Episode 132: Halloween (2018)

With Patrick away on a cruise, Aaron is joined by Reed and Nathan from The Fear of God Podcast to discuss the new sequel to John Carpenter’s 1978 classic that helped create the slasher genre as we know it today.

Halloween Review – 0:05:13

The Connecting Point – 1:01:30


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Music: Going Higher – Bensound.com

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MOVIE REVIEW: Halloween


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Goosebumps 2: Haunted Halloween

 


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: October 4-10

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The Conjuring

Year: 2013

Director: James Wan

Genre: Horror, Mystery, Thriller

Cast: Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston, Mackenzie Foy, Joey King, Shanley Caswell, Kyla Deaver, Hayley McFarland, Shannon Kook, John Brotherton, Sterling Jerins, Joseph Bishara, Marion Guyot, Morganna Bridgers, Amy Tipton, Zach Pappas, Rose Bachtel, James D. Nelson

What’s October without a horror recommendation? James Wan’s The Conjuring, which launched a whole new horror-verse, is like a big budget version of the wildly popular Paranormal Activity, which set off its own series. Wan draws out a similar trepidation, tension, and terror but with a more fully fleshed out world and mythology. The central characters, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) are paranormal investigators and demonologists based loosely on a real life couple and case. They are invited to investigate the paranormal events haunting the Perron family. Ron Livingston plays the father Roger and Lili Taylor his wife Carolyn. They have recently moved into an old farmhouse along with their 5 daughters. They each see, hear, and experience an unexplainable presence, at times seemingly innocent and others expressing frightening malevolence.

In addition to the Warrens’ character development both as individuals and as a couple, this film’s strength builds through its underlying dread, lightened only by the many cuts from night to daytime, representing the passing of another night and a hopeful return to safety until night falls again. There’s an inescapable sense of entrapment as plausible reasons why the family doesn’t move away enhance the dread even more. In a world that wants to pretend nothing exists beyond the physical, The Conjuring exists to remind us that there might just be more to the supernatural world than we realize.


Polytechnique

        

Year: 2009

Director: Denis Villeneuve

Genre: Crime, Drama, History

Cast: Maxim Gaudette, Sébastien Huberdeau, Karine Vanasse, Evelyne Brochu, Martin Watier, Johanne-Marie Tremblay, Natalie Hamel-Roy, Pierre-Yves Cardinal, Pierre Leblanc, Francesca Barcenas, Ève Duranceau

Following a nine-year gap after his sophomore effort, the yet unknown Denis Villeneuve directed this masterful and terrifying dramatization of the Montreal Massacre, a 1989 school shooting that based on the emotional weight of this film seems to have had a profound effect on him. It bleeds pain, terror, and sadness. Even at this early stage of his career, the fingerprints of his trademark style are evident–gorgeous, slow-paced cinematography, matching ominous music, mysterious characters, and brooding drama punctuated by intense, realistic violence.

Minimal dialogue means the actors have to show not tell the nightmare they are experiencing or in the case of the killer, enacting. Villeneuve’s tight focus on individual characters in the moment enables the viewer to intimately feel the experience. We are sickened by the evil heart of the shooter, saddened at the hurtful comments one of the female victims receives, and shocked at the sudden cold, brutal, Terminator-like violence of the killer as we reel in disbelief that there is no one to stop him.


Ball of Fire

Year: 1941

Director: Howard Hawks

Genre: Comedy, Romance

Cast: Gary Cooper, Barbara Stanwyck, S.Z. Sakall, Henry Travers, Oskar Homolka, Tully Marshall, Leonid Kinskey, Richard Haydn, Aubrey Mather, Dana Andrews, Allen Jenkins, Elisha Cook Jr., Aldrich Bowker, Dan Duryea, Ralph Peters, Kathleen Howard, Mary Field, Charles Lane, Charles Arnt 

Not just screwball comedy. Howard Hawks creatively infuses romance and borderline noir drama with major chemistry between Gary Cooper and Barbara Stanwyck who play Professor Bertram Potts and nightclub performer Katherine “Sugarpuss” O’Shea. Stanwyck practically takes the lead as she plays Sugarpuss with cool confidence, largely in control. An air of tension is established with never knowing for sure if her demonstrated feelings for Professor Potts are genuine. She is very convincing no matter what her intentions are. Cooper, while obviously intelligent, is delightfully awkward as Potts, trying to resist Sugarpuss’ advances.

Hawks uses many unique & memorable ideas & visuals, such as Sugarpuss stepping up on the books for some yum-yum, a wet washcloth bit, crazy amounts of obscure slang, Potts talking to Sugarpuss’ “Daddy”, and the whole initial setup of 8 professors living together for a multi-year project to create a definitive encyclopedia. The ending is also really clever as it makes use of the unique characteristics of each of the professors.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

October 5
The Beauty Inside (2015)
The BFG (2016)

October 7
Kubo and the Two Strings (2016)

October 13
The Babadook (2014)

October 14
Seven Pounds (2008)

October 16
Donnie Darko (2001)

October 21
The Secret Life of Pets (2016)

October 24
Big Eyes (2014)
Queen of Katwe (2016)

October 27
Bridget Jones’s Baby (2016)

AMAZON PRIME

October 15
The Fits (2016)

October 16
Louder Than Bombs (2016)

FILMSTRUCK

October 5
Infernal Affairs (2002)
The Narrow Margin (1952)
The Thing from Another World (1951)
White Heat (1949)

October 12
The Hunchback of Notre Dame (1939)

October 19
Casa de Lava (1994)
Cat on a Hot Tin Roof (1958)

October 26
Barry Lyndon (1975)
Ace in the Hole (1951)
Aguirre: The Wrath of God (1972)
Footlight Parade (1933)
Gold Diggers of 1933 (1933)
Guys and Dolls (1955)
Lawrence of Arabia (1962)
Some Like It Hot (1959)
Stalag 17 (1953)
A Streetcar Named Desire (1951)
Sunset Boulevard (1950)
Tabu (2012)
What’s Up, Doc? (1972)
Witness for the Prosecution (1957)

October 31
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

HULU

October 31
13 Going on 30 (2004)
28 Weeks Later (2007)
Babe (1995)
Barfly (1987)
Bull Durham (1988)
Eight Men Out (1988)
The Elephant Man (1980)
High Noon (1952)
Jackie Brown (1997)
Point Break (1991)
Rabbit Hole (2010)
Rescue Dawn (2006)
The Rock (1996)
Sixteen Candles (1984)
Sleepers (1996)
Spaceballs (1987)
There Will Be Blood (2007)
This Is Spinal Tap (1984)
Unbreakable (2000)
Witness (1985)


JUST ARRIVED

NETFLIX

The Green Mile (1999)
Life of Brian (1979)
Black Dynamite (2009)
Blade (1998)
Blade II (2002)
Blazing Saddles (1974)
Empire Records (1995)
Hold the Dark (2018)
Mystic River (2003)
The NeverEnding Story (1984)
Once Upon a Time in America (1984)
Pee-wee’s Big Adventure (1985)
Robin Hood: Prince of Thieves (1991)
The Shining (1980)
V for Vendetta (2005)

AMAZON PRIME

Bitter Moon (1992)
Carrie (1976)
Election (1999)
Hoop Dreams (1994)
A Fistful of Dollars (1964)
For a Few Dollars More (1965)
Full Metal Jacket (1987)
The General (1998)
Galaxy Quest (1999)
Gods and Monsters (1998)
House of Usher (1960)
How to Succeed in Business Without Really Trying (1967)
The Illusionist (2006)
Let Me In (2010)
Mulholland Drive (2001)
Raging Bull (1980)
The Return of the Living Dead (1985)
RoboCop (1987)
Saving Face (2004)
Starship Troopers (1997)
The Strangers (2008)
To Sleep with Anger (1990)
Trees Lounge (1996)
The Untouchables (1987)
Wild Bill (2011)

FILMSTRUCK

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

HULU

American Psycho (2000)
Bitter Moon (1992)
Cinderella Man (2005)
Closer (2004)
Dheepan (2015)
Election (1999)
Frida (2002)
Galaxy Quest (1999)
Gods and Monsters (1998)
Guess Who’s Coming to Dinner (1967)
Insomnia (2002)
Mulholland Drive (2001)
The Music Never Stopped (2011)
The Nightmare Before Christmas (1993)
The Others (2001)
Platoon (1986)
[REC] (2007)
Raging Bull (1980)
RBG (2018)
RoboCop (1987)
Starship Troopers (1997)
Trees Lounge (1996)
Wild Bill (2011)


COMING THIS WEEK

NETFLIX

October 5
Malevolent – NETFLIX FILM (2018)
Private Life – NETFLIX FILM (2018)

October 10
22 July – NETFLIX FILM (2018)

AMAZON PRIME

October 6
A Prayer Before Dawn (2017)

October 11
Monster’s Ball (2001)
The Strangers: Prey at Night (2018)

HULU

October 6
Lowlife (2017)
Pyewacket (2018)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

MOVIE REVIEW: Venom


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: The House with a Clock in Its Walls

 

 

 


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: September 13-19

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.


STREAMING PICKS OF THE WEEK


The VVitch

    — Moving from Prime to Netflix on Sep. 17

Year: 2015

Director: Robert Eggers

Genre: Mystery, Horror

Cast: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Bathsheba Garnett, Sarah Stephens, Julian Richings, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube, Vivien Moore, Karen Kaeja, Brandy Leary, R. Hope Terry, Carrie Eklund, Madlen Sopadzhiyan

No doubt about it, The Witch is very, very dark, as many classic fairy tales are, but those willing to enter in will find a challenging tale providing much worthy of grappling with. Between the design, dialogue taken straight from period sources, and natural lighting of this debut feature film from writer and director Robert Eggers, this film feels intensely, oppressively of its time, like being taken back into the 1600s and being thrust inside a Puritan’s nightmare, the type of nightmare that led to the paranoia of the Salem witch trials. That’s not to say the Puritan lifestyle was inherently oppressive. But any fear, left unchecked can spin out of control.

The family in this story, headed up by the father William (Ralph Ineson) and mother Katherine (Kate Dickie) have left the leadership and community of their former church body, each claiming the other is false in their faith. Now isolated and with each member of the family struggling with their secret sins, they are especially vulnerable to evil oppression. It’s not that they aren’t putting up a fight. They pray. They discuss Scripture. Outwardly, they try to glorify God. But its unclear where each of their hearts lie.

As eldest daughter Thomasin and the one largely responsible for the younger children, Anya Taylor-Joy owns the film from the first frame to the last. She is who we as the audience focus on. We see her parents’ struggles through her eyes. We see the actions of the younger children through her eyes. She is convincing no matter whether she’s trying to express truth or spinning a lie until it’s unclear if her obvious lies are lies at all. One thing is certain. With her parents often being distracted and the family living in isolation, there’s little to keep her grounded.


The Queen

   — Coming Sep. 15

Year: 2006

Director: Stephen Frears

Genre: Biography, Drama, History

Cast: Helen Mirren, Michael Sheen, James Cromwell, Helen McCrory, Alex Jennings, Roger Allam, Sylvia Syms, Paul Barrett, Tim McMullan, Douglas Reith, Mark Bazeley, Robin Soans, Lola Peploe, Joyce Henderson, Pat Laffan, Amanda Hadingue, John McGlynn, Gray O’Brien, Dolina MacLennan, Julian Firth

It’s hard to believe now with the public obsession over the weddings of Prince William and Prince Harry and the massive popularity of television series such as The Crown as well as British television in generalbut the British royal family used to be of little interest to those outside of Great Britain itself. Regardless of the monarchy’s role in government, the lack of attention enabled them to live mostly insulated lives, free to make decisions apart from public pressure. What changed all that? Princess Diana. By marrying into the royal family, her celebrity spread far and wide, bringing deep focus onto the monarchy and the family as a whole. What complicated it further? Diana’s divorce and subsequent death a year later.

With strong, believable performances across the board including Helen Mirren winning a Best Actress Oscar for her inhabiting the very look and essence of Queen Elizabeth II, Stephen Frear’s The Queen dives deep into the conflict immediately following Diana’s death, which speaks even to today’s society where the public routinely makes demands of the private lives of others, especially those with power. In this case, new Prime Minister Tony Blair–played by Michael Sheen–as the public’s spokesperson is pushing for the royal family to honor Diana with a show of mourning only a royal would receive. The queen and especially her husband Prince Philip are outraged that such a demand would be made of them, especially since it was their son from whom Diana divorced. James Cromwell as Philip exudes deep frustration. He is emphatic about protecting his wife the queen and their status as royals and all the heritage that comes with it, but he lacks control to do anything about the changes that feel increasingly inevitable.


White Heat

Year: 1949

Director: Raoul Walsh

Genre: Action, Crime, Drama, Thriller

Cast: James Cagney, Virginia Mayo, Edmond O’Brien, Margaret Wycherly, Steve Cochran, John Archer, Wally Cassell, Fred Clark, Paul Guilfoyle, Ford Rainey, Robert Foulk, Ian MacDonald, Robert Osterloh, Sherry Hall, Joel Allen, Claudia Barrett, Ray Bennett, Marshall Bradford, Chet Brandenburg, Robert Carson 

Cream of the crop when it comes to classic gangster movies. The script is full of colorful dialogue and creative plotting. James Cagney is at the top of his game as the gang leader Cody Jarrett. Despite his diminutive stature, he’s tough as nails–no hesitation in killing a man, even taking out one of his own who’s become an inconvenience or a risk. But he’s also a mama’s boy, though Ma (Margaret Wycherly) is just as ruthless as he is, albeit tender to him. And he’s vulnerable due to his penchant to trust those he is close to as well as due to recurring sudden, raging, debilitating headaches and a propensity towards insanity.

Virginia Mayo, plays Cody’s multi-faceted wife Verna. Her uncouth, free-spirited personality shines through along with her fear and duplicity. Finally, Edmond O’Brien is the undercover agent Hank Fallon whose job it is to quickly ingratiate himself with Jarrett so he can draw out an even bigger fish. There are great moments of suspense as any hint of the truth could get him killed in a flash. But the tension doesn’t only serve Hank. Others lives are in danger at one point or another also.

That other side of this film that makes it fascinating is the police work. Unlike the criminals, not much is revealed about the character and personal lives of the investigators. Instead, there’s a heavy focus on procedure, including detailed steps they take to track their suspects and tighten the noose, making for a unique time capsule and a lesson on the origins of today’s surveillance technology. It’s particularly surprising to see cell phones and vehicle bugs used for tracking show up in a film from the mid-twentieth century.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

September 13
Pete’s Dragon (2016)

September 14
Before the Devil Knows You’re Dead (2007)
Half Nelson (2006)

September 15
Moonrise Kingdom (2012)

September 27
The Imitation Game (2014)

AMAZON PRIME

September 15
Everybody Wants Some!! (2016)

September 17
The Witch (2016)

September 23
Shutter Island (2010)

FILMSTRUCK

September 14
Advise & Consent (1962)
Easy Rider (1969)
Five Easy Pieces (1970)
Fruit of Paradise (1970)
The Last Picture Show (1971)
The Night of the Iguana (1964)
A Patch of Blue (1965)
Queen Christina (1933)
Seven Days in May (1964)
Splendor in the Grass (1961)
The Thief of Bagdad (1924)

September 21
Alice Doesn’t Live Here Anymore (1974)
The Death of Mr. Lazarescu (2005)
Mean Streets (1973)
Night Moves (1975)

September 28
Accattone (1961)
Being There (1979)
Ben-Hur: A Tale of the Christ (1925)
Ben-Hur (1959)
The Breaking Point (1950)
A Clockwork Orange (1971)
East of Eden (1955)
The Gospel According to Matthew (1964)
JFK (1991)
Kes (1969)
Local Hero (1983)
The Man Who Would Be King (1975)
The Pianist (2002)
Rain Man (1988)
The Right Stuff (1983)
The Roaring Twenties (1939)
Teorema (1968)
Winter Soldier (1972)

HULU

September 30
American Psycho (2000)
Angel Heart (1987)
Babel (2006)
Bill & Ted’s Excellent Adventure (1989)
Bound (1996)
The Brothers Bloom (2008)
Drugstore Cowboy (1989)
Field of Dreams (1989)
Hoosiers (1986)
The Ladies Man (1961)
Miami Blues (1990)
Rabbit Hole (2010)
The Rock (1996)
Sleepers (1996)
Spaceballs (1987)
This Is Spinal Tap (1984)
Witness (1985)


JUST ARRIVED

NETFLIX

Next Gen–NETFLIX FILM (2018)
On My Skin–NETFLIX FILM (2018)

AMAZON PRIME

Beyond the Lights (2014)
Lars and the Real Girl (2007)
The Manchurian Candidate (1962)
Pumpkinhead (1988)
The Return of the Living Dead (1985)
Stronger (2017)

FILMSTRUCK

Billy Liar (1963)
Cluny Brown (1946)
The Doll (1919)
Hamlet (1996)
McCabe & Mrs. Miller (1971)
The Shop Around the Corner (1940)
Stroszek (1977)
The Student Prince in Old Heidelberg (1927)

HULU

Happy-Go-Lucky (2008)
Stronger (2017)


COMING THIS WEEK

NETFLIX

September 14
Bleach–NETFLIX FILM (2018)
The Angel–NETFLIX FILM (2018)
The Land of Steady Habits–NETFLIX FILM (2018)

September 16
Role Models (2008)
Scott Pilgrim vs. the World (2010)

September 17
The Witch (2015)

HULU

September 15
The Queen (2006)

September 16
Moonrise Kingdom (2012)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

By Request 005: The Mist

Aaron reacts to The Mist, the 2007 Frank Darabont adaptation of Stephen King’s creepy novella.

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Music: “Something Elated” – Broke For Free

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