him on Facebook and Twitter to be notified when new content is posted.

What We Learned This Week: December 3-9

LESSON #1: IF YOU CAN’T BEAT THEM, BUY THEM— Barring any final hang-ups, big media will be getting bigger.   The entertainment universe is abuzz with the prospect of Walt Disney buying 21st Century Fox (more than just parts or assets of it as initially rumored), a $60 billion deal that could be done as early as next week.  Word is Fox would retain its sports and news properties (dammit), but the film wing is what has folks dreaming.  Fanboys go straight to the fantasies of seeing the X-Men/Fantastic Four worlds merged with the Marvel Cinematic Universe, and I cannot blame them for those tingles. I have them too, but circle back to some of the little things we’ve seen Disney do over the course of the year (many reported in this column): the blackout of critics from certain publications, the price hikes for theater dividends, taking their ball to their own convention and streaming service, and more.  There is something to be said for healthy competition and not a one-stop shop that is the size of an empire.  For example (and I bet you didn’t know this one), buying 21st Century Fox would give Disney controlling interest in Hulu.   Combine that potential with Disney’s ESPN service and their own streaming platform coming in 2019 and Disney could have the power to squeeze the life out of Netflix like a corporate anaconda.  Plainly put, I hope the deal doesn’t go through.  If Disney wants to use X-Men and the Fantastic Four, broker a sharing deal with Fox the way they did with Sony for Spider-Man until the rights run out and the properties are free agents again.  Share and play nice together instead of bully with a takeover.

LESSON #2: SPEAKING OF BIG BUSINESS, LET THE JUSTICE LEAGUE AFTERMATH BEGIN AT DC/WARNER BROS.— I have been one of the vocal minority to tip my hat at Warner Bros. going the bolder and more adult direction with their superhero properties as an antithesis to the sunny and safe market cornered by Disney’s MCU.  They had the balls to be different.  The bottom line, unfortunately, is that even the cajones have to sell.  I wouldn’t say Warner Bros. is losing money from its DC films, but you can tell a boardroom somewhere looks at their receipt and then looks at Marvel’s receipts and sees lost earning potential.  They’re making money, but they think they should be making even more money.  Go figure.  Justice League is being seen as a business failure and a rumored producer and operational shake-up made headlines this week.  Adding salt to the wound for many (even though I saw this coming as soon as the Flash solo film was titled Flashpoint, implying the out clause for a reboot), there is strong desire to recast Ben Affleck as Batman in the future Matt Reeves-directed film.  You had to know they were going to need to go younger at some point and it’s reading this was according to plan for Affleck too.  As much as I admire their attempt to be different, I’m fine with a shake-up and some changes to normalize these characters and their potentials.

LESSON #2: “STANDARDS OF CONDUCT” ARE NOW NECESSARY TERMS TO HAVE ON THE BOOKS— The Academy of Motion Picture Arts and Sciences, the governing and voting body of the Oscars, have enacted a “standards of conduct” requiring members to “behave ethically by upholding the Academy’s values of respect for human dignity, inclusion, and a supportive environment that fosters creativity.”  In this day and age, what should be common sense for personal behavior now has to be spelled out in specifics and put into print because of how flippant and rampant those unwritten rules have been broken.  It’s never pretty to need this measure, but it’s one that should be applauded.

LESSON #3: LOS ANGELEANS ARE DIFFERENT THAN NEW YORKERS— The critics’ groups from the two largest and leading cities have spoken with their year-end award picks.   Both are trendsetters, yet both are different.  As reported here last week, the New York Film Critics Circle stumped for Lady Bird for Best Picture and Best Actress.  This week, the Los Angeles Film Critics Association went in the direction of Call Me By Your Name for Best Picture and Best Actor with equal love shown to The Shape of Water for Best Director and Best Actress.  If those three non-conformist films are your Oscar frontrunners, this is going to be a feather-rustling awards season with bold independent film leading the way.

LESSON #4: RYAN REYNOLDS HAS NOT TURNED THE CORNER FROM MAKING BAD DECISIONS–Before Deadpool resurrected his career, Ryan Reynolds could not have put together a trashier resume if he tried.  Just when you thought being enlivened striking gold with the “Merc with a Mouth,” here he goes signing on to be the lead voice in a Pokemon movie named Detective Pikachu.  Come on, man.   You’re back.  You’re better than that crap now.  Did you not learn your lesson? Stick to the good stuff, Ryan.

LESSON #5: QUENTIN TARANTINO’S INVOLVEMENT WILL EITHER BE FUN OR A HOT MESS— News bounced around this week that J.J. Abrams and Quentin Tarantino are meeting to hash out some ideas for a Star Trek film.  Word around the campfire is Tarantino pitched an idea to Paramount and Abrams they thought was awesome and now the two filmmakers are putting together a team of writers to develop the screenplay.  If all goes well, Tarantino, a self-professed Trekkie since the original TV show, could also direct.  Follow-up word says that an R-rating has been given a green light.  I don’t know what to think about that potential.  I don’t think you need profanity and R-rated violence in a Star Trek film, in any shape or firm.  Would it spice things up?  Sure, but it’s out of character, even for this rebooted universe.  I’ll grant that Tarantino has panache like no other.  He could take an old TV episode premise like “City on the Edge of Forever” and jazz it up well for the big screen.  However, unchecked Tarantino is silly and excessive when not reined in.  I’m glad other screenwriters are involved to keep the chatty Cathy Tarantino grounded.  Hire a crack editor while they’re at it to keep it from being a 170-minute yak-fest.  I don’t see a middle ground between awesome and disaster when it comes to a guy like Quentin.

LESSON #7: THIS IS YOUR LAST WARNING FOR STAR WARS: THE LAST JEDI SPOILERS— Folks, next week is the week.  It’s finally here!  Star Wars: The Last Jedi!  I humblebragged this week that I have yet to watch the supposedly spoiler-ish final trailer and I’m pleased as punch that I made it this long.  If you’re avoiding stuff like me, be ready for radio silence next week right around Tuesday morning (hint, hint).  Be cool.  Don’t be a troll.  Don’t ruin it for people.  I promise a spoiler-free review, as always.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on FacebookTwitterMedium, and Creators Media.

 

What We Learned This Week: November 19-27- Thanksgiving Hangover Edition

Folks, holidays off of work will derail any routines you have, be it parenting or writing and publishing film reviews and online content.  I had a week and my world went lazy in a happy and welcome hurry.  Super-sized to match our post-Thanksgiving “muffintop” bellies, here’s a late edition of “What We Learned This Week!”


LESSON #1: YOU REALLY NEED TO SEE LADY BIRD— There is a five-star and potential best-of-2017 film sitting right under your noses with Greta Gerwig’s Lady Bird.  My review glows like the California sun and you will find much more like it from my peers on Feelin’ Film and the pros on Rotten Tomatoes. In fact, take a look at this distinction, one even greater than the RT buzz given to Get Out‘s high score earlier this year:

LESSON #2: WHILE YOU’RE AT IT, GO SEE WONDER TOO— So often, we ask where are the quality family films in this current Hollywood marketplace.  I can’t be the only parent out there who asks for something better than made-for-TV ABC Family and Hallmark channel movies and the endless string of mindless noise coming out of blockbusters like MinionsSing, and etc.  Disney scaling things down with Pete’s Dragon and The Queen of Katwe last year gave me hope that a legitimate live-action family film could still be made and be mildly successful.  Wonder is that exceeding hope this year.  Its messages are virtuous and heartwarming.  Add Stephen Chbosky’s film to your shortlist for holiday viewing.  It’s a keeper.

LESSON #3: SPEND EXTRA TIME IN THE LOBBY, BATHROOM, TRAFFIC, OR AT DINNER BEFORE SEEING COCO (BUT DON’T FORGET TO STILL SEE COCO)— Disney/Pixar’s Coco is another family-friendly keeper right there with Wonder, but the animated “short” before it the opposite.  I don’t know about you, but I was done with Frozen when it came out.  Subjecting a (hopefully) diverse family audience to 21 minutes of repetitive Olaf silliness on top of previews and other advertisements before a hearty and heavy 109-minute film is too much.  Dear Disney, save that crap for your own TV channel and future streaming service.  Dear Pixar, we come to a Pixar film for your brand of superior original shorts, not Disney’s extra product placement.  Future Coco audiences, use article guide from Slate to calculate how much time to stall and cut right to the feature.

LESSON #4: BE MINDFUL OF WHO IS IN BED WITH WHO WHEN IT COMES TO THE BUSINESS OF HOLLYWOOD— Rotten Tomatoes was applauded before the release of Justice League for its stance to hold its first official rating designation until the opening day of Friday, four days after publication embargoes for critics ended that Tuesday.  It was seen as a move of patience and a step in the right direction away from the immediacy of rash judgment.  When you learn Warner Bros. owns Flixster, the parent company of Rotten Tomatoes, you might realize it was a selfish move of shielding flack instead of championing temperance.  Let me continue to join many other voices, including this great piece from Hype, begging for the general public to loosen their obsession with the broken math of Rotten Tomatoes.  Find critics you trust and appreciate and separate from the pack mentality of pitchforks and/or circle jerks.

LESSON #5: YOU GET WHAT YOU GET WITH JUSTICE LEAGUE— I’d love a Zach Snyder or Joss Whedon “director’s cut” (hell, even both) of Justice League, but conflicting reports make it sound like it can’t or won’t happen.  No matter what, too many folks play amateur armchair film editors.  If we get a bonus, that’s great.  If we don’t, take what the film gives you.

LESSON #6: SPEAKING OF SUPERHEROES, IT’S TIME FOR EVEN MORE DIVERSITY REPRESENTATION— Seeing the strength of the Amazons in Wonder Woman and Justice League as well as the badassery of Tessa Thompson’s Valkyrie in Thor: Ragnarok, it’s time additional diversity in comic book films.  This Collider column and list lay out six places inclusion of LGBTQ characters could have been made and it’s a good blueprint for more.  Heck, just start with women in general, let alone the other special demographics of the acronym.  The Guardian recently outlined a primer for a full “women’s canon” foundation.  It’s impressive.    Let’s see Hollywood continue to get progressive and build on the good starts and new energy.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.

Episode 085: Justice League

Andrew B. Dyce of Screenrant joins the fellas for some discussion on the newest entry into the DC Extended Universe.  This conversation covers the positives and negatives of our Justice League experiences, and we also give our take on the DECU’s progress thus far. Having Andrew on the show always results in insightful chat so give it a listen and let us know what you think!

What We’ve Been Up To – 0:01:51

Aaron (Three Billboards Outside Ebbing, Missouri and Wonder)
Patrick (The Death of Superman / A World Without Superman)
Andrew (#MarthaWatch2017, The Punisher on Netflix)

Justice League Review – 0:23:25

The Connecting Point – 1:48:16

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MOVIE REVIEW: Justice League

Justice League (2017)

GOING IN

The lead up to Justice League has been at times joyful to witness, and at others incredibly frustrating. Zack Synder’s DCEU has plenty of loyal fans defending its dark tone, but legions more who seem to prefer the more comedic and light-hearted nature of the Marvel Cinematic Universe. As a big fan of all previous DC comic book films not named Suicide Squad, I can’t help but find myself in the former category. I have thoroughly enjoyed Snyder’s willingness to go deeper into the psyches of his characters and despite not loving every casting choice or action sequence, my overall response to the DCEU has been highly positive. While I mostly prefer solo superhero films, this initial team-up of the Justice League does have me very excited. The fanboy in me is really hoping for a Green Lantern appearance. I’ll also admit that I am a bit concerned about the Whedon script doctoring that occurred after Snyder took a hiatus due to the terrible tragic loss of his daughter. My hope is that Synder’s tone is not completely replaced by a focus on humor and lack of stakes.


COMING OUT

Well, consider me surprised. All of that Joss Whedon rewriting that I was concerned about? Totally worked. In fact, the film holds together well with two distinctly different tones flowing throughout, even if the difference is always noticeable and occasionally distracting. Whedon’s dialogue is mostly a hit, and especially so when it comes out of the mouth of The Flash (Ezra Miller). Flash provides us with the quippy nature the MCU has embraced, but it works because only one character is a goofball and not all five. The team dynamic is great and consists entirely of unique personalities. Aquaman (Jason Momoa) is a strong and powerful, independent bad-ass living the life of a loner but with a heart of gold. Cyborg (Ray Fisher) is brooding and angry, certain his new form is a curse. Batman (Ben Affleck) has renewed hope in humanity, regret over Superman’s death, and wants to save the world, while Wonder Woman (Gal Gadot) follows-up her strong solo debut with a nice little arc of her own about what it means to be a leader. Truly, what Justice League really has going for it most is the cast chemistry. The relationship between Cyborg and Flash really stands out. These two “accidents” have a lot in common and are both discovering and coming to grips with their powers together, along with slowly developing trust and a friendship.

Its rather miraculous that Whedon’s humor and light-heartedness intertwine with Snyder’s serious storyline so easily. This is still a superhero universe with a lot at stake, where humans die and superheroes are vulnerable. But the dialogue works by delivering moments of levity instead of turning the film into a comedy. Justice League does bring up philosophical questions and ideas that carry over from previous films, too. In doing so, it balances those heavier topics with the epic sense of fun that we should get from reading or watching superheroes in action.

When it comes to the action, it’s vintage Snyder all the way. Fast cuts with explosive visuals and some well-timed slow motion feature prominently. I was worried that the movie might have a serious fake CGI look to it, but surprisingly it didn’t bother me at all. The majority of the action sequences are moving so fast that it’s hard to get a good handle on what’s going on, however, there are a few stand-out scenes – most of them involving Wonder Woman in some capacity, and that’s never a bad thing.

The film isn’t perfect, though. The opening scene and early setup feels rushed and incohesive. Once the team is together everything feels great, but getting there is just a little clunky. The villain is also not particularly memorable, although I did enjoy him more than previous DC baddies. His personality was lacking but the action involving him was a lot of fun, and he conveys a sense of otherworldly strength that was necessary for us to believe in the threat he poses.

One last thing to mention is that the film has two very good GREAT post-credit scenes. One right after the film ends and another all the way at the very end of the credits. They are both worth waiting for. Do not miss these. The final one, especially, is textbook for how a post-credit scene should be done.

Verdict

Justice League endured a lot of changes during its production and the result is a film that has glimpses of greatness but never quite reaches that plateau. Still, the film balances its dual tones just fine and manages to provide well-rounded character development  for the whole team. Ezra Miller steals the show as The Flash and team chemistry, in general, is a big highlight. A movie doesn’t have to be perfect to entertain, and Justice League does plenty of the latter. It is a joy to see these heroes together on the big screen and many emotions were felt. My prevailing thought when walking out of the theater with a huge smile on my face was simply,  “I want more,” and that happiness is a big relief.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.

What We Learned This Week: September 10-16

LESSON #1: DARREN ARONOFSKY IS AS AUDACIOUS AS THEY COME— Love or hate his films (and there is a lot there for both emotions), but Darren Aronofsky has cajones, talent, and personal integrity to make bold films his way and for his own artistic expression.  mother! is the latest chapter of a brazen filmography of NoahBlack SwanThe Wrestler, Fountain, Requiem for a Dream, and Pi.  The guy is operating at another level and uses a different elevator of crazy.  Recognize the skill through any love or hate you harbor to his films.

LESSON #2: GUILLERMO DEL TORO’S THE SHAPE OF WATER IS YOUR FIRST OSCAR CONTENDER— The master of creature creation’s romantic fantasy film won the prestigious Golden Lion award as the top film of the Venice Film Festival.  Put it at the top of the standings while it also competes at the ongoing Toronto International Film Festival.  If The Shape of Water were to win at TIFF, hot damn, you can switch the word from “contender” to “frontrunner.”  In other categories, Venice awarded its acting prizes to Kamel El Basha for The Insult and Charlotte Rampling for Hannah, its screenplay award to Martin McDonagh for Three Billboards Outside of Ebbing, Missouri, and the best director prize to Xavier Legrand for Custody.  Within the next week or two, I will report the TIFF winners in this very column.

LESSON #3: “WHITE PRIVILEGE” WILL BE THE MOST POLARIZING SUBJECT MATTER AND NARRATIVE THIS AWARDS SEASON— I screened and reviewed the Ben Stiller vehicle Brad’s Status this week and if I had to retitle the film, it would be White Privilege: The Wake-Up Call.  The movie has a strong introspective quality about it, but its message is going to fall on so many deaf ears to any demographic that’s not a middle-aged white male.  Consider that a crutch and a hindrance, even if the film was good.  I fear the same thing will happen to an even higher profile film this awards season, namely George Clooney’s Coen brothers collaboration Suburbicon.  Clooney was stumping for the film and Venice and found himself answering the sticky white privilege labels and questions.  To his great credit, he’s sticking to his guns about the purposeful satire and commentary of this film.  The film may work, but does that mean it will play that way to general or even voting audiences?  I’m betting the white privilege labels aren’t far behind for Alexander Payne’s Downsizing and even mother! too.

LESSON #4: PATTY JENKINS DESERVES THE SUCCESS COMING HER WAY— Warner Bros. made it official this week signing Patty Jenkins to return as the director of the Wonder Woman sequel.  The first film’s runaway success netted her a $7-9 million payday, the highest ever for a woman director, and a little percentage of the back-end profits for good measure.   Slowly but surely, the pay gap can and should close.  Patty Jenkins deserves this reward and I’m glad she’s one of the leaders for equal professional standards.  Kudos!

LESSON #5: THE IMPORTANT THING IS TO GET A FILM DONE RIGHT— I’ve talked in this column over the summer about the many news items of production ups-and-downs.  Instances include when Justice League called on Joss Whedon to step in for extensive reshoots or the dismissals of two different Star Wars directors.  This week, all signs point to J.J. Abrams returning to the director’s chair for Episode IX and delaying the film an additional seven months to reshuffle the deck.  On the smaller side, ace composer Johann Johannsson is leaving Blade Runner 2049 less than a month before its release.  We take those breaking stories as signs of trouble and possible evidence of a lemon to come.  We’ve been doing it in the internet age since Titanic was delayed from a July 4th weekend opening to Christmas in 1997.  Sometimes those fears become justified.  Maybe, just maybe though, the delays are the right moves to ensure a proper finished product.  Maybe a little more patience and extra time used to fine tune a film can finally win in the age of instant gratification, manic buzz, and “what have you done for me lately.”  We are a voracious audience sometimes, myself included, but maybe we can soften our Chicken Little-level overreactions.  Call this an early New Year’s resolution for this writer.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current directors of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.

What We Learned This Week: June 4-10

LESSON #1: THE WONDER WOMAN EFFECT IS IN EFFECT— The groundswell of praise and celebration coming out of Wonder Woman is empowering, beautiful, and influential.  On the inspirational side, I absolutely love Heidi Stevens’ column in the Chicago Tribune about the wished future being laid for young girls thanks to Gal Gadot’s heroine.  Gorgeous piece and a must-read for new parents!  Best of all, word is new reshoots, three months worth overseen by Joss Whedon covering for Zack Snyder, are coming to Justice League before its November release.  Those begging DC/Warner Bros. to match Wonder Woman‘s virtuous tone might be getting their prayers answered.

LESSON #2: IS BILL MAHER OFF HIS ROCKER ABOUT SUPERHERO FILMS?— I get that superhero film fatigue is a real thing and that many claim the whole genre is exhausting and repetitively cookie-cutter.  However, is it a contributing cause to the state of America’s culture?  I love Bill Maher’s edge and I can understand the callouts for complacency within superhero films, but I think his “New Rule” rant dives too far.  These are films, and fantasy films at that.  I see people dressing in capes to have a good time.  I don’t see people dressing in capes to be lazy or callous to real-world problems.  Movies are escapes.  They can stay that way.

LESSON #3: THE AMBITION OF UNIVERSAL’S “DARK UNIVERSE” WILL EXCEED ITS GRASP— I love what Universal Pictures is proposing on paper with its new “Dark Universe.”  Their classic movie monster characters are timeless and fresh updates could do wonders.  The talent assembled, while a tad past their primes, is still powerhouse enough to put butts in seats.  Mark the date and my prediction that this franchise startup will not survive to full fruition.  Its opening volley arrival of The Mummy is receiving scathing reviews following impatient twists.  If it tanks at the box office, I wonder how strong Universal’s hubris is going to be to keep pushing this along.  If it was me, I wouldn’t have started with The Mummy because it’s been done.  Bring something new to the forefront and let The Mummy come in after.  Where’s Brendan Fraser when you need him?  Probably still spazzing and clapping drunk at the Golden Globes…


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current directors of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.

 

What We Learned This Week: May 21-27

LESSON #1: DON’T TEXT IN MOVIES, BE A BETTER DATE, AND BEING BUTTHURT NEVER EQUALS LITIGATION— A cockamamie story made headlines recently of a man suing his disinterested date for the price of his Guardians of the Galaxy Vol. 2 movie tickets because she was texting nearly the entire film.  Several problems arise from this.  To the date doing the texting, put your f–king phone away.  Your besties and Snapchat followers will survive two hours without you.  Show some effort.  You feigned interest, said yes to the date, and likely didn’t speak up about not wanting to see a movie.  Swipe a different direction on whatever dating app you use next time.  To the litigious man, if your hot-to-trot date gives you the “I don’t care” or “whatever” treatment about going to a movie, don’t take her to a movie.  Go do something else and, you too, show some effort.  That’s your fault for being an uncreative date planner.  Most of all, what do you expect to get from suing?  Principle?  Better dates?  Your name is out there now, Brandon Vezmar.  You’re on blast as a sh-tty person and women aren’t going to let you forget it.  Good luck getting another date without a name change or Mission: Impossible level disguise.

LESSON #2: THERE IS BURIED TREASURE WAITING FOR YOU THIS SUMMER— Now that the summer movie season is in full swing, anyone ranting about sequelitis or blockbuster fatigue isn’t looking hard enough to satiate their supposedly discerning taste.  Indiewire posted a perfect little list of 19 indie and festival favorite films that are releasing this summer.  I can personally vouch for A Ghost Story coming July 7 after seeing it at the Chicago Critics Film Festival.  Scan a little further down the showtimes list, dive into VOD, or drive an extra mile for an arthouse theater.  If you get to the end of the summer movie season and say it sucks, then you didn’t use your summer very wisely.

LESSON #3: I WILL BELIEVE “TOP GUN 2” WHEN I SEE IT— Like many children of the 80s, Top Gun is near the top, if not resting at the peak, of my list of endearing action classics.  I’ve wanted the same sequel you all have wanted for 31 years and we’ve been hearing about one since 2010.  Director Tony Scott’s 2012 suicide derailed momentum and the 2014 “dream project” of The Jungle Book screenwriter Justin Marks never matriculated.  With nothing set in stone, here comes Tom Cruise on the PR tour for The Mummy saying the sequel will be shooting in 2018.  Sure, Tom.  When the thetans and your sequel show up, let me know.   However, if Cruise can tab (as rumoredOblivion and Tron: Legacy director Joseph Kosinski to make it (and throw in a sick score from M83 or Daft Punk), I’ll be the first one you see standing in line.

LESSON #4: REAL LIFE IS BIGGER THAN ANY MOVIE— Much like acidic standup comedian Anthony Jeselnik, I’m not a “thoughts and prayers” kind of guy.  I think there are better ways to support tragedy than showy and self-serving social media posts.  That said, Zack Snyder’s decision this week to step away from post-production on Justice League to heal and handle a family tragedy deserves extraordinary commendation.  For a man that has unjustly garnered an army of haters, I hope people can gain pause, reevaluate stances, and separate entertainment from life.  Zack Snyder is a person first, a father second, and a husband third.  “Filmmaker” is down the list and “ruiner of childhoods and dreams” should never even be on any list.  I hope his loud haters step back and realize there are more important things in this world than getting wound up for some movie.  Man to man, husband to husband, father to father, I applaud Zack’s strength and hope he finds peace going forward.  I cannot imagine what he’s going through and hope I am never in his shoes.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current directors of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.

 

What We Learned This Week: March 26-April 1

LESSON #1: BRETT RATNER IS FULL OF SUGAR-HONEY-ICED-TEA— Formerly prolific film director Brett Ratner, who’s been cleaning it up as a producer of Ratpac Entertainment, stepped out late last week to pontificate to Entertainment Weekly that “the worst thing that we have in today’s movie culture is Rotten Tomatoes” and added “I think it’s the destruction of our business.”  You can read his full thoughts, but I don’t buy his logic.  Rotten Tomatoes is too big and combines too many diverse critics for a film to be held down.  If you want better RT scores, make better movies.  It’s that easy.  Brett is full of it and, if you’ve seen his films, as I have, you probably already knew that.

LESSON #2: WARNER BROS. IS GOING ALL-IN WITH POTENTIAL COURSE CORRECTION ON THE DC EXTENDED UNIVERSE— Pack your bags when you’re done with “Justice League,” Zach Snyder.  New talent is coming.  Warner Bros. already poached James Wan of “The Conjuring/Insidious/Saw” fame for “Aquaman” two years ago and last month Chris McKay of “The LEGO Batman Movie” was tabbed to direct a solo “Nightwing” movie, joining “Dawn of the Planet of the Apes” helmer Matt Reeves jumping on “The Batman.”  This week, news broke Thursday that “Avengers” and “Firefly” mastermind Joss Whedon has crossed party lines to direct a standalone “Batgirl” movie for Warner Bros.  Now that is the coup of coups and a perfect director to deliver a legitimate female superhero film.  When “Kingsman” and “X-Men: First Class” director Matthew Vaughn puts ink to paper for “Man of Steel 2,” the shift from Total Snyder will be complete and it looks outstanding.

LESSON #3: IF YOU THINK THE “BEAUTY AND THE BEAST” RE-IMAGINING IS HUGE, JUST WAIT FOR “THE LION KING” ONE IN A FEW YEARS— Unlike the opinions of many skeptical haters, “Beauty and the Beast” destined to be a smash.  Bill Condon was a different class of director and the casting was incredible before the cameras ever rolled.  Sure enough, it has raked over $750 million worldwide in just two weeks and should cross the $1 billion mark with ease before it’s run is done.  Watch “The Lion King” do even better in a few years.  Jon Favreau nailed “The Jungle Book,” “The Lion King” has an ever larger following than “Beauty and the Beast,” and the rumors of potentially casting Beyonce as Nala to join Donald Glover’s Simba and a returning James Earl Jones  as Mufasa would be colossal.  Place that bet right now that “The Lion King” will make even more money.

LESSON #4: WATCH FEWER TRAILERS THAN YOU THINK YOU NEED— A conga line of trailers for 2017 wannabe blockbusters arrived in the last two weeks and, I, for one, wish I didn’t see a single one of them.  Trailers these days are showing too much.  Between “Spider-Man: Homecoming” and “Justice League” to “War for the Planet of the Apes” and “Alien: Covenant” and more, I felt like I was inundated with too many clues and potential spoilers.  Frankly, I’m beginning to avoid trailers altogether and have been recommending others to do the same.  Why?  Ask yourself this cardinal question: Do you really need to be convinced from any footage to see some of these slam-dunk-must-see films?  Because I don’t.  These no-doubters are getting my money regardless on resume and presence alone.  Avoid the easy and rote trailers and let yourself be surprised.  Even though I know this isn’t going to happen, I hope Disney doesn’t show a single second of “Star Wars: The Last Jedi.”  They don’t need to and, in a roundabout way, not releasing a trailer would be such a huge and unprecedented “less is more” statement proving that you can sell a movie on reputation alone.  A boy can dream.

DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current President of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.