What We Learned This Week: May 25-June 14

LESSON #1: THERE IS NO BETTER TIME TO EDUCATE YOURSELF— In this time of racial divide and protest, education is more needed than ever. Just as I tout with my website, movies can be a place to get it. Service after service, studio after studio, and platform after platform from Netflix and the Criterion Channel to Kino Lorber have begun to make films and documentaries by and/or featuring black artists free or readily available. Take this curated list from our own Erynne Hundley and pounce on this excellent recommendations: 

LESSON #2: SPIKE LEE IS ONE OF CINEMA’S BEST TEACHERS— When you watch a Spike Lee movie, you’re getting more than dramatic narrative for entertainment value. With his frequent use of archival footage lately in films like Chi-Raq, BlacKkKlansman, and the new Da 5 Bloods, Lee brings a marvelous ability to echo the lessons of the past into the topical present that still sorely needs education. The man sternly teaches as he preaches. Spike Lee may be a provocative and acquired taste for more than a few, but his contributions are nevertheless bold and vital. History can and should look fondly on what he’s done with his work for four decades and counting.

LESSON #3: OLD MOVIES ARE TIME CAPSULES FOR THEIR ERAS AND DESERVE TO BE SEEN FOR WHAT THEY ARE— Speaking of history, times change. Sensibilities change. The movies of those times and built with dated sensibilities age as well. Watch them, but do not censor them. The Gone With the Winds of history deserve to be seen, examined, and even still enjoyed. Watch them with fair and discerning lenses. Take notes and learn from them. Movies are one way we keep history from repeating itself. More than anything, some movies only get better with age. Take this list of pre-1967 movies fit for an modern audience from IndieWire and be amazed. 

LESSON #4: EVEN SAVIORS BLINK— Back in May in an op-ed in The Washington Post, filmmaker Christopher Nolan lobbied hard for the survival of movie theaters and wanted his Tenet to be the movie that could help revive the multiplex scene. Those “insiders” that believed a mid-July release was overly optimistic turned out to be right. Nolan and Warner Bros. blinked and moved Tenet (and other tentpoles like Wonder Woman 1984) two more weeks to July 31st. Watch the pandemic numbers move it again in another two weeks. Wisdom is winning over hubris. Everyone needs to keep their patience. This could take a while and I think we’ve all come find that out. Maybe someone needs to tell Christopher too.

LESSON #5: SOMETIMES MOVIES ARE BETTER THAN THEIR BOOKS— Early word around the campfire is saying Kenneth Branagh’s Artemis Fowl which debuted on Disney+ instead of theaters is quite the hollow husk compared to its source material. I will always be that critic that will implore anyone and everyone to separate the two mediums of written prose and visual filmmaking. That said, better is an easy measurement to make. It’s rare, but there are times the movie is better than the book. Collider made a nice list last summer of 30 such submissions, I would add a 31st of Field of Dreams. If you want Artemis Fowl this weekend and lament, seek a few of those classics out.


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#134)

What We Learned This Week: May 11-24

LESSON #1: IF ENOUGH PEOPLE YELL LONG ENOUGH THEY OCCASIONALLY GET THEIR WAY— By far the biggest industry news this week was the rumor-destroying announcement that the long-rumored “Snyder Cut” of Justice League will see the light of TV screens on HBO Max next year. It’s rare to see urban legends come true, and it’s even rarer to see collective efforts move a needle in the entertainment industry. This whole campaign has brought out the best and worst of the internet, from fan support for creators and charitable goals on one side to every matter of entitled vilification possible known to Twitter and man. Besides the possible success or failure of the re-cut film, just the precedent of this can go many directions. As always, I think the goal becomes pausing and looking at you are arguing about or for. Ask if it’s worth it and to what degree, because if some new version of a maligned movie is all you have to sustain your life for hills to die on, you’re the epitome of dwelling in inconsequential first world problems. 

LESSON #2: CHOICES HAVE TO BE MADE— The longer these quarantines and sheltering orders go, the more release choices need to be made. It’s a split between the big stuff and the little guys. We’ve seen a massive amount of rescheduling at the blockbuster level because the studios know their best chance at making the most money (or even their gaudy budgets back) is with theater dollars. VOD rentals at $20 a pop is not enough. What once looked “too big to fail” now cannot survive, no matter how hard Christopher Nolan’s Tenet wants to be the savior. We citizens might not be able to go out and get a haircut, but a proverbial one might be forced in the coming months. The smaller fare of lesser spectacle can find life and some money going to streaming options. They are looking at their prospects and settling smartly. The Lovebirds just did this week following Trolls: World Tour and Onward. Unless Keanu Reeves is shooting people, the third Bill & Ted movie wasn’t going to break any banks and likely neither was Tom Hanks with Greyhound. What looks like disappointing endings for larger efforts still counts as coups for the outlets that get these titles. Apple+ has to be doing backflips to win the bidding war for a Tom Hanks vehicle. 

LESSON #3: MEASURES OF SUCCESS CHANGE OVER TIME— I was one of those keenly interested movie fans that enjoyed hitting up Box Office Mojo on Saturday afternoons and Monday mornings to see the box office estimates and actuals (and, of course, loving on inflation-adjusted records). Without steady business and streaming becoming the cinematic exercise model of necessity at the moment, success is getting measured a little differently with “digital records.” Netflix reports 90 million households grabbing onto Chris Hemsworth’s Extraction. Imagine if each household paid $20 or even just $10 to see it. There’s money to be made with the right move and the right price point, even if that price point is slice of subscription fees. Going back to that idea of haircuts from Lesson #2, Trolls: World Tour made nearly $100 million in its first month of rental availability. While it’s not an incredible windfall, it’s proof there still is a paying audience. If $100 million becomes the new high watermark, watch budgets get scaled down where profit margins get closer and more palatable for the accounting departments.

LESSON #4: LAZY PEOPLE GONNA LAZY— How lazy do you have to be during this current stretch of social life to NOT use your Netflix subscription? Who has that kind of disposable income nowadays? Apparently, there are enough inactive Netflix subscribers from their 183 million total that the streaming giant is going to start closing those silent accounts. What I find almost even more surprising is that a bottomline-chasing company such as Netflix hellbent on user statistics is publicly willing to voluntarily reduce their membership numbers and stop taking their blind money. That’s astonishing. That’s like asking a Twitter account puffed up on paid bots to poke its own influencer balloon. Somewhere Richard Roeper is throwing his arms in the air.

LESSON #5: AWARDS CAN WAIT— As a “Meme Monday” pusher on my own Every Movie Has a Lesson Facebook page, I’ve enjoyed the jokes that have hit social media over the last two months that if the 2020 movie calendar ended today the parade of semi-crappy film releases from January to March would all stand high as frontrunners for the 93rd Academy Awards. If that’s the only way someone like Elisabeth Moss is going to win an Oscar, let’s start the campaign now (see Lesson #1, maybe we can start #VisibibleforInvisible). Like this lesson title, the pageantry can wait for a full competition. I’m glad to hear the 2021 Oscars are considering postponement. Like everything else right now, it’s the right thing to do. I’ve said it this whole time and will keep saying it: “Absence away makes the heart grow fonder.” That will be the case with red carpet spectacles too.

LESSON #6: BILL HADER HAS VERY GOOD TASTE— If all you know of actor Bill Hader are the silly voice, impressions, skits, and his dorky Everyman TV/movie roles, you will be impressed by his taste in movies. In the recommendation slot of “What We Learned This Week,” I stumbled across Bill’s September 2019 list from a Collider interview of over 200 must-see films. The man has a great eye and I love his picks. Luckily, a few Letterboxd users have made this list convenient for your next checklist.


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#133)

What We Learned This Week: May 4-10

LESSON #1: YOU CAN’T BEAT PARKED CARS WHEN IT COMES TO SOCIAL DISTANCING— The late spring calendar turning to May means the best window of pleasant outdoor weather months are coming to North America. With that, the 330 or so surviving drive-in movie theaters in the U.S. are approaching a rather rare season opener where they are quite incredibly the only movie theaters open. What peaked with over 4,000 locations in the 1950s had been dying a slow death of budget issues, technology hurdles, amenity shortfalls, and the constriction of urban/suburban sprawl. Now, instead of a real-life equivalent to the forgotten Radiator Springs from Cars, their spread-out and safe designs are the social-distancing lifeboats bringing cinematic joy to the masses after months of closure. Here in my neck of the woods of Chicagoland, the McHenry Outdoor Theater, part of Golden Age Cinemas, opened this past weekend. Please let this be the beginning of a comeback of a welcome novelty (go ahead and add car-hop drive-in restaurants too)! Come to think of it, I cannot think of a better re-purposing of defunct large urban/suburban spaces (like all of those dead shopping malls and department stores) than if a worthy investor can paint a few parking stalls, put up a big-ass screen, and throw-in a few concession stands.

LESSON #2: IT DOESN’T MATTER WHAT’S GOING TO BE PLAYING— What a beautiful sight that video is! The best part is it doesn’t even matter what’s playing. As you saw, the re-opened McHenry Outdoor Theater playing a throwback double-bill of The Flintstones and Jurassic Park. The groundswell of trafficked pilgrimage looked like the final scene in Field of Dreams. People will come and I hope studios see that. They don’t have to swing for the fences with huge release. The anticipation is already there and the floods will come. Whoever and whatever is first is going to rake. Along those lines, Christopher Nolan doesn’t have to expend himself to be the savior of saviors with Tenet.  I’ll always applaud the guy as a huge proponent of traditional film and theaters, but just a wee bit of his semi-greedy ego is showing to the guy that revives cinema. I love you Chris, but let’s see a team effort.

LESSON #3: IF THINGS ARE GETTING A LITTLE WEIRD AT HOME, EMBRACE IT— Until an IMAX spectacle can save us all, we are still stuck at home in our third month of widespread stay-at-home orders. There’s a chance some queues are drying up and the cabin fever is making folks a little weird. I say roll with it. Get eclectic with your home viewing. Even somethings squeaky like Disney+ can help. It was click bait, but I got a charge out of this Collider article of “The Weirdest Movies on Disney Plus.” It’s actually a pretty deep dive into their live-action properties with some kitschy picks. Check them out and refill the watchlist.


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#132)

What We Learned This Week: July 21-27

LESSON #1: IT’S TIME TO ACCEPT FAN SERVICE AT ALL LEVELS— I’m finding, more often than not no matter the size and prestige of the film in question, that nods, homages, and little shout outs work 90% of the time.  It’s time to stop frowning upon them unless it’s really, really fruitless. I’m borrowing a paragraph from my Once Upon a Time… In Hollywood review on the topic: 

“Do this critic a favor. If you read one pretentious person bitching about the so-called “fan service” of a popcorn Star Wars movie in one place while praising the throwback accuracy, endless references, and the buffet of cultural callbacks of this or other Tarantino movies, punch them in the face for being a hypocrite (or write them a mean tweet, either one). Once Upon a Time… In Hollywood has massive nostalgia for fan service aimed a different generation at quadruple the rate of the younger genre fare those cinephiles frown upon. Geeky, blatant homage has always been the part of the hodgepodge of Tarantino. It’s an expected calling card, a borrowed ladder, and part of what makes him brilliant. If it’s standing ovation praiseworthy for a so-called auteur like Quentin, then it should be for other filmmakers.”

LESSON #2: BECOME A BETTER MOVIE FAN— Seeing the splashy mix of pop culture and auteur chops dropping from Quentin Tarantino reminds me of this recent short, encouraging article from Matt Goldberg in Collider in Collider pleading “How to Graduate to Being a Better Movie Fan” and another from Tim Dirks called “Tips on Film Viewing” on AMC’s Filmsite  You can’t come into Once Upon a Time.. In Hollywood without a little homework and a wider eyes compared to just another popcorn blockbuster with low, spoon-fed stakes and basic style.  His whole filmography is a great entry-level course in being a better fan and viewer. The more attuned and learned you are to the craft at hand, the more you will notice and appreciate, especially in an epic like the new Tarantino film.  Goldberg’s article gives the modern, social media-connected crowd of today accessible starting steps that don’t require taking some college film class, and Dirks’ column gives easy nuts-and-bolts steps to follow as well. Give both short articles a look.  In Tarantino is too hard, take a step to channel your newfound advice of watching bad films right on over to Patrick Willem’s new reflection on the Joel Schumacher Batman films from his latest video piece:

 

LESSON #3: ADJUST YOUR TECHNICAL SETTINGS ALONG WITH YOUR VIEWING EXPERIENCE— If you’re going to start watching movies better, make sure they look and sound right.  Renowned Willems-recommend film critic Bilge Ebiri wrote an outstanding column entitled “Motion Smoothing is Ruining Cinema” for Vulture.  This echoes Tom Cruise and Christopher McQuarrie’s PSA hoping viewers see their newest Mission: Impossible film properly last summer.  Ebiri and Cruise offer the “why” and the article and embedded video tutorials offer the how.  Follow the tips, especially if you have newer televisions. Do right by the experiences you’re absorbing.  

LESSON #4: TURN UP THE HEAT ON YOUR “NETFLIX AND CHILL” MOVES— Before or after adjusting your TV set, here in the recommendation slot of my weekly column, I got a hearty kick out an article discovery this week from Bustle magazine that floated across the social media currents on the number of “dirty movies” that are on Netflix.  Writer Katherine Cusumano highlights eleven top picks that are kinky and steamy enough versus the streaming service’s porn-free policy.  From Magic Mike (aw yeah!) to Gaspar Noe’s Love (yowzers!), the steam is waiting for your rising thermostat.  Raise your game, couch gymnasts, with some titillating cinematic inspiration.  

 


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#109)

What We Learned this Week: March 18-24

LESSON #1: BE SMARTER AND SEEK SMARTER FILM CRITICISM— This video from Patrick Willems is amazing.  He nails the topic like an industrial nail gun with the safety off installing a roof of shingles in a 11 minutes.  As a self-made critic, the ideals discussed here are where I strive towards.  Always seek improvement.

LESSON #2: THE FLOODGATES ARE NOW OPEN. BE PREPARED— In the extended wake of all things Harvey Weinstein, the bankruptcy announcement of his studio company, The Weinstein Company, did more than just sink production.  All legal contacts connected to the company are now voided and that includes non-disclosure agreements.  Yes, THOSE non-disclosure agreements.  If you think you’ve heard an unimaginable amount of names and victims, get ready.  A tabloid tsunami is coming.

LESSON #3: LET’S PROMOTE TENDER MASCULINITY— From a seedy history of emasculation from Lesson #1, let’s bring in optimism.  I cross-publish my Every Movie Has a Lesson film reviews on the social publication platform Medium.com where I have discovered a multitude of very good writers operating their own worthy stumps of commentary on any number of subjects.  I really appreciated this recent piece from Terra Liore of Electric Lit entitled “In Praise of Tender Masculinity, the New Non-Toxic Way to Be a Man.”  Liore examined some of our favorite movie and literary characters who exemplify a healthier and more nuanced manliness away from machismo.  She cites films like Moonlight and Magic Mike XXL and characters like Samwise Ganges from The Lord of the Rings trilogy and Remus Lupin from the Harry Potter series.  It’s a great piece that I encourage you to check out.  We need more of this.

LESSON #4: SEATS ARE FOR BUTTS— When this ScreenCrush story (oh, the puns!) of a man dying after having his head trapped in an electric theater seat crossed the Feelin’ Film Facebook group, I thought it had to be from The Onion.  There was no way it was true.  Alas, condolences are needed and a few lessons needs to be learned.  The culprit was a dropped phone and a malfunctioning seat.  Go ahead and fire up the PSA printing press for one more reason to put your damn cell phones away at the movies.  Those massively connected and dense seats are indeed a labyrinth.  If you have trouble, get some help from the theater staff before trying to take matters in your own hands.  Finally, society may have a reason for employing those senior citizen drug store staple products of the grabbing extender thingamabob.  I think it’s time to arm every theater usher in America! Think of the lives (and phones) we can save!

LESSON #5: THE NUMBERS ARE IN AND JUSTICE LEAGUE IS IN LAST PLACE FOR THE DCEU— In the latest chapter of the eternal lesson of “too big to fail,” the final box office numbers came in for Justice League with a total worldwide gross of $647,924,295.  Man of Steel is next with around $660 million.  While that is more than double its reported $300 million budget where no one is loosing any fortunes or stock options, the cloud of disappoint still looms.  The knee-jerk time period has cooled and we can better ask and advise where Warner Bros. will go from here.  Right now, it’s up to Aquaman and Shazam.  “The Rock” makes everything better, right?

LESSON #6: PHYSICAL MEDIA STILL HAS A PLACE— Today, the favorite film of 2017 for many Feelin’ Film followers (and hosts), The Greatest Showman, becomes available for digital download.  This is the first chance to own the successful and celebrated film for home viewing.  The Greatest Showman will still be available on Blu-ray and DVD on April 10th.  We’re coming to a time where that is not always the case.  I know I was bummed to hear that one of my favorite 2017 films, Wonderstruck from Amazon Studios, was not going to receive a physical disc release and only be available on streaming platforms for the immediate future. Has manufacturing discs really become that low in profitability?  Maybe so, that linked Flavorwire article researched that numbers for digital sales (subscriptions, rentals, VOD, downloads) totaled $13 billion in 2017 compared to $4.7 billion for packaged products.  Businesses are going to jump at that earning potential even if they can have both.  To me, that’s one sign of many to a slow extinction for physical media.  I think discs are going to be a Criterion-level niche like vinyl records soon.  How many folks out there have gone more digital?  How many people are still steadily buying physical media of current films (don’t count those Criterion keepsakes)?  I know my number has dropped precipitously in the last five years.  Both that cited Wonderstruck link and this recent story from Collider implore consumers to stave off the coming extinction.  If you’re like me and enjoy the feel of possessing something special, give them a read.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  He is a proud member and one of the founders of the Chicago Independent Film Critics Circle.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on FacebookTwitterMedium, and Creators Media.

 

 

What We Learned This Week: November 19-27- Thanksgiving Hangover Edition

Folks, holidays off of work will derail any routines you have, be it parenting or writing and publishing film reviews and online content.  I had a week and my world went lazy in a happy and welcome hurry.  Super-sized to match our post-Thanksgiving “muffintop” bellies, here’s a late edition of “What We Learned This Week!”


LESSON #1: YOU REALLY NEED TO SEE LADY BIRD— There is a five-star and potential best-of-2017 film sitting right under your noses with Greta Gerwig’s Lady Bird.  My review glows like the California sun and you will find much more like it from my peers on Feelin’ Film and the pros on Rotten Tomatoes. In fact, take a look at this distinction, one even greater than the RT buzz given to Get Out‘s high score earlier this year:

LESSON #2: WHILE YOU’RE AT IT, GO SEE WONDER TOO— So often, we ask where are the quality family films in this current Hollywood marketplace.  I can’t be the only parent out there who asks for something better than made-for-TV ABC Family and Hallmark channel movies and the endless string of mindless noise coming out of blockbusters like MinionsSing, and etc.  Disney scaling things down with Pete’s Dragon and The Queen of Katwe last year gave me hope that a legitimate live-action family film could still be made and be mildly successful.  Wonder is that exceeding hope this year.  Its messages are virtuous and heartwarming.  Add Stephen Chbosky’s film to your shortlist for holiday viewing.  It’s a keeper.

LESSON #3: SPEND EXTRA TIME IN THE LOBBY, BATHROOM, TRAFFIC, OR AT DINNER BEFORE SEEING COCO (BUT DON’T FORGET TO STILL SEE COCO)— Disney/Pixar’s Coco is another family-friendly keeper right there with Wonder, but the animated “short” before it the opposite.  I don’t know about you, but I was done with Frozen when it came out.  Subjecting a (hopefully) diverse family audience to 21 minutes of repetitive Olaf silliness on top of previews and other advertisements before a hearty and heavy 109-minute film is too much.  Dear Disney, save that crap for your own TV channel and future streaming service.  Dear Pixar, we come to a Pixar film for your brand of superior original shorts, not Disney’s extra product placement.  Future Coco audiences, use article guide from Slate to calculate how much time to stall and cut right to the feature.

LESSON #4: BE MINDFUL OF WHO IS IN BED WITH WHO WHEN IT COMES TO THE BUSINESS OF HOLLYWOOD— Rotten Tomatoes was applauded before the release of Justice League for its stance to hold its first official rating designation until the opening day of Friday, four days after publication embargoes for critics ended that Tuesday.  It was seen as a move of patience and a step in the right direction away from the immediacy of rash judgment.  When you learn Warner Bros. owns Flixster, the parent company of Rotten Tomatoes, you might realize it was a selfish move of shielding flack instead of championing temperance.  Let me continue to join many other voices, including this great piece from Hype, begging for the general public to loosen their obsession with the broken math of Rotten Tomatoes.  Find critics you trust and appreciate and separate from the pack mentality of pitchforks and/or circle jerks.

LESSON #5: YOU GET WHAT YOU GET WITH JUSTICE LEAGUE— I’d love a Zach Snyder or Joss Whedon “director’s cut” (hell, even both) of Justice League, but conflicting reports make it sound like it can’t or won’t happen.  No matter what, too many folks play amateur armchair film editors.  If we get a bonus, that’s great.  If we don’t, take what the film gives you.

LESSON #6: SPEAKING OF SUPERHEROES, IT’S TIME FOR EVEN MORE DIVERSITY REPRESENTATION— Seeing the strength of the Amazons in Wonder Woman and Justice League as well as the badassery of Tessa Thompson’s Valkyrie in Thor: Ragnarok, it’s time additional diversity in comic book films.  This Collider column and list lay out six places inclusion of LGBTQ characters could have been made and it’s a good blueprint for more.  Heck, just start with women in general, let alone the other special demographics of the acronym.  The Guardian recently outlined a primer for a full “women’s canon” foundation.  It’s impressive.    Let’s see Hollywood continue to get progressive and build on the good starts and new energy.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.