Feelin’ TV: November 20-26, 2017

Whenever a new movie/TV show is released based on a comic book property, the conversation about super hero fatigue begins. It gets louder every time, especially in months like this where the discussion around Thor: Ragnarok had barely died down before Justice League arrived in theaters. It’s completely understandable. A lot of people are burned out on the genre.
I do not suffer from that affliction. Give me more. I love the oversaturation. There is enough room in my heart for all of it. When I hear of something new, I’m all over it like white on rice in a glass of milk on a paper plate in a snow storm. I may not keep watching (Inhumans), I may quit watching and go back later because I have nothing else to do (Gotham), I may even hate watch (The Walking Dead) but more often than not, I watch and enjoy and put it securely in my regular rotation. It should be no surprise then, that I took the opportunity this week to check out (and fall in love with) Hulu’s new comic book series, Runaways.
Runaways is based on the Marvel comic of the same name. It’s set in the MCU along with the popular films and shows like Agents of S.H.I.E.L.D., Inhumans, Daredevil, etc. It’s about six teenagers who find out that their parents are super villains who make up a team called Pride and begin to work together to thwart their plans. Along this journey of discovery, they also begin to develop powers of their own. I haven’t read the comic, so if you have, you probably have a better handle on what’s going on than I do at this point. From what I’ve read, fans of the print version have been pleased with the way the show has remained faithful to the source material. In the three episodes that have been released, creators Joshua Schwartz and Stephanie Savage have succeeded in crafting solid characters, both in the teens and their parents, not sacrificing the development of the villains in favor of the heroes. They’ve done so by taking their time to introduce characters and the world that they live in.
Hulu has been putting out some solid programming over the last few years. They seem to be a bit more concerned with quality over quantity in contrast to fellow streaming service Netflix. Thus far, Runaways continues that trend. It feels like more than an attempt to capitalize on the superhero craze. They’re laying the groundwork for a pretty intriguing story that I’m excited to add to the queue moving forward. Runaways is available on Hulu.

Channel Surfing:

  • The Arrowverse has a pretty big week coming up with their annual week of crossover episodes, so I had assumed that this week would mostly be table setting for that event. I was wrong. Supergirl saw the bittersweet return of Mon-El, The Flash came face to face with this season’s big bad The Thinker, Legends of Tomorrow had maybe the best Mick centered episode of the series and Oliver got arrested and vigilantes were made illegal in Star City on Arrow. But all of that will be on hold this week when all of the gang gets together for Barry and Iris’ wedding. Will everything run smoothly? Given that the whole ordeal is called Crisis on Earth-X, I’m guessing it won’t. It’s a tough thing to balance 4 shows into one storyline, but last season it was the best week of the year. Hopefully they can keep it up. Arrowverse shows can be seen on The CW.
  • This Is Us made me cry again this week. Chrissy Metz and Mandy Moore (Kate and Rebecca, respectively) play the two characters that get under my skin the most on that show (in a good way, like how members of your own family get under your skin). This week though, the story gave them both a chance to absolutely shine and they knocked it out of the park. I’ve heard people say that maybe the show leans a bit too heavy into sadness territory, and I think that’s a valid criticism, but I think the way it was portrayed this week was sensitive, thoughtful and accurate. Also, I’m going to start a petition to get NBC to give Toby his own show. I don’t care what it’s about. I just want more Toby. This Is Us airs weekly on NBC and past episodes can be seen on Hulu.

That’s all for this week. As always, if there’s anything you’d like me to check out that we haven’t covered, let me know in the comments or in the Facebook group. Next week, we’re going to spend the bulk of our time talking about the Arrowverse crossover event and I’ll probably have a thing or two to say about the season premiere of the new season of Agents of SHIELD as well.


Jeremy Calcara is a contributing member of the Feelin’ Film team. In addition watching as many movies as he can and writing reviews for Feelin’ Film, Jeremy consumes an unhealthy amount of television and writes about it weekly in his Feelin’ TV column.   Follow him on Facebook and Twitter  to be notified when new content is posted.

Feelin’ TV: October 2-8, 2017

There’s a long and sordid history to the relationship between Marvel and 20th Century Fox when it comes to mutants. Marvel had the mutants, Fox bought the mutants, Fox made lots of money off of the mutants, Marvel would like to have the mutants back, but Fox, understandably, is a fan of making all of the money. In lieu of mutants, Marvel inserted Inhumans (who are pretty much space mutants as opposed to genetic mutants) into its MCU via the Marvel’s Agents of SHIELD program and had solid results that helped the show find its voice. Now Fox has its mutants and Marvel has its mutants and because everything now gets made into a television show, we’ve come to this; a 2017 Fall TV Battle Royale of mutants featuring ABC’s Inhumans versus Fox’s The Gifted

The Gifted was a tight little pilot that told us what we needed to know about the world. Mutants exist, but they’re illegal and they’re being hunted. Our main characters are the Strucker’s. Reed Strucker is a lawyer who helps prosecute mutants, his son Andy’s struggle with being bullied reveals latent mutant powers, his daughter Lauren reveals mutant powers she’s been hiding to rescue her brother, and now the family is on the run to Mexico with a group of mutants that Mr. Strucker was previously trying to put behind bars. It’s short and sweet and to this point, uncomplicated. It succeeds because it focuses on character and not on spectacle. The cast is led by the amazing Amy Acker as Kate, the matriarch of the Strucker family. The way they make the decision on a dime to leave their life behind to protect their children and live as fugitives and the fact that they don’t really have any idea how to live life on the run rings true to life and immediately makes them feel like a real family. What makes X-Men so great is that behind all of the world saving are small stories of people learning to be unafraid of who they are. The Gifted appears to understand that and I’m very much looking forward to the rest of the season.

Inhumans is an absolute mess. They live on the moon apparently, and they have a king and queen and some sort of ruling counsel, but there’s been a power struggle recently and there is some unrest. The king is Black Bolt and his queen is Medusa. They appear happy together, but the king’s brother Maximus (played by Game of Thrones’ Iwan Rheon) thinks that they should be living on earth for…reasons…and he’s sure enough that he’s right that he stages a coup to seize control of the kingdom. Unfortunately for him, his plan to have his brother and sister in law arrested backfires and instead they’re taken to earth by the queen’s sister, who has all-time bad hair, and her giant teleporting dog. If that seems at all clear, then the show should hire me as a writer because it’s not at all clear on the screen. Adding to the poorly told story are multiple groan worthy performances, eye-roll inducing levels of blurted out exposition and fight choreography that immediately reminded me of my early teenage obsession with the Mighty Morphin Power Rangers. It’s awful, it’s terrible, and I don’t know if I’ll watch anymore because I hated it.

I’m not usually one to totally give up on a show after one episode, but if Inhumans vs. The Gifted were a boxing match, Inhumans fell twice and was saved by the bell from a TKO in the first round. The difference in the quality, acting, direction, effects, etc. between the two shows was night and day. So to summarize: If you’re only going to watch one show about mutants this season, watch The Gifted. If you’re going to watch two, watch The Gifted twice. Both The Gifted and Inhumans can be streamed on Hulu.com.

 

Channel Surfing:

  • This Is Us is officially 2 for 2 in making me cry in this young season. I had someone ask me this week what makes the show so good and my answer was simply that it feels more real than most television. Things don’t come easy for these characters. They make decisions to do things and they fall on their face. But they always get back up again with help from their family. I know that not everyone has that experience with their families, but I’m blessed to be able to say that I do. And the family on This Is Us reminds me of my family. We can be intrusive and annoying and neurotic, but we’re also always there. Season 2 is off to a good start. This Is Us can be streamed at Hulu.com or at NBC.com.
  • Designated Survivor is back and it’s still not a good show. But it’s pretty fun. One large dangling thread from season one was wrapped up this week, but I’m sure something else bad will be coming down the pike pretty soon. If this show becomes West Wing, it will be unwatchable. It’s a show that blew up the Capitol in the cold open of it’s pilot. It’s stakes need to be ridiculous, so I hope they keep it that way.
  • I caught a new show this week that I’m hoping will stick around long enough to stick around for a while called Kevin (Probably) Saves the World. It stars Jason Ritter as Kevin, a down on his luck former high school hot shot who returns to his hometown to live with his twin sister and her daughter after the death of her husband. I don’t want to say more, I just want you to watch it. The pilot was the perfect combo of funny and heart-warming and it was the second show of the week to make me cry. Kevin (Probably) Saves the World can be streamed at Hulu.com or at ABC.com.
  • I’m going to recommend a documentary that you can check out on Netflix even though that’s probably technically out of my lane. But it’s only 40 minutes long, so it’s like a 1 hour TV special, which would be in my lane. It’s called Long Shot and I’m not going to tell you anything about it except that it’s intriguing and surprising and absolutely delightful. Don’t read about it or watch Netflix’s trailer, just watch the show. You can thank me later.

That’s all for this week. Next week, the Arrowverse is back! I’m sure I’ll have plenty to say about that. If there’s anything you’d like me to check out that we haven’t covered, let me know in the comments or in the Facebook group.

Feelin’ TV: September 18-24

One of my favorite forms of entertainment are the kind that can exist to poke fun at a genre while also being a solid example of that genre. Shane Black movies like The Nice Guys or Kiss Kiss Bang Bang immediately come to mind as movies that revel in poking holes in the tropes of your average buddy action comedy while also being really enjoyable buddy action comedies. It’s difficult to pull off, so I appreciate when it’s done well. There have been several TV shows that have tried to do this with varying levels of success. Psych is the first one that comes to mind. As a spoof of detective shows it definitely leaned heavier on the comedy than the mystery, but it was mostly fun for 8 seasons. Fox’s new Seth Macfarlane vehicle The Orville seems like it has its sights set on straddling the line between parody and homage of Star Trek, although through three episodes, it strangely seems to be leaning more on the side of homage. A few weeks ago, to little fanfare, Netflix dropped a show that in this writer’s opinion is the best example of this type of program to date. That show is American Vandal.

In the past few years, we’ve become obsessed as a society with the true crime documentary. The first season of the podcast Serial was probably the spark that ignited the flame, but Netflix fanned the flame with shows like Making a Murderer as the subjects of these shows, Adnan Syed and Steven Avery respectively, became household names. American Vandal takes the concept of these stories, replaces murder with a hilarious lesser offense, and creates a world of colorful characters to round out a highly amusing and surprisingly insightful “true crime” documentary series. To tell you much more is to ruin the surprise, but suffice it to say the cast is incredible and the story that begins as farce eventually gets crafted into an intriguing mystery that will have you glued to your seat until it’s over. And along the way it gives the viewer a lot to think about as it examines high school culture in the age of social media in a way that both entertains and gives pause. The subject matter might be more than some can handle, but I couldn’t recommend it any higher. American Vandal is currently streaming on Netflix.

Channel Surfing:

  • The Good Place had its second season premiere this week and it started at the very moment that season one left off. Revelations made in the season one finale are really going to allow the writers to expand the world and play with its concept. I’m really excited to see what they have planned. If you haven’t watched The Good Place, I’d suggest you get on it. It was the best new show of 2016 and it doesn’t show any signs of losing that momentum. But don’t start in the middle. The first season is must watch and it’s only 13 episodes (all of which can be seen on Netflix). The season 2 premiere of The Good Place is currently streaming on Hulu.

 

  • I briefly mentioned The Orville before and I’m sure it will come up again in the near future. After 3 episodes, it’s safe to say that it isn’t at all what I was expecting. I don’t care for Seth Macfarlane. His smugness and tendency to take the easiest path to a laugh turn me away from most of his work. But The Orville has shown a significant amount of restraint to the point that I wish that there were more laughs to be had. It’s not that the jokes aren’t funny, they’re just barely there. It has some good pieces, but it’s still figuring out what it wants to be. You can catch up on what you’ve missed of The Orville on Hulu.

 

  • I’m three episodes in to HBO’s Emmy award winning drama Big Little Lies and all I can say so far is “Wow.” The cast is incredible (Reese Witherspoon, Nicole Kidman, Shailene Woodley and Laura Dern!) and the story grips you from the moment it starts. With a first episode titled “Somebody’s Dead” I was expecting a whodunnit murder mystery, but thus far we don’t even know who died. I can’t wait to get it finished. You can currently watch all of season one using HBO’s streaming service.

 

  • I’m not a Trekkie, so I’m probably not going to be watching the new Star Trek: Discovery. I know a lot of people are interested in the show, so if you’re watching and you have some quick thoughts, I’d love to hear them!

Well, we’re back after a short hiatus with a new format. We hope that you like it. We’ll be getting into the swing of things as the new TV season really fires up in earnest in the next couple of weeks. As always, if there’s anything you’d like to see covered that we’re not yet covering, let me know in the comments or on the Feelin’ Film discussion group. As of right now, I plan on covering all of the still running shows we covered at the end of last season with a few new additions (Gifted, Ghosted and Inhumans, among others). Is there anything I’m missing? Come join in the conversation in the Feelin’ Film Facebook group!

Feelin’ TV: July 17-23

Season seven of Game of Thrones has been a lot of talking bookended by two scenes of pretty intense action. While I didn’t enjoy the action at the end of Sunday’s episode, I really enjoyed all of the talking. I don’t know how to describe why I didn’t enjoy the naval battle that ended the episode other than to say the whole thing felt small. It reminded me of something you might see in a well-produced stage play. That’s fine for a show on The CW or ABC Family (I refuse to call it Freeform), but HBO has shown us some epic, sweeping battles in the past and this one was subpar. If, however, it turns out that this was the end of hearing about Dorn though, I’ll retroactively refer to it as the greatest moment in GoT history. The decimation of the iron fleet was the second thing about the episode that greatly surprised me. I wasn’t completely disappointed in the result of that battle, as it seems like it will propel Daenerys to take Grandma Tyrell’s advice and act like the dragon she claims to be.

The first surprise and the one that I found disappointing is the enthusiasm Jamie showed in recruiting people to Cersei’s cause. I thought that he seemed to be growing weary of his power hungry sister last week. It’s still entirely possible that he’s doing this out of self-preservation rather than sincerity as he awaits his opportunity to leave Cersei in his past, and I hope that is where his story is headed. There isn’t always a lot of redemption to be had in the world of Game of Thrones, but Jamie’s journey from a guy who we first met as he was pushing a pre-teen out of the window of a tower into a sympathetic character has been a high point in the series for me.

The other parts of the episode that really stuck with me were Littlefinger and Varys both being put in their place. Jon holding Littlefinger by the neck up against the wall in the crypt at Winterfell was pretty satisfying. Littlefinger is a snake, and I hope winter comes for him pretty soon. The scene where Varys is confronted by Daenerys served as a good history lesson about how far he, she and Tyrion have come in the last six seasons. When Varys talked to Ned way back in season one about his scheming being for the good of the realm and the people, I never bought it for a second. But now with the benefit of having spent time with Varys, I do. And I found myself wanting to speak on his behalf like Tyrion as the Breaker of Chains questioned his loyalty. Has he always had the best intentions? I don’t know. But I believe he does now. Daenerys’ reservations were valid, but I’m glad she chose to show him mercy both because I think he’s a good man and because selfishly, as a viewer, the scenes that feature Emilia Clarke, Peter Dinklage and Conleth Hill together really sing.

So Jon is on his way to meet his aunt, Good Queen Gravejoy has been captured by Uncle Gravejoy, and Theon is going swimming. What happens next is anyone’s guess. What did you think about the episode? Leave your thoughts in the comments or in the Facebook group. Game of Thrones can be streamed on the HBO NOW app or on HBO GO with an eligible cable subscription.

I didn’t watch anything else this weekend because it’s July and there aren’t a lot of things on. But thanks to San Diego Comic Con, there was lots of TV news to share and trailers galore. I thought I’d close out this week’s column with a few trailers for shows that will undoubtedly be covered on Feelin’ TV soon.

Netflix: Stranger Things and The Defenders

AMC: The Walking Dead

Disney: Ducktales and Inhumans

Fox: The Gifted

CW: Black Lightning, Supergirl, Arrow, Legends of Tomorrow and The Flash

For a comprehensive roundup of all the trailers to come out of San Diego over the weekend including movies and shows that I don’t cover or plan on covering, Screen Rant has you covered here. Thanks for reading, and don’t forget to chime in over on our Facebook group.