Episode 172: Toy Story 4

We approached TOY STORY 4 with apprehension, counting ourselves among those that considered Pixar’s trilogy to be one of the best ever made and already “perfect”. In this episode, Caless Davis joins us to discuss the new end of the TOY STORY franchise. We talk through our concerns and share what impacted us about Woody and the gang’s latest chapter.

Toy Story 4 Review – 0:01:38

The Connecting Point – 1:13:22

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MOVIE REVIEW: Toy Story 4


 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

FF+ The Curse of La Llorona, Little Woods, Okko’s Inn & The Rise of Skywalker

In this week’s episode of FF+, we have spoiler-free reviews of a new Conjuring Universe entry, a debut feature film starring Tessa Thompson and Lily James, and a new Studio Ghibli-esque anime. We also discuss episode three of the Jordan Peele produced reboot of The Twilight Zone. And lastly, we chime in with our thoughts on the first teaser trailer for Star Wars: Episode IX – The Rise of Skywalker.

 

New For You 

The Curse of La Llorona – 0:01:26

Little Woods – 0:10:56

Okko’s Inn – 0:17:32

The Twilight Zone Episode 3: “Replay” –  0:27:33

 

Trailer Talk

Star Wars: Episode IX – The Rise of Skywalker – 0:39:04

 

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Music: City Sunshine – Kevin MacLeod

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

What We Learned This Week: March 24-30

LESSON #1: JORDAN PEELE KNOWS WHAT HE WANTS— …and what he wants is increased representation and opportunity.  The Get Out and Us director set off a debate for the ages this week (especially in the Feelin’ Film Facebook group) after an interview in The Hollywood Reporter where he discussed his casting preferences.  Jordan Peele knows the playing field is not equal.  He is his own man, brand, and creator. He can do something about it.  More power to him.

LESSON #2: RIDLEY SCOTT IS ONE COOL DUDE— In a minorly viral story, a New Jersey high school recently adapted Ridley Scott’s sci-fi classic Alien into a daring school play.  Word got around about its success and it made it to the ear of Scott.  In responses, the legendary director wrote a really classy letter of praise to the school and even cut them a check to help them out.  I love seeing stories like this! I wish more of them happened.

LESSON #3: “SUBSCRIPTION FATIGUE” IS COMING— With the news of Apple’s new streaming service launch on Monday, the war for the consumer entertainment dollar just got more crowded.  I know it counts as a buzzword that will be way overplayed in rants and click bait to come, but I like term “subscription fatigue” used by David Lazarus in this Los Angeles Times piece on the swelling streaming marketplace.  All of these choices (including the opening lineup of the Criterion Channel) and ones that are bound to come from more studios matching Disney’s moves, could very well be proof of “too much of a good thing.”  Folks might have so many streaming bills pretending to be ala carte cable that they might be better off having a cable bill again. I always say price point is key.  These services by themselves are low and affordable, but when you have more than five of them, you’re going to feel the wallet pinch.

LESSON #4: DISCOVER THE LEGEND OF AGNES VARDA— We Americans have probably never heard of this woman who passed away on March 29th. Do yourself a favor and learn about Agnès Varda and her impactful work as an artist. She is a figurehead of documentary filmmaking and cornerstone of the French New Wave. Discover some of her available work on these streaming platforms. You will be well-rewarded.


 

DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.

Episode 156: Us

Jordan Peele follows up his massively successful directorial debut with this creepy, layered thriller/horror (comedy?) that is also full of pretty strong social messages. Unpacking all of it is a challenge, though, and we’re joined by Emmanuel Noisette of Eman’s Movie Reviews and our newest Feelin’ Film team member, Caless Davis, for an in-depth conversation and analysis of the mysteries Us has to offer.

Us Review – 0:01:05

The Connecting Point – 1:45:35

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What We Learned This Week: March 17-23

LESSON #1: JORDAN PEELE IS THE FIRST JORDAN PEELE— I submit a new addition to the  off-cited list of movie review cliches from Letterboxd user Erik Bazjert.  I say it’s time to do away with labeling actors, actresses, or filmmakers as “the next _____ (fill in the blank with some classic performer or legend).”  I get the want of complement, praise, and respect, but, more often than not, distinctions like that become a pigeon-holing crutch to the current performer and/or an lessening admonishment to the classic performer being cited.  I say let people be themselves and stand on their own merit. For that reason, I love the clickbait headline clapback of Quartz film critic Adam Epstein.  Us director Jordan Peele isn’t the next Spielberg or Hitchcock.  He’s the first Jordan Peele. I love that strength and sentiment.

LESSON #2: FOR ONCE, A BIG COMPANY ADMITS A BAD DECISION— Disney absolution and re-hiring of James Gunn for Guardians of the Galaxy Vol. 3 was not only best for business, but the right thing to do.  Sure, maybe they were scared of a imaginary bottom line of reduced profits or the rancor of upsetting their roster of valuable stars, but, somewhere in the deep dark legal departments and decision-making conference rooms of The Mouse House, cooler heads and wisdom prevailed.  It would be wonderful to have all of this be a Wikipedia footnote in the filmmaker and the future film’s past. But, you know all of this old noise will get drummed up again during the Vol. 3 press tour in two years when every soundbite-sucking microphone is going to want an opinion from all stakeholders on how this return came to be and ultimately turned out.  Expect courteous pleasantries from everyone. The expose level stuff will have to be saved for someone’s memoirs.

LESSON #3: RESTRUCTURING WAS ALWAYS GOING TO COME— Speaking of Disney and its officially completed purchase of 20th Century Fox, don’t be surprised about the layoffs and restructuring that is already beginning with the shuttering of the Fox 2000 shingle led by Elizabeth Gabler.  Click bait is going to call it an affront on women-led film and the death of another mid-budget production source.  This counts as wait-and-see and par for the course. This is just the start and acquisitions like these always lead to cutting duplicates and redundancies.  For example, watch Blue Sky get folded into Walt Disney Animation or Pixar or both. Changes like this were always going to happen. Be ready for more.

LESSON #4: YOU ARE LUCKY IF YOU LIVE NEAR AN ALAMO DRAFTHOUSE— One of the best movie theater outfits going just made their outstanding and classy niche even more attractive.  The Texas-based Alamo Drafthouse brand is starting a “Season Pass” service where $20-per-month will grant you a movie a day.  That pays for itself in three movies.  The Alamo Drafthouse’s eclectic offerings have always impressed and hooked cinephiles and casual fans alike.  One of the best just got better.  If you live near one of their locations, do check this out.

LESSON #5: TRY SOME UNCONVENTIONAL HORROR— Circling back to the upcoming wave of Us, the horror genre will get a great deal of attention from audiences this month, both at home and at the theatres.  If you’re like me and not a big horror fan, you probably need some offbeat horror suggestions to dip your toe into something different.  The now-defunct Alcohollywood podcast published a very nice ten-film of “unconventional horror” films.  Starting with the old James Whale/Boris Karloff Frankenstein, they have some great picks and buried treasures on there.  Keep building the queue and wish list for your streaming services and library.  

 


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a new member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over a year, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the special “Connecting with Classics” podcast program.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.

MOVIE REVIEW: Us

Us is a solid film with an interesting premise, lots of laughs, and a stellar cast that proves Jordan Peele isn’t afraid to think outside the box and make films like no one else is currently doing.


 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

What We Learned This Week: June 11-17

LESSON #1: WHEN IMPORTANT DIVERSITY IS IN PLAY, EXTRA HYPE IS WARRANTED— Not understanding the important opportunities for diversity is equivalent to being tone deaf.  Recently some people tried to bash the female empowerment frenzy over the very existence of Wonder Woman, no matter if the film itself was any good.  After its trailer debut, pockets of ostriches with heads in the sand are doing the same with the new trailer for Black Panther and the fervid immediate and early hype from the black audiences.  Let me put it like this when it comes to Wonder Woman and Black Panther: “If you don’t understand why these films are important on principle alone, then you are part of the problem.”  The marketplace doesn’t just need these films, they deserve them.  Their importance assigned by their demographics and fanbases grants them warranted extra hype.

LESSON #2: NEW SOURCES WILL INVADE AWARDS RACES THIS WINTERIndiewire had a nice story recently talking about the Oscar chances of Get Out and Emmy chances of Netflix offerings.  I, for one, am all for it, but early-year films like Jordan Peele’s hit are going to need help coming November and December thanks to good old “out of sight/out of mind” syndrome.  More critics and voters need to keep these films in the conscientiousness of viewers and watchers.

LESSON #3: WHEN STEVEN SPIELBERG CALLS, YOU SAY YES— Speaking of the Oscars, just about everything the legendary Steven Spielberg touches becomes some kind of Oscar nominee or winner.  For his upcoming and fast-tracked December film The Papers (and no, it’s not about supplies from your weed guy), he is multiplying that Midas Touch with having fellow Academy darlings Tom Hanks and Meryl Streep headlining.  If that wasn’t colossal enough, take a gander at the supporting ensemble cast assembled by Spielberg behind Hanks and Streep.  If that’s not an eclectic “Murderer’s Row” of character actors, I don’t know what is.  The Spielberg clout is real.  Get Out and Netflix be damned, but say an early hello to your new Oscar frontrunner.

LESSON #4: STEVEN SPIELBERG APPARENTLY NEEDS TO CALL MORE WOMEN— Well-liked actress and emerging filmmaker Elizabeth Banks attempted to put Steven Spielberg on blast for not ever having directed a film with a female lead.  Her rant, which lead to a public apology, was quickly dispelled when she learned of The Color Purple.  That’s the only film it takes from Spielberg to negate the “never” in Banks’ words, but I think the crux of her argument remains fair.  Even when you add Sugarland Express and the little girl from The BFG, Steven is  more than a shade low in his percentages of female leading roles.  It wouldn’t kill him to rethink that.  Watch him follow in the footsteps of Banks and direct a Pitch Perfect sequel to shut everyone up.

LESSON #5: ARTSY-FARTSY PEOPLE APPARENTLY HATE JARED LETO— Academy Award winner and Suicide Squad actor Jared Leto was recently named the Chief Creative Officer of the film streaming service Fandor, pissing off film snobs everywhere.  Fandor fashions itself as a database for indie films, documentaries, international features and shorts.  Apparently to the high-end cinephiles, Leto has sold out and is not qualified.  People forget before he was Joker, the man won an Oscar and worked with off the beaten path with the likes of Fincher, Aronofsky, Malick, Toback, Mangold, Schumacher, Stone, Niccol, and Villeneuve.  Beyond his work resume, Leto has championed his own broadcast and social platform business VyRt for five years.  Dude, he’s quite qualified.  He’s not going to ruin the place.  In fact, watch it multiple with a driven guy at the helm.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current directors of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.

Feelin’ It: Captain Underpants: The First Epic Movie

Welcome to our spoiler-free review where we talk about the newest DreamWorks Animation film, Captain Underpants: The First Epic Movie. Mike Ward of Should I See It? Reviews is here for this one and we do our best to give you both our own adult impressions as well as that of our kids, who range in ages from around 10-14. If you’re on the fence about seeing this one or curious what it’s all about, this is the episode for you.

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Minisode 15: Get Out

In this minisode, horror writer and superfan Blake Collier joins the show to discuss Get Out, the new hit film from freshman director Jordan Peele. Get Out is a special film that has managed to subvert the genre in many ways and become not only a fantastic thrill ride but also an important social commentary on race in America today. We do our best in this conversation to remain sensitive to those who truly do experience the fear that Peele’s film lets us have a glimpse of. So come along as we unpack the narrative choices in Get Out and how they might just teach us all something about life that we weren’t expecting.

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Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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