Episode 084: Thor: Ragnarok

For this week’s episode we find ourselves leaving travelling with the mighty Thor on his third solo adventure. Indie filmmaker Taika Waititi takes the reigns of the MCU and molds Thor: Ragnarok with his signature comedic style. The result is an aesthetically unique, visually striking, and hilarious new superhero film. But is that enough? We both enjoyed the film, but its absence of emotional weight provides us with an opportunity for a big conversation about how important stakes are in the comic book film genre.

What We’ve Been Up To – 0:01:04

Aaron (The Room)
Patrick (Burnt)

THOR: RAGNAROK Review – 0:20:21

The Connecting Point – 1:11:49

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Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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MOVIE REVIEW: Thor: Ragnarok

Thor: Ragnarok (2017)




Going In

More like Thor: Ragnarock ‘n Roll, amirite? From what we’ve seen in trailers, Taika Waititi’s film looks to be a wild ride bursting with color, sound, and laughs. I am admittedly burned out on the superhero genre, but Thor: Ragnarok could be something fresh instead of the standard Marvel fare, and that gives me hope. Embracing the Asgardian mythology and combining Thor’s world with one of my favorite comic book stories (Planet Hulk) provides opportunities galore for rich storytelling. I have faith in Waititi and expect that at the very least he and this impressively assembled cast will provide viewers with a fun time at the movies.


COMING OUT

If Thor: Ragnarok is one thing, it’s funny.  No, that’s not a strong enough word. It’s hilarious. Laugh out loud funny. Multiple times. For those who are familiar with Taika Waititi’s filmography this should come as no surprise. The man’s comedic timing is truly great, and his role (you didn’t even know he was acting in the film did you?) steals the show. As a director, Waititi sets the film firmly in its comedic tone right from the start, and it never lets up. Almost everyone gets in the action, from Jeff Goldblum’s eccentric and entertaining Grandmaster to Tessa Thompson’s alcoholic but strong Valkyrie, and of course Thor (Chris Hemsworth) and Hulk (Mark Ruffalo) have plenty of fantastic banter between them. Thor: Ragnarok‘s humor really is its strongest feature and it’s some of the best the MCU has to offer.

But what about the story? If you’re looking for this to be the Marvel film that bucks the routine style of previous films, you’ll be sorely disappointed. The incredible electronic, neon, fantasy aesthetic is a very cool coat of paint on the same old formula. Heroic actions and sacrifice just don’t have much weight to them because everything is a joke in this world. There were numerous conversations where I thought that meaningful character development was coming, but there is never a dramatic payoff. The humor is a constant undercurrent and while it makes the film a lot of fun to watch, it has no depth or staying power because we never connect with the characters or events on anything more than a surface level.

That’s not to say that characters don’t have arcs – they do. This is a hero’s journey for Thor, but other characters must also find out who they truly are if Asgard is going to be saved from the Goddess of Death. That goddess, played by the incredible Cate Blanchett, had potential to be one of the best Marvel villains. Her backstory is intriguing and the film does a great job with the Norse mythology as a whole. Unfortunately, she has little to do other than sling knives around and recite history. She does definitely bring it in the action department, though, and is a worthy foe for Thor and his team. When she’s at her strongest and Thor goes full God of Thunder, it is a sight to see.

Verdict

Thor: Ragnarok plays in an exciting new genre for Marvel. Its overall aesthetic and tone commit fully to the comedic nature of the MCU and results in one of the funniest Marvel films to date. If a fun, entertaining, visually striking, and hilarious experience is what you’re after, this is a must see. It’s too bad that Waititi couldn’t give it a little more depth and heart, though, because that’s what would have truly been something new. As it stands, Thor: Ragnarok will wow you for a few hours, but you’re likely to forget all about it in a few days.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on how his expectations influenced his experience. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 064: Pacific Rim

It’s Transformers week, so we’re covering an even better giant robot movie. Guillermo del Toro’s Pacific Rim is a love letter to the sandbox dreams of little kids everywhere, a passion project on a giant scale. But there is so much more to this film than just epic Jaeger vs. Kaiju battles. There’s heart, hope, and a heap of Idris Elba, which makes everything better. Tune in for a discussion as fun as the film itself.

What We’ve Been Up To – 0:02:13
(Aaron & Patrick – Friday Night Lights)

Pacific Rim Review – 0:14:37

The Connecting Point – 1:08:01

Contact

Join the Facebook Discussion Group

Download this Episode 


Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

Feelin’ TV: June 5-11

I’m not sure what I was expecting when I started watching Better Call Saul. As a fan of Breaking Bad who very much enjoyed Bob Odenkirk’s portrayal of the slimy lawyer Saul Goodman, I was all in no matter what. I guess I was expecting something resembling a modern lawyer show, only funnier because the main character doesn’t care about the rules or decorum or justice or, you know, the law. What I didn’t necessarily expect, though, was a more deliberate, thoughtful and, dare I say, better version of Breaking Bad.

In 1988, Alan Moore and Brian Bolland published the famous Joker origin story, Batman: The Killing Joke. The story of the birth of the Joker was told in flashbacks as the Clown Prince of Crime put Jim Gordon through the ringer in the present day. The Joker’s hypothesis was that, much like his experience, even the best of men could be rendered insane through just one bad day. That’s the nature of the story of Walter White. Sure, through five seasons of the show we saw White go deeper and deeper into the darkness, but the truth is that Walt broke bad after one really bad day. By the end of Breaking Bad’s pilot episode, Walt has purchased an RV for the purpose of manufacturing crystal meth and he and Jesse already have two dead bodies to deal with. It was a quick trip to moral bankruptcy for Walt. This is not a complaint about Breaking Bad. I love Breaking Bad. I think it’s brilliant. But with few exceptions it was loud and bombastic and in your face storytelling. Better Call Saul is completely different. If Breaking Bad was the story of how someone can go dark because of one really bad day, Better Call Saul is the story of how the every-man, disillusioned by the often-bitter reward of attempting to do the right thing, slowly learns to embrace compromise as the fruit of those decisions yield more desirable immediate results. Over the past two and a half seasons, Vince Gilligan and his team have succeeded in turning the Breaking Bad’s comic relief into a tragic figure. We’re slowly watching the young man who put himself through law school to earn his brother’s respect become the lawyer/con-man fans of the character already hated to love. There are two episodes left in this season that has been equal parts fun and devastating. If you’re not watching, I’d recommend you start. For my money, Better Call Saul is the best show on television. Breaking Bad and the first two seasons of Better Call Saul are currently streaming on Netflix.

Since we’re talking about shows that may or may not be the best shows on TV, it’s only fair that we bring Fargo into the conversation. The Coen Brothers are my favorite filmmakers. And Fargo is my favorite Coen Brothers movie. The setting, the juxtaposition between the brutal ineptitude of the hit-men vs the polite hyper-competence of Chief Gunderson and Jerry Lundegaard’s slow descent into madness all mixed together perfectly to create one of the best films in my lifetime. FX’s take on Fargo has been able to expertly take a lot of these ingredients and mix them together to form their own unique stories that definitely feel flavored by the Coen’s unique sensibilities. This past week’s episode was a Coen lover’s dream. We got beautifully brutal shots that looked like they could have come straight from its namesake film, a Serious Man style Jewish folktale, a call back to season 1 of the show and, for good measure, half of the episode takes place in a bowling alley where characters receive advice from a mysterious stranger with a velvety smooth voice a la The Big Lebowski. It was a standout episode in what has been a very solid season of television. Each individual episode has stood apart well on its own as well as slowly building a great story. On top of that, it’s themes about the way we perceive what is true and what is false being largely based on who it is that is telling the story are supremely relevant in the age of “alternative facts” and “fake news.” Seasons one and two of Fargo can be viewed on Hulu Plus.

Finally, we have a little bit of good news to end our column. This week it was announced that a 5th season of BBC’s Luther will begin filming next year. Long-time fans of the show have been waiting since December of 2015 for new episodes. I recently caught the first four seasons on Netflix upon the recommendation of a reader (Thanks Phillip!). So, I’ve only been waiting for new episodes since last Thursday. But that already feels like it’s taking too long. Luther is unlike any detective show I’ve ever watched. It’s so much more about Idris Elba’s John Luther than it is about any of his cases. He’s a detective who occasionally plays a little fast and loose with the law, but always in the interest of justice and not to serve his own interests. There’s something to be liked for people who like the whodunit style detective show as well as those who would rather know who the bad guy is and figure out how the detective is going to nab him. And it should go without saying, but Elba is great. All four seasons (or series, sorry BBC) are currently on Netflix.

As always, if there’s something we’re not covering that you’d like to see covered, let me know in the comments, on Twitter or in the Facebook group.