What We Learned This Week: July 23-29

LESSON #1: ARE CHRISTOPHER NOLAN’S FILMS EMOTIONLESS?— The prolific and cerebral director of Dunkirk recently answered critics who have called his films “emotionless.”  They must have missed the sharp revenge of Memento, the stirring heroic feels of his Batman trilogy, the seething jealousy of The Prestige, the suspenseful mental weight of Inception, and the familial anguish of Interstellar.  Emotionless, my…

Episode 068: Dunkirk

War film? Rescue film? Horror film? Or all three? We tackle Christopher Nolan’s latest movie and discuss whether the film’s unique narrative structure and immersive sound were positives or negatives. We also try to answer what we think a Christopher Nolan movie is, which is no easy task. Nolan may be our favorite director but Dunkirk was…

What We Learned This Week: March 5-11

LESSON #1: THE SUCCESS RATE OF INDIE DIRECTORS STEPPING TO BLOCKBUSTERS IS IMPROVING— Other than Marc Webb stepping up from “(500) Days of Summer” to the ill-fated “Amazing Spider-Man” double bill and “Moon” director Duncan Jones bombing on “Warcraft,” the recent push of larger studios’ farming of indie directors to helm blockbusters have gone pretty successfully….