Episode 193: Zombieland: Double Tap

Our traveling companions are back for another trip into Z-Land. Did this long-awaited and much-anticipated sequel hit the same mark that its predecessor did? We explain what did (not much) and didn’t (a lot) work for us.

Zombieland 2 Review – 0:02:06

The Connecting Point – 0:56:01

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MOVIE REVIEW: Zombieland: Double Tap

It’s a sequel too late in the making, but ZOMBIELAND: DOUBLE TAP squeezes out enough comedic chemistry from its excellent reunited cast to keep the audience laughing even when the lethargic plot fails to hold our attention. The original foursome of Tallahassee (Woody Harrelson), Columbus (Jesse Eisenberg), Wichita (Emma Stone), and Little Rock (Abigail Breslin) have been living together for 10 years in The United States of Zombieland and are making a home out of the abandoned White House when the sisters once again feel the need to strike out on their own – this time because Wichita fears commitment and the all-grown-up Little Rock wants to experience adulthood on her own. From there the story is mostly a road trip, with the group meeting new survivors, facing off against more dangerously evolved zombies, and contending with a colony of pacifists along the way to restoring their little family.

The film’s primary faults lie in an extreme reuse of/reliance on material from its predecessor, Columbus’ “rules” and old jokes are recycled frequently instead of introducing fresh new ones, and a lack of emotional weight. It’s not that we don’t care whether Wichita and Columbus end up happily ever after or if Little Rock will find love, but the film never reaches the heights of the original’s climactic Pacific Playland sequence when it comes to us caring about the fates of our characters.

The original cast is definitely giving their all even with less than stellar dialogue to deliver, and Zoey Deutch’s inclusion alone will be worth the price of admission for many; her extremely “extra” survivor Madison brings about the best banter in the film and elicited theater-wide laughter numerous times. I couldn’t decide whether I found her character more maddeningly annoying, hilarious, or attractive, and I mean that as praise. Deutch’s performance is definitely the one thing I won’t forget about the film and is worthy of all the memes it is sure to inspire.

Other additions to the cast include a short but hilarious appearance by Luke Wilson and Thomas Middleditch as Albuquerque and Flagstaff, a pair of eerily similar personalities to Tallahassee and Columbus, and an appropriately badass role for Rosario Dawson. However, though not without their charm, these felt more like cameos than significant additions to the plot.

One place the film definitely shines is in the action department, where the high-octane zombie kills are more creative and realistically bloody than ever before. The easily squeamish might want to sit this one since there is vomit and gore galore, but those who can stomach it will be rewarded with some of the most exciting action of the series during the film’s standout climax.

Sadly, the lack of moving, character deepening moments holds this back from being more than just an occasionally energetic, mostly funny nostalgic trip. ZOMBIELAND: DOUBLE TAP will likely satisfy fans of the first film, but the magic isn’t quite there and it feels like a big time missed opportunity to improve upon the original’s formula. The definition of a mixed bag: see it with tempered expectations and just enjoy the ride. Oh, and be sure to stay through the credits for a special treat.


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Hotel Artemis


1 Hour and 34 Minutes (R)

“It’s a busy night in the Artemis.”

The setting is Los Angeles 2028, on a Wednesday (that’s important, or at least it’s repeated enough times to make you think it is). The city’s water supply has been privatized and a primary provider is cutting off access which results in the most violent riots in the city’s history. This is the backdrop for Sherman (Sterling K. Brown) and his brother’s attempt to rob a vault. But when things go south, the pair of criminals must seek medical attention in Hotel Artemis, a special membership-only resort for unsavory types. While at Artemis, Sherman runs into other various underworld characters including the dangerous and mysterious assassin Nice (Sofia Boutella), cocky and mouthy arms-dealer Acalpuco (Charlie Day), and the two caretakers of the hospital – Nurse (Jodie Foster) and Everest (Dave Bautista). Much brutal and violence in a stylized aesthetic ensues, while backed by an awesome pounding electronic Cliff Martinez score.

The best parts of Hotel Artemis sadly come only in pieces. Foster’s performance is wonderful, but like the rest of the cast her efforts are hampered by a sub-par script. Sure, there is humor that works and one-liners that result in hearty laughter, but with few exceptions the rushed character development isn’t deep enough to create the kind of emotional response the film is clearly hoping for. Likewise, the socioeconomic issue outside the hotel and the fun little futuristic tech (like freaking 3D printed organs) are never given much more than a nod either. And Jeff Goldbum’s excellent turn as the Hotel’s owner, The Wolf King of L.A., is unfortunately only a juicy cameo that also fails to pay off a major emotional turn.

The action, though, is one thing that this film has going for it throughout. It does take a bit of time to build up to, but it’s worth the wait seeing Dave Bautista and Sofia Boutella getting their fight on. Things get quite brutal and bloody, just as the tone of the film has implied they should, making for a rather exciting and enjoyable third act.


Fans of John Wick who go into Hotel Artemis expecting more of the same are sure to be at least somewhat disappointed. Though the film does provide some fun action and ideas, its hurried world-building and character development only hint at the potential this story has. Ultimately, Hotel Artemis offers very little that is unique or memorable, wasting a solid cast in a merely passable film that most won’t see and few who do will ever revisit.


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.