Episode 207: Little Women

All adaptations are not created equal and this week we discuss one of the best, Greta Gerwig’s new take on Louisa May Alcott’s book. With a modern flair, a meta twist, and the best ensemble cast of the year, this version of Little Women warmed our hearts and won us over.

Little Women Review – 0:01:01

The Connecting Point – 1:21:02

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MOVIE REVIEW: Little Women

Greta Gerwig’s “Little Women” follows the lives of four sisters from the blooming time of teenage years into the world of adulthood. Taking place during a tumultuous period of the Civil War, Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh), and Beth (Eliza Scanlen) have their own distinct ways of viewing a world in which women’s opportunities for independence are scarcely low. The only paths to prominence were being the wife of a privileged husband, which left women in the predicament of being “property” with no sense of individual ownership, or being rich. Each sister has a sense of free will and distinct ambitions to go far beyond this limited vestige by focusing on their pursuit of the arts. Through seamless transitions between the past and present, these bonded sisters traverse romance, tragedy, family, and self-exploration.

Featuring one of the best ensembles of the year, the cast is a who’s who of gifted young actors/actresses and established veterans. Ronan, Watson, and Pugh are impeccable with a delightful charm and sit a level above the rest of the cast. Ronan is full of strong will and combustible energy that pulls the viewer into her inner wish to shatter the mold as an aspiring novelist. There is not one scene where she doesn’t steal the show. Pugh is a stellar sidekick, continuing her hot streak in 2019 that has seen her star in roles across several different genres. Watson plays her part with a silent elegance and really hits home in a couple of dramatic moments. Timothée Chalamet, Meryl Streep, and Laura Dern all hold up their end of the supporting bargain with terrific turns representing relevant figures in the maturation of these sisters.

A certain amount of heartwarming compassion and charm is present in every little fabric of this adaption. Certain scenes will make you smile because of the easily discernible connection the sisters share or the little moments of moral humanity where characters are full of life and charity. This world is soaked with the beloved energy that the novel has carried for over 150 years; a rare case in which the film soars to the same heights of its literary companion. For a 759 page novel, the film’s pacing and actor mannerisms makesit easy to keep up with all of the important details, the switch between flashbacks and present time are handled with the utmost care and feel seamless. Jess Gonchor’s work on the production design is the equivalent of authenticity done right. House decor, horse-drawn carriages, fashion of the era, and street signs are carbon copies of what readers have imagined for decades as the words bounce off the page.

Gerwig handles writing and direction duties just as she did with her last great film, “Lady Bird”, and shows a greater sense of improvement and ease. It can be an audacious task bringing a well-received literary classic to the big screen, but Gerwig succeeds immensely. “Little Women” is an entertaining homage that carries a modern feel while keeping the personality of a timeless period piece. This is a film that speaks to all women in the celebration of autonomy and uniqueness while delivering laughs, developed character arcs, remarkable cinematography, and a winner’s circle of award-worthy performances. I’m still surprised with how much I enjoyed my time at the theater.

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Caless Davis is a Seattle-based film critic and contributor to the Feelin’ Film Podcast. He loves any discussion of film and meeting new people to engage in film discussions on any subject. You can follow him on Twitter and Instagram.

Episode 075: The Perks of Being a Wallflower

It’s week two of class in our book-to-movie month, and this episode we are discussing a film we both have an extreme affection for. Stephen Chbosky’s incredible story, The Perks of Being a Wallflower, is so much more than just another teenage coming-of-age tale. We get deep, raw, and emotional as we talk about the movie and how we relate to its characters. It’s a special conversation and one we’d love for you to be a part of it by sharing your Connecting Point in our Facebook group after you listen.

The Perks of Being a Wallflower Review – 0:04:12

The Connecting Point – 0:58:34

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Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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Episode 055: The Circle

This week we discuss the dangers of modernization at the heart of The Circle. This film, starring Emma Watson and Tom Hanks, offers us a glance into the not-so-distant future of technological advances and provides us a LOT of ethical dilemmas to talk through. 

What We’ve Been Up To – 0:01:12
(Patrick – None)
(Aaron – Voices of a Distant Star and 5 Centimeters Per Second, The Lost City of Z)

The Circle Review – 0:17:12

The Connecting Point – 1:17:34

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Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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MOVIE REVIEW: Beauty & the Beast (2017)

Piggybacking off the success of recent live action adaptations to its animated library, Disney unveiled its modern retelling of the tale as old as time to audiences this weekend. Based on the box office reports, a lot of audiences at that. And while the Twitter-verse and various blog sites continue to hem and haw over the necessity of another visual iteration of this story, I will simply tell you that you should ignore it at your own risk, because the experience is breathtakingly magical.

In the name of full disclosure, I’m a bit bias toward Beauty & the Beast. I was under the employ of the Mouse when the animated film came out, and the future Mrs. and I had our first date at a showing on Disney World property. I hold that film in very high regard, both as a masterpiece of animated filmmaking and for the sake of nostalgia. To that end, please accept this film on its own merit. Don’t muddy the waters trying to compare it to previous versions, animated or otherwise. I won’t belabor this post with words outlining a plot we are all familiar with. Suffice it that the core of the story remains, with a little bit of fluff in spots which only serve to enhance the story, not alter it. No childhoods are being ruined here.

Disney has turned the production value up to eleven. Previous animated to live-action adaptations have fared well- I look at Maleficent, Jungle Book, and Pete’s Dragon as good examples- but none of those fine films can touch the majesty on display with Beauty & the Beast. It would be criminal if the Academy were to ignore these set designs and costumes next February. If I must find a reason to criticize, I did find some of the visual effects and visual editing to be a touch blocky in spots, but never distractingly so. For the most part, the scenes that really mattered came off seamless.

As for that “other” big thing being bandied about on the Interwebs, I will not dignify it with debate here. I’ll just say, if THAT truly does hold you back from seeing this film, then I feel sorry for you that your life is so devoid of joy. It is much ado about nothing, and I implore you to take it as such. There is a line in the film, and I paraphrase it here…”People who are angry say a lot of things…it’s up to us whether or not to listen.”

The cast works on every level, but Emma Watson is a pure revelation, whether aided and abetted by Autotune or not. She is a voice the next generation of young girls needs to rally around. Knowing what she stands for and how she manages herself in a world that is built to obstruct her as a strong woman, makes her presence on screen all the more engaging and important. And she is enchanting at every turn.

Don’t let the cynics dissuade you. Beauty & the Beast is a magical, dazzling spectacle of pure enjoyment, even though you know how it all shakes out in the end. Each flicker of a candelabra or twirl of a ball gown is handled with the utmost of care. When I look back at my own time at Disney, I fondly recollect those moments when the real magic was being made. For every ignorant adult that couldn’t stop complaining about the long lines, or the prices, or whatever, there were dozens of children, young and old, laying eyes upon Cinderella’s castle for the first time, eyes wide and full of wonder, unsullied by the cynicisms that consume too many of us. And when a young girl in my theater, perhaps all of six years old, squealed “BELLE” when the character first pops on screen, I realize that Disney is still making magical moments. This is still the tale as old as time. And it is timeless.

phpxnctheamSTEVE CLIFTON has been writing moderately well on the Internet at this blog, Popcorn Confessional, for the better part of the last decade.  His love for movies can be traced back to the North Park Cinema in Buffalo, NY circa 1972, when his aunt took him to see Dumbo.  Now living in Maine, Steve routinely consumes as much film, television, and books as time will allow.  He also finds time to complain about winter and Buffalo sports teams.  He is a big fan of bad horror films and guacamole, and mildly amused by pandas.

Episode 050: Beauty and the Beast

In this landmark 50th episode, we discuss Disney’s newest live-action remake, Beauty and the Beast. Is it better than the original? Does it even matter? Is Emma Watson a good enough Belle? Are the new songs worthy of the classics? We answer these burning questions and more as we celebrate almost a year of podcasting with this magical new film.

What We’ve Been Up To – 0:02:01
(Patrick – Uglies)
(Aaron – Dogtown & the Z-Boys, One Flew Over the Cuckoo’s Nest on Cinescope, The Zookeeper’s Wife Review)

Beauty and the Beast Review – 0:18:30

The Connecting Point – 1:07:08

Download this Episode 


Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

Support us on Patreon & get awesome rewards:

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!